Reddit Reddit reviews Energy Flash: A Journey Through Rave Music and Dance Culture

We found 8 Reddit comments about Energy Flash: A Journey Through Rave Music and Dance Culture. Here are the top ones, ranked by their Reddit score.

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Energy Flash: A Journey Through Rave Music and Dance Culture
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8 Reddit comments about Energy Flash: A Journey Through Rave Music and Dance Culture:

u/drugsarefuckingcoral · 6 pointsr/edmproduction

Energy Flash: A Journey Through Rave Music and Dance Culture is the textbook for the electronic music class at my university.

u/n_5 · 3 pointsr/electronicmusic

Haven't read Last Night..., but Simon Reynolds' Energy Flash was quite a nice overview for me. It's not short (around 550 pages) but a very good look at electronic music from the '70s to about 2006.

u/rate_reducer · 3 pointsr/electronicmusic

ishkur's guide is the best entry point imo. if you can, I'd then suggest getting this book (http://www.amazon.com/Energy-Flash-Journey-Through-Culture/dp/1593764073)-- seriously the most comprehensive history of electronic music and rave culture out there. There are some cool genre specific documentaries on youtube which you can typically find just by searching some subgenre name + 'documentary'. Then the Dance Music Guide is a good reference for newer genres.

u/markday · 2 pointsr/BurningMan

Too wordy? Unlikely. Go directly to Simon Reynolds' Energy Flash, young man, and report back.

Here's my ten cents.

It's a well researched overview of the inherent tension that has long existed between people who want to bring electronic music to Black Rock City and people who would variously prefer there was a lot less of it.

Anyone who cites Adrian Roberts from Piss Clear as an academic source is OK by me.

The paragraph or two dissecting "douchebag" as a playa insult directed at EMD fans is, unfortunately, ludicrous.

I don't expect any reportage to be all-inclusive, and the Dancetronaut controversy is as good a place as any to illustrate that these tensions, rooted in the mid-90's have a modern-day equivalent, but I feel that time has passed the author by, and the lack of any mention (unless I missed it) of Robot Heart, and their aesthetic (more grounded in Burning Man than the relatively-mainstream, white-jumpsuited Dancetronauts by far, yet more divisive, in more nuanced and interesting ways) is a bit of a glaring omission.

Based on the mutual friends we apparently have on the Facebook, I'm making the broad assumption that the author is strong on psytrance, as a participant (name-checks the Blue Room, which was ground zero for me at Burning Man circa 1999) , but has relied too much on internet reporting of White Ocean and Dancetronauts, in his coverage of recent years, and failed to wrestle with the socio-cultural reverberations of the allegedly-elitist deep house beast.

Still, that said, a good read.

u/heidinseek · 1 pointr/aves

Yeah she's a raver too, but I think she's too uncoordinated to use gloves haha.
I found a new revamped edition of Energy Flash: A Journey Through Rave Music and Dance Culture on Amazon, and I think she will really enjoy it.

Thanks for your input!

u/Dr_Blowfin · 1 pointr/electronicmusic

One of the most influential Berlin night clubs of the past 2 decades, which holds similar ideals today much like most of the well known clubs that were born around techno music in Germany:

https://en.wikipedia.org/wiki/Berghain

The birthplace of House music in Chicago "The Warehouse was patronized primarily by gay black and Latino men":

https://en.wikipedia.org/wiki/Warehouse_(nightclub)

Recommended books you can read to learn about the history of music:

https://www.amazon.com/Klang-Familie-Felix-Denk/dp/3738604294

https://www.amazon.com/Techno-Rebels-Renegades-Electronic-Painted/dp/0814334385

https://www.amazon.com/Last-Night-DJ-Saved-Life/dp/0802146104/ref=cm_cr_arp_d_product_top?ie=UTF8

https://www.amazon.com/Energy-Flash-Journey-Through-Culture/dp/1593764073/ref=pd_sim_14_2?_encoding=UTF8&pd_rd_i=1593764073&pd_rd_r=S1TWN7HDAJJY3Z2QN4BG&pd_rd_w=Zk210&pd_rd_wg=Dqe5r&psc=1&refRID=S1TWN7HDAJJY3Z2QN4BG

https://www.amazon.com/Electrochoc-Laurent-Garnier/dp/1906615918

A snippet from the above book by Laurent Garnier regarding Detroit, the birthplace of Techno music:

"Like Manchester in the early 1800s, during the golden age of the British Industrial Revolution, Detroit also became the great American city of industry. Several thousand blue-collar workers came from all over the US to work at the Ford automobile plant, while the black workers were confined to the foundries.

In 1959 Motor Town gave birth to Motown, the cultural pride of the black community. Then the battle for civil rights broke out in the US, and in July 1967 Detroit experienced three days of bloody rioting. The white community fled to the suburbs and the ghetto grew bigger and bigger. And finally, in the 1980s, there was an explosion in drug abuse, especially of crack, in these same ghettos.

Detroit techno music tells the story of all of this hardship. And within this music one can feel the life force that refuses to be put down. Words are of no importance. Everything is expressed within a few notes, repeated ad infinitum. Detroit techno is made of metal, glass and steel. When you close your eyes you can hear, far off in the distance, then closer and closer, the echo of crying. Like in jazz and blues, Detroit techno transfigures suffering. This authenticity of spirit has no price.

'In 1981, a record – "Sharevari" – was released that would play a pivotal role in the history of Detroit techno. "Sharevari" is the very first techno record from Detroit, but as yet nobody had used the term "techno," it simply didn't exist.

Mike Banks, alias Mad Mike, is the true soul of Detroit techno. He is an urban guerrilla, a man haunted by the suffering of his city. Mike has chosen music to fight against the problems of daily life and takes his inspiration from the Afro-American struggle of the 1960s

Through his record label Underground Resistance, Mike Banks spreads a guerrilla philosophy whose targets are the major record labels, the American segregationist system, and despair in the ghetto.

Mad Mike pursues his causes – to get young people away from crime and drugs, to rally against the economic disaster that is Detroit – and music.

UR is the continuation of a long struggle and we chose existing technologies to make this struggle move forward. Through UR, we wanted to express everything through sound; no need for pictures. We were against everything you have to accept in order to be famous.

We were just coming out of the 80s, a time when many black artists had had their noses done or their skin whitened. Fuck that! If a guy doesn't know what you look like, he won't care, as long as he likes your music. It's Detroit and the whole black experience in America that gave birth to Underground Resistance.

We both had experience of deals with majors in which we had been swindled. That is where the name Underground Resistance came from. Literally, to create a resistance to the "overground."

What's really remarkable is that I have to go out of my way to explain and showcase all of this to you, when this is something that is known amongst most fanatics of electronic music.

Much like Germany had its own sub-culture tied to political movement, so did Chicago and Detroit.

It's like I'm talking to a person saying "The sky is blue" while said person refuses to look up and constantly spews things like "No! Wrong! Wrong! It's green! Prove it!"

Why do you think Punk Rock is named after a whole sub-culture, just out of pure coincidence? It's laughable that I have to explain such a simple concept to someone so ignorant. It's like you talk about things that are 100% obvious and make yourself the clown of the room while genuinely refusing to acknowledge it, it's very cringeworthy.

I'm going to block you now because you're a prime example of the kind of people /r/edm is filled with and why no electronic music fanatic actually wants to remotely even deal with people of your kind, you've demonstrated that point very well. It's laughable how you refuse to educate yourself in any way and then you come on these boards with a hostile attitude dismissing things that have been known for multiple decades because of how dense and ignorant you are, from people who have a much better understanding of what they are saying. Electronic music is 40 years old now, do you genuinely think that nobody has touched on these subjects beforehand? Have a look at the list I linked to you and do yourself a favor and stop being hostile with your replies as long as you remain ignorant, you're really embarrassing yourself and most other EDM listeners with your example.

u/NilesRiver · 1 pointr/edmproduction

I didn't get to finish reading this because I could never find time but until I stopped I as really enjoying Energy Flash. It gives a pretty good coverage of the history mixed with the author's experiences.