Reddit Reddit reviews Audio-Technica ATR-6550 Video Camera Cardioid/Supercardioid Condenser Shotgun Microphone

We found 28 Reddit comments about Audio-Technica ATR-6550 Video Camera Cardioid/Supercardioid Condenser Shotgun Microphone. Here are the top ones, ranked by their Reddit score.

Camera & Photo Accessories
Electronics
Camera & Photo
Professional Video Accessories
Professional Video Microphones
Audio-Technica ATR-6550 Video Camera Cardioid/Supercardioid Condenser Shotgun Microphone
Crisp & intelligible pickup—far away or up closeTwo range settings: "Normal" for close & medium distance; "Tele" for long distance“Tele” range setting to pick up dialogue and sound effects at a distance, while bypassing ambient noiseDesigned especially for use with video cameras3.5 mm connector plugs into your video cameraIncludes camera mount, stand clamp, foam windscreen, battery
Check price on Amazon

28 Reddit comments about Audio-Technica ATR-6550 Video Camera Cardioid/Supercardioid Condenser Shotgun Microphone:

u/Consolol · 4 pointsr/photography

> In terms of sharpness, how is the 55-250 comparable to any of the 70-200 lenses?

70-200s are generally the higher-end range of lens manufacturers.

That said: http://www.dxomark.com/index.php/Lenses/Compare-Camera-Lenses/Compare-lenses/(lens1)/622/(brand)/Tamron/(camera1)/0/(lens2)/449/(brand2)/Canon/(camera2)/0

> I am hesitating between the Tokina 11-16 f/2.8 ($550) and Tokina 12-24 f/4 ($400.)

Most people on this sub prefer the 11-16.

This mic seems to get good reviews on Amazon, for the fraction of the Rode. If you can't afford it, I would go for this one.

u/Not-Jim-Belushi · 3 pointsr/Filmmakers

He could probably get by with this. It's what I used for three years. Great sound quality. Only negative is it doesn't come with a shock absorber, but I built my own for under $2, it's pretty easy.

u/brunerww · 3 pointsr/videography

The $30.95 Nady SGM-12 mic + the $17.44 Hosa MIT-156 combined cost less than a [$55.24 ATR-6550] (http://www.amazon.com/gp/product/B002GYPS3M/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002GYPS3M&linkCode=as2&tag=battleforthew-20). And [15' of quality 3.5mm cable for $9.99] (http://www.amazon.com/gp/product/B00GZQWKII/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00GZQWKII&linkCode=as2&tag=battleforthew-20) (which you will need to connect the ATR-6550 to your camera) would cost you about the same as the $9.88 PylePro XLR cable I linked to above.

The difference (in addition to saving a few dollars) will be that you'll be running balanced XLR audio on balanced XLR cable instead of unbalanced audio on 15 feet of 3.5mm cable - which is more susceptible to RF interference and hum.

Good luck with your project,

Bill

u/ArmlessRobot · 3 pointsr/Random_Acts_Of_Amazon

http://www.amazon.com/gp/aw/d/B002GYPS3M/ref=aw_ls__5?colid=XREX5Q3TPYE2&coliid=I18IR1HSIBHNAX

I'm getting into filmmaking and I can't afford a new mic yet. This is a reasonably priced one I'm looking into.


http://www.amazon.com/gp/aw/d/B000BQQ7QE/ref=aw_ls__3?colid=XREX5Q3TPYE2&coliid=I3VY2E5QUH0FZF

This is what I want to get as a boom pole for the mic, since a real boom pole is a ridiculous amount of money.

If someone got me this stuff I might literally lose my fucking mind. I'm only 16 and I'm having so much trouble finding any sort of job. So c'mon...gimme !

u/2old2care · 3 pointsr/Filmmakers

Just a few thoughts: If you are a beginner and especially if you are going to be both operating the camera and doing interviews at the same time, don't use a DSLR. You need a regular consumer camcorder, the nicest one you can afford. Be sure it has an external microphone input and a headphone output. So, you will need at least one external microphone, a shotgun and/or a lavalier. The most important thing in your documentary is good sound!

This little Audio Technica lavalier can sound just fine:
http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=sr_1_2?ie=UTF8&qid=1382119845&sr=8-2&keywords=audio+technica+lavalier+mic

This inexpensive shotgun also works well:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1382119920&sr=8-1&keywords=audio+technica+shotgun+mic

A little explanation: A consumer camcorder has pretty good auto focus and usually face recognition, so you won't have to worry about keeping things in focus. Also, you'll have pretty good auto exposure and auto white balance. If you are shooting your first documentary with limited experience and/or a very small crew, you need to think about content and let the camera help you instead of having to think about too many things. It's true a DSLR with a good operator can make your documentary look better, but it won't matter if the story isn't there. If your story is good, the audience will accept a lot of shortcomings, especially in the picture.

When shooting, use the external microphone whenever you can. If you have only one subject, use the lavalier, otherwise use the shotgun. Always monitor the audio in the headphones. I have a friend who accidentally plugged the microphone into the headphone jack and didn't know it until too late!

Good luck!

u/cptdungle · 3 pointsr/Filmmakers

Well, If filmmaking and video is your goal with these cameras I wouldn't recommend either.

If you're just starting and serious about video production here's a pretty effective starter kit that's just a tad over your $400 budget.

[Camera: Canon Vixia HF R400] (http://www.amazon.com/Canon-VIXIA-R400-Advanced-Camcorder/dp/B00AWZFJ22/ref=sr_1_1?ie=UTF8&qid=1395594961&sr=8-1&keywords=canon+vixia+hf+r400)
This is a decent starter camera. It's got a decent range of focal lengths, optical stabilization, microphone input, progressive frame-rates and most of all designed with video in mind. You'll need a SD Card

I noticed the cameras you picked resembles DSLRs but keep in mind that these in particular are not and with fixed lenses which defeats the purpose of having DSLR for video. Trust me, learn how to be effective with a camcorder first! Then, when your skill requires more artistic control you can upgrade.

Audio:
[Microphone:] (http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1395595673&sr=8-1&keywords=shotgun+microphone)
Having clean audio is probably the most important part filmmaking! The key is to get the mic as close to your subject as possible and away from your camera. You'll need a cable. If you need to mount it to your camera use this [bracket.] (http://www.amazon.com/Heavy-Photography-Bracket-Standard-Mounts/dp/B005Z4ROIW/ref=sr_1_1?ie=UTF8&qid=1395595189&sr=8-1&keywords=flash+bracket) This bracket will also help keep the camera stabilized when you go handheld.

Keep in mind this won't deliver perfect audio but it will be a MASSIVE improvement to the on board microphone and learning how to record with decent audio in mind is your first step into becoming a pro.

[Lighting:] (http://www.amazon.com/Bayco-SL-300-Clamp-Aluminum-Reflector/dp/B007RKKEHA/ref=sr_1_17?ie=UTF8&qid=1395595354&sr=8-17&keywords=can+lights)
Lighting is EXTREMELY important. A couple of these can lights will not only help with your image quality but put in you in the right direction for learning how to properly light your scene. You could start with daylight equivalent CFL bulbs.

[Tripod:] (http://www.amazon.com/AmazonBasics-60-Inch-Lightweight-Tripod-Bag/dp/B005KP473Q/ref=sr_1_3?ie=UTF8&qid=1395595413&sr=8-3&keywords=tripod)
You NEED a tripod. This one is cheap and cheerful. Looping the ends of a couple rubber brands around the pan handle and the other end around your finger will help deliver some smoother pans!

Total: $425/£258

Some things to keep in mind:

  • These are far from pro tools but if all used in conjuncture you can deliver a much more effective production than just merely using a camera on a tripod.

  • Build a crew of friends. Although you can "one man band" it I don't recommend it because one of coolest things about film is that it's almost always a group effort towards an artistic goal!

  • Most importantly, the equipment are just tools. They don't tell the story; you do! Your film/video is only as powerful as the story you want to tell!

    Best of luck to you!

    edit: formatting
u/dwoi · 2 pointsr/photography

Absolutely—I might even make a single lesson dedicated to listing different pieces of equipment that are both affordable and helpful for shooting video on DSLRs. For instance, Audio-Technica's ATR-6550: http://www.amazon.com/gp/product/B002GYPS3M/ref=as_li_qf_sp_asin_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B002GYPS3M&linkCode=as2&tag=qinema-20
is an excellent and relatively cheap shotgun mic which can record directly through your min-jack port without an adapter.

I've put the class enrollment page location on the /r/FilmClass subreddit as well as the location to another, more general Cinematography course I'll be teaching. I hope it's helpful!

u/provideocreator · 2 pointsr/videography

If you want to get in close and not use a lav mic, you could use an Audio Technica shotgun mic which has a 3.5mm jack to connect to the camera. Then just find a pole or a stand to put it on.

u/ryan_piracha · 2 pointsr/Filmmakers

You're going to be hard pressed to find a shotgun mic for $30 thats worth the money. The lowest end shotgun mics that are still at all useable run about $60, like this one. here. I own that one and it is a very good shotgun mic for the price, although after a lot of use it does start to pic up more background noise and looses reach.

u/ilykdp · 2 pointsr/videography

It's an omni directional mic - meaning the pickup pattern like a sphere that surrounds the microphone. The closer the subject to the microphone the better the audio.

You will probably have to place the lavalier close to the chopping in order to get a nice clear audio of that sound.

Since you were going to drop $300 on the zoom anyway, maybe also get a hypercardioid microphone (shotgun). It's pickup pattern is like a long spear, so whatever its pointed at, it will get clear audio of without getting a lot of reverb:

http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1345246835&sr=8-1&keywords=shotgun+microphone

u/zicowbell · 2 pointsr/Filmmakers

No problem dude.

So first off I just want to go against your thought on only using an iPhone until you can get a professional camera. I really do think that you need the DSLR step in between the iPhone and the professional camera for many factors. Even though the app that you are using is very impressive, it still cannot match a DSLR. You even said it yourself, the camera sensor is way too small to use in anything but exceptional light. Secondly being able to tell the story not just the angle you have the camera, but in the lens choice is something that is awesome to do. With a single change in a lens you can make someone who is in an ally look like they are claustrophobic and trapped, to someone being alone in a large amount of space. So using lenses are a huge help in telling the story you want and being able to know that before using a professional camera is huge. I also want to point out one of the big and main differences why someone would want a professional cinematic camera. One of the main reasons is to have the capability to shoot in RAW which allows for awesome post production. I've used RAW many times before and it is awesome to adjust almost every aspect of the shot. Here is the thing though, you almost really don't need that unless you are really going to push the camera in post, or if you are doing a movie. Even without RAW a DSLR or mirrorless camera can achieve professional looking video without breaking the bank. Here a great video on professionals comparing 8bit vs 10bit which is essentially the difference between cinema cameras and mirrorless ( https://www.youtube.com/watch?v=AekKwgvS5K0 ). This is a very interesting video and really shows how good mirrorless cameras are, and the small gap between the two. I know it's fun to say that you filmed a whole film on an iPhone. I've also used an iPhone and android phones to film really good looking video, but I knew what it can and can't do because I had used dslr and professional cameras. Without the knowledge I had there would've been wild problems that I couldn't fix in post, and even with all of my knowledge I had to change how I did things to get everything right. It was a great experience, but there is a time and place for everything.

Okay not that is out of the way I'll tackle the audio questions you had. So when I said that you can eliminate background noise while recording it wasn't necessarily in a software, rather in what you are doing while filming. The number one thing that you need to do is get the mic as close to the actor as possible. By doing this it eliminates most factors so you can have more flexibility in post. Secondly it is a good idea to have someone dedicated to being the audio engineer. Having to do both is exhausting and results in lukewarm audio and video. Third you need to get an app or some external device that allows for adjusting the gain. There should be multiple apps that can do this, however I would recommend a pre-amp. Here is a link to a great pre-amp https://www.amazon.com/dp/B01LBS52YI/ref=psdc_11974581_t3_B007534LFK . It is a great deal for what it is, but it is still pretty pricey if you don't have much money or much income at all. This is a great tool because it will allow for any audio recorder, phone, or camera to accept xlr, quater inch, and normal aux connections and even providing two. You can also adjust the volume it is putting out so you can more easily adjust on the fly. Getting the right levels is essential for getting good audio in post. The next thing you can do is have some portable sound proofing. There are audio blankets that do a great job, but they are $60 for one. Not to say it isn't worth it, but it's a bit much if it's between getting that and a new mic. So instead I recommend getting a moving blanket. It isn't perfect, but you can get a huge amount of them for cheap and they do almost as good as the audio blanket. The way can use this is to cover up whatever is making the noise if you can. If you can't you can make a wall out of the blankets with light stands, or pretty much whatever you can attach them to. This will not only reduce echos from the actor, but it will also greatly reduce the amount of ambient noise that the mic is picking up. Seriously pick up some moving blankets, they are a great tool not just for audio, but you can use them to block out light, and actually move stuff. They are a really awesome tool. So by doing all of this it should reduce the amount of ambient noise that the mic picks up. Also for good shotgun mics, I am not a great resource for this but I do know a few good mics. Here are two that I know are good and that others say good things about. https://www.amazon.com/Professional-Advanced-Broadcast-Microphone-accessories/dp/B00N39J0LU/ref=sr_1_4?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-4&keywords=shotgun+mic https://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_5?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-5&keywords=shotgun+mic . If you want to know more there are a large amount of articles on good mics for cheap.

Next I just want to quickly mention that you should invest in some lights. No matter what it is a good idea to have them. Here is a link to a great budget light, https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1503160499&sr=8-1&keywords=neewer+light . It isn't the most exiting thing to buy, but it is well worth your money.

For the acting questions, it is hard to put to words what I experience. It's more of an instinct, and is different in every situation . However I know I would not be happy with that answer, so here is a link to an article that I think has some really good points. http://www.masteringfilm.com/tips-for-directing-actors/ . This isn't the guide lines for what you can do, but this is just a starting point for what you can do to direct actors better. There are many articles out there so pick and choose what you want. My only piece of advice that I could find words for is this, make your actors not act. You want them to be the character. So a good way to get this to happen is to have them write a back story for the character, it won't be incorporated in the film, but it will help them shape their decisions on how they act. It is really a great way to have the actor connect with the character. Also just tell the actor what they are doing. Don't be a dick about it, but let them know so they can change it. Don't be vague by saying "do that but happier" because no one really gets that. Instead say something like "Jim while you are saying that line could you have a bit of a smile and have a bit more hop in your step" something like that. That might've not been the best example, but you hopefully get the idea.

Okay I hope that answered all of your questions. Let me know if you have more.

u/punkrok97 · 2 pointsr/youtubers

Less than $500 for even a decent camera will be difficult. I'd suggest looking into a used Canon T3i or a new/used T2i. They may be slightly more expensive but they're the best thing you'll find around that price range (in my experience). Also because they both have interchangeable lenses you can upgrade/adapt them as you get more cash to invest.

I know less about mics although I think it may be difficult to find what your describing, especially at that price. Something like this may be what your after but I really can't say that the quality will be great and the cable will probably get in the way if you're moving around.

What I'd really suggest is to abandon the idea of on-body unless it's absolutely necessary for some reason. If you're up for doing that I'd suggest a shotgun mic (something like this would probably do just fine). The absolute best option in terms of quality and lasting value would be to buy an H4n. The disadvantage is that you'll end up having to sync your audio to the video but the advantages are that the audio quality is great, you can add better (XLR) mics in the future and you can move it around depending on where your audio source is.

I know that this isn't exactly what you're looking for but I hope it's some help anyway. If you have questions please feel free to ask :)

u/Afro-Ninja · 2 pointsr/audioengineering

mostly indoors. a few outdoor shots that can be dubbed if needed. I was considering hooking this up to my laptop as a budget choice:

http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_15?ie=UTF8&qid=1395945806&sr=8-15&keywords=3.5+mm+boom+mic

thanks for your help!

u/DukesOfBrazzers · 1 pointr/Filmmakers

Really depends on what low-cost is to you. A lot of people use the DR40 or an H4n ($175-200), but I have seen people do just fine with an iphone and line in. I don't know what your skill level or experience with processing/editing audio is, but you might make a practice run with a mic in your phone and see how that works.

So that really means a decent mic with a minijack, My recommendation and what I had my first shoots, is this [Audio Technica] (http://amzn.com/B002GYPS3Mc). There are loads of better mics, but not that I can think of in that price range.

Windscreen and a dead cat are always advised, they can be got cheap. If you get that mic setup all you need is a deadcat and a boom (or gaffers tape and a pole) and a shockmount.


There are more experienced people that are more knowledge about audio than me, hopefully one of them can chime in.

u/[deleted] · 1 pointr/Filmmakers

I would forget the boom, and get a basic hand-held shotgun mic. I think you'd get pretty lousy results trying to connect a bunch of stuff to an H1. It really wasn't designed for that.

u/GreatSpaceWhale · 1 pointr/audioengineering

Hey guys, I hope this is the right place to ask this.

To make a long story short, I'm looking to buy a mic to use for Skype/TS/VoIP type stuff, mostly while gaming. I'm also looking to try something nicer than the low grade desk mics that I've used in the past. I was previously planning to just buy something like the Audio Technica AT2020 USB, but I'd like to try to find a solution that will allow me to reduce the level of sound that my mic picks up from other sources, primarily my mechanical keyboard, which is loud as hell.

To this end, I was thinking about picking up a fairly cheap shotgun mic and hooking it into a USB mixer that I could plug into my computer. I think the shotgun mic's directional nature would be an improvement on the mics I've been using (and that my friends have been complaining about) and would have less sound picked up from my keyboard (although I know it won't go away entirely).

Keeping in mind that I'm on a college student budget, and that this isn't for any kind of recording/voice over work for music or anything, here's what I had planned:

Audio-Technica ATR-6550 as the mic. It's low-cost and has reasonably good reviews. I've owned a few different pairs of AT headphones before and never had any complaints about their build quality or performance, so this seems like a good pickup at my price point. If this setup works, I could consider picking up a nicer mic later on in time.

Behringer Xenyx 302USB as the mixer. Again, low cost and obviously not stellar in performance or options, but I don't need it to do very much.

My understanding of it is that I can hook the mixer into my computer via USB, and it will register it as a recording/playback device. Then I can hook the shotgun mic (with a 1/4in adaptor on it) into the XLR/TRS mic input and that will serve as the new mic. I also should be able to plug my headphones into the headphones jack and my speakers into the output of the mixer, so that all of the recording and playback devices are handled by the mixer.

Ultimately, however, I don't actually know anything about audio equipment, including the mic and mixers. So if anyone has any advice to offer or suggestions to make, that'd be greatly appreciated. Also, if I'm completely wrong about how the inputs/outputs or something like that on the mixer works, then it'd be awesome if someone could help explain it to me.

u/chaon93 · 1 pointr/buildapc

Do you know how good her camcorder mic is? is she primarily in front of the camera?

If you are doing studio work you should be looking at shotgun microphones. A decent shotgun mic is going to cost a bit more than what is budgeted, especially when you factor a mount in http://www.amazon.com/Opteka-VM-200-Condenser-Microphone-Camcorders/dp/B007QV1E7Y/ref=sr_1_2?s=photo&ie=UTF8&qid=1377066476&sr=1-2&keywords=microphone+dslr

http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=cm_cr_pr_product_top might do if it's just for youtube, not the best but it seems adequate for studio work for youtube

EDITED: I had misspelled studio at one point and it autocorrected to stupid. i fixed this.

u/i_start_fires · 1 pointr/Filmmakers

For audio, the key thing is that you want the microphone as close to the actors as you can get. Starting with a shotgun mic and a boom pole will probably be your best bet unless you have the cash to splurge on wireless lavs. Rode and Sennheiser are always a good bet, but even a cheaper option like this Audio Technica mic will be way better than anything built into the camera.

For a camera, you'll want something that allows you to change focus/aperture manually. That's really the key to getting dynamic shots, where you can set focus for foreground/mid/background objects to keep things interesting. Depending on your budget, if you can afford a DSLR still camera that is capable of recording HD video you will get a lot more mileage out of it than a cheap handycam. The Panasonic LX7 is a good bet for lots of manual control.

If these are beyond your budget for now, just shoot with whatever you can get your hands on, even the GoPro.

u/budget_music · 1 pointr/DJs

Your best bet would probably be to pick up an xlr cable and some sort of supercardiod microphone. These are usually used in film in order to eliminate ambient noise when recording dialogue so it would be great for picking up crowd noise. Then just record straight from your mixer and add the two together with some quick post production.

(You could also pick up a consumer one with a simple 3.5 mm jack instead of an xlr and just plug it into your computer's mic jack - it would cost less but you'd lose some quality... Example)

u/redgoldfilm · 1 pointr/Filmmakers

Thanks for the detail! It really helps. My shotgun mic is an ATR6550 with a 3.5mm cable, so I don't have an XLR cable yet. Another thing to mention is that I also have a Revo 1500 rig and a SmallRig QuickCage to place accessories.
Question, how can the Zoom be used as a backup in an emergency (with the Sescom), if the Zoom runs out of battery? Isn't the Shotgun the backup? Thanks!

u/jgohlke · 1 pointr/WeAreTheMusicMakers

You'd want a shotgun microphone because it's one of the most directional available.

A simple amazon search got this:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?s=electronics&ie=UTF8&qid=1323444845&sr=1-1 but I have no experience and no opinion either way of this specific mic's suitability or quality.

u/vorpalsword92 · 1 pointr/Filmmakers

I recommend this badboy. I bought it a couple of months ago. Ive been really satisfied with it

u/camopdude · 1 pointr/videography

Here's some reviews and discussions:

http://www.youtube.com/watch?v=PfXBDhdehl8

http://www.amazon.com/Microphone-recommendations-for-Kodak-Zi8/forum/Fx2VMV1QKVDM9OA/Tx3N0Q35XW239K/1?asin=B002HOPUPC

http://createvideonotebook.blogspot.com/2009/09/steve-garfiled-reviews-external.html

Shotgun mics are harder to find in your price range, but you can try something like this. Of course support then becomes an issue. You may end up getting two lavs and figuring out a way to mix them together.

u/EpcotMaelstrom · 1 pointr/Filmmakers

Sorry I'm such a newb, but will this mic work? with this adapter? the guy in this video seemed to imply it would work. It looks like the cable is somewhat short, are there any work arounds for that? Sorry for all the questions, I hope someone here can offer some answers. Thanks!

u/LocalAmazonBot · 1 pointr/Filmmakers

Here are some links for the product in the above comment for different countries:

Amazon Smile Link: http://smile.amazon.com/dp/B002GYPS3M/ref=pe_385040_30332190_TE_M3T1_ST1_dp_1


|Country|Link|Charity Links|
|:-----------|:------------|:------------|
|USA|smile.amazon.com|EFF|
|UK|www.amazon.co.uk|Macmillan|
|Spain|www.amazon.es||
|France|www.amazon.fr||
|Germany|www.amazon.de||
|Canada|www.amazon.ca||
|Italy|www.amazon.it||




To help donate money to charity, please have a look at this thread.

This bot is currently in testing so let me know what you think by voting (or commenting). The thread for feature requests can be found here.

u/hstabley · 1 pointr/Filmmakers

I appreciate your response.

Here is the microphone in question:

http://www.amazon.com/dp/B002GYPS3M/ref=pe_385040_30332190_TE_M3T1_ST1_dp_1

I Also understand the lense thing has been talked about before, i just was wondering about generic shooting lenses. I wish they'd sidebar something of importance like that as the reddit search function is very inaccurate.

u/BeTheShoe · 1 pointr/Filmmakers

We used to use something like this.

I made two low-budget feature films with them and they worked out really well. The one downside of cheap audio equipment is they have a higher floor noise and the basic 35mm cables aren't shielded (vulnerable to picking up static) and have a higher floor noise.

And if you're shooting outside, get a dead cat. (Yes, SFW, it's a big fluffy windscreen.)