Reddit reviews Audio-Technica AT2041SP Professional Studio Condenser Microphone Pack
We found 6 Reddit comments about Audio-Technica AT2041SP Professional Studio Condenser Microphone Pack. Here are the top ones, ranked by their Reddit score.
Included AT2020 side-address condenser mic is ideal for vocal and instrument applicationsIncluded AT2021 small-diaphragm condenser mic is a natural for acoustic instruments, overheads, hi-hat and pianoHigh SPL handling and wide dynamic range provide unmatched versatilityLow-mass diaphragms provide extended frequency response and superior transient responseCardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound sourceAn innovative pivoting stand mount is included along with a microphone clip and protective pouches
Reaper is fine. Learn the tools. I've been a pro audio guy, and now a hobbyist with plenty of money to spend, and I chose Reaper for recording. Not because it's cheap, but because it's awesome (and cheap). I've used ProTools, among others. There's very little you can't do in Reaper that you could do in any other tool, and the workflow is really good.
To be very clear: You will be wasting money if you spend money on software before getting good microphones and good hardware for monitoring. You cannot possibly improve your recordings by prioritizing software at this point. Reaper can make pro quality recordings, but your current hardware cannot.
Spend the money on a decent audio interface, with a decent mic preamp built-in, a good set of headphones, and the best microphone(s) your money leaves room for.
The right mic for acoustic guitar is usually a combination of a small diaphragm condenser and a large diaphragm condenser. Sound hole or body gets an off-axis large diaphragm and the neck gets the small.
Vocals are usually very well served by a large diaphragm condenser. But for rock, a dynamic mic might be better.
A piano is pretty complicated to mic up well. Usually using three or four mics. A stereo XY pair of small diaphragm condensers in the room, facing the open lid, and a big diaphragm inside somewhere, perhaps. Consoles are similar, but more difficult to find the "sweet spot" where the mics should point and be placed. But, a minimum of a small and a large diaphragm combo would be OK.
AKG makes a good mid-priced set of the C1000 plus the C3000 which are great mics at a fair price, but it's not in your price range (if you're buying all the other stuff), so maybe an MXL or CAD bundle:
http://www.amazon.com/MXL-550-551R-Microphone-Ensemble/dp/B002LASBS0/ref=sr_1_14?ie=UTF8&qid=1344659431&sr=8-14&keywords=condenser+microphone+studio+pack
http://www.amazon.com/CAD-GXL2200SP-Studio-Condenser-Recording/dp/B0009K94L2/ref=sr_1_1?ie=UTF8&qid=1344659431&sr=8-1&keywords=condenser+microphone+studio+pack
The MXL bundle seems better reviewed. I've had mixed results with MXL; some are great, some are awful, and the model number is no indicator for which is which...they just have bad quality control. CAD mics are consistently decent. But, more expensive, so it might be worth starting with MXL.
Oh, wait, nevermind those, go with an Audio Technica bundle:
http://www.amazon.com/Technica-AT2041-Studio-Microphone-Package/dp/B000AQDSMQ/ref=sr_1_6?ie=UTF8&qid=1344659652&sr=8-6&keywords=audio+technica+microphone+pack
Cheap, awesome, from a good company with good QC. Those mics will serve you forever, and you won't ever grow out of them...you'll grow your mic collection, but good mics will always be good for something.
Anyway, the transducers (monitors/headphones, and microphones) are the most important factors in making good recordings, by far, followed by the room in which you are recording. Almost everything else is picking nits, and a good engineer can work around limitations. But if you can't hear what you're working with, you can't make good recordings, and if you're recording through a trashy mic, it'll never sound good. Garbage in, garbage out.
This one as well: nice affordable package- http://www.amazon.com/Technica-AT2041-Studio-Microphone-Package/dp/B000AQDSMQ/ref=sr_1_16?s=musical-instruments&ie=UTF8&qid=1421189112&sr=1-16&keywords=Audio+technica
Shure SM57's are great to have in the studio. If you want a condensor mic you could check out the Audio-Technica AT2041 or the MXL 990/991 which are both 2 mic combo packs for around $100. I've used both combo packs to record acoustic guitar and vocals at the same time. I prefer the Audio-Technica mics. You could also find the larger condenser mics in each pack on their own for cheaper.
Another mention for the Audio Technica AT2020; I have the XLR version and it's great for quite a few applications. It's also pretty robust and on top of that, it's certainly a good price. You can pick them up paired with a small diaphragm condenser (AT2021) for within your price range as well, if you end up with an interface or something.
I have looked at the NT1A and NT1. I am likely to be recording guitar and vocals simultaneously, so I was looking to get a mic for each. I'm also looking at the Audio Technica offerings and found this https://www.amazon.com/Audio-Technica-AT2041SP-Professional-Condenser-Microphone/dp/B000AQDSMQ/ref=sr_1_1?keywords=Audio-Technica+AT2041SP+Studio+Pack&qid=1570081299&sr=8-1 which people are giving good reviews.
I don't think you should go with a dynamic mic like the SM57 or 58. I think you should look at condenser mics. If you can only get one mic, get a large diaphragm condenser mic. If you can get 2, get a large diaphragm for vocals and a small diaphragm for the guitar. They sell kits that have one of each. http://www.amazon.com/Technica-AT2041-Studio-Microphone-Package/dp/B000AQDSMQ/ref=sr_1_1?ie=UTF8&qid=1421175955&sr=8-1&keywords=at2041sp&pebp=1421175957665&peasin=B000AQDSMQ
You will have much better results with these. FYI, they will need phantom power.