Reddit Reddit reviews Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package

We found 31 Reddit comments about Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package. Here are the top ones, ranked by their Reddit score.

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Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package
As the seller is the only authorized fulfilled by dealer, and purchases from unauthorized dealers carry noDelivers a warmth, extended dynamic range, and high SPL capability typical of more expensive offeringsAn Incredible self-noise level of only 5dBA makes this an extremely quiet studio microphoneThe low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussionIncludes everything you need to get a truly professional vocal recording and is ideal for home studio recordingA studio-grade pop shield and shock mount is included, along with a 20' microphone cable, dust cover, and an instructional video
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31 Reddit comments about Rode NT1-A Anniversary Vocal Cardioid Condenser Microphone Package:

u/djdementia · 4 pointsr/WeAreTheMusicMakers

Beginners kits get asked often here. Here is what I wrote up a few weeks ago for beginners kits:

A beginners kit on a tight budget ~$180:

u/audiotecnicality · 4 pointsr/audioengineering

I really like the Rode NT1A. It's a pretty versatile mic, I've used it for voice overs, vocals, drum overheads, guitars, etc. Comes with a shock mount and pop filter.

u/joemorf · 4 pointsr/recordthis

I still use my Yeti Blue for quick usb recordings. There's nothing wrong with them. Pretty sure that most if not all of the airchecks I've recorded for this forum have been recorded using the Yeti Blue.

My entry-level XLR mic was the Rode NT1A. (It's still part of my setup when I need multiple mics simultaneously.) They are currently on sale one Amazon Rode NT1A but I don't know what the current 38% off / $229 translates into for you up there in Canuckistan. (That's a package price that includes a pop filter, shock mount, mic stand, and xlr cable.)

If you do go with the Rode NT1A, you'll want to take a few basic steps to treat your room if you haven't already. It picks up everything. For example, before I had my room treated properly, I had to stop recording if the refrigerator started running downstairs.

My primary mics are currently a Shure SM7B for studio stuff, and a Shure Beta 58a for live outdoor vocals. But the Rode NT1A is still in the mix from time to time. It's a solid entry-level professional microphone.

u/Petravita · 3 pointsr/makinghiphop

Hey there! Here's my suggestion if you're starting out and have a $600 budget.

u/bichkin · 3 pointsr/acappella

I don't really think there's a clear answer for this, but the good news is that there are many excellent options these days. Sound quality isn't always the most important aspect to consider. Many artists have had great success with just an SM58 microphone hooked up to their computer. If you're just starting up and you don't need studio quality recordings, something like this might be fine. I often just use a basic handheld mic when I'm multitracking a new arrangement for my group to learn. It's quick, simple, and often easier for recording beatboxing with too. There are plenty of free or affordable programs available for multitracking too, so the mic will be your main expense.

If you're looking to make some top quality recordings, you can expect to start spending more as well. Not going to lie - this is where it can get complicated and expensive. I'd recommend starting basic and get a decent condenser mic with a stand and a pop screen, a soundcard or usb mixer with a decent preamp, and stick with the cheaper software for recording.

If you find you're getting more serious with your recordings you may want to upgrade the microphone to a Neumann, install some noise dampening panels, and look into a DAW (digital audio workstation, or recording software) such as Pro Tools.

Whatever you do, don't spend too much on overpriced cables. Check out Monoprice

u/lumpofclay · 2 pointsr/WeAreTheMusicMakers

I was looking for an interface a few months ago as well and eventually bought the Focusrite Scarlett 2i2. I have been REALLY satisfied with it and do recommend it highly. Its preamps have been praised highly and I also think they are very good and I am convinced that you get very good bang for your buck value! The sound quality is excellent, it's easy to install and a joy to work with.

However you should be aware of the two following points that get mentioned often:


u/ThatSoundGuyChris · 2 pointsr/leagueoflegends

Okay this is going to be a long post, so here goes.

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If you really want to get into sound design, youre going to need a few essentials. A DAW (Digital Audio Workstation), an audio interface, a handheld recorder, and a microphone.




DAWs

As far as a DAW goes, there's a few alternatives you can go with. I personally use Avid Pro Tools for near everything I do, but also mess around with Reaper. I've found that most studios will use one of these two. Most DAWs will have a pretty steep learning curve, so be ready for that.

Pro Tools First is the free version of Pro Tools. It has a lot of limitations, but for starting out it should be fine. If you want less limitations it costs big money, but I'm sure you can find a crack or two as long as you don't use it commercially.

Reaper is starting to grow on me lately. You can customize it to your needs, and the full version is only $60. You can also just deal with a popup everytime you open the program for ten seconds and use it for free. I mainly prefer Pro Tools over this because the video engine in Pro Tools is much better. But for batch editing multiple sound files, Reaper is muuuuuch better.

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Audio Interface

This basically takes over as an intermediary between high quality audio and your computer. You can plug a microphone right into it to record sound straight to your computer. You can do this with a USB microphone as well, but the quality is a million times better with one of these.
I would recommend either the Behringer UMC22 or the more advanced Focusrite Scarlett Solo. Both will do the trick, I just prefer the mic pres on the Focusrite a bit more.


Handheld Recorder
Handheld recorders allow you to record anything you want to without having to deal with any cables. They should be compact but durable.

The Tascam DR-40 is a great intro recorder. It was the first recorder I got 5 years ago, and it still holds up. I've dropped this thing so many times and it still powers through.
Another favorite is the Zoom H4N. This was a favorite among most of my classmates as it was the one my school supplied, but I didn't feel like going through the checkout process all the time so I saved up and got the Tascam. It has a newer version, the Zoom H6, which is pretty slick, but comes at a higher price point. It also comes with some interchangeable microphone capsules so you can get different types of recordings. I'll cover more of this later.
I'll leave off with the recorder I have now, the Sony PCM-M10. This thing is a godsend. It's discontinued due to a newer version coming out, but you can find this guy on eBay for around $300-400. It's smaller than a phone, and the sound quality is amazing. If you have the money to shell out for this guy, definitely go for it. Every sound designer inn the industry I know swears by it.


Microphone

So the first thing you need to know is that there's a load of different microphone types. Its a lot to cover, so I'm just going to link you to this article that will cover the basics of what you need to know. Basically I would recommend different microphones for different things, all depending on what you're trying to capture.
A good all-around microphone is the Shure SM57/Shure SM58. They're essentially both the same microphone. But these things will LAST. Like,people have run over them with trucks and they sound fine. Definitely a good starting point

For vocal recordings, I would recommend the Rode NT1A. This mic is a great starting point for capturing voice, and is durable to boot.

For capturing foley/field recording, I would go with the Rode NTG2. Its a shotgun mic with great quality for the price, and never let me down in all the years Ive been using it. I won its successor, the NTG3, in the Riot Creative Contest a few years back, but still use the NTG2 from time to time when I need to.


Some Extra Stuff


Theres a lot of cool, free plugins out there. I've used both Blue Cat's and Melda's plugins, and they all get the job done with a bit of tweaking.

As far as building up a sound library goes, I would recommend recording literally everything you can around you and playing with those sounds with plugins as a good starting point for building up a library. There's a few resources out there that give out free SFX every once in a while, GDC has had a bundle go up for 2016, 2017, 2018 and 2019. You can also check out the BBC Sound Effects Library. Be careful about getting libraries and bundles though, as they add up quick. I have to go through my sound library soon, and I probably have around 500,00+ files but only really need a few thousand.

For all your sounds, you're going to want a file manager. A great and free one is Mutant. You just add the directory where you downloaded your sounds to, let it load them in, and voila. You can search easily for what you need.


Hopefully, all this was somewhat helpful to you, or to anyone else reading this who's interested in sound design!

u/Kinetic_Wolf · 2 pointsr/NewTubers

I use the fifine 669b, it was $40 on amazon (canada). You can find my channel in my profile if you'd like to hear example of quality. Personally I'm baffled at how good it is for the price. I doubt you could hear an upgrade from any microphone until you start hitting the $300 range like this one: Rode NT1-A

u/derashitaka · 2 pointsr/DnD

Looks good, thanks! :) I've got the Rode NT1A though for my other recording needs and I think that'll do just fine.
(http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1452267188&sr=8-1&keywords=rode+nt1a)

u/wilb0b · 2 pointsr/letsplay

Well if echos are an issue maybe look into dynamic mics for now. Maybe try out the Shure SM48 and see how that fairs, you'll save money getting the non-on/off switched one. Then I would invest in materials later on to sound treat your recording area to help remove echos. Then you can step up to condenser mics that pick up a much clearer / more accurate sound once you get the room treated.

Our group uses 3 Rode NT1A's which are condenser microphones for reference if you want to hear how they sound.

IMO dynamic mics only work with certain people, most of the time they make people sound nasaly and sound like a sports commentator but some people have the right voice that it doesn't effect them.

u/a13xand3r · 2 pointsr/IWantToLearn

http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1344460807&sr=8-1&keywords=rode+nt1a This product plus any free DAW (like audacity) will give you amazing sound results. It can be used both for piano (overhead) and vocals.

u/danceswithwhitegirls · 2 pointsr/edmproduction

i recorded these on a shure sm88 which is only 88 on amazon. http://www.amazon.com/Shure-SM58-LC-Cardioid-Microphone-without/dp/B000CZ0R42. Its the same mic i did the vocal drop on Pitbull dont stop the party. if your looking for something a little more upmarket but still cheap and good cop the http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS . ITs the same mic that Nick Hook (who works with Brenmar and everybody) that he used to record Azealia Banks 212.

u/posidonking · 2 pointsr/audiodrama

Hi, I'm the co-editor for podcast production and I think I may be able to help with your questions.

Mics: Depending on your current recording space you have 2 options, Condenser or Dynamic Microphones. Condenser mics are very good at picking up detailed sound but they are most of the time to sensitive to be used without some sort of sound proofing or acoustic treatment to the room as they are really good at picking up even the quietest of sounds. but if you have a treated room or a acoustic shield then that might be an option to look into. Dynamic mics however are really good at capturing loud sounds and because of that, they are mostly used for singing and instruments. however they are also often used for narration because you don't have to go all out with the sound proofing as they are less sensitive. now since my talents are in post production, I don't need an expensive microphone to get a good sounding recording, so I just use a $20 Dynamic microphone from amazon, they're great in fact I bought 4 of them for a podcast I was doing, I can give samples if you would like. As for price, Condenser are on average going to cost more because of everything that goes into it. Dynamic mics are older tech, so they aren't as expensive. my friend who does the vocal recordings has the Rode NT1a, a rather expensive condenser microphone $229, and I record using the Behringer Xm8500 Dynamic mic $20 on amazon. so it's really up to your budget and editing know how.

Rode NT1a

Xm8500

You will also need a audio interface if you're going to be using XLR mics, which I highly recommend you do. Here's the one I use, although you may not need that many channels

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Software: I use Adobe Audition around $20 a month subscription. However I have in the past used Audacity and if you know how to use it, you can get some really good results. If you are looking to get into industry standard software I would recommend Pro Tools also I think $20 a month.

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Yes, people who don't use a studio generally record to their preferred Audio editor and mix/edit then upload to a hosting website for their podcast, the production I work for uses Blogtalk which I think has a free option. However there are many options for hosting websites (E.g. Acast, Podbean, Libsyn, Ect.) I recommend reading this website for hosting options.

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People typically find voice actors through Casting Calls which they themselves set up or by going through a casting call website, and yes voice actors are typically paid although some may offer volunteer if they're just getting out there or for charity. For the sake of professionalism always assume you are paying for their services, that way if they decline payment then that's their choice as an actor.

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If your podcast gains enough listeners then yes, you can definaty make money through podcasting, but you should never go only for making money. because one, it takes a while ti gain listeners and two it's just no fun if your only in it for the money.

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I remember being exactly where you are now asking these questions, so If you need any help don't hesitate to ask. I hope this helps :)

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TL,DR

Mics: I use a $20 Dynamic mic which gives me great recordings, although there are more expensive and higher quality options out there.

Software: I use Adobe Audition to edit everything but there are a myriad of other audio editing options out there including the free software Audacity.

Yes it can be as simple as Record/Edit/Post depending on what your doing and the type of podcast your going for.

You find actors through casting calls, and typically you always pay actors for their services. Always expect to pay.

Yes you can make money through podcasting depending on your listenership and Ads and things like that.

u/cunningwatermelon · 2 pointsr/skyrimmods

Sorry for the delayed response: Yeah, step one is to usually invest in a decent cardioid mic and an audio input. Here are the ones I'd recommend for getting started. Good enough quality to be just under professional tier, though capable of producing professional quality sound, but not so expensive as to offer you features you don't need for years to come:
Mic: https://www.amazon.com/gp/product/B002QAUOKS/ref=ppx_yo_dt_b_asin_title_o08_s00?ie=UTF8&psc=1
Audio Interface (to be able to plug that or any other professional mic into [XLR input]): https://www.amazon.com/gp/product/B01E6T56CM/ref=ppx_yo_dt_b_asin_title_o09_s00?ie=UTF8&psc=1

and this is optional but can be helpful to understand the true sound of your recordings, monitors:
https://www.amazon.com/dp/B075QVMBT9/ref=twister_B07NDRK282?_encoding=UTF8&psc=1
(either the 3.5 or 4.5 would be totally fine)

Aside from t hose t hings, the only other things you'd need to get set up would be soundproofing foam, either putting panels up around your space, or around the mic itself. Conversely, you could set up inside a closet full of clothes and accomplish the same task for free, cable length and space permitting.

Good luck!

u/UndedDisfunction · 2 pointsr/CowChop

according to to the faq:
> Cams: 2 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Internal-Memory/dp/B00AWZFHG0
>
> 1 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Discontinued-Manufacturer/dp/B00C3R14J4
>
> Mic: http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS
>
> Lavs: http://www.amazon.com/Sennheiser-EW-112P-omni-directional-system/dp/B002CWQTXG


Pretty sure the cameras are out of date tho and they use Lumix GH5s now but I can't say either way for the other stuff. Think they have Rode mics to go with them and a boom as well.

u/toucan38 · 1 pointr/audioengineering

Hello dear saints of the audio world,

I go by the name of TheBirdReich (you can call me Bird) and I do a lot of broadcasting on Twitch. Recently, I've been looking into upgrading my audio setup from my USB Blue Yeti microphone to a XlR microphone. I have a lot of questions because the transitional phase from the plug and play usb mics to XLR mics is pretty hefty. My budget is for the new setup is about $500.

Dynamic or Condensor?

For my application of "in home live audio streaming", which would be most applicable? (Disclaimer: I yell a lot) The mic I was intending on purchasing was the NT1-A. Link is here: NT1-A

Necessary equipment?

a. Was thinking about purchasing this compressor/noise gate to help with my peaking when yelling: DBX 266xs Good idea or no?

b. Do you have any budget friendly recommendations for an audio interface/mixer? (I have a fear of audio delay/lag) Ps. just going to use my mic with the setup, not any instruments or such things.

Overall I'm really unsure about what to even purchase, mainly because of the lack of knowledge, and I don't want to end up spending more than I have to. I know the creed for audio engineers is to spend no more on equipment that meets their requirements. :) I greatly appreciate your input and the fact that you're taking time out your day to help! If you have recommendations on gear or items that you know would be good for my application I'd be happy to hear from you on them!
Thanks ahead of time!

u/SJ_holmes · 1 pointr/audioengineering

Hey guys! I've recently decided to invest in a solid condenser mic and an audio interface. I would be recording keyboard, acoustic guitar, (maybe electric, but not a priority) and vocals. I am on a pretty low budget as I am also attending university, but would love some feedback on the options I have narrowed it down to, or suggestions for equipment I should consider instead would be welcome too! For the AI, I thought either the PreSonus http://www.amazon.com/gp/product/B00154KSA2?psc=1&redirect=true&ref_=ox_sc_act_title_3&smid=ATVPDKIKXDER
or the Mackie Onyx
http://www.amazon.com/gp/product/B003VZG550?psc=1&redirect=true&ref_=ox_sc_act_title_4&smid=ATVPDKIKX0DER
would suit my needs just fine. For the mic, I have narrowed it down to between the Rode NT1A
http://www.amazon.com/gp/product/B002QAUOKS?psc=1&redirect=true&ref_=ox_sc_act_title_1&smid=ATVPDKIKX0DER
and the Audio Technica 2035
http://www.amazon.com/gp/product/B00D6RMFG6?psc=1&redirect=true&ref_=ox_sc_act_title_2&smid=A4V0ATM4SIKP4
Once again any feedback/suggestions would be greatly appreciated!Thanks again!

u/HybridCamRev · 1 pointr/videography

/u/lazykid - if you don't mind a fixed, wide angle lens, the [$179 Zoom Q4 1080p camcorder] (http://www.amazon.com/gp/product/B00GWDCA8E/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00GWDCA8E&linkCode=as2&tag=battleforthew-20) with high quality X/Y mics and internal 24-bit/96kHz recording might be what you're looking for.

Here are some examples of the audio and video quality this camera can produce:

u/tobelplays · 1 pointr/letsplay

I was in your boat when I swapped to XLR and it was really confusing.

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So I bought a Rode NT1-A XLR microphone and a Focusrite Scarlett and have been very very happy with both. Specifically this one ( https://www.amazon.com/gp/product/B002QAUOKS/ref=ppx_yo_dt_b_asin_title_o09_s03?ie=UTF8&psc=1 ). I had a random foam pop filter head that I use over my mic, I don't like the screen personally. For YouTube videos you really don't need to be all that concerned about the pop filter. You can reduce any popping noises by offsetting your microphone a bit.

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My complete setup:

Rode NT1-A mic

Focusrite Scarlett solo

Rose PSA1 swivel boom arm

Reaper digital audio workspace

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I record on about 60% gain and I do all of my post-processing in Reaper. I've been very happy with my equipment and didn't have too many issues at the start. There were some driver hurdles which took a few hours of mucking around to figure out. Sound quality has been fine since.

u/aeon_orion · 1 pointr/audioengineering

If you can stretch the budget a Rode NT1A is always a good choice.

u/tartersawce · 1 pointr/battlestations

This is the Mic and the power amp is here

u/pinsnneedles9000 · 1 pointr/WeAreTheMusicMakers

I can vouch for the Rode NT1a. The guitars are crisp and full and just wonderful. Great for vocals too. The great thing about that mic (or at least what I really like about it) is that it's super quiet. I like to layer the bejesus out of my stuff, so it's nice to not have a lot of layered hiss in there to try to clean out. Anyway.. That's my two cents. I'll send you an example track if you're interested.

u/RanthonyNegron · 1 pointr/VoiceActing

Nice nice! Thank you for responding :D. This is the one you were talking about right? http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS

Does this seem like a good price for it? Also, where did you get your Scarlett 2i2 at?

u/hairsketchcompany · 1 pointr/recording

I couldn't agree more with /u/SativaGanesh 's comment below. I'll add that when you start learning to record, your focus should be on signal flow, gain staging, microphone technique, and learning how to edit and mix audio. Until you have a handle on the basics, a tape machine won't be beneficial to you. And when you DO have a handle on the basics, consider getting an internship at an analogue studio. If you're sharp and likeable, you'll probably have an opportunity to learn how to use a tape machine and console.

Here's what I suggest for your home setup. You can get a perfectly usable interface for around $150. That apparently comes with Pro Tools, but Reaper is a full-featured DAW that sounds great and supports most plugin formats out there. It's $60 for a full license. Here is a perfectly adequate microphone made by Rode. (Or if you can spend $600 go for the K2, it's awesome.) These speakers are halfway decent and will get you started on the right foot.

u/OGGreenRanger69 · 1 pointr/Twitch

Thanks for the help!!

Ok so I have another question then.

If I get a xlr mic I plug that into the Behringer 202, and plug the Behringer 202 into my PC?

I'm thinking about getting this- https://www.amazon.com/dp/B002QAUOKS/?coliid=I2B8LBLU2EHI8Z&colid=2BKHP5PF3HNM0&psc=0 - So if I bought that and the Behringer 202 I would be set?

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I'm also confused about this- so I use this mic setup for my stream, then I guess I just have the mic plugged into my gaming headset and use that at the same time so people I am playing with on PS4 can still hear me?

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u/Laserous · 1 pointr/Twitch

If quality is a big deal for you I suggest a Rode NT1A. We stream as a team and the mic can pickup the room quite well. This option is not cheap as the mic + USB converter came to a pricetag of roughly $500. We stream with the NT1A running into a Line 6 UX2. Our room isn't soundproofed but the quality is pretty stellar.

https://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1493230407&sr=8-1&keywords=rode+nt1a

https://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_1?ie=UTF8&qid=1493230506&sr=8-1&keywords=UX2

u/shakalaka · 1 pointr/audiophile

http://www.amazon.com/gp/product/B001AS6OYC?ie=UTF8&tag=audio03-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B001AS6OYC

This mic is a really versatile mic and is designed for the home studio crowd.

You are kind of asking for two differant things- a mic to use in the studio, and a mic to use for gigs..

Does your friend have an audio interface with preamps etc? Or does he need something with USB. If he already has an interface I would recommend saving a bit more cash and going with my favorite cheap condensor mic- the rode NT1-A http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS

Also YOU NEED TO BUY A POP FILTER! It is not an optional accessory all mics are useless without one.

u/cluethemovie · 1 pointr/Guitar
u/CarlMylo · 1 pointr/audio

The Rode NT1-A is pretty great and on sale.It's got a nice bundle on sale with shockmount, XLR and carrying case for $229 when it's normally for $369.

u/stevietwoslice · 1 pointr/ThisIsOurMusic

Yeah, it's super cool. good mix of effects. I'll keep an eye out for your new song!

Thank you. I record vocals with this setup through Focusrite's Saffire 6. I use Cakewalk's Sonar for a DAW. From there, it's just plugins. I happened upon some Waves plugins that I've become really comfortable with using, though admittedly I'm a preset fiend. My chain usually looks something like De-Esser, Comp, EQ, Reverb. I double track nearly everything, usually with some stereo separation. Recently I've been playing around with sending all my chorus vocals to a stereo bus with octave effects, then reverbing the shit out of it and using MS techniques to really push the sound around and fill out a song.

But I mean, YouTube tutorials, endless experimentation, etc. I learn new shit every time I try to mix - it's equally inspiring and infuriating haha.