So a few months ago, I gave myself a budget of $5000 for everything I’d need to be a One Man Video Army. Besides an empty Lowell hard case and a pair of headphones, I had nothing in the picture above before commencing the buying spree. The grand total ended up coming to around $5500 or so but I’m pretty stoked to have stuck fairly close to my initial budget.

Here's a detailed list of everything in the picture above:

ITEM | WHAT I PAID | COST NEW | LINK TO BUY NEW
:-- | :-- | :-- | :--
Panasonic GH5 w/Rode Videomic Pro, 2 SD cards and batteries|$1,000.00|$1,500.00|B&H
Lumix 12-35mm 2.8|$550.00|$900.00|Amazon
Mitakon 25mm 0.95 Prime|$300.00|$350.00|B&H
Sigma 50-100mm 1.8|$750.00|$1,100.00|B&H
Tokina 11-16 2.8|$250.00|$400.00|B&H
Viltrox EF-M2 Speedbooster|$150.00|$200.00|B&H
Manfrotto 502 Video Tripod|$400.00|$400.00|B&H
Tripod Bag|$25.00|$25.00|Amazon
Panasonic XLR Adapter|$300.00|$400.00|Amazon
Sennheiser Wireless Mic System|$450.00|$600.00|Amazon
LowePro Camera Bag|$75.00|$75.00|B&H
Neewer 3-Light LED 660 Kit w/Fovitec stands|$350.00|$350.00|Amazon
Kessler Slider w/tripod head|$400.00|$900.00|B&H
Hoya 43mm Filter Kit|$35.00|$35.00|Amazon
Hoya 58mm Filter Kit|$40.00|$40.00|Amazon
Feelworld F570 Monitor|$200.00|$200.00|Amazon
Zoom H6 Recorder|$250.00|$400.00|B&H
Neewer 5-in-1 Reflector|$20.00|$20.00|Amazonn

Given my budget, there really wasn’t much debate over what camera would best suit my needs. I’m doing a lot of paid corporate and event video work, but I also shoot films and documentaries. So the GH5 made the most sense given its quality, versatility, and value. I can transport and operate all of this stuff without the need for additional crew, which is especially nice when a client doesn’t want to pay for that.

I’ve shot a few films and several paid gigs with this set already and it’s working out well so far. Happy to answer any questions over why I chose one thing over the other. We all have our preferences with equipment :)

Hey guys! So I decided to upgrade my cheap Amazon lighting kit to something with diffusers and more bulbs. I'm 6'4" ~241lbs. Diet-wise I conditioned myself to under ~50 grams of carbs a day for 2 weeks with 3 gallons of water a day (ouch). Then 24 hours prior I carb loaded and basically dehydrated myself to pull out any hydration under the skin. Thanks for all the advice and photo tips from my last shoot! It really helped showing off my strengths. I've attached a couple more photos that my girl took, plus a photo that displays my height. Any more tips for next time would be appreciated!

https://imgur.com/fYZtQtb.jpg

https://imgur.com/7NzyvzM.jpg

https://imgur.com/mS7s21z.jpg

https://imgur.com/Pu28ehg.jpg

She shot it on her Cannon t6i and the new lighting kit is Fancierstudio Lighting Kit 2400 https://www.amazon.com/dp/B0047FHOWG/ref=cm_sw_r_sms_apa_i_nzQCDbYPPNCFV

I'm with this guy. Be very careful.

Get a reflector. What's a reflector? This is a reflector.

How do you use a reflector? This is how you use a reflector

https://www.amazon.com/gp/product/B01I09WHLW x 2 - Speedlights - $56

https://www.amazon.com/Neewer-Wireless-Speedlite-Receiver-Universal/dp/B00A47U22U - Wireless Trigger - $19

https://www.amazon.com/CowboyStudio-Photography-Light-Stands-Cases/dp/B001WB02Z4 - Light Stands - $29

https://www.amazon.com/Neewer-Professional-Universal-Speedlite-Umbrella/dp/B00JJJR7PY - x2 - Cold Shoe - $22

https://www.amazon.com/gp/product/B0132I34K4 - Octobox - $23

https://www.amazon.com/Fotodiox-Premium-Shoot-Through-Translucent-Umbrella/dp/B005ODKMOC - Shoot though umbrella - $14

https://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW - 5 in 1 reflector - $20

That brings you for a full starting light setup that can be used for headshots and starting boudoir for $183. And you even have flexablity in there to use a 1 light setup with reflector or use 2 lights. You would want a few sandbags to keep the gear stable, but I am not including those in the price.

Now for a background setup

https://www.amazon.com/dp/B00E6GRHBO/ref=psdc_3444601_t1_B00MTF6ZVC

Is a good basic stand but hard to fit under your budget with the above lighting gear.

https://www.amazon.com/Neewer-Studio-Collapsible-Backdrop-1-8x2-8m/dp/B00UWL02PU is also an okay starting backdrop, Grey can be turned into white or black. I will warn you that you will need a fabric steamer to get the lines out, but that is pretty much the same however you go with cloth. Another more expensive choice is to go with seamless paper, I love working with paper, but it is an ongoing expense to use it.

Now if you are going to make this her studio all the time, they make http://www.homedepot.com/p/EUCATILE-32-sq-ft-96-in-x-48-in-Hardboard-Thrifty-White-Tile-Board-HDDPTW48/205995949 that you can use to make a great background. Or to me the better option if you are going to use a room as a full time studio, paint the walls, put down hardwood or laminate, and you have a great studio setup.

The basic principles of light are quality, direction, and luminosity.

Quality is how hard or soft the light is. Having a larger light source will produce softer light, that's why softboxes are so large. Keep that in mind if you're going with a DIY option. (Also remember that larger is relative to the subject, so having a light a lot closer makes the light larger, and therefore softer)

Direction is obviously the direction of the light. The most popular use of lighting in facecams is two lights each at 45 degrees from your face. This will give the most even and pleasing light. Experiment and see what you like. Other uses for a two light setup can be things like key light, fill light, and rim light. Look these terms up if you want to learn more.

Lumonisty is the power of the light, and this can be controlled through the light itself or the exposure settings of your webcam. Try to find a good balance and capture realistic skin tones.

Using these principles this is how my facecam looks using two of these and a Logitech C920

Yes, that's an expensive camera. You can put an entire 4K studio together for less. Here's how:

Camera and Sound

• [Panasonic G7 with kit lens and free Audio Technica AT8024 shotgun mic - $597.99] (http://adorama.evyy.net/c/60286/51926/1036?u=http%3A%2F%2Fwww.adorama.com%2FIPCDMCG7B.html) ([this video from Wistia] (http://wistia.com/library/choosing-a-microphone) explains why a shotgun mic on a boom is better than a lapel mic)
  
  
• [Wheeled studio microphone boom - $99] (http://www.amazon.com/gp/product/B000QCKWD2/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000QCKWD2&linkCode=as2&tag=battleforthew-20)
  
  
• [20-Feet Premium Stereo Male to Stereo Female Extension Cable - $11.58] (http://www.amazon.com/gp/product/B002JU84XE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002JU84XE&linkCode=as2&tag=battleforthew-20)
  
  Support
  
  
• [Amazon Basics Video Tripod w Fluid Head - $74.99] (http://www.amazon.com/gp/product/B00CEH7VG8/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00CEH7VG8&linkCode=as2&tag=battleforthew-20) - I own the [Ravelli AVTP Professional] (http://www.amazon.com/gp/product/B00139W0XM/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00139W0XM&linkCode=as2&tag=battleforthew-20) - which has the same fluid head as this tripod - and it pans and tilts very smoothly
  
  Studio Lighting and Backdrop:
  
  
• [LimoStudio 3 light continuous lighting kit - $49.50] (http://www.amazon.com/gp/product/B005FHZ2SI/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B005FHZ2SI&linkCode=as2&tag=battleforthew-20)
  
  For background, you might want to consider green photographic paper instead of stands, crossbars and unwieldy sheets of muslin, as seen in [this video from Wistia] (http://wistia.com/learning/diy-office-video-studio):
  
  
• [Savage 9' x 36' background paper for chromakey - $66.80] (http://www.amazon.com/gp/product/B000B782NO/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000B782NO&linkCode=as2&tag=battleforthew-20)
  
  
• [Duck Tape - chromakey green - $4.99] (http://www.amazon.com/gp/product/B002TOL43M/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B002TOL43M&linkCode=as2&tag=battleforthew-20)
  
  For less than the price of a [$948 Sony RX100 IV] (http://www.amazon.com/gp/product/B00ZDWGM34/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00ZDWGM34&linkCode=as2&tag=battleforthew-20) (which has no mic jack, by the way) you'll be able to produce well-lit 4K content with decent sound and a stable image with smooth pans and tilts.
  
  You will also have a basic chromakey studio with which to add special effects.
  
  Here are some examples of what this camera can do:
  
  Narrative
  
  
• [Stars] (https://vimeo.com/137538379)
  
  Documentary
  
  
• [Fotograf Anna Ejemo] (https://vimeo.com/141640603)
  
  
• [Indianapolis 500 in 4K] (http://vimeo.com/130565657)
  
  Travel/Nature
  
  
• [Bahamas] (https://vimeo.com/136657243)
  
  
• [Away From The City ~ Panasonic G7 [4K] 42.5mm F1.7] (http://vimeo.com/132028570)
  
  Timelapse
  
  
• [Clouds Time-lapse] (https://vimeo.com/139023972)
  
  Timelapse and Slow Motion
  
  
• [Oostende Koerse 2015] (https://vimeo.com/138394549) (shot with its big brother, the Panasonic GH4)
  
  And here are a few examples from YouTube (please watch at 2160p and your monitor's highest resolution):
  
  
• [Voigtlander Nokton 10.5mm F0.95 Lens - Examples on a Panasonic G7 [4K]] (https://youtu.be/zLIc0n9K8Pk)
  
  
• [LUMIX DMC-G7 Sample Video in 4K by Colin Witherill] (https://youtu.be/fZllpp_y8Is)
  
  
• [Panasonic Lumix G7 / G70 Launch - 4K - 4KPhoto Modes] (http://vimeo.com/128536456) (shot in photo/video mode - each frame is an 8MP still photo)
  
  It's a pretty good still camera too: https://www.flickr.com/groups/panasonic-lumix-g7/pool/
  
  In my view, this is the best still/video, large sensor interchangeable lens camera you can buy in this price range and a very good value for your money.
  
  Hope this is close to what you're looking for - good luck with your YouTube channel - and best of the New Year!
  
  EDIT: As of this revision, the price of the [G7/AT8024 deal from original source increased] (http://www.amazon.com/gp/product/B018J8EZVE/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B018J8EZVE&linkCode=as2&tag=battleforthew-20), so I substituted a less expensive option.
  

It depends on the look you're trying to achieve in your photo. Invest in a reflector/diffuser and it will help solve a lot of problems when it comes to harsh shadows etc..

Here's an okay enough video: https://www.youtube.com/watch?v=xIEYhDYeC_A

Edit: I think I just got what you're trying to say. If you the photographer should be in the shadow while shooting or if your subject should be in the shadow while you shoot in the light. If your subject is in the shadow the light on them will be more diffuse (softer shadows). If you're in the shadow and the subject is exposed to light, the subject will be more exposed with harsher shadows. I still stand by my previous recommendation with an addition of a UV lens and a lens hood because it still all depends on the look you're trying to achieve in your photo. These tools just help you have better control of the light that enters your camera and how it falls on your subject.

Ok, this is SUPER short notice, but who would like to attempt a 'Fit Pic February'?

The challenge is to take a fit pic every day, no matter what you're wearing. The point is to build up good fit-pic-taking habits, not to show off our wardrobes. I know I need it, at least.

EDIT: Yo, if you're reading this and thinking 'I'd love to do that but I can only take mirror selfies', may I recommend this cameraphone stand and this light kit?

They're a bit of an investment for sure, but if you love taking OOTD pics they'll pay for themselves in time. And if you're at all crafty, that big-ass bright light will come in SUPER handy for all kinds of things. Hell, I don't even have mine right now because my dad borrowed it while he cleaned his guns.

EDIT 2: There's nothing wrong with mirror selfies, this is just a suggestion.

EDIT 3: But if you could just get one thing, I would recommend the light kit. It's easy to jury-rig a phone stand -- I used one I made out of clay for a while, and I've used soda bottles in a pinch -- but dim, yellow-toned, overhead lights can't be fixed as easily.

Aww thank you! I've seen your posts around, I love your pics!

I bought some umbrella lights awhile back, and I usually have them out while I'm taking a photo-set. It makes a big difference, especially since the natural lighting in my apartment isn't the best. These are the ones I have :)

ALZO Diffusion Fabric Nylon Silk White, 1 Yard Long 60 Inches Wide, Un-Finished Edges, Scissor-Cut https://www.amazon.com/dp/B00XPUV1XM/ref=cm_sw_r_cp_api_1SHnybENCDW92

Awesome! I hope you do trying it out! Here's what I got.

Camera: https://www.amazon.com/gp/product/B019UDIDXS/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Audio Recorder: https://www.amazon.com/gp/product/B01DPOXS8I/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Mic (Same we use for podcasting) https://www.amazon.com/gp/product/B001IPUJJI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Lighting Kit: https://www.amazon.com/gp/product/B00KRN0SEI/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

Ring Light: https://www.amazon.com/gp/product/B00O1UCDKU/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

I have a subscription of Adobe Creative Suite and use almost all of it. After Effect and Premiere. We use Cubase for audio engineering but Audition is great too.

I've used a wide variety in my gallery over the years. The short answer is that LEDs are probably the way to go. They generally have good color rendering, don't put out excessive UV, aren't expensive, turn on instantly, don't flicker (usually), and don't use a lot of power or generate a lot of heat.

I ideally like to have both track lighting and non-directional lighting like fluorescent tubes. Track lighting is better for some work, but non-directional lighting is better for other work and for photographing the show. In my gallery for non-directional lighting I have 2x2 foot dimmable LED panels that people usually think are skylights because they're installed in recessed ceiling wells.

My LED panels are daylight color temperature, and my track lighting is one step warmer than daylight.

edit: This is what I'm currently using for my cans: https://www.amazon.com/gp/product/B011KD5V54/

Also, sometimes good to have some of this diffusion cloth on hand for tricky lighting situations: https://www.amazon.com/gp/product/B00XPUV1XM/

Post-Its? That will reduce color output way too much. You need gels for this.

Hello! Here's a look out of my comfort zone, I usually stick to neutral warm shades like oranges and browns but I decided to try something new.

PRODUCTS USED
Anastasia Beverly Hills Dipbrow Pomade in Chocolate
Nyx Brow Mascara in Chocolate
Colourpop Shadow in I Owe You (transition shade)
Colourpop Shadow in Paradox (maroon)
Colourpop Shadow in Central Perk (brown)
Citycolor Shimmer Shadow in Beach Cottage (green)
Nyx Crystal Liner in Crystal Silk
Nyx Face & Body Loose Pigment in Gold (inner corner)
Too Faced Perfect Eyes Waterproof Liner in Perfect Black
Too Faced Better Than Sex Mascara
Ardell Lashes in 207
Too Faced Born This away Foundation in Warm Beige
Nyx HD Concealer in Beige
LA Girl Loose Powder in Banana
Tarte Bronzer in Park Ave. Princess
Anastasia Beverly Hills Glow Kit in Snow & White Sand

LIGHTS
Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_apip_hO9PcBfKm1jNY

I agree with u/greypowerOz, I'd definitely start looking into off-camera flashes! My favorite OFCs are actually super affordable, they're the Neewer TT560 and they're great starter flashes. You can also gel them really easily with a pack of these: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG. It's a sample cine gel pack; I got mine for free in film school but they're wicked cheap and the perfect size for flashes.

Get a foldable bounce for super simple fill or shoot in shade and expose for the skin

http://www.amazon.com/Neewer-110CM-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1324168094&sr=8-1

$13, with gold, silver, and white. I rarely use anything but the white, personally, but there are some occasions here and there where I've been very thankful to have the options. Not really a huge investment there, also folds up, and if you're a professional, well, it certainly helps you look the part. Perception is a huge part of the business.

Here ya' go

Just a few more to add to the list:

18% grey card

Neewer TT560 flash

Neewer 43-inch 5-in-1 reflector

Tiffen Circular polarizer

7 ft. light stand

47" Speedlight Umbrella Softbox

Continuous lighting kit

New camera bag


[EDIT] Added more things to the list, as I think of things I'll continue to expand it.

I've been using this one for months now for my Twitch streams and really enjoy it. Inexpensive and does just what I need it to do.


Here's before the kit, and here's after.

Maybe you should buy her a lighting kit!

Consider lighting instead. All cameras have noise problems. The expensive ones just have better low light conditions. If I were you I'd rather get a light kit (you can Amazon a 3 light kit and get one for under $150). Look up three point lighting and go from there. Cameras are expensive but they also might not solve your problem. Lights always will given that they gave enough watts.

Here's a good starter kit:
https://www.amazon.com/gp/aw/d/B005FHZ2SI/ref=mp_s_a_1_1?ie=UTF8&qid=1482256333&sr=8-1&pi=AC_SX236_SY340_FMwebp_QL65&keywords=light+kit

If you're keen on getting a camera look into repurposing a DSLR as a webcam. However for streaming purposes I really don't think you need much more than a $100 webcam.

Hope this helps,
Chris

Open Source Software

• exiftool Command-line metadata editing tool.
  
• dcraw Command-line RAW processing tool.
  
• GIMP Photo editing.
  
• Blender Video editing.
  
• Audacity Audio editing.
  
• OBS Studio. Realtime streaming and clip production.
  
• Darktable. Light table and raw developer.
  
  Proprietary Software
  
  
• ManyCam Pro - freeware software that enables webcam use with multiple chat applications simultaneously, such as Skype, Omegle, Chatroulette, MSN, or YouTube
  
• OnyxServers - white label video streaming / hosting service
  
  Hardware
  
  
• [Logitech C922x webcam] (https://www.amazon.com/Logitech-Webcam-Widescreen-Calling-Recording/dp/B01LXCDPPK/) - well-reviewed webcam.
  
• [Fovitec StudioPRO softbox lighting kit] (https://www.amazon.com/Fovitec-StudioPRO-Softbox-Lighting-Softboxes/dp/B00KRN0SEI) - Good lighting is essential for high quality videos/photos.
  
• Blue Yeti microphone - well-reviewed microphone
  
• Microphone shock mount - Reduce rumbles from stand / desk.
  
• Microphone foam windscreen - Reduce pressure on the microphone sensor from wind, breath blasts, and splosives ("b" and "p" sounds). One thing to note, a mic windscreen often will dampen higher frequencies more than a pop filter will.
  
• Microphone pop filter - Same purpose as foam windscreen, but doesn't dampen high frequencies as much.
  
• Microphone boom stand - Useful if you want to capture good sound on your bed / couch.
  
• HyperX Cloud II USB Headset - good for phone sex, video editing.
  
  Tutorials
  
  
• DIY ultimate tripod with camera boom
  
• DIY Mini Camera Jib Crane $25 dollars
  
• Easy DIY Camera Crane Jib - Complete parts list

I'm in the midwest so I know how this is; I'm at work during the best natural light hours and in the winter it's just gray all the time and it gets dark so early.

It's a little bit of an investment, but I bought this light to take photos with (you can look around at other lights, this one had the best price as far as I could find at the time). It's collapses so you can store it under your bed or in a closet so it's apartment friendly.

Can you stretch another $14.50 to buy some lights?

You'd be amazed how much of a difference good lighting can make to iPhone footage.

I wrote an article on intro DSLR kits on Amazon. I wouldn't bother unless you bundled them with your camera.

They're definitely crappy extra toys, but they may help you learn more about photography (by showing you how things make your image quality worse); but they also were kind of fun at the beginning and encouraged me to get out and shake the bugs off and dig into learning how to shoot good photos (and how extra toys don't really help). Everyone takes shitty photos at the start anyway, so you're not missing much; and it's not a ton of extra money over grabbing a body/kit lens/good SD card; but if you already have your camera kit, you can skip it for sure.

DO NOT USE THOSE TRIPODS!

Those are strong enough for point and shoot cameras at most. Especially with a telephoto lens, the tilt arm is likely to fail and it'll fall on sensitive optical mechanics. Those are in the $10 price range. Spend at the very least closer to $30 on a tripod, and a $100-ish tripod will be a safe, and useful tool to use with your precision imaging equipment.

tl;dr - Sure, it's a waste of a little money, but they can be kind of fun toys. Burn the tripod.

Stuff I'd suggest getting:

• 2-3 nice SD cards: Class 10, 32-64 GB each
  
  
• Another few cheaper (but still fast) SD cards: 4-8 GB
  
  
• Solid tripod. $30 or $100 is well worth the money
  
  
• Rocket blower. Avoid touching the lens, whenever possible and never touch the sensor. A lens cloth should be plenty. Avoid being tempted to use a wet cleaning kit on the lens or the sensor if possible
  
  
• I love my big, cheap camera bag. I have 3 lenses, and a speedlight and this is perfect for me. I wear it across my chest and carry it on my lower back where it's out of the way and easy to deal with 95% of the time.
  
  
• An Intervalometer that matches your camera
  
  
• Manual flash that can tilt & swivel
  
  
• Flash triggers are fun and work great with those cheap $10 tripods. Check Strobist.com for great tutorials and inspiration
  
  
• Flash gels can be fun creative tools too. Can you tell I'm getting into playing with off-camera speedlights?

Believe the hype. I almost listened to a couple Youtube 'pundits' trash them, but I think they're just going for controversy clicks (looking at you, Angry Photographer, and your consistently terrible advice). lol I'm glad I read reviews.

I'm using this Godox softbox, which mounts just like an umbrella (because it basically is). I also have a dual-head Bowens mount that I've yet to try (partly because I haven't needed the extra power yet).

I've got no real setup to show ya, partly because I'm still experimenting with all the modifiers I bought (they're so cheap!!), but also because a fluid setup is really its advantage. Every single shoot is different because the lights are so easy to move around, and quickly turn off and on. They're like shooting with SB900 flashes, only much more powerful and a much more reliable RF transmitter. Oh, and they recycle unbelievably quickly. I'm shooting bursts and they don't even break a sweat. And they have high speed sync, which my Einsteins, incredibly, do not.

Good comments from u/thnikkamax - I'll add that for location shooting, a popup reflector or even a sheet of foamcore can make a big difference - if you can get someone to hold it. Watch some youtube videos showing how to hold and angle a reflector; and grab it yourself and look at the subject while you lift it, angle it, play with different heights and angles. Then tell the assistant "hold it like this". Usually up pretty high, and angled up, gives a natural look. Distance from the subject can control how much it fills in shadows. Some popups have a choice of white, silver, and gold - all have different looks. Gold is often good to blast hard light from the back on hair and shoulders.

There are a lot in this photo that is great, but you don't want to know what you've done right, correct? Maybe that's how I am :P

Things to consider.

1. The left side is higher than the right. Straighten the photo oh-so-little. There is a slope that is off-putting.
   
   
2. Either go fully silhouette or bring out some lighting in your face. You have great natural lighting, get a reflector and bounce some of that light towards yourself.
   
   
3. Idea: Try bracketing the photo a few stops.
   
   Otherwise, great shot. Keep shoot! I'd love to see more of your work.
   
   Cheers.

I scan all of my RGD drawings and primarily work in graphite. I use a canoscan 8600f but I believe they have updated the model to the 9000. It works pretty well. Sometimes the dark pencils (the ole' 9b) can get reflective, particularly when you mix media and they are drawn on a dark surface. The only way to avoid that is to make a whole elaborate setup. Black felt behind the art. Studio lighting. Then you can spread you light sources so wide they won't reflect as much.

By that point, if you aren't working to large, it's easier to just scan and use a white balance card. Just include that little guy into the scan and use the black, white, and grey eyedropper tools in the "levels" settings in Photoshop. Any reflections, you can edit out to make it match the real values of the drawing.

_Dead's suggestion with the shade is the best method for shooting on a larger scale and don't have the resources for a fancy pants setup. Cell phones won't have the best camera for shooting the art but you gotta use what you gotta use.

Just remember, even with a white balance card, the most important thing is making sure the lighting is EVEN. Try your best to make sure there are no hot-spots of light because that is the most difficult to adjust later.

I can go into more detail on fancy pants rigs if needed.

You have to bounce the light elsewhere using reflectors.

Reflectors

These can reflect the light where you want or diffuse and deflect the light.

Also, ND filters help considerably if you’re shooting with a DSLR or Mirrorless such as the A7III

Buy a reflector and bring a friend! Hold it high and shine the sun back onto one side of there face =) Lighting is what makes a photo amazing, this is an easy way to create great lighting =) If you buy a reflector also try to shoot somewhere in the shade and not in direct sunlight.

http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1414167413&sr=8-1&keywords=reflector

u/pastramiswissrye is totally right in that lights, sound, lenses, and media are all more important than the best camera.

My personal favorite camera in that price range is the Panasonic G7 and a good 12-35 lens. The G7 is like the little brother to the GH4 as it does 4k and just is missing some of the more pro features and is $600 for the camera. The lens is another $600 but you could just use the kit lens and upgrade your lens later.

Continuing with what Pastrami said, you should have good audio, lights, and media storage, in addition to the camera and lens. For audio, the rode videomic pro is a good all-around shotgun mic that you can put on a boom pole for good short film on location sound, however you will need someone to help hold your boom pole.

For lights, a good reflector will help you use the sun as a light when shooting outside on location for a short film. If you are in a studio, this four socket CFL light kit will go a long way to help. I personally use one of them and they are great for the price. Just pop in four cfl bulbs and you are good to go. If you would prefer LED lights which are smaller and don't heat up as much, but are pricer, you can get this LED studio light kit.

On the media storage side of things, you are going to want to pick up a few of these 64GB U3 SD cards for use with your G7 or any other new camera you get. Especially if you plan on shooting in 4K.

If you are going to shoot in 4K, your file sizes are going to go way up and you are definitely going to need to get more hard drive space on your computer. You may even have to upgrade your computer to handle 4K video editing. It all depends on what you have and what you want to do.

On the editing side, I personally use Final Cut Pro X on my Mac. It is $300 but a great piece of editing software, used by pros. If you are on a mac but don't want to spend money, just use iMovie, it will probably do what you need it to do unless you edit in 4K. On the windows side, some people use sony vegas, some people use AVID, some people use premiere pro, there is a bunch of them out there and you kind of just have to choose one. (I have never used any of them)

Like he said, there is no canon r6i. I assume you mean T6i, but you still need to do some more research. I hope this helps!

I'd suggest leaning more toward lights and skipping the green screen. Green screening takes quite a bit of work if you aren't used to it, and if the woodworking is his true hobby, he may find it distracts him from his projects. How would the green screen add to his videos?

A mid-low range LED panel like this http://www.amazon.com/Yongnuo-YN-600-3200K-temperature-Camcorder/dp/B00E4LFP0G would look great and fit the budget, paired with a bit of diffusion like this: http://www.amazon.com/ALZO-Diffusion-Fabric-Un-Finished-Scissor-Cut/dp/B00XPUV1XM/ref=sr_1_1?ie=UTF8&qid=1451763150&sr=8-1&keywords=diffusion would look really awesome.

That camera isn't terribly spectacular (which is fine - if it works, it works) so I'd stay away from buying accessories like lenses specifically for it.

He's a lucky guy! Once he gets a chance to incorporate his birthday gifts, shoot us a link to his channel so we can give him some views.

Easiest thing I can think of to accomplish that is to get some cheap photography softbox lights. Those things are bright af, they fill the whole room if you position them correctly and the light is very evenly white. Would that qualify?

Like these

Glass is going to have more of an impact on detail than the camera body typically. Honestly if you wanted to go that route I would look for an old Canon t3i (~$400 on ebay) and then get a Canon 24-105 f4 L (also ~$400 on ebay.) As any photographer would tell you lighting is going to be way more important than what camera you choose. If she were to invest in a few softboxes and took some time to experiment with the lighting then she could probably get away with using an iphone. Really what it depends on is how far she wants to take it and what results she is expecting.

I would get a kit with softboxes (actually I did get such a kit, minus the greenscreen - I painted the wall) and get the screens separately. So, either the 3 point lighting kit: https://www.amazon.com/StudioFX-H9004SB2-Photography-Continuous-Hairlight/dp/B00MBVOIJU/ref=sr_1_7?ie=UTF8&qid=1498753304&sr=8-7&keywords=softbox+continuous+lighting

Or the two stand kit: https://www.amazon.com/StudioFX-Photography-Continuous-Lighting-Portrait/dp/B00TOWZDE8/ref=pd_sbs_201_25?_encoding=UTF8&pd_rd_i=B00TOWZDE8&pd_rd_r=S3ABGYT7MNCEGFYY2ZNX&pd_rd_w=tc3oQ&pd_rd_wg=Ekc61&psc=1&refRID=S3ABGYT7MNCEGFYY2ZNX

Reasoning: Bare bulbs are too harsh.

Speedlite holders: https://www.amazon.com/gp/product/B00JS3MINC

I own a couple of these and they are fantastic!

Gels: https://www.amazon.com/gp/product/B00URG1C2C

No need to go with the expensive Rogue set. I love these by Selens.

Lighting gear bag:

https://www.amazon.com/gp/product/B00LEE7J0U

This has been put through a bit of use and has held up great so far.


Lighting stands

https://www.amazon.com/gp/product/B00L4YR0BS/

Speedlites

https://www.amazon.com/gp/product/B010XCEABO/

I just bought a lighting kit and I wish I had bought it sooner. I'm linking to the one I bought. It's really compact when not being used. My photos looks so much better than they did even in natural light.

https://www.amazon.com/ESDDI-Photography-Continuous-Equipment-Portraits/dp/B015DYIQ94/ref=mp_s_a_1_11?keywords=lighting+kit+for+photography&qid=1564929917&s=gateway&sprefix=lighting+kit&sr=8-11

You have a unique closet with lots of great valuable pieces. It's worth it for you to invest in some equipment. Lightweight box and dress form would drastically improve your photos and presentation. You can purchase both for $100 on Amazon.

For your jewelry, I'd buy neutral color jewelry display stands. Personally black doesn't photo well.

I'll do some digging around and edit with links to what example of what I'm talking about. Keep in mind, after you finish selling your stuff (if Poshmark hasnt become habit forming) and if youre done with Poshmark you can always sell your equipment on Ebay. You have high-end unique items that will sell, and professional equipment will speed up the process.

edit:

Jewerly Supplies

https://www.ebay.com/itm/Jewelry-Display-Storage-Mannequin-Necklace-Bracelet-Watch-Stand-Holder-16-Kinds/172994771570?hash=item28474aba72:m:muw3aBw2N5WY3Z8YFbBxLzw

Small box for photos -- jewelry and shoes etc.

https://www.amazon.com/Portable-Jewellery-Photography-Shooting-Backdrops/dp/B078ZT9L9F/ref=pd_sbs_421_4/130-8055746-7930327?_encoding=UTF8&pd_rd_i=B078ZT9L9F&pd_rd_r=034f5813-72d6-11e9-a70e-fdfd69152f1b&pd_rd_w=K3SxU&pd_rd_wg=Yadx3&pf_rd_p=588939de-d3f8-42f1-a3d8-d556eae5797d&pf_rd_r=V72S5QS2V6DW9H5CW7P6&psc=1&refRID=V72S5QS2V6DW9H5CW7P6

Set of softbox lights

https://www.amazon.com/ESDDI-Photography-Continuous-Equipment-Portraits/dp/B015DYIQ94/ref=sr_1_4?keywords=lightbox+photography&qid=1557460179&rnid=2941120011&s=electronics&sr=1-4

Dress form

https://www.amazon.com/Bonnlo-Female-Pinnable-Mannequin-Wooden/dp/B072VHFBSJ/ref=sr_1_2?keywords=dress+form&qid=1557460275&s=photo&sr=8-2

I'm looking to get into shooting more 'studio' portraits. I want to get a cheap continuous lighting set-up for my house, that way I can use it for filming and also for some portrait work with analog cameras. Do you think that continuous lighting would be enough? I shoot with pretty fast glass normally. I was looking to get the Neewer 700W Set because of the price and I have had good luck with their products in the past. Any suggestions or advice is appreciated!

Thank you! It was a lot of trial and error. It's this exact one from amazon. I got it about two weeks ago and really like it. Neewer 700W Professional... https://www.amazon.com/dp/B017D7W57S?ref=ppx_pop_mob_ap_share

Many Cam is a great one.

Here is a cheap light system...
https://www.amazon.com/dp/B018KE5XUO/ref=sspa_mw_detail_3?psc=1

Also don’t use a built in webcam. They are crap and customers won’t watch. Most girls stream in HD.

I try to use the back camera of my phone more often than the selfie/front side but it's harder to look good! I bought a lighting set on amazon that really helped me out too.
My insta is @kimandmakeup :D

I wish someone would have given me this list when I started. For about $360 the list below gives you everything you need. I highly recommend against recording on your phone. There is also a lot of great free software out there for recording video for both PC and Mac. I use XSplit personally, even if I'm not streaming. You could probably find the light set without the green screen for a little cheaper if you want, but I wouldn't go any cheaper on the microphones, soundboard or webcam. With all this you'll have a semi-professional setup at an affordable budget.


2x Microphones ($70) https://www.amazon.com/gp/product/B00XOXRTX6/ref=oh_aui_search_detailpage?ie=UTF8&psc=1


2x Microphone XLR Cables ($20) https://www.amazon.com/XLR-Microphone-Cable-Feet-Female/dp/B06XC6435F/ref=sr_1_1?ie=UTF8&qid=1503965340&sr=8-1-spons&keywords=xlr+male+to+female&psc=1


1 USB Mixer ($60) https://www.amazon.com/Behringer-802-Premium-8-Input-Preamps/dp/B000J5XS3C/ref=sr_1_3?ie=UTF8&qid=1503964969&sr=8-3&keywords=xenyx


Light Set ($150) https://www.amazon.com/gp/product/B019GTCNXC/ref=oh_aui_search_detailpage?ie=UTF8&psc=1


Webcam ($60) https://www.amazon.com/gp/product/B006JH8T3S/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

You're gonna have to do more than just aiming it. Since these come with flood lenses, you'll probably need to tape something over the top 1/2 of each row of LEDs.

​

6000K is going to make some serious glare, so you might want to install a color gel to tone down most of the violet/blue/purple.

I use this. It works great, and it paired with a white background really makes all the difference.

THIS ONE.

But honestly, Lightroom has the biggest effect if you ask me.

I am still relatively new here but have seen you guys give so much I can't help to think you are Santa Claus or something! I admire you!

Rasta, I heard you have an unhealthy obsession with Bane.. Let's just say I kind of got escorted away from my Uni for wearing my bane suit for an outdoor showing of TDKR!! :)

Gee I am making this so long! I think I could use a safety razor after some time I have spent on wicked_edge! this one particularly!

Also as a photographer I could use a reflector so badly! I just started doing fashion portraits instead of my regular street photography/landscapes and this is a must! I like this one for the price! (<$20)

And the magic words:
C'mon...gimme.

Consider a reflector. Small and cheap way to add some light for a photo.

Neewer 43-inch / 110cm 5-in-1 Collapsible Multi-Disc Light Reflector with Bag - Translucent, Silver, Gold, White and Black https://www.amazon.com/dp/B002ZIMEMW/ref=cm_sw_r_cp_api_CZKwzb1X89KQ5

Maybe a few of these

Five of these, though you should sometimes, (I think usually), use China balls instead of the reflector.

Just one of these

Any of these you need that are either Rosco or Manfrotto. I think buying individual ones instead of large packs is smarter.

Clothespins, aluminum foil, and white sheets are all helpful and you can get them at Target.

That's all I use personally, but a lot of professionals, such as Rodrigo Prieto, use these, so if you have a thousand dollars to spare. On the other hand, short of occasional Arris in larger spaces, Roger Deakins tries to use mainly incandescents indoors, often with China balls, or China balls that have had half of them spray painted black.

Inside rigging is easy, but outside, sticking a two-by-four in the hole of a cinder block can work well.

Dont forget to get extension cords, power strips with circuit breakers, and maybe some plug in dimmers, though for incandescents, you should always dim by changing the bulb wattage and for those halogen work lights, they get way orange when you dim.

Also, I didn't include China balls because I could link you to ten dollar ones, or you could get them for a dollar each at Chinese gift shops, dollar stores, whatever.

https://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_4?s=photo&ie=UTF8&qid=1480092542&sr=1-4&keywords=REFLECTOR

I've used these for several shoots with great success. for 20 dollars build quality is great and i dont see them falling apart anytime soon. Unless youre going to be shooting a loooooot of portraits i wouldnt spend more.

https://www.amazon.com/gp/product/B002ZIMEMW/ref=od_aui_detailpages00?ie=UTF8&psc=1 Just a cheap example. There are a variety of sizes/shapes so pick the one that makes sense for your kit. The idea is to reflect/bounce light onto your subject if you need better exposure or if you want to soften the light. Ones like this are multipurpose.

I bought something very similar to this. The lights, stand, and softbox are about the same.

http://www.amazon.com/Fancierstudio-Digital-Continuous-Softbox-Lighting/dp/B0050K3DW2

Let me link you to the exact lighting I use... Used it a few hours ago actually.


Use it by turning off all your lights or going to a basement.


LimoStudio Photography Video Studio Continuous Softbox Lighting Light Kit with Photo CFL 105W Bulb, AGG702
https://www.amazon.com/dp/B005DFP6M4/ref=cm_sw_r_cp_apa_Wa6FAbV102PNV

I have a canon t3i, budget is $400 and am upgrading my tech for beauty videos. I need new lights, focus remote control, new battery, sd card, 2 lenses. Zoom and wide.

I know this is a photo thread but hear me out and share input.

UPDATE:
I never specified that I'm focusing on video. I guess I assumed it was self explanatory with the info I went on to ask about pertaining to video.

Q's:

How much film time will this sd give me? Google says 2 hours, but maybe someone here knows better.
https://www.amazon.com/SCT-Digital-Ultimate-Extreme-S-F32-RT/dp/B007XVPI4C/ref=sr_1_4?s=electronics&ie=UTF8&qid=1518712664&sr=1-4&keywords=canon+t3i+sd+card

Are these lights worth it?
https://www.amazon.com/gp/product/B00O9RH4HM/ref=ox_sc_act_title_1?smid=A3VAHM8ODBLF0H&psc=1

I currently have these https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/ref=sr_1_sc_2?s=electronics&ie=UTF8&qid=1518712989&sr=1-2-spell&keywords=limo+studip+lights

They heat up and take up too much space in my little square room and dont light enough or evenly even with my ring light in front of me.

What zoom and wide lens can I use, to zoom into face sitting 4+ feet away from tripod. I currently have the canon 50mm lens.

What wide lens can I buy? My kit lens is still too close to me even zoomed out.

Budget friendly lenses for my crop sensor.

What my videos look like now, I need to update, get a nice bokeh when zoomed into face, even lighting, and nice wide shot to use for intro and outro of videos.

https://youtu.be/TlbrPApdIyE

Any other tips on saving money, improving my videos, etc, I'm open to learning. Thank you.

I would really like to have a nice blurry background like here for intros and outros

https://www.youtube.com/watch?v=4Dd_MQf6-dY&list=PLv8BKE_eGqqosNUuj2eDCh4Ynsh6M1HwD&index=2

If you don't have the means at the moment to invest in speedlites and remote triggers, I recommend continuous studio lights in umbrella or softbox form.

Ah, ok! I'm sure some other ladies will chime in, but I'd suggest something like this if you need an affordable option for something that can take decent photos and vids: https://www.amazon.com/gp/product/B00HLDFNKQ/

if you can do a little more: https://www.amazon.com/gp/product/B00T5A0EVQ/

Down the road you might want to upgrade to a camcorder or DSLR, but I think this is a good way to get started.
You also might consider an affordable light set if you don't have natural light: https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/

I use these; http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_5?s=photo&ie=UTF8&qid=1456935387&sr=1-5&keywords=photography+lighting

They're super-duper.

This is the one i have. It all collapses down to a thin bag which is easily hidden in a closet or under the bed and the bulbs are top notch

Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_apa_o1P9ybEH9CPBC

Get yourself a box resizer and a good razor knife. Sometimes a half an ounce or less can make the difference between $5 shipping and $7+, and you will also save packaging material by not having to stuff half of a box with packing paper or bubble wrap.

Box Resizer tool On Amazon $16.99 - Free Shipping

DONT BUY BUBBLE WRAP LOCALLY AT THE STORE. GET IT ON AMAZON.

I almost never pay more than $27 for 700ft of bubblewrap. I used to spend more than that on 250ft when I was buying it at Lowe's or Staples.

Bubblewrap on Amazon for $25.88 with free shipping

Keep an eye out for something like this at thrift stores, you can find them ALL THE TIME, usually for around $5 - $7, and they are GREAT for mounting your rolls of bubble wrap on to save space and make dispensing it easy.

Clothes rack with bar

For taking photos, I use something like this setup. I place the backdrop stand behind a dresser and drape the fabric backdrop over the top of it and tuck it into my top drawer for a seamless background that I can also lean items against since it's tucked in.

Backdrop + Stand Kit $36.90 on Amazon. Free Shipping

Photography Lighting Kit $52.10 On Amazon - Free Shipping

I pickup up a set of these a little while back:

Rosco Rosco Lux Small Swatchbook https://www.amazon.com/dp/B0002ER2YG?ref=yo_pop_ma_swf

It was like $5. I pulled all of the shades of orange to find what works best with my phone/lights.

As a bonus there's a bunch of reds that you can cover your flashlight with to do some night creeping!

Depends on the desk specs I would assume and if you want them to face outward towards the user. You’ll need something rigid to tack/attach the diffusion material and custom form it to the edge of the desk (if I’m understanding that correct, that is).

There are diffusion gels (they’re like thin plastic sheets - paper thin) and fabrics (typically used in photography) that you can cut and wrap around a frame. Order a Rosco Swatch Book to see what would work for you.

Or you can do indirect placement and put it under/behind the desk. Don’t necessarily need diffusion if you’re hitting the wall or something since you 1. Would be using the wall as a sort of diffusion and 2. Won’t be looking at it directly. Unless you can see hot spots/uneven light spread, you may not need anything.

Overall, I would recommend an aluminum rail LED strip housing with diffusion insert. I would recommend these for almost every home LED project, outside of anything drastic which would require much more work. This is the easiest and best looking solution.

Seriously, get yourself a Yongnuo. They're like, $40, and functionally similar to any branded speedlight. A demo pack of stage gels to slide over the strobe, maybe even a cheap as chips speedlight trigger, and you're set up for about 90% of speedlight work for less than a quarter of the price of an actual Nikon speedlight alone.

There's literally no reason to not go for it, and it opens up your shooting a lot.

Two of them:
First has one has multiple copies of commonly used ones (reddish, cyan, straw, CTO, CTB, etc) and they're a hair bigger (sized for speedlights)
http://www.amazon.com/Rosco-Strobist-Collection-1-5x3-25-Strobes/dp/B002SWIOOM/

This one is the original with one of everything they make (it was the original hack recommended on strobist).
http://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/

I got some stick on velcro and use those to attach them to my speedlights.

Here is a sample pack for $2.99 on Amazon.

You can buy LED lights if you aren't interested in strobes, but you never know.. maybe you'll really take off! Before I got my strobes, I used these from Promaster for lighting smaller areas and they worked like a charm (keep in mind they can get a little hot - don't cook the baby!). But if you're interested in something a little more professional:

The strobe

I personally use a single AlienBee B800. You may be able to photograph newborns with a B400 (a bit more affordable, but pumps out a little less light) version since it won't require you to light many large areas.

The modifier

Then you'll need a modifier to put on it so you can spread that light around the set cleanly. I prefer to go with Fotodiox products, as they are cheap and affective. I own the Fotodiox 36" Octabox.

Then of course, you'll need decent light stand to put them on.

Depending on how you position your strobe, you may also want to get a little reflector disc so that you can bounce light into areas that are too shadowy in your shot. You can also just do this with a regular ol' white foamcore board.

If you can afford it, other than the case sucking - this would work great. Gives you options for silver, white, gold, black or shoot through white. I have had mine for a couple years, the case/bag sucks, but it works great.

http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1398661374&sr=8-1&keywords=reflector

Just had my first paid shoot last night with some old high school friends. I'm not too psyched with how it ended up whatsoever, but they like the pictures and I only charged $20 for the whole thing.

Anyways, I'm pretty happy with my compliment of lenses and I'm looking to start investing in some more auxiliary gear.

Should I get this 43'' reflector, or will the 24'' get the job done for portrait shots?

Will this wireless remote get the job done?

Lastly, next time I get paid I'm going to invest in a speedlight. What are some decent entry-level ones?

Edit: My bad, Canon Rebel t3i

I have 2 pieces of advice that most new photographers tend to ignore (they usually worry too much about camera gear instead.)

1. Have a vision/idea of what you're shooting.
   
   Your friend has a clothing brand and you should think of how it should be portrayed. If its streetwear, then shoot in urban situations. if its bikinis, then the beach is perfect, etc. Once you have an idea of how you want to portray the clothes, think of which lighting situations would match it, such as hard lighting for a more dramatic look, or sunset for the golden hour look. Most of the time, the client will know what they want. Ask your friend to make a mood board, which is basically a collection of photos of how he wants the lookbook to look like.
   
   
2. Prep for your shoot.
   
   Get things ready before the shoot (this can be weeks to days, to hours before the shoot depending how much work needs to be done). This includes location scouting, weather prepping, lighting testing, equipment packing, hair and make up, posing references, props, etc. Have EVERYTHING ready almost to the point that you can start shooting right away once you get to the studio/location. If you are shooting in a studio, have the lights, backdrop, props, anything else you need, be ready. Don't waste time you could be shooting the model/product when everyone is ready but you aren't. If you are shooting on location, be prepared for the weather. Bring a 5-in-1 reflector if you want to have options on controlling light, such as a scrim/shade/silver/gold reflector. I can't get into any more details since every shooting situation is different which requires different tools, if you do know what situation you will be in and what you're going to shoot, then I might be able to tell you what you need.
   
   
   TL;DR
   
   DO NOT SHOOT BLINDLY. Prep everything and plan for the shoot. If you know what to shoot and how to shoot it, you will have a much better and easier time getting the shots you need. And it will show in the end product.

Hey, I'll try and answer as best I can, but others may have better or more accurate descriptions than me.

1. Many people will argue about this one, and I don't think there is really a right and wrong answer. You can make a great looking movie on an Iphone if you know what you are doing.
   
   But as for what makes a camera better? I would say control. The more functions you can control on a camera, the better. This is why DSLR filmmaking is so popular currently, because they have access to functions that many cameras don't have. Focus, Aperture, White Balance, Lens choices, etc. Being able to access all of these gives you more options as a filmmaker, which is what we all want, creative freedom, we all hate when we are limited by technology.
   
   Now many people talk about shooting Film vs Digital, or whether or not you are recording in RAW format for digital. A lot of this has to do with preference vs quality of camera.
   
   So I would say that a camera that is easy to control is the best. Hopefully I mostly answered that, if you want a more specific answer, just let me know and I'll try my best, otherwise hopefully someone else jumps back in here and describes it better.
   
   
2. This one is again up for debate. Here is what I think would be best. Get a camera first. Like many independent filmmakers, a DSLR might be the best option, I found a camera from Panasonic called the AG AF-100 that to me has been an amazing camera, and a few steps above the DSLR without costing that much more. But Canon and it's DSLR lineup is great! Grab a couple decent lenses with that too.
   
   I would recommend a small light kit, you can spend as much as you want on film lights, but don't feel ashamed to buy a few lights from Lowes or Home Depot. Lighting is a very important piece to making movies. I would also look into getting some reflectors, there are some really cheap ones on Amazon. I have found these to be helpful when shooting outdoors, since lower end lights are almost unnoticeable in the sun.
   
   Here is the one that many early filmmakers ignore, Audio. Grab a nice microphone and get some good sound with your video. The Rode NTG 2 is a pretty good mike. It's cheaper while still getting good sound. The ME 66 is a bit more expensive, but it's a hotter mike and gets better sound. Both are really good options. To go with your mike, if you have a little extra spending money, I would completely advise getting a Blimp. This Rode Blimp is great! If you want to shoot outdoors in the wind at all, this is the best option, otherwise you may have to re-record all the voice over in post.
   
   ~
   
   This post is getting a little long here, so I'll throw a summary at the end with a couple more items.
   
   Camera: Get a Camera, Lenses, Case, Tripod.
   
   Lighting: Get a couple Lamps, Reflectors, Filters, Light Stands.
   
   Audio: Get a Microphone, Boom, Blimp, XLR Cable, Recording Device, Headphones.
   
   There is always more, but these would be a good starting point. Not everything I recommended is needed to get started though.

I carry this 5 in 1 deflector / diffuser thing. Its definitely useful.

I often hold it myself with 1 hand or have the model hold it. As a diffuser its a bit more difficult but I sometimes use that as a diffuser for my flash. Good thing to have in your kit and it's relatively light and costs almost nothinf. It sits in the front pocket of my camera backpack.

I would ask for gift cards, i.e. Amazon and B&H, or money. You can save these up and get nicer equipment or build your own rigs. But a nice Tripod can make a huge difference. But honestly, it all depends on what you film. Such as me, I often shoot on locations so lenses with a faster aperture do more than a set of studio lights. Here are my recommendations for basic stuff to ask for Christmas:

CN-160 LEDs - about $30 (http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/) and of course some NP-F970 Batteries go along well for about another $22 (http://www.amazon.com/Halcyon-Replacement-NEX-EA50UH-DCR-VX2100-HDR-FX1000/dp/B008X9L6ZS/)

Extra batteries - The off-brand batteries work well. I have two and they are great

Extra Memory Cards - I highly reccommend Lexar as my SanDisks don't work insanely well anymore.

Stabilizer Rigs - The Mantis Rig Is A Great Rig for everything (especially starting) and is only $33 (http://www.amazon.com/Mantis-Folding-Rig-Fotodiox-Transformable/dp/B00AUKBV7G) Or if you want to get a glidecam-style I suggest the Laing P-4S stabilizer which is like $275 and includes a bag and weights (http://www.amazon.com/Quick-Release-Plate-Laing-Stabilizer/dp/B00G3TCYQK/)

And My Best Piece of Lighting Equipment - A Reflector which you can get for like $20. (http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/) There's plenty of different sizes, too.

Something like this:

https://www.amazon.com/dp/B002ZIMEMW/ref=cm_sw_r_cp_api_i_mSc4CbNSK5KMC

If you have a tripod you can then use it to reflect the light right onto your subject so you can have the light source behind them but still have them lit well!

Seems like a decent kit, a tad expensive maybe for what you actually get though, but I'd invest in some grippage either way so you can shape the light. While softboxes do provide nice large, soft sources, they result in a lot of spill. Maybe get a couple sets of these and rig them with these if you can with extra stands. If you can get your hands on some duvetyne and blackwrap you could also probably make some DIY solid flags and barn doors. Basically, to make it look good, you'll want to sculpt the light, not just turn them on and point them in the right direction.

If you do end up using that kit, also be weary of using the provided fluorescent globes as they'll probably have a green shift to them. Easy to correct this if they're your only light source with a FLT filter for your lens but if you're going to be competing with daylight you should have some minus/plus green gel on hand to match them. As far as I know, those kinds of fluorescent globes can't be dimmed (if they are they start flickering) so if you want to be able to control the light output that way you should use incandescent (if you can find any) or halogen globes, some hand squeezers (dimmers) and some CTB/CTO gel in various strengths.

Zoom isnt a bad investment, but you might be right. Honestly, don't go gear nuts. Even with the advice i gave above which i think is a way to spend two grand thats not what id do. Id use what I already owned and find some other people and beg borrow and steal as much as i could. Spend that 2 grand on a actual movie, and try and put every dollar on the screen.

I totally get the concept of wanting to have gear for multiple shoots. But I think you will learn a lot from just jumping right in. Shoot a short for 50 bucks with your friends over a weekend. then shoot another for a hundred bucks, and build on that. After that use all you learned with the rest of the dough to make something longer. I know it sounds crazy, but you can do it if you budget and write the script around things you already own and have access to.

More than anything a project you believe in will last longer than any piece of gear.

But if you are dying to buy something start with some simple paper lanterns mixed with a reflector you can get some good looking stuff, great soft light, and you learn some basic lighting skills. You will still need a few stands. But you can get away with a lot with these because they are light. Use practical lamps and natural light to fill out your scenes.

http://www.amazon.com/Hanging-Lantern-Cord-Off-Switch/dp/B007RPRYF0/ref=sr_1_2?ie=UTF8&qid=1452219709&sr=8-2&keywords=china+balls

http://www.amazon.com/White-Chinese-Japanese-Lantern-Diameter/dp/B0026XVQ3Y/ref=sr_1_1?ie=UTF8&qid=1452219709&sr=8-1&keywords=china+balls

http://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?ie=UTF8&qid=1452219787&sr=8-1&keywords=reflector

Requiem for a Dream!

It is truly a great film- amazing cinematography, haunting score, superb character development and connection. It definitely can be depressing, but I think the film's themes about loss, desperation, and unfulfilled dreams are just so poignant.

I really could go on and on and on about this film- and I actually have in other contests that ask about favorite movies, hehe. But I won't bore you this time! ;)

Seriously though, if you haven't seen this movie yet. Watch it. Watch it right now! =D

Here's my $5 item: some China Glaze nail polish

And here's my $20 item: These awesome reflectors! I'm a newbie photographer, and these reflectors would help me out so much with the work I'm trying to become skilled at. =D

Thank you so much for hosting this contest, by the way! As amazing as it would be to gift a $20 item to someone, I feel like it's really fun to spread the wealth! My vote is for four $5 gifts! Thanks again! =)

Terrible translation on my part but I think the proper English term is reflector. Something like this.

It's great for the following (and I quote from their site):

1 Translucent surface for softening

2 Silver for the contrast you look for

3 Gold for warm tone and health

4 White to fill the shadow

5 Black to block out stray light

It's probably one of the most versatile products you can buy for such little money. Translucent is great for days with hard edged shadows. Gold gives you sunshine. Black can create shadows when there are none. (removing light is also shaping light)

Can do nothing but recommend it to you

I think lighting is important if you are planning to conduct interviews with lots of people as sometimes natural lighting may be quite risky. This link is for two softbox lights for £50. I haven't used these but I plan on buying them in the future and they are reasonably cheap and have good reviews
https://www.amazon.co.uk/Abeststudio-Continuous-Lighting-Photography-Softboxes/dp/B01F59NSX6/ref=sr_1_5?ie=UTF8&qid=1502643124&sr=8-5&keywords=softbox+lighting

At the very least I would get a 5 in 1 reflector kit just to get even lighting for interviews. Only £11
https://www.amazon.co.uk/Translucent-Collapsible-Reflector-Photography-Situation/dp/B002ZIVKAE/ref=sr_1_1?ie=UTF8&qid=1502643168&sr=8-1&keywords=5in+one+reflector

Then I would get either the Zoom h1 and the Rode Videomic or just the Rode VideoMic Pro with the +20db setting on (both come to around £140). However you may be able to get away with your mic on a stand right above or below the interviewee. You'll have to do more researching as I don't know about microphones for interviews.

As for other things I think that would mainly be it.

My set up is similar to /u/alittlekink 's.
My computer an duel monitors are set up on an ikea desk made out of a Ikea Alex drawer unit leg set. I use two softboxes, One on the stand on one side & then one sitting on the floor on the other side of my desk. (The floor softbox hides the belly shadow) Before the lighting kit, when I had housemates, I used a cheep target lamp with mutiple heads like this.

My desk sits in front of the only window in the room, so I can use the natural light as filler during the day.

My bed is placed sideways (longways) against the wall opposite the desk, made up daybed style.

I use a Logitech c930e placed on a cheep tripod that I can move around.

if its a light issue the easiest fix would be an on camera light. These things are super handy and just attach to the hot shoe of your camera. the light may be a bit harsh but if low light is your issue, its a sure way to get it lit.

If you are more concerned about good(smooth) lighting, Youll have to drop a bit more cash on a 3 point light set and learn how to use it.

I'm coming at this from a design / video background. Other people here have addressed the actual content well enough.

You need better production value. I'm now saying you need MKBHD level of stuff, but if you're serious about doing a series, getting real followes, etc, you need to up the production game. This is just about the bare quality minimum you can go to get a real audience. This is a realistic goal. There's nothing he does that can't be done by one person with a tripod.

Get out of your bathrobe, get a tripod and a cheap softbox or two, a better camera (lighting might be all you need here), and try to simplify. Really watch that video I linked. He only has two or three locked down camera shots in the whole thing. It's not a crazy fancy multicam + slider setup.

Your audio quality itself is pretty good, but I'd personally reduce the humor a bit. I get what you're going for, but if I feel the itch to skip forward throughout your video, it's too much. Literally, a 3s logo intro + a 10-20s intro, then get into it. People are SO willing to just pop into another video if yours isn't getting to what they want.

EDIT: You desperately need to learn about SEO. Do some googling (ironically.) The title "Eggses" is absolutely useless. I get the joke, but think for a sec: What does your audience search when they're looking for what the video shows? "How to cook eggs," maybe "How to fry eggs," etc. YES, you will have more competition in that title, but competing over the actual audience is better than having 100% of no organic activity.

They are softboxes for lighting my green screen. I've started streaming to twitch in my spare time.

No problem at all!

Here are some I found:

Basics ( 2 main stands and a mini one, umbrellas, bulbs, everything you need )
http://www.amazon.com/Cowboystudio-Photography-Portrait-Continuous-Umbrellas/dp/B003WLY24O/ref=sr_1_1?ie=UTF8&qid=1373804988&sr=8-1&keywords=studio+lighting

If you're needing soft boxes:
http://www.amazon.com/Fancierstudio-Digital-Continuous-Softbox-Lighting/dp/B0050K3DW2/ref=sr_1_3?ie=UTF8&qid=1373805007&sr=8-3&keywords=studio+lighting

Hmmmm, personally I would go with the less expensive camera and a nice lighting setup. Then I would upgrade your camera later on if you want/need to. I don't know that camera but it seems to have pretty good reviews. If you are just using it for facecam with gameplay then you'll be scaling down the video anyways so it shouldn't matter as much.

I use two of these lights for my lighting and it works well.

https://www.amazon.com/gp/product/B005DFP6M4/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1 I used two of these. I guess $80 for both isn't exactly "cheap" but for lighting it is, and given the quality boost it gave me it seemed a worthwhile investment. Especially if youre the kind of person to sell your replaced GPU's etc. on ebay, you also get value there by having nicer pics. I'm glad you liked the pics!

Good tips! Would you believe the entire thing was shot and edited on an iphone 6s?

Lighting is massively important when you aren't using a great camera, I bought this $40 softbox and it's made a world of difference. http://www.amazon.com/gp/product/B005DFP6M4?psc=1&redirect=true&ref_=oh_aui_detailpage_o09_s01

Good idea about the slider, I'll look into it

Just get something like this and plug in whatever bulbs you want. Strobes don't really work for video.

Simple headshots?

I started with THIS

Changed the bulbs to my liking and voila.

Nice job! I thought it was a real good list and I've gotta agree with most of it, especially maximum overdrive. A few suggestions I'd make would be to try a different background, maybe have some horror related things around you like posters, figures, whatever. I'd also say try messing around with the lighting a bit for the face cam parts. It was shadowy too yellow. If you don't have anything specific you use I'd suggest this set.

https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1469661904&sr=8-1&keywords=limostudio+lighting+kit

It's cheap and it works really well. You are very charismatic and the content of the video itself is really good. I liked the overall length of the video too, not overly long and just enough to describe each film and get the idea of why it made the list. Keep up the good work!

Unanswered question from the previous megathread

Author /u/Fehyt - (Permalink)

Hello!
I'm trying to build a small studio on a budget, since I don't really know that much about lighting and equipment, I'm shopping by best sellers/most reviews on Amazon, I will be doing portraits photos.

https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_3?s=electronics&ie=UTF8&qid=1511300862&sr=1-3&keywords=lighting+kit

And what about this for the stand?

https://www.amazon.com/dp/B00E6GRHBO/ref=sxbs_sxwds-stvp_1?pf_rd_m=ATVPDKIKX0DER&pf_rd_p=3341940462&pd_rd_wg=jm5yS&pf_rd_r=XZG63ZDMVDGWZAPMBNH4&pf_rd_s=desktop-sx-bottom-slot&pf_rd_t=301&pd_rd_i=B00E6GRHBO&pd_rd_w=JmGsI&pf_rd_i=lighting+kit&pd_rd_r=abee786f-075f-4975-acf1-144b8e613585&ie=UTF8&qid=1511300901&sr=1

Thanks a lot!

Weekends are my busiest streaming days since I normally run from 12pm-1am but I'll try to throw a guide together this weekend and post it on the sub.

But for you:

LimoStudio Green Screen Stand - $35

LimoStudio Green Screen - $18

LimoStudio Studio Light Umbrella Kit - $52

Alternatively, you could get the softboxes instead:

LimoStudios Light Softbox Kit - $77

What's interesting is Limo no longer sells the green screen and stand together without the lighting kit but I don't think that's a deal killer.

Alternatively, if you want the full setup in one go, with two umbrellas, two softboxes, four light stands, a green screen and stand, and a black and a blue backdrop. The only thing substantially different from this kit is that it leaves out the third, small light stand from the umbrella kit that is typically used to project light on the subject's back to create a "highlight" on the outline of the subject to help the chromakey separate from the subject and the green screen but I don't use this and don't have any issues.

LimoStudios Full Light and Backdrop Kit - $143

Also, quick question, when I make this guide do you think it would be helpful to provide light setup and position guides as well as chromakey guides?

I have this cheap light kit from Amazon: https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/ref=sr_1_3?ie=UTF8&qid=1517634363&sr=8-3&keywords=light+kit

I use it for taking documentation pictures of art. It's pretty good, the bulbs that come with it aren't particularly bright, so I bought some of the same brand's larger bulbs. They're daylight balanced.

Depends on what kind of photography you'll be doing of course, if you plan to be hand holding, shooting people etc, you'll probably still want to use flashes (maybe as supplements to the light kit) or brighter lights.

You're welcome! Here is the link

This link is especially cool because you can choose to buy the whole set at once or just parts. So if anything ever breaks or you want more of one thing, you can always take care of it!

Yeah, the amazon kits, for the most part, are just junk, and the stuff you do really want is bad quality. It's substantially better to get stuff as you get more experience.

For a camera, I definitely think that you are good with a t6i or t7i. I agree with the other poster to make sure that you get an "i" because they have the swivel screen that makes life so much easier. After a quick check, you could get this referbed t6i for about $500 which is not bad. Don't worry about it coming with a kit lens, sometimes those lenses can be useful, and for the most part, since it is an "amateur" camera, they are hard to find body only. So you should be good there.

I'm not entirely sure what the "tutorial" mode is, but really do read up on the exposure triangle. It's not super difficult (there are TONS of great graphics that help explain it), and it will make your photos/videos SO much better because you will be in control, and more aware of the capabilities and limitations of your camera than if you shoot in a mode that's not manual.

Also a few quick notes about filming with DSLRs that you aren't going to see if you just look at photography sources. One, try your darnest to always shoot ISO 100 when filming. Bumping the ISO in pictures is fine because the grain is either not recognizable or is easy to remove in photos, but it is SUPER noticeable and hard to remove in video. This is because the grain changes every frame, effectively animating it. The other thing is that if you shoot higher than 60 fps, you might end up wanting to add motion blur or something because the video might look a little odd. On the contrary, for photos you'll probably want to shoot more like 200 so that handshake doesn't introduce motion blur.

The other thing that is SUPER IMPORTANT for video and just like "nice to have" for photos is a good memory card that has a high write speed. This is the one that I personally use. If the memory card doesn't have a high write speed, then your camera will just stop recording because the write speed of the memory card can't keep up with the data coming from the camera.

Also, side note, there are tons of articles that will say that canons can't shoot more than 12 minutes of video at a time because it exceeds the 4gb file size (which it can't go past due to stupid copyright laws. I don't get it either). This isn't entirely true. All the canons that I have dealt with (everything from a t3i to 70D) record fine past the 12 minute mark, just when they get done recording it will split it into 4gb files. Only one canon have I ever seen ALWAYS shut done at the 12 minute mark no matter what, so I suspect it was just broken. However, even with my own trusted camera that I have never had problems recording more than 12 minutes has recently stopped at about 30mins (my guess had to do write speeds), so just always be aware.

As far as lighting kits go, this one is pretty good for a beginer. Most people do a basic 3 point lighting which is probably fine enough for what you want to do. So with that in mind, and since you want to do green screen, you might want to get 2 of those kits. The key to doing green screen is to have a really well- and evenly- lit screen. TBH you really don't need to get a green screen kit unless you just want to. All it really is, is just a large piece of fabric anchored in such a way so that there are no wrinkles. Of course, the kits are nicer, but you may want to see if you can DIY that part.

As for a tripod, this one is probably fine for what you want to do. Just keep in mind that if you continue to do more in video/photography you will probably need to get a better one later on. I personally have one like this that I use like as a back-up, so they aren't a complete waste of money.

Hopefully this helps! If you have any more questions feel free to ask!

If you’re looking for a reasonably priced lighting setup, here is what I use:

Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_XMmVBb2BH6EX3

I like the flexibility with having more than one light and the umbrellas really soften the light, giving a much higher quality of light. And if you ever desire to use a green screen, these can throw a lot of light on that to smooth out any shadows. It’s a solid setup for the price.

If you can do natural light, it is always best!
I got a set from amazon awhile back that I use ...
http://www.amazon.com/LimoStudio-Photography-Portrait-Umbrella-Continuous-Lighting/dp/B005FHZ2SI/ref=sr_1_5?ie=UTF8&qid=1413006810&sr=8-5&keywords=photography+studio

It's pretty nice having more then one light.
It depends also on the videos u r making.
What's ur youtube name?
MIne is Shopaholic Not So Anonymous

Thank you! This photo was taken in natural light, but I also have these umbrella lamps , which honestly changed my world since I don’t have to stress about daylight anymore. For food, you generally want to light from one side to best highlight texture and to keep things from going flat. I position one lamp to the side of my food, and the second lamp on the same side but angled slightly behind the food. Then I position a reflector opposite the lamps to help brighten shadows. You’ll need to play a bit to see what works best for different foods and set-ups (I find white-on-white desserts the most challenging), but that’s the gist of it.

I’m a former art director so also adore post-processing. My favorite program is a Photoshop plugin called Topaz Labs. If you use their filters with a very light touch, they can really bring a ton of life back into photos.

I sell clothing on eBay and I am wondering if this idea of mine is possible. I have this lighting kit. I want to be able to use it like an external flash trigger. So, the lights only turn on when I actually take a picture.

Is this possible? Is there some kind of thing I can attach to the outlet to only turn the lights on when I press a button or something? Thanks for any help.

I got this, it seems like a good amount of light for the money. My backdrop, I just got piece of sign from home depot that was pretty white, and a bit rigid, but still flexible, taped it to a table, and up the wall. I was pretty impressed with the light, its probably not amazing, but the price was right.

I use lighting like this for my streams and I love it. It’s more bulky than a ring light for sure and I place them feet from my desk so it may not be viable but I deal with a lot of light sensitivity/photophobia so I’m unable to use a ring light. This may not be an option for you but if you have issues with light it’s perfect for being well lit without the pain.

Goal: Build indoor product photography lighting setup for <$200

Hey pros, I need your help badly.

Recently I have purchased a Nikon D5200, a mannequin, and really started to really step up my product selling game. As I have no large scale lighting or backdrop setup i'm forced to do this outside (See: Example 1 and Example 2 ).

Now these photos are great and all but I can't shoot them whenever I want or at any time that's convenient really. So i'm hoping to build an indoor setup.

Pieces I need:

1. Infinite backdrop (Rather like the gray they use here)
   
2. Umbrellas? (How do you choose size and what seperates a 40$ setup from multi thousand dollar ones? Terrible Examples Here
   
3. High watt white lights, but which kind and wattage?
   
4. Fill light?
   
   I'm just all around overwhelmed, hopefully a pro can point me in the right direction.

Good morning!

I'm leaning toward a career in creative with an emphasis on food, beverage and dining. I'm a beginning photographer, and have a Canon T2i with standard 18-55mm lens. This lighting kit and Adobe CC.

I was in a bar one day and saw a professional taking pictures of some craft cocktails. He had his DSLR hooked to a laptop, and after every shot he took, the image would populate on the screen of his computer. For whatever reason, I didn't ask him any questions. Any idea what he was doing? and, if so, is that something I need to look in to?

The 3 factors I've noticed that make the biggest marginal improvement in a video are:

1. Good lighting - Set it up near a window, or place some lamps around you if you don't have a lighting set-up (they can run pretty cheap). Depending on what type of videos you are doing, you want most of your face to be completely visible, with no harsh brightness or shadows.
   
2. Audio Quality - Nothing turns me away from a video faster than when the speaker sounds like he is speaking into a can that is flying through a wind tunnel. More likely than not, built-in camera microphones are rubbish, It's just the way it is. It is much better to record with a separate microphone connected to a laptop or something. In a pinch, I've found that I can download a high-quality sound recorder on my phone, and place it in my front pocket (mic up) to achieve a sort of portable sound recorder that doesn't need to be plugged in. (Make sure its the high-quality app like Smart Voice Recorder with the 48kHz option selected, or you are doing no better).
   
3. Eliminating filler - Ever sat down to watch a video, then been presented a 45 second intro with crappy zoomed-in blurry footage from an anime? Never do this. If I don't know who you are, and I have to sit past a 10 second intro, I will likely lose interest. Don't bore us, get to the chorus. I have started introducing the video, doing any flashy intro stuff, and beginning the premise of the video within 7-8 seconds. Unless you live an exceptional life and people want to creepily get into your mind, nobody wants to listen to you drone on about nothing while talking into a camera (thats what Let's Plays are for, huehuehue).
   
   I love talking about this stuff, so if you have any more questions, let me know!

I haven't tried regular vanity lighting but this set from amazon is awesome for videos and makeup application. They are pretty cheap in comparison to other similar lighting. My friend has them and I recommended to a other redditor who loves them too! Hope this helps!

I am a hobbyist photographer. I was in this situation as well, I first ordered the cheapest shoot through umbrella and stand I could find (Neewer- $20). It was a total POS, the mount was cheap plastic and I returned it. I paid slightly more for a LimoStudio light kit+ 2 flash umbrella holders and am much happier with this purchase. The stands are light weight but fine for indoors and outdoors any stand should be weighted down. I bought this https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1

and 2 of these to adapt off camera flash
https://www.amazon.com/gp/product/B00DAW8688/ref=oh_aui_detailpage_o02_s01?ie=UTF8&psc=1

This is great for being on a budget, can plug in to your laptop or get a cube to plug into the wall outlet, and it clips where you want: https://www.amazon.com/gp/product/B074C7KRW5/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

Edited to add: the one above also lets you adjust the light to yellow/blue/mixed light and has multiple, easy to switch to settings. (Can you tell I love it? lol)

This was My first light set and IMO totally worth it if it is/becomes in your budget. I've had it for several years without issues.:

https://www.amazon.com/gp/product/B005FHZ2SI/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1

http://www.amazon.com/gp/product/B005FHZ2SI/ref=s9_simh_gw_p421_d0_i2?pf_rd_m=ATVPDKIKX0DER&pf_rd_s=center-2&pf_rd_r=0RHZ1WW1HSSQFFPS6VVJ&pf_rd_t=101&pf_rd_p=1688200382&pf_rd_i=507846

These are really cheap, you can find much higher end studio/photography/portrait lights. They can work to provide spot lighting. You still need good overhead lights and the higher the bulb wattage in the umbrella lights the better, same for the overhead really. Big shop lights can work as well, i.e. halogen, but they get hot, not ideal unless you're in a cooler climate.

Are you using Lightroom? Also, I'm not sure how much money is low budget but you might want to consider some lights like these. If any of that is too expensive, then you might have to create something. For instance, look around for pallet boards. Stores sometimes throw them away. Tear off those planks and nail them together to create a large-ish "wall" that you can take outside for natural lighting. Then you can use props accordingly. Does that make sense?

Hi! I know nothing about photography, but my sister is learning and playing around with it, and I wanted to get her some film & accessories for Christmas. She has a Minolta x700 that used to be my mother's. Any pointers on good things to get that would go with that? Thanks!

Edit: Decided to get her an entry-level umbrella lighting kit. Figured she'll get a lot of mileage out of playing with lighting.

This plus a white wall in my house. Adjust the levels in photoshop.

In my opinion, the T3i is garbage for video in the current market. The Panasonic G7 is a far better choice, however it will eat up your entire budget.

But in terms of sound, ideally you'll want to be recording sound externally, so not directly into the camera. So something like a video mic hooked up to a zoom h1 to record your audio, or a Blue Yeti mic. And for lights, you can get a fairly cheap set of continuous lights like these, not fantastic but they'll more than do the job for simple setups.

But focus on good sound and lighting, that'll help your video more than most cameras will.

hey something I actually know something about. I too used to steam on twitch, and close to when I stopped streaming I got a green screen (went back to college). You're going to want SOFT consistent light on your green screen. Hard light can work but I would not recommend it. You'll also want light on yourself to help you stand out from the green screen, the name of the game here is contrast. I would recommend a three light set up, two focused on the green screen, it might seem like over kill, but trust me a well lit green screen will make everything look so much better and the set up so much smoother. depending on your budget I would recommend this https://www.amazon.com/StudioFX-H9004SB2-Photography-Continuous-Hairlight/dp/B00MBVOIJU/ref=sr_1_6?s=photo&ie=UTF8&qid=1494444402&sr=1-6&keywords=softbox+lighting+kit

something a little more budget friendly https://www.amazon.com/Safstar-Photography-Softbox-Lighting-Equipment/dp/B01G76VBBW/ref=sr_1_45?s=photo&ie=UTF8&qid=1494444542&sr=1-45&keywords=softbox+lighting+kit also you'll need a light for you https://www.amazon.com/Neewer-50cmx70cm-Softbox-Diffuser-fluorescent/dp/B00GLMI44K/ref=sr_1_25?s=photo&ie=UTF8&qid=1494444634&sr=1-25&keywords=softbox+lighting+kit

also when you get everything and you're ready to set it all up this video helped me figure it all out. https://youtu.be/33HXwK8MIfI?t=2m20s

cheers!

Here is the kit I bought: https://www.amazon.com/StudioFX-H9004SB2-Photography-Continuous-Hairlight/dp/B00MBVOIJU/ref=sr_1_13?keywords=softbox&qid=1575156441&sr=8-13

​

It is a hassle to put up and take down.

If you want simpler, get a ring light. They work well but you will see the rings in the reflection in the actors' eyes. They are cheap and far more mobile.

I'd get the Panasonic G7, flip screen will come in handy when filming yourselves.

For lights, simple softboxes will do, something like this.

It's surprisingly sturdy, especially for $23

Note though, that it doesn't include the stand or mount for the speedlight.

I'd like to get a softbox to use with my existing speedlite for shooting portraits outdoors. Preferably something where the flash enters the rear of the setup. I also need a stand. My budget is around $200 +/- $50.

I don't really want a softbox that the flash goes inside of, like this neewer one: https://www.amazon.com/Neewer-Octagonal-Speedlite-Speedlight-Photography/dp/B00PIM3I7W/

It looks like the zipper where the stand would enter would be a pain and limit the range of adjustment. Also, I don't think the flash wouldn't be centered and might cause issues. If I'm wrong here, let me know!

Thanks!

If you're doing video, you want constant lights - really, really big ones. If you're using fluorescents, you want really good bulbs like these units from Eiko,, perhaps in a couple of four-bulb umbrella holders with Godox umbrella softboxes.

Alternately, big damn incandescents (700W+) are powerful, have great color (100CRI,) and zero intercompatibility issues. They're hot as hell, though.

A pair of YN360 light wands are also a good choice, but not so much if you want to cover a large area.

I used one of these cheap 30 inch umbrella style octa-softbox. I used it without the diffuser since its an indirect softbox anyway, wanted more specular look since it was sunny out plus saved my light the work of having to put out extra power for the same exposure.

Also used a 1/2 CTB gel on the flash since I am shooting them in the shade. This helps warm up the photo and keeps the shadow side of my subjects faces closer to the same WB as the lit side.

Im buying my gf a soft box and a set of reflectors for indoor food photography.
will these work?
https://www.amazon.com/Photography-Continuous-Lighting-Equipment-Portraits/dp/B015DYIQ94/ref=sr_1_1?ie=UTF8&qid=1484681089&sr=8-1-spons&keywords=softbox+kit&psc=1


or


https://www.amazon.com/LimoStudio-Photography-Lighting-Equipment-AGG814/dp/B00E4YS2XU/ref=sr_1_3?ie=UTF8&qid=1484681089&sr=8-3&keywords=softbox+kit


and


https://www.amazon.com/Etekcity-Multi-disc-Collapsible-Photo-Reflector/dp/B00D6NWN6M/ref=sr_1_1?ie=UTF8&qid=1484681493&sr=8-1-spons&keywords=light+reflector&psc=1

or does someone have better suggestions?

Fun, thanks for hosting the scavenger hunt!

1. Something Blue: These journals are so beautiful, and I just thought I would start the scavenger hunt out with something simple and beautiful. Is that too corny of a reason to put them on here?
   
2. Summer: Summer reminds me that I will soon be in a place with sun constantly radiating down and burning my retinas. We're all gonna need some sunglasses.
   
3. Unusual Food-Related Item: Kawaii Squishies are super cute, smell like freshly baked bread (or cream soda), and are shaped like foods! I had a lot of wiggle room with this category, and while I have tons of things about food in my WLs, I just think these are great to pass out to stressed friends, as well.
   
4. Gift Someone Else: A Bidet for the Fiancé Kind of a silly one, but my fiancé loves bidets. I've always wanted to get him one, and so this is my ultimate "I love you" gift for him. I actually thought about getting it for him and calling it his engagement ring, in response to the one he just got me. Do you think it would make him laugh?
   
5. Book!: The book Lab Girl by Hope Jahren has gotten a lot of great press, and it seems very relevant to any woman in a demanding science-related field. I think it would be an interesting, and hopefully inspiring, read.
   
6. Less Than a 1$: Somehow this shampoo brush is only $.01? Is that real?
   
7. Related to Dogs: I haven't owned a dog since my family's golden retriever, Max. He was such a wonderful light in our house, and I think about him a lot. I know that GSD are really smart, so I figured I'd put something a smart-alecky GSD owner might have on here. ;)
   
8. Not Useful, But Awesome: I really love oracle cards. I find that they sort of get me past challenges that maybe I'm too stubborn to see for myself. I think they are a good psychological tool, but I also know most people would find them less than useful. Therefore, they are mostly just awesome, and I want them.
   
9. Great Movie: I get some flak for it, but my favorite movie of all time is Coraline. I think it is just so thought-provoking and the animation is beautiful. It really has a special place in my heart.
   
10. Zombies Attack!: Weirdly enough, I am in the process of creating an emergency plan and some bugout bags for my fiancé and I. It's more of a hobby than worry, but I always thought a couple of these matches would come in handy when the hammer drops.
    
11. Life Goals: This one might require a little explanation. So, I just quit my career as an archaeologist to become a creative writer, and my fiancé just quit his archaeology career to become an illustrator. Together we are writing some children's books, creating a comic book series, and hosting a podcast. It has come to our attention that these endeavors require social media presence (something neither of us are very good at). Through our bumbling around, we've found that our pictures are turning out less-than-great for social media, and the problem is lighting. I think this lightbox really neat for anyone who wants to make their pictures look professional on social media.
    
12. Add-Ons: Makeup Remover Cloths These are so useful, I thought about even adding them to the Zombie Apocalypse part of the Scavenger Hunt! I sometimes forget to take care of my skin. So I started leaving one of these by my nightstand just for those times when I'm too lazy (or drunk) to take my makeup off. They are lifesavers!
    
13. Fandom Related: Adventure Time, come on grab your friends.... No explanation needed really. AT is amazing, and I'm sad the series is ending, but we will always have the comics!
    
14. Ridiculously Priced: Okay, let's chat. This watch is over $200,000 and has 4 reveiws? 4 people bought this? Why?! If I was that rich, I'd hole up in my cool-ass movie theater and eat caviar all day. Who needs a watch for that?
    
15. Shark or Unicorn: This unicorn color-changing light is on my wishlist. I want it so badly, but have no idea where I would put it. The bathroom maybe? It has to be somewhere that won't get in the way of all my other unicorn stuff. I like when people just happily stop upon a unicorn in the apartment. When they're peeing is a good time, right?
    
16. Smells Great: These candles are the scents of a coffee shop and so I know everyone in my house would feel warm and welcome right when they walk in once they are lit. These are actually three of my favorite scents, so you can probably tell that I have a slight coffee-related addiction.
    
17. Toy: Dixit is an amazing game. Like...I don't know how to describe it. A bunch of cards with illustrations on them need to be described by the players, and then everyone votes on which description they like the best (blindly vote). It's just a wonderful game for inspiration, and you can make it as complicated or as simple as you'd like. I really enjoy playing it with both my friends and family.
    
18. Helpful for Writers: An Imaginative Workbook! I think one of the biggest things writers forget how to do is play! We spend so much time in our universe, trying to make it perfect, that sometimes we forget to just let go and have our imaginations run wild. I think workbooks like the one I just linked are perfect for when writer's block hits, or when we need a pick-me-up to remember why we started writing in the first place.
    
19. Current Obsession: My current obsession has become learning how to play the ukulele. I heard on a couple of podcasts that it really boosted some people's happiness, especially if they loved music, but didn't feel like they had the time to learn to play a new instrument. I have been borrowing my neighbor's, but since I am moving soon, I've decided to purchase one from Amazon. They have tons of ukuleles on there, weirdly.
    
20. Makes You Laugh: As a person who loves Wes Anderson films this coffee table book always makes me laugh.
    
    Edit: Finished! I love scavenger hunts; it always reminds me what a weirdo I am.

Absolutely. You can get a cheap lighting kit with 2 x (stand+bulb+softbox) for 50-60$ on Amazon. The brand doesn't matter, whether it's Neewer, Amzdeal or insertchinesebrandname they are all the same repackaged.

Example:
https://www.amazon.com/gp/aw/d/B015DYIQ94/ref=mp_s_a_1_6?ie=UTF8&qid=1522702893&sr=8-6&pi=AC_SX236_SY340_FMwebp_QL65&keywords=Lighting+kit&dpPl=1&dpID=41JsWZ4FmCL&ref=plSrch

Thank you and steal away lol.

Tip: I had to double up the flood lamps on each window. My original idea was one clamp/bulb per window but it wasn’t giving me the desired brightness so I doubled them up which looked great from the street. You’ll have to play around with it and see what works best for your needs.

I also had two studio light soft box stands lying around that really helped with the brightness and made it so I only had to use one bulb on two of the windows. I would have used just the studio light stands for all the windows if I had enough but I ran through my budget this year already so couldn’t get more. If you’d like, I can PM you a couple pictures of the setup for reference.

The soft box light stands I’m referring to:

Neewer 700W Professional Photography 24x24 inches/60x60 Centimeters Softbox with E27 Socket Light Lighting Kit https://www.amazon.com/dp/B017D7W57S/ref=cm_sw_r_cp_api_i_VDHMDb5HDB7QJ

After reading a bunch a reviews I went with the Neewer 700w Pro Kit. Very inexpensive, gets great reviews, and comes with everything you need. I've only used it for 1 day but have already gotten multiple comments on the upgrade.

www.amazon.com/gp/aw/d/B017D7W57S#Ask

This is the set I bought. Works great.

https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-Lighting/dp/B018KE5XUO

If you are looking for a full setup with lights and backgrounds this looks like a pretty good option, but it is close to your max budget. https://www.amazon.com/dp/B01MSMRZEO/ref=cm_sw_r_cp_apa_i_uX-6AbFA0SSHR

If you have Amazon prime and don't mind spending $20 more to get it a little faster...
https://www.amazon.com/dp/B073JF96QP/ref=cm_sw_r_cp_apa_i_mX-6AbR2EKDZE

If you are just looking for lights you can go with either this
https://www.amazon.com/dp/B01LXA1J0H/ref=cm_sw_r_cp_apa_i_8Z-6Ab8798CGM

Or this
https://www.amazon.com/dp/B018KE5XUO/ref=cm_sw_r_cp_apa_i_F1-6AbEZSMH3Z

All of these kits use pretty similar gear. The main thing you want to look at is the bulbs.

I use a Galaxy S8+ for my photos and I have a Samsung Dex Dock to make it my computer in my work space too. I do my photos, editing, listing and shipping all from the same device. I have a photo set up similar to the first and second one. I'm also in a basement so natural light isn't an option.

Here is a sample photo I took with those lights and my phone. I do use pro mode most of the time. https://imgur.com/gallery/DZMLEcL

Shit, I can't actually watch this with audio. I haven't seen season 3 yet. I've been waiting for a time when I feel like shit and have a few days off to binge the series, but no luck so far. I'll watch but it won't have anything related to audio in my critique. Sorry, mate!

So let's just start with the visuals at the very beginning of the episode: the lighting source in your room is, if I'm you, on my right hand side above my head, probably about 3-4 feet away from me. You can tell because of how the light hits you on camera. Your hair is lit up on the crown and it's spilling down the right side of your face down to your shoulders, but we don't have a good light source on the left side to balance it out. As a result, we're seeing a dimly lit shot. The background is out of focus/washed out color-wise. I can't make out the time on the clock in the background. At least I think that's a clock, it could be some decorative thing with a tassel, idk.

Since I'm critiquing solely visuals with your video, I really have to drive home the importance of lighting and what it can do for you. This is a great piece from Khanacademy about the art of lighting in Pixar films. Don't let the title fool you, there's a lot that will transfer over to live action shots as well.

https://www.khanacademy.org/partner-content/pixar/art-of-lighting/introduction-to-virtual-lighting/v/art-of-lighting-overview

Listen to her talk about the differences between soft lighting and hard lighting, how it evokes a certain mood or changes the diffusion patterns. The same advise can be given to live action shots as well. The better the lighting, the higher definition an image. You can't fix an image with bad lighting, even if you have the highest quality camera in the world; it's only as good as the environment you're using it in. If you have dull, washed out lighting and a single light source, your live action shot will suffer from the same issues.

I linked this product a lot today, but if you're going with a live action shot, you'll need some decent lights (I promise I'm not affiliated! I just ordered them a month ago and the setup has been killer easy):

https://www.amazon.com/gp/product/B018KE5XUO/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

For $50.00 I've not found a better set. I have a big room with a single light source in the very center. I film on the left hand side in a corner in front of my blue-screen. In order to achieve a well lit light source, I have two lights setup parallel to one another at a 45 degree angle with the lights hitting aluminum coated umbrellas that serve to refract the light and illuminate my shot. If I want to go for a softer, more even tone, I break out the white umbrellas which will give me a less direct diffusion pattern.

My front facing light is a Tao Electronics desk lamp with an adjustable base that can angle however I want, it also can emit a white light in the same vein as my diffusion lights, though if I turn it up high enough I get splotchy.

If this description doesn't help give you an idea I'm sitting at my desk right now and can film a small segment giving you kind of a tutorial on how lighting works and how it can be used to give your shot a cleaner look. However, you have an expert from Pixar talking about lighting on a site that's completely free to use. I suggest you make good use of her!

A single, static shot for 12:44 seconds, that's a long, long time to look at a single frame. Somewhere around the 7:55 second mark the definition of your background came into focus. I don't know if these are two different shots with different settings, but I'd like you to cut the image from 7:55 - 8:05, frame it side by side with your editor and cut your previous shot and put them both together.

During whatever adjustment was made the camera you're using began focusing on the background around that time and defocused the foreground shot (you). The definition change is immediately noticeable and jarring. Again, this could be a product of bad lighting or an automatic setting on your recording camera (i'm guessing webcam at this point) that decides to change the focal point.

The bad part is you never go back into focus for the rest of the video. Overall, I'd have to say if I were to just judge this visually (which I am) it's pretty subpar: if you're new, don't really focus on this so much. Good quality will come with time, consistency and effort. However, if you've found that you're now a few months into creation, then you need to begin studying about film, how to frame a shot and start looking into how to keep engagement with an audience. You could be talking about the most interesting theory in the world, something that would just grab me by the balls and never let go, but because we're working with a visual story here with the video, my eyes will be darting around, I'll get bored and if I'm bored, then I'm going to click away.

If you have any questions about any of these critique points, just let me know and I'll try to explain them more or do my best to point you in a direction for some reading.

>am looking for a lens to do product photography

How big are the products?

> I initially was looking at a Tonika macro lens.

Are any of the products very small, like jewelry? Or do you want extreme close-up detail filling the whole shot (items bigger than your hand going off the edges of the frame)?

If not, you don't need a macro lens.

> But the fine people at B&H suggested a 50 mm prime lens.

If you don't need an extreme close-up, that's probably good.

> Next, I wanted some lighting, so I looked on amazon, and lo and behold, there’s something Chinese that looks too good to be true. But it has good reviews, and ultimately I’m a beginner, so I feel this might be good enough for me?

I'd hate to use it for portraits because of making subjects squint and contracting their pupils; also no output adjustment, and low output overall. But I guess it's okay for products since you could always just do a long exposure with a tripod if the output isn't enough.

> please recommend anything else I might need for studio photography (those little grey cards that do a thing, or whatever else)

Again, it depends on the products.

Unless you have sunlight mixing in through a window or something, you probably don't need a gray card. Or you only really have use for it once. That would serve as a calibration point to compensate for the color of the light you're using. But if the light is staying the same, you don't have to keep readjusting that.

Absolutely! I'm gonna leave it here so anyone scrolling by can see it, but I'll also DM you and the other person who asked for it so you don't have to check back in the thread.

NEEWER 2-Pack 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras https://www.amazon.com/dp/B07438JXM7/ref=cm_sw_r_cp_apa_cIS2Ab7JHAYCT

(Despite some reviews claiming the battery life is poor or the output is low, I've had nothing but great experiences with these panels. With the batteries I use, I can do a surprising amount of shooting before the batteries die out. Not only that, I only have two batteries. So the fact that it is often enough for what I do is astonishing. Also, the output is just fine. In fact, bright enough at max output that it hurts your eyes without a softbox. With the softbox it is perfectly bright for most occasions. If you need brighter, look into the Neewer CN-216 or CN-304. Just be ready to warn people about their brightness.)

Neewer 5.9x6.7 inches/15x17 centimeters Camera Collapsible Diffuser Mini Softbox for CN-160, CN-126 and CN-216 LED Light https://www.amazon.com/dp/B00OXCGA28/ref=cm_sw_r_cp_apa_CQS2AbBYSF5KE

(It has gone up a bit in price since I bought the two that I own, but it still offers excellent performance for the price. These are specifically made for the CN-160 panels. They diffuse light excellently, but at a minor cost. They are a bit of a pain in the ass to place onto the panel. At that price, though, you can't complain too much. You should be careful with them, as some have said that they don't take kindly to being handled roughly. My advise: take your time and do it carefully.)

Neewer 2 Pieces 2600mAh Li-ion Replacement Battery with Charger for Sony NPF550/570/530, Fit for Sony HandyCams, Neewer CN-160 CN-216 LED Light, Neewer 759 74K 760 Feelworld 759 74K 760 Field Monitor https://www.amazon.com/dp/B06XDC47YM/ref=cm_sw_r_cp_apa_gVS2Ab3RDJ319

(Outside of another tiny price increase, there's not much to say about these. They do the job incredibly well for what I put them through. However, NP F550 type batteries aren't meant to last incredibly long shoots. If you do long shoots, invest in a few more batteries and consoder using the larger capacity NP F750 type batteries.)

Fovitec StudioPRO - 2x 7'6" Classic Light Stand Kit - [Classic][For Photo and Video][Includes Carrying Bag] https://www.amazon.com/dp/B00HNZJLG4/ref=cm_sw_r_cp_apa_j0S2AbBBPVA2J

(These light stands have served me well. But, as with all cheaper gear, they won't withstand care that is too rough. They've handled plenty with me, but I recommend you try to take care of them. Other than that, they're just light stands.)

Bonus:

Neewer 12 x 12-Inches Pack of 8 Transparent Color Correction Lighting Gel Filter in 8 Different Colors https://www.amazon.com/dp/B01CCIKB5Q/ref=cm_sw_r_cp_apa_f3S2Ab6ZCYTAD

(Some cheap color gels. Get the job done.)

Of course I must include: This is all cheaper starter gear. It is not meant to replace the more expensive light kits that are much more durable, do much more and produce much better results. But restriction breeds creativity. And a passionate, new content creator with a creative eye will make the best of what they have. If you are a starting filmmaker, videographer or photographer, by all means, use this setup. Once you're ready to move onto better, more costly equipment, though, don't hesitate.

I use a softbox like this.

I've been looking for some budget soft lights, I was looking at these https://www.amazon.com/dp/B07G3423NQ/ref=cm_sw_r_cp_apa_i_N8XACbM08GA1K

But I would love to know if anyone has better suggestions.

Thank you for your insight. It's given me something to think about. I think I'm going with the Panasonic now. Here's the list I've gathered:

Panasonic G7

White balance card

[This](
http://www.amazon.com/gp/product/B005FHZ2SI/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B005FHZ2SI&linkCode=as2&tag=battleforthew-20) lighting set.

Amazon basics tripod

Whatever the shotgun mic will be

No extra lenses for now

Some bag

u/valltekk Just to chime in with my limited experience but hours upon hours of researching tripods, I agree, don't go too cheap. I was going to get an Amazon Basics tripod, they had it listed as a bestseller with like 4k reviews...until I read the 1 star reviews. Tons of people complaining about an arm or other failure causing the tripod to collapse and smash their gear.

I ended up getting a Manftotto 290 light, it's aluminum and can only hold 8 lbs of gear but it's also half the price.

I also bought some portrait lights that were super cheap, like $50 for three stands and two umbrellas. They're not bad for the price but I recently got a speedlite and a mount for that and they are too flimsy to hold it and the softbox. Keep in mind though, the speedlite and softbox are a lot heavier than the lights and fixtures it comes with.

https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o07_s00?ie=UTF8&psc=1

For a starter set, I went with yongnuo speed lights and cheap stands and umbrellas from Amazon.

http://www.amazon.com/gp/aw/d/B015ZALVI4/ref=mp_s_a_1_2?qid=1453912336&sr=8-2&pi=SY200_QL40&keywords=yongnuo+560+iv&dpPl=1&dpID=51z85GnO1DL&ref=plSrch

http://www.amazon.com/gp/aw/d/B005FHZ2SI/ref=mp_s_a_1_3?qid=1453912456&sr=8-3&pi=SY200_QL40&keywords=light+stands+for+photography&dpPl=1&dpID=51fq2%2ByrrcL&ref=plSrch

I bought the flash and trigger separate but since found this deal for two speed lights and the trigger, saves you a few bucks. They are quite good for the price. Keep in mind they are manual flashes

Also, there is a "frequently bought together" suggestion with the speed lights. You'll need the hot shoe adaptor to put onto the stands if you plan to do it that way. The little diffusers are helpful when I don't have an umbrella and can't bounce the flash off a wall or ceiling.

The stands are pretty cheap. But for the price I can't complain. The only real issue I have is if you are outside you will probably need something to hold them down as they are pretty light.

Hope that helps get you started.

Man, this sub is dope. Thanks everyone for your quick responses! I didn't even think about the camera auto adjusting, that plus the fluorescent light and the button LEDs are probably not a good combination. I will test is out and report back!

Also, if i was going to buy some low cost lighting (~50$) what would be a good set? I read the wiki and people said http://www.amazon.com/gp/product/B005FHZ2SI/ref=ox_sc_imb_mini_detail?ie=UTF8&psc=1&smid=APGNKGIBL58YH
which look nice and are pretty bang for your buck but still might be a little over kill for tabletop.

Thanks!

Is the 50mm offered in DX, only found fx versions of it on B&H
Is the Yungnuo 568 a good model? or should I stay with nikon?
Found this on amazon-http://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1 , is that the type of umbrella you're referring to?

I do a beauty channel so my lighting setup will be different than the look you are going for. I looked up Chael and it looks like he at least uses a ring light and a background light. You can get a lot of use out of a cheaper lighting system like this one. I’ll try to link you; also what camera are you planning to use? https://www.amazon.com/Fovitec-Photography-Continuous-Equivalent-Softboxes/dp/B00KRN0SEI/ref=as_sl_pc_tf_til?tag=lorryhill-20&linkCode=w00&linkId=b7e44016ad0d59a26b439e43e9bce276&creativeASIN=B00KRN0SEI

I was a bit worried that it's too old, and one of the points they were telling me is that if I want to upgrade the lens down the road, Panasonic and Olympus lenses are compatible. They want $140 for the camera and $90 for the kit lens. I definitely would like to stay under $250, and closer to $200 is better.

I'm taking pictures of soap, and other bath products that I make.

For lighting, I have this StudioPro kit. I've actually wondered if it might be a little bit of overkill, but it seems to give decent output. Hard to tell though on my point & shoot.

Just looking around, tungsten kits seem a lot pricier. What’s the benefit of them over fluorescents, something like this?

unfortunately i only have time to make video at night.

Clamp light like this one ?

For the light bulb, how many wattage do i need for a small room (10 feet x 9 feet)?

I think i can buy one cheap diffuser, but i don't know the differences between the one that looks like umbrella, or softbox

If i can only buy one, which 1 is better?

Thanks

Hello Everyone,

I am making this post about a Studio Continuous Lighting Kit by Fovitec I bought for use since I am a beginner. However while I intend to make good use of it I have some conerns. I knew what I was paying for, and understood it was a continuous lighting kit but I am a bit regretful I bought it before seeing the video that showed how it was assembled. I am not sure if I should work with it the best I can or sell it and get a better continuous lighting kit.

Here are my concerns,

• The Softboxes where hard to get on and I won't be removing them so they will stay on.
  
• There is a inner defuser that should I put on will touch the light bulbs used. I am concerned the fabric light burn because the bulbs will touch it.
  
• The Case itself opens on the side with the carrying handles on top, which is awkward.
  
• I may have to keep the soft boxes and lightbulbs attached when transporting, and just keep the stands, power cords and the hanging soft box with the hanging weight inside when transporting.
  
• It comes and used standard 45W photo fluorescent spiral daylight light bulbs. For those who have used this kit, what are some other lightbulbs to buy for it. Are there LED lights that would work with it?
  
• Has anyone used this for photography and had good success with it?

This is what I bought: https://www.amazon.com/gp/product/B00MBVOIJU

In hindsight, I don't need 3 lights.. but it was not too expensive and had everything I wanted so I just did it.

Best single-speedlight softbox? I've narrowed it down to 3 from amazon.ca (I'm Canadian). Cheers!


80cm Umbrella/Softbox Hybrid https://www.amazon.ca/Neewer-Octagonal-Speedlite-Speedlight-Photography/dp/B00PIM3I6I/ref=pd_cp_421_1?ie=UTF8&psc=1&refRID=490C3RA3JDVRJ1MVAX65
120cm Umbrella/Softbox Hybrid https://www.amazon.ca/gp/product/B00PIM3I7W/ref=s9_simh_gw_g421_i1_r?pf_rd_m=A3DWYIK6Y9EEQB&pf_rd_s=desktop-1&pf_rd_r=T6VB1JZ3BEWFBSR1TP56&pf_rd_t=36701&pf_rd_p=b06971ce-9992-44c1-9ee0-eb9792e71b5e&pf_rd_i=desktop
Traditional Shoot-through 24x24inch softbox https://www.amazon.ca/Neewer-24x24-Inch-Professional-Off-Camera-Photography/dp/B004XY65WQ/ref=sr_1_11?s=electronics&ie=UTF8&qid=1466446284&sr=1-11&keywords=softbox

you can get started with one flash/strobe + reflector and stand or softbox and stand. you don't need a backdrop right away, you can just use any solid color wall.

flash vs strobe. strobes are more powerful and faster cycling but require ac power or battery packs. flashes are more portable.

for a backdrop you can just use these two. it's a bit cheaper.

https://www.amazon.com/LimoStudio-Adjustable-Background-Backdrop-AGG1112/dp/B00E6GRHBO/ref=sr_1_3?ie=UTF8&qid=1494795437&sr=8-3&keywords=Backdrop

https://www.amazon.com/Neewer-Collapsible-Background-Photography-Television/dp/B00SR28X9S/ref=sr_1_6?ie=UTF8&qid=1494795437&sr=8-6&keywords=Backdrop

for the lights, you can just buy stands and softboxes or flash reflectors seperately. i wouldn't recommend that kit. start with one softbox or one flash reflector and stand. then add more as you need.

stands

https://www.amazon.com/Neewer-Photography-Relfectors-Softboxes-Backgrounds/dp/B00K69A0QY/ref=sr_1_2?ie=UTF8&qid=1494795534&sr=8-2&keywords=softbox+stand

softboxes, multiple sizes available.

https://www.amazon.com/Neewer-centimeters-Octagonal-Speedlight-Photography/dp/B00PIM3I6I/ref=sr_1_4?s=photo&ie=UTF8&qid=1494795485&sr=1-4&keywords=softbox

flash reflector

https://www.amazon.com/LimoStudio-Double-Reflector-Umbrella-AGG127/dp/B005AKF4F6/ref=sr_1_7?ie=UTF8&qid=1494795671&sr=8-7&keywords=flash+umbrella

hijacking your thread to ask a question of my own, but about softboxes. I'm looking for a cheap softbox to use with speedlights.

I think that softboxes are supposed to have 2 layers of diffusers, on inside the softbox. Most cheap softboxes don't seem to have that 2nd diffuser. some have the speedlight aiming at the diffuser others [at the back of the softbox](http://www.amazon.ca/Neewer-Octagonal-Speedlite-Speedlight-Photography/dp/B00PIM3I6I/ref=sr_1_14?s=photo&ie=UTF8&qid=1453247944&sr=1-14&keywords=softbox
)


Which type is better?

Edit: I suck at formatting links.

I'm considering dipping my toe into the waters of flash photography, and have been reading the Strobist articles. I've looked at the suggested gear, but unfortunately most of it is unavailable here in the UK. Could someone take a look at my list and make any suggestions on additions/alternatives?

Strobist kit: http://strobist.blogspot.sg/2006/03/lighting-101-traveling-light.html

My List:
Neweer light box https://www.amazon.co.uk/dp/B00PIM3I6I/
3m Stand https://www.amazon.co.uk/dp/B00MOM61AA/
Yongnuo YN-560 IV https://www.amazon.co.uk/dp/B00PIIRO1C/
Yongnuo YN-560 TX https://www.amazon.co.uk/dp/B00M1BVYYM/
Stand head https://www.amazon.co.uk/dp/B006VTJQT0/

Actually, I was looking more for the lighting end of things. I ended up going with https://www.amazon.com/gp/product/B00O0NMDYE/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

and https://www.amazon.com/gp/product/B01ABFSAPU/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

As well as https://www.amazon.com/gp/product/B00PIM3I6I/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

I think this will be flexible enough for me. I've got a newborn and will be mainly using this setup for portrait photography as he grows up.

Ok so I'm in the US so prices might be different but I found this softbox which has pretty good reviews. I'm not sure what the kit includes as I can't read German but it looks like what you are in search of.

Personally I had to buy my softbox, stand and ring for the speed light separately but I got everything off of amazon (USA site.) You can probably just do a search and find all the things you're looking for.

Edit: I'm not sure if the link is showing up for whatever reason but it was https://www.amazon.de/gp/aw/d/B00PIM3I6I/ref=mp_s_a_1_15?__mk_de_DE=ÅMÅZÕÑ&qid=1494424530&sr=8-15&pi=AC_SX236_SY340_QL65&keywords=softbox

That's a pretty vague question. I have one of these that I use a 430EX II in and it seems to do fine.

If it's very bright daylight or you're combating hard shadows, it needs to be closer, but I've never had an issue with it really.

Ohhhh I missed that it was your photo. But yeah, aiming the flash directly at your model and getting it closer will definitely harshen the shadows. Something good to play around with is flash gels like these or any other brand and diffusers Like this. I think a yellow/gold gel with the flash above (at say, a 45 degree angle maybe) and pointing directly at your model will get a similar look to #1 and adding that diffuser would, in my opinion, reduce the negative qualities of that type of light quite a bit. Definitely mess with sharpening as well.

If it were me, I like your picture much more than #2, but to each their own of course!

Love your portrait! Did you just use a black backdrop for the background?

Also is this similar to what you got on Amazon?

Thanks!

I used two of these and this set of colors.


Easy results for under $100. around $100.

EDIT: Oh yeah, and this for my off-camera triggering system.

> That's super daunting.

That sentence speaks to me on a spiritual level haha.

Thank you for the link to that video!

My biggest concern is the power supply, as I won't be plugging this into a wall. I need to make sure that it's either something I can power via batteries or some alternative power supply like a power bank. Maybe I can hook it up to my wheelchair battery with some power cables? It's 12 volt.

As far as diffusing the light, I'm not really worried about that and have no plans to do so but if I do end up changing my mind I'll just go cheap and get some of that diffusion fabric stuff.

Thank you so, so much for your input it is much appreciated! Seriously.

What would you recommend for the ceiling light versus the desk lamps?

I've never used real light diffusers before.

EDIT: What do you think about cutting and fitting this over each desk lamp?

https://www.amazon.com/dp/B00XPUV1XM/ref=cm_sw_r_cp_apa_5s1wybG8V5D88

I was a streamer, i have also been in the TV broadcasting industry for 10 years now, when we want to soften a light we either turn it slightly away from our on-air talent, or we add diffuser paper... This is what I used on the lamp I had when I streamed... It's incredibly heat resistant.

ALZO Diffusion Fabric Nylon Silk White, 1 Yard Long 60 Inches Wide, Un-Finished Edges, Scissor-Cut https://www.amazon.com/dp/B00XPUV1XM/ref=cm_sw_r_cp_apa_cN1sybHA3CYG1

Not the other guy, but for $200 or just over, you can get really good images.

What you need:

• flash: try a godox tt685 ($110)
  
  
• trigger... x1t ($45)
  
  
• lightstand: just get some cheap amazon one ($15)
  
  
• try an umbrella soft box thing ($26)
  
  
• speedlight holder thing that holds an umbrella](https://www.amazon.com/Anwenk-Speedlite-Umbrella-Reflector-Holder/dp/B072JRNNTG/ref=mp_s_a_1_2?crid=2C3FCKUUBCFAW&keywords=umbrella+flash+bracket&qid=1556913624&s=gateway&sprefix=umbrella+flash+&sr=8-2) ($10 - $15)
  
  
• something white to bounce light, like a sheet of poster board or just use a white wall. To fill in shadows.
  
  
• optional: a second flash for a hair light (anything cheap that has optical slave mode will do) + second light stand + flash holder bracket etc. Or just prop it up on a shelf.

>flash: try a godox tt685 ($110)

On a $200 total budget, I'd actually say a $65 TT600 is a better option, which will let you get a decent air-cushioned lightstand, or two flashes for the price of the TT685. :)

I would highly recommend the TT685 over the TT600, though, if you think you want to use the flash for both on and off-camera flash, since TTL is very useful for event run'n'gun.

>trigger... x1t ($45)

But $60 X2T or $70 XPro would be much much nicer. Again, another reason the TT600 might not be a bad place to start.

>lightstand: just get some cheap amazon one ($15)

No, I'd say look for a $40 cheap one that's air-cushioned. Slammed lights down on my fingers too many times with the super-cheapies. :)

>try try an umbrella soft box thing ($26)

Those slit-through the bottom octas don't tilt much at all. You want one that attaches to a speedring. It'll be more expensive ($45). So, actually, starting with a convertible umbrella ($20-25) might be a better first choice.

>speedlight holder thing that holds an umbrella]

Or, instead of an umbrella swivel, get an S-type bracket ($20) which can be used to hold the speedlight closer to the center of an umbrella, as well as attach Bowen S speedringed modifiers bayonet to the face of it.

A compact umbrella swivel, though can be a lot smaller in your lighting bag. The issue is whether the modifier you want to use works with one. The S-Bracket is more general purpose that way.

Ok how's 3 tiers?

First tier is very basic. Any kit like this should do the trick. You would most likely put one light on either side while your product is on a table, then have the 3rd light pointed at a wall behind the table.


A step up from that would be a basic set of speedlights like this paired with one of these or an umbrella (two if you're feeling ambitious one on each side, then snag another flash for a BG light) Flashes are better vs continuous lighting from the first link as they allow you more control and let you modify the light easier (with softboxes and other various things, this would allow you to get softer light, harsher light, more focused light, etc etc) You can also bounce them off a white ceiling at higher power which would act like a big softbox overhead.

Top tier for someone starting out would be a set of alien bees Paired with a couple of softboxes and a background light. They take up more space and I wouldn't recommend them if you're just getting your feet wet. (mine are set up all the time and I shoot stuff like this and this with them. )

Two things to think about. Those stands will be great for a lot of things, but they're light and bendy, which means they're useless in ANY wind, and they're not going to like any modifiers heavier than those umbrellas. That's not saying DON'T get them - I have two in the trunk because days when they're sufficient, they're perfect.

If I get out a soft box, or have any wind (or break out my 7' translucent umbrella) I'm very glad I've got something heavier. I carry two of these for those moments - https://www.amazon.com/Neewer-Stainless-centimeters-Monolight-Photographic/dp/B074NY47J6/

And... make sure you really want umbrellas. To be honest, the difference in actual light quality that comes out of different modifiers of the same size is negligible enough to be ignored. See them side by side and you might know which is an umbrella and which is a softbox... MAYBE... but just see one or the other and all you'll care about is whether there was enough light and the source was big enough. BUT... softboxes have one big advantage - the fact that they're less obnoxious to people standing BEHIND them. If you think you'll throw them up around a dance floor or ceremony ever... it can be nice to direct the light where you want it and not send the rest flying off other directions. A couple of these would be fine - https://www.amazon.com/Godox-Umbrella-Reflector-Carrying-Speedlight/dp/B0132I34K4/

THe kit you've got listed is perfectly adequate! I'm not saying anything's wrong with it and I started with essentially the same, but those are the two things I'm most glad I've added going forward - heavier stands and softboxes!

Soft-boxes are different than umbrellas. I used basic 60x60cm soft-boxes and they worked fine. It's smaller, which is good for stability and portability, but produces good results for portraiture.

Godox also makes umbrella style octaboxes. Those are a bit easier to pack and transport, but also a bit more fragile and fiddly to adjust. I like em, though. For those, get an umbrella adapter for the speedlight rather than the S-Bracket. It's difficult to install these over the godox s-bracket.

Normal umbrellas work fine with the S-Bracket. They are cheap and easy to use, but spill a lot of light.

Thanks for your great input. So I actually purchased this portable godox. Does this still require the Bowen's mount ring? https://www.amazon.com/gp/product/B0132I34K4/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&psc=1

For cheap lighting, i remember using cheap softbox with a lightbulb in them. The light was bright enough and the softbox really helped.
Something like this
https://www.amazon.com/ESDDI-Photography-Continuous-Equipment-Portraits/dp/B015DYIQ94/ref=mp_s_a_1_9?keywords=softbox&qid=1565688943&s=gateway&sr=8-9

Thank you. I shoot on the Sony a6400 with the kit lens.

I was using one these lights from Amazon.

I got a kit on amazon for $70 that works wonders.

Neewer 700W Professional Photography 24x24 inches/60x60 Centimeters Softbox with E27 Socket Light Lighting Kit
https://www.amazon.com/dp/B017D7W57S/ref=cm_sw_r_cp_apa_i_7ZLHDbC666GRZ

(Sorry I'm on mobile)

Thank you!

>At any price? You'll pay any amount?

Within reason - if a lens that's perfect for this is a few hundred bucks, no problem. Close to a thousand, I'd think about it. More than that, I'm probably out. It's a business purchase for me, though, so easier to justify.

>Be more specific on the lights.

Ahh - let's talk about that :)

What I have now seems to 404 on Amazon's site, so they must not offer it anymore. However, I believe they are closest to these, which is two 700w lightboxes, each with an 85W CFL at 5500K.

I'm absolutely open to switching around the lighting setup.

Neewer 700W Professional Photography 24x24 inches/60x60 Centimeters Softbox with E27 Socket Light Lighting Kit https://www.amazon.com/dp/B017D7W57S/ref=cm_sw_r_cp_apa_OncSBbEARN4DN

Ok, figured you just linked the wrong video. Neewer 700W Professional Photography 24x24 inches/60x60 centimeters Softbox with E27 Socket Light Lighting Kit https://www.amazon.com/dp/B017D7W57S/ref=cm_sw_r_cp_api_D8bpzbGRSWY1S

Softboxes or umbrellas for food photography?

I have a social media/food instagram account that I created as part of a social media course. I create my own content, which makes the photo quality very important. I have a professional camera and received a recommendation for a tripod here—which I bought.

But I still find that the lighting is the most important thing. I created some good photos by creating very shoddy softboxes with desk lamps and some see-through/sheer fabric, but these broke recently; so I'm thinking of upgrading.

However, I've come across two different things: umbrellas and softboxes. I don't know which to get. What's your recommendation?

https://www.amazon.ca/Neewer-Professional-Photography-Lighting-Portraits/dp/B017D7W57S/ref=sr_1_3?ie=UTF8&qid=1538619759&sr=8-3&keywords=product+photography+light

https://www.amazon.ca/gp/product/B003WLY24O/ref=ox_sc_act_title_1_1_1?smid=AYYB6OSI63NRK&psc=1

On a budget, you might look into lighting options instead. My DSLR/Photoshop always give the best results but sometimes I’m just way too lazy for that lol. I can get pretty good results on my iPhone 6 with good lighting and the Afterlight app, and I’m sure a newer phone would be even better.

I have these soft boxes and have been happy with them (and they’re on sale for Black Friday currently) link

This little ring light is an inexpensive option. There’s probably better ones out there, but it’s like $10 and good for a quick pop of light or balancing out a shadow link

Hello,
I have this softbox light set I use for Streaming. It came with (2)85W 5500K CFL Light Bulbs. I was wondering if there was an upgrade for these lights? CFL or LED. Thanks

https://www.amazon.com/Neewer-Professional-Photography-Centimeters-Lighting/dp/B017D7W57S

if you're going to throw it in a softbox anyways, you might just want to take a look at a Neewer Kit. You'll get the lights, stands, and softboxes all together.

My main job is creating educational videos, I work for a university creating all kinds of online content/course content (Engineering school so mostly math, science, etc), so I have a few ideas for what you can do. I do everything from just recording lectures to greenscreen + animations. The simplest and cheapest setup would be to use your phone on a tripod and a wired lav mic. If the lighting in your room is good (a big window or lots of lights in the room) that should be fine, but you can also get a [cheap lighting kit](https://www.amazon.com/gp/product/B017D7W57S?ie=UTF8&tag=maxwell032-20&camp=1789&linkCode=xm2&creativeASIN=B017D7W57S).

If you want to go a bit more interesting, you could try a light board (these are getting more popular). Sample Video here and How to build one. More money ($300-$1500 depending if you want to use a proper camera or your phone still) but the content can be more engaging and easier to use.

Another style that's becoming popular is to use a tablet while recording to superimpose writing overtop of video. I have also seen an overhead angle used to show a tabletop with paper to write on.

Let me know if you need any help! Happy to talk about this kind of stuff.

Links to store stuff are affiliate links

New to photography. Apologies if this was discussed elsewhere on here but I could not find it for the life of me. I recently decided to try off camera flash and bought a Godox TT685N kit and a octo softbox to diffuse the light. I'm really enjoying shooting with it but I can't help but notice sometimes that I have shadows in places I don't want on my subject and was wondering is it a good idea to buy another flash or combine flash with continuous light or some kind of fill light to save a little money? So far the speedlight is the only lighting equipment I use and I primarily shoot indoors. I was looking at these to add to my lighting kit https://www.amazon.com/gp/product/B017D7W57S/ref=ppx_yo_dt_b_asin_title_o01_s00?ie=UTF8&psc=1

Yes, there's a market for all body types. Many sex workers are pleasantly surprised at the level of demand for their "look". However, you will likely need to hustle more and it may take you a little longer to find your audience if you don't have a classically beautiful body. CamModelMom has tips on getting started as a plus size cam model.

You can get started with just your computer's webcam or a phonecam. People have shot feature films on phone cameras.

The key to getting good video out of a phone camera is to learn to take advantage of natural lighting, and lights you already may have (such as desklamps, worklights, Christmas lights). I recommend reading about how to light / film yourself first, then decide what kind of lighting you need:

• lighting
  
• how to film yourself
  
  If you have some money to spend, I would recommend the following as a basic kit.
  
  Camera, and camera boom. The Logitech C-922x has a built-in microphone.
  
  
• Logitech-C922x webcam - $75.00
  
• Smatree Flexible Webcam Boom - $17.00
  
  Next, upgrade your lighting:
  
  
• Emart 600W lighting kit - $60.00
  
  Finally, upgrade your sound:
  
  
• Blue Yeti microphone - $130.00
  
• Blue Radius II Microphone Shock Mount for Yeti - $50.00
  
• Microphone boom stand - $71.00
  
• Blue Yeti pop filter - $25.00
  
  You can spend hundreds or thousands more for better quality and easier to use equipment, but with the above kit, you should be able to get professional results. Depending on what your niche is, it may be worthwhile to spend money on costumes, tip-activated sex toys, room decorations, BDSM equipment, etc.
  
  
  

Hi all, i'm looking at trying to get a basic lighting setup. I don't want to spend a lot of money, as this is not my only hobby..

What is your opinion on a relatively inexpensive kit such as this?

https://www.amazon.com/Neewer-Background-Umbrellas-Continuous-Photography/dp/B019GTCNXC?th=1

Check out the Neewer kits on Amazon.

Here is one for $75.

https://www.amazon.com/Background-Backdrop-Portrait-Photography-Shooting/dp/B018S65N1S/ref=sr_1_1?ie=UTF8&qid=1494058589&sr=8-1&keywords=neewer+background

Here is one for $165 that also includes lights.

https://www.amazon.com/Background-Umbrellas-Continuous-Lighting-Photography/dp/B019GTCNXC/ref=sr_1_2?ie=UTF8&qid=1494058589&sr=8-2&keywords=neewer+background

This is the setup I got and it's been amazing for me. It includes everything you'll need for a standard setup + extras like different colored backdrops and extra lights.

The optimal setup for lighting (not trained in this just what my research told me Kappa) would be four lights. Two in front of you separated by about 6 feet aimed directly at you and one on each side of you aimed between where you sit and your green screen. The two in front are just your base lighting for you and the screen, the two at you sides are to keep the green screen from reflecting onto your clothes and to keep shadows off the screen.

Again not trained but from what I've read it's best to use softboxes for lighting. Personally using that kit I have the two softboxes in front of me and the two umbrella lights to my sides.

I'm not sure about material honestly.

Also if there's any photographers or trained professionals feel free to roast me because I'd also like to know in case I'm doing something terribly wrong.

Yeah I was thinking small aperture.

And I haven't done those effects before in post, so I will have to learn.

Should I buy more LED lights?

Is there a harbor freight case size you'd recommend?

Would gels like this be what you mean?

https://www.amazon.com/Neewer-30x30CM-Transparent-Correction-Flashlight/dp/B01CCIKB5Q/ref=sr_1_fkmr0_2?ie=UTF8&qid=1469039533&sr=8-2-fkmr0&keywords=neewer+led+gels

Ah so do you mean bounce the light off of a reflector (modifier) like you mentioned?

Thank you for the reply! So helpful! :)

Here are a set of colored gels on amazon . You could go down the route of getting an RGB bulb, which can also be cheap, tho the light output on those bulbs are low. You need to have the light be brighter than your exposed shot to get the desired look.

Something like this should do the trick:

https://www.amazon.com/dp/B01CCIKB5Q/ref=cm_sw_r_cp_awdb_t1_A.w9BbB3EMHEE

Buy this: https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U?ref_=ast_slp_dp

​

With 4 NP-F970 Batteries: https://www.amazon.com/Powerextra-Replacement-Compatible-DCR-VX2100-HVR-HD1000U/dp/B01N3TWBXI/ref=sr_1_3?crid=3AVTU7RI3GKN2&keywords=np+f970+battery&qid=1574805414&s=electronics&sprefix=np+f%2Celectronics%2C227&sr=1-3

​

Some gels: (cut to size) https://www.amazon.com/Neewer-12-Inches-Transparent-Correction-Different/dp/B01CCIKB5Q/ref=sr_1_1?keywords=neewer+gels&qid=1574805440&s=electronics&sr=1-1

​

and two light stands and you're in business.

​

I've been using these for a long time and always do the trick.

Look up the film guys (thefilmguys.net) and see what that cinematography looks like. Only those lights and nothing else.

A cyan gel filter.

Ask the theater department is they have scraps from their lighting or get some from amazon

Not at all high precision but it's functional.

If I had to guess, you are using normal household lights, maybe 50w, 100w, 150w. With such a setup, any extraneous light has a noticeable impact. And you have warm colors for the whole scene (household lights lean to warm).

I use one of these: MOUNTDOG 1350W Photography Continuous Softbox Lighting Kit 20"X28" Professional Photo Studio Equipment with 2pcs E27 Socket 5500K Video Lighting Bulb for Filming Portraits Shoot https://www.amazon.com/dp/B07G3423NQ/ref=cm_sw_r_cp_api_i_dHAJDbGY7KJ5S

The brightness is intense and full-spectrum. The intensity means that you have to adjust your camera, which is not a big deal. It also means that any other light or reflection that happens will be negligible. The full-spectrum color means you have a wider range of color to start with and can either leave it or you have a lot more to work with in post.

This is the very first video I did on my kitchen table with normal kitchen lighting around me: https://youtu.be/iy7Lzc5fyGc

Here is my most recent video with the softbox light and a constructed white box around me: https://youtu.be/F8uSafHRffY

I'm glad you're learning through my experimentation haha. I bought this kit for 33 shipped,

https://www.amazon.com/Photography-Continuous-MOUNTDOG-Professional-Equipment/dp/B07G3423NQ/ref=mp_s_a_1_2?ie=UTF8&qid=1541789325&sr=8-2-spons&pi=AC_SX236_SY340_QL65&keywords=light+softbox&psc=1. It works really well.

Yeah the picture you linked was one of my first with multiple light sources. Definitely come a long way since then in a short time.

Are the cheap "studio lighting" kits with the CFL bulbs any good for a beginner?

Example

I bought 2 of these lights on Amazon and am pretty pleased. I think there are some sets of 2 that end up being cheaper, but they have definitely made a difference in my listings!

I use little squares of color gels for stage lights. they still let you see the ship behind the dial. I pain the bases to match the color of the gel so its easily transferable between lists.

something like this works great: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/ref=sr_1_1?ie=UTF8&qid=1466784182&sr=8-1&keywords=gel+swatch+book

cheap and so many colors

I'm a former lighting tech, so my view is skewed, BUT:

I'd get yourself a Rosco Swatch Book (or another brand, but whatever), and test out the different diffusion "gels" they have. They're plastic film, and pretty temp tolerant you will not hurt them with these LEDs. make yourself a little holder frame, and see which you like best. Then, if the swatch isn't big enough, just order one sheet of that "color", which will be WAY more than you need.

disclaimer: I refer to these as "gels" "colors", etc. It will have Hundreds of colored gels, but also a lot of diffusion and other "effect" type films.

Definitely gels as others have pointed out. To start out with, you can get a sample pack like this, and then tape the desired gel to your strobe.

Here I did a bit of color mod. Was quick and simple. All I needed was this photo filter. Also, have many other colors for future mods too!. Got the idea from this clown. https://www.youtube.com/watch?v=r0TbpmjHNTs&t=392s
https://www.amazon.com/gp/product/B0002ER2YG/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1

December 8th, and a boy! Congrats! :D

$20

$40

Check out amazon for reflectors. There is a couple 5 in 1 (white, silver, gold, translucent, black) for less than 20 bucks that are pretty good quality. I Got this one two years ago and its held up great although you might want something a touch smaller in size.

When you bounce off a wall, you're simulating a much larger light source (the whole wall). Outdoors where there is nothing to bounce off of, try putting something large and translucent (a scrim) between your flash and your subject. Look at http://www.amazon.com/Neewer-110CM-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_3?ie=UTF8&qid=1371494710&sr=8-3 and http://www.amazon.com/Fotodiox--1-4872-Premium-Reflector-Collapsible/dp/B003Y2EOBW/ref=sr_1_5?ie=UTF8&qid=1371494710&sr=8-5 and http://www.amazon.com/Fotodiox-10BG-57-DIF-KIT-Collapsible-Diffuser-Lighting/dp/B003Y2KSF8/ref=sr_1_6?ie=UTF8&qid=1371494710&sr=8-6

Or just make your own with some PVC pipe and white ripstop nylon. I'm sure you can find plans online for gratis.

The strobe illuminates the entire surface of the scrim, which then acts like a big sexy window light. This is what you want. If it's really sunny out, you can use one scrim to create portable open shade, and another to bounce the sun under it for fill light, and then you don't need a strobe at all. Just two or more minions to hold reflectors for you.

This! Because everyone could use a little bounce in their lives. :P

I'm a novice, but I've always liked doing portrait like shots, especially in sunlight, and would love one of these to try out.

"that was easy"
A picture of myself not so easy :(

http://www.amazon.com/Neewer-110CM-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=wl_it_dp_o_pC_nS_nC?ie=UTF8&colid=DERATFVJ39H3&coliid=I3T241PV8QSZA5

You need something with a lot of zoom range, and the ability to slow motion down dramatically, without jumpy frames. The cheapest way to do this is with a DSLR.

Canon cameras do 60 frames per second, but only at 720p (which might be fine for what you're trying to do).

The GH3 can do 60 frames at 1080p, which is great, but you're going to blow your entire budget on the camera alone.

My recommendation is a t4i, and a kit lens, and an additional zoom. The low speed of the lens (meaning not good in low light) shouldn't be a problem if you're filming out on the golf course during the day.

I think the most important purchase you're going to make is a tripod that can let you get VERY low to the ground. I recommend the Manfrotto 055xPROB, sold here: http://www.amazon.com/dp/B000UMX7FI/ref=cm_sw_r_tw_dp_yKzTrb1FF869D

If you don't want to futz with separate audio systems, get a Juicedlink box, mount it under your camera, and run your lavalier mic into it.

Also, you must invest in a light-reflector. They are very cheap, and will make your videos look a thousand times better, by filling in the strong shadows that the sun makes. Seriously there is no reason for not buying one of these: http://www.amazon.com/dp/B002ZIMEMW/ref=cm_sw_r_tw_dp_YMzTrb0GDSEDR

Follow my advice. All this stuff will keep you under-budget, and gives you some expandability if you're happy with it. Let me know if you have any more questions.

Good luck!

Try this. Better than a homemade one, and only $10.

Hey guys, I have a really specific request for aid in equipment - I need a tripod-like device to hold a 41" Neewer circular reflector. Some like this but that's a 39.7" bar and my reflector is alas an inch and a half too long. (I assume it needs to be smaller than the cross bar, unless I don't hold it at the sides?)

This is the reflector I'm using that one needs to hold

Anyone got any recommendations?

The colors and tones are very nice!!

Overall I think positioning the model in a manner that increased the amount of light on their face would be beneficial. A typical roll of thumb for portraits as well is trying to prevent things from doing through the models head. The background here while nice and blurry is still distracting and doesn't particularly add anything to it. If the background isn't adding meaning to the picture itself then it should be used to help compose the image. Here you could have potentially used the background to frame the model.

The pose itself seems a little awkward, if I had to put words to it I'd say that your model looks disembodied due to the tight framing cutting them off (there's a reason headshots are typically centered!).

All in all the edit is great!! The background lighting works very well, and if you'd like to add some light on to the subjects face in a back lit situation look into using a reflector or even a cheap flash with a softbox modifier!

I've never used those but you could try taking a few shots to see how they come out. Or use one of these: https://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW. Also read this: https://digital-photography-school.com/reflectors-secret-weapon-amazing-portrait-photography.

My recommendation: a multi-way light reflector

generally around $15, yet so freaking practical

1. Found this cheap reflector on Amazon, will it work fine for photographing models outside or should I rethink and buy something more expensive? http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW
   
   
2. I'm also looking at getting this lightstand: http://www.amazon.com/Neewer-Photography-Relfectors-Softboxes-Backgrounds/dp/B00K69A0QY/ref=pd_sim_p_10?ie=UTF8&refRID=0D4BMN9Z97PRH719JW48 , but looking at pictures of that lightstand, it doesn't seem like it can be rotated or used like this http://www.cowboystudio.com/v/vspfiles/photos/8051-reflector-C%20holding%20arm-2.jpg , is that true? If then, can you point me to another relatively cheap light stand that has that capability?
   
   
3. What are some more things that I should consider buying for photographing models outdoors?
   

No prob. And a fill is just like something white you can bounce light off of and onto your subject. Like a white board, stretched out sheet or something to that effect. Or you could buy one if you plan on getting into portrait photography.

Having a hard time seeing if that would help you out much with the shot you want to get but i figured it couldn't hurt to mention. :P

Thanks a bunch!

Every photo since 2013 makes use of these speedlites : http://www.amazon.ca/Neewer-Speedlite-Panasonic-Fujifilm-single-contact/dp/B004LEAYXY They are regarded as the best speedlites for their quality/price ratio.

I also bought these reflectors : http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW

I had the silver one positioned at a 45 deg. angle acting as a key light, reflecting the sun coming out the window.

I'm playing with some umbrellas and softboxes these days, but I'm achieving a lot already with my speedlites and reflectors.

Good luck!

Get a circular reflector set. Those can be had for as low as 15-20 EUR/USD per set.

You're biggest problem will not be the microphone, but what you're recording your audio onto. I found out really quick that the audio recording of a DSLR, regardless of microphone, is terrible in quality and with plenty of static noise. I use a Tascam DR-05 to record audio, in combination with either a RODE VideoMic or a lavalier (there are some really cheap ones that do an ok job for low budget productions). The Tascam DR-05 also has a pretty good mic built in , so you could probably start with just that. Remember to record the audio with your Tascam (or recorder) AND with your camera, so that you can easily sync them in post. Always remember to record a minute of silence in the room BEFORE filming so that you can have a room tone (or world tone, if outdoors) sample that can be for adding a more natural ambient sound for portions you may silence in the video.

I would also recommend you pick up:

a three point lighting kit for indoor shooting (like this one: http://www.amazon.com/Fancierstudio-Lighting-Hairlight-Softbox-9004SB2/dp/B0047FHOWG/ref=sr_1_4?s=photo&ie=UTF8&qid=1450430338&sr=1-4&keywords=three+point+lighting+kit),

a variable ND filter for outdoor shooting (like this one: http://www.amazon.com/58mm-Variable-NDX-Fader-Filter/dp/B00QVOQWM4/ref=sr_1_7?s=photo&ie=UTF8&qid=1450430377&sr=1-7&keywords=variable+ND+filter)

a reflector, for bouncing off light outdoors... (like this one: http://www.amazon.com/Neewer-43-inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/ref=sr_1_1?s=photo&ie=UTF8&qid=1450430475&sr=1-1&keywords=reflector)

Extra batteries of course.

You'll find these tools useful for getting higher quality audio and picture, there are lots and lots of tutorials on YouTube that will help you learn very quickly how to use your equipment. On a final note, I don't think the Rebel SL1 was a good choice of camera. If I had to pick a Rebel camera for video, and was limited in buget, I would have gone for a Rebel T4i or T5i, in combination with magic lantern. Another important thing to remember, is make sure your SD is AT LEAST class 10 (I recommend Sandisk Extreme pro 95/mbps 32 or 64gb), and NEVER use a mini sd card with an adapter (I've had bad experiences with this).

Best of luck to you, and happy filming!

The light is way too harsh on her face, causing some pretty dark shadows. As someone else mentioned, a reflector would have helped a lot, like this
You don't want to have your model facing the sun so much that she squints. Also, I think the color of her shirt isn't the best for her skin tone and surroundings. There's not a lot of contrast between her and the background. On the plus side, I do like the natural pose.

I was using Profoto gear that my school provided. I'm not sure of any resources for studio classes outside of college, but I know they exist. Most major cities have photography or art communities that offer classes and workshops for the general public. But you don't need fancy lights to shoot product natural light and a diffuser will work wonders.

(Not the original commenter, but I thought I could help out a bit)

1. Audio clipping is when the audio is recorded too loud for the microphone to process it correctly. (Like if you were to yell into a mic as loud as you can, it would sound really distorted.) To fix this, you can turn down the gain on your mics a bit until it peaks (the loudest point your audio reaches) at around -7dB.
   
   
2. A reflector is a great, cheap tool you can use to fill out the lighting in your shot. I'd suggest looking up videos about three-point lighting to learn about good lighting practices.
   
   
3. Your shots could definitely have been framed better (where the subject is in the shot). The "headroom" principle is especially noteworthy here. The idea is your subject's head should have enough room in front of it, so he doesn't look like he's staring at a wall. It also could have been raised up higher in the frame. You can also work on the different kinds of shots you incorporate, whether they be establishing shots, closeups, etc. In this case, it seems you only used side shots of each character, making the film as a whole a little boring.
   
   
4. The thing about comedy is it's all about timing. The biggest thing that I noticed was the reeeeallly long shot of the character going "Uhhhhhhhhhh..." It didn't really add anything in the first place and it being drawn out just made it worse. So yes, snappier dialogue and just better pacing (another key word to look up) in general.
   
   
   I'm sorry if I come off as mean or anything. I'm really just trying to help you become as good a filmmaker as you can be. Don't be discouraged and I urge you to just keep making films (practice practice practice).
   
   Let me know if you have any questions.

The soft-box I used is about the size of her, so it's not huge, I think 24"x24". I think you could even use a bounce of the rim light as key - if you've got an assistant, just get a huge reflector with a cover. Maybe use the silver or white side to differentiate between the twilight light and it.

I'm trying to up my portrait photography game.

The baby is lying beside a full-length window (sliding glass door). I made a light reflector out of tinfoil, to try and prevent the shadows from becoming too deep--would an actual light reflector (like this one--I'm not looking at spending a lot) look much different?

Shot on a canon DSLR D-60 with a 24mm pancake lens.

Any other feedback would be appreciated!

You could always just get reflectors, they are super cheap on Amazon. It looks like this set on Amazon is just $20:

http://www.amazon.com/gp/product/B002ZIMEMW/ref=oh_aui_detailpage_o03_s00?ie=UTF8&psc=1

The only issue is that you'd need a stand to hold the reflectors which is more pricey or you'd need someone else to help out and hold your reflector. There are special reflectors that can be held with one hand and your camera with the other hand but if you are using a big lens then I would think it would be difficult to use both at the same time.

The wide crop works well for leading your eyes for sure and would say looks better. It looks like some of the detail is back in the flowers, but still not very high. I believe that is due more to it being bright outside and just having detail bled out from the sun. Thinking about that did remind me, that if you have a light reflector with a translucent/shoot through (something like this: http://www.amazon.com/gp/product/B002ZIMEMW) you could have someone going around shading the plants for you so you have even lighting, but this could cause it to be too dark? You'd have to see, but the use of another reflector and then you could throw controlled light back in or use a flash to get the lighting desired.

Sorry for the delay. Here you go:

Lights

reflector

reflector holder -not necessary but very useful if you don't have a helper.

Hello /r/Photography!

I wonder if I can turn to some professionals and camera enthusiasts for some assistance..

I am primarily a retoucher, I have been retouching for over 5 years but I have always had a problem with getting the rights to show the before and after images so I decided to get a professional camera and get into photography myself.
if you are interested my portfolio can be found here: http://www.lulielens.com

Since I have been looking at images for a long time I already know what kind of look and style I would like to get, but I am completely clueless on the topic of camera gear and equipment (though I am looking to change this).

First here are some example images I like in terms of lighting:

Example 1
Example 2
Example 3
Example 4
Example 5


Here is my semi-final list. Could you equipment pros let me know if they will work properly together, or if I missed anything else you think I might need (to start with).

I have a Canon 5d mark ii with a 100mm/2.8f lens.

1. Cactus V5 Wireless Flash Trigger (2 Pack + a single for 3 total)
   
   
   
2. Reflectors - 5 in 1 Translucent, Silver, Gold, White, and Black Collapsible Round Multi Disc Light Reflector 32 INCH
   
   
   
3. Tripod - Sirui ET-1004 Aluminum Tripod with E-10 Ball Head
   
   
   
4. beauty dish option: Pro Studio Solutions EZ-Pro 32in (80cm) Beauty Dish and Softbox Combination w/ Hensel Speedring - Soft Collapsible Beauty Dish with Speedring for Bayonet Mountable Strobe, Flash and Monolights
   
   
   
5. 2x ProMaster PL400 Advanced LCD Control Studio Monolight
   
   
   
6. 250W Replacement Modeling Lamp
   
   
   
7. 2x Promaster SystemPro LS-2 Deluxe Light Stand
   
   Thank you for taking the time to help!
   
   
   

this will do the job

I just recently started using this one. Maybe not the highest quality, but I do photography just for fun right now, so there's not much point in shelling out $50 or more for a nicer one. It does the job and it's easy to carry.

Foam boards. Large one is about $5 at Stales/Office Depot. Or cash in your change jar and go buy a $10, 5-in-1 reflector on Amazon

That would definitely work for food or any other product/still life photography. Only thing with the box is that you're limited to solid color backgrounds, unless that's what you want. With a reflector like this you can diffuse/reflect light and compose the background however you want.

Is it an actual light or a reflector?

To me it looks like one of those reflector photographs and movie maker uses.

Edit: like this: https://www.amazon.ca/Translucent-Collapsible-Reflector-Photography-Situation/dp/B002ZIVKAE

All those items are pretty cheap. The reflector is 15 bucks on amazon. [The foam core is also about 15 bucks]
(http://www.officedepot.com/a/products/334961/Office-Depot-Brand-Sturdy-Board-Foam/) (and get a black version for your flag). And yes, foam board is used for bounce. It gives off a spread-out, diffused light that's good for a lot of situations.

I use this three-point lighting set bought on Amazon. A little pricey but it works amazingly.

The only caveat I would say is that in very dark portions of a game it can become difficult to make out what's on the screen with the bright lighting behind. I have a brighter set of dual monitors on my "someday" list.

You can check out one of my past broadcasts if you'd like to see what it looks like in action.

Thanks so much!

Someone else recommended these. Do you think they would work well? I like the fact that there are three, but will they look as good?

Also, someone recommended F&V Ring Lights. I love the fact that I can use batteries, but I can't find many reviews on them to see what they would look like.

1. I own Arri lights and looking to pick up a pair of Dedos in the future, but this kit from amazon is what I have shot the majority of my interviews on. It's cheap, but it get's the job done for an affordable price. Since the bulbs that come with it are daylight, they're also great to use if you want to also use nat light. You'll have some extra money to pick up a bag and maybe something for the bulbs (I have a pelican case but getting a softcase and keeping the boxes for each bulb will save you the money) They're flouresent so they don't get hot and uncomfortable for the talent, softboxes come with them so you retain a soft look, and they're relativity light for travel.
   
   
2. So are you going to be interviewing the couple on their wedding day? Have you done it before? Why not just place them next to a window? It'll be much faster and save you a lot of time and effort lugging the lights around.

These would improve the quality of your photos immensely: https://www.amazon.com/dp/B0047FHOWG/ref=cm_sw_r_awd_PNmGub0RG9GKD

Well I won't get much use out of them for about a week, but just so you're aware it costs 150 for just one of these lights brand new, so keep that in mind! Best lighting setup you can get for the money other than that is probably something like this

In theory those lights sound good, but in reality they're really not versatile at all. To change the colour balance you have to change all the bulbs as opposed to throwing on a filter or a gel, they're super bulky, they're light and flimsy so if you're dealing with wind they'll blow all over the place, and finally they take forever to set up.

Sorry if I seem like I'm insulting your intelligence, I'm just assuming you're some what of a beginner like me.

I just picked up some lights on Amazon to complete the "infinity white" background look for shooting video. (probably overkill for what you need, but I think you could green screen it with these lights)

I believe they are soft box and come like this. There are different kits online and will probably run between 200-300.

http://www.amazon.com/Fancierstudio-Digital-Continuous-Softbox-Lighting/dp/B0050K3DW2/ref=sr_1_4?ie=UTF8&qid=1415764151&sr=8-4&keywords=video+lighting

https://www.amazon.com/Fancierstudio-Professional-Digital-Continuous-Lighting/dp/B0050K3DW2/ref=sr_1_14?s=electronics&ie=UTF8

That is the exact kit

I'm setting up a studio primarily for photography, but also will be shooting video occasionally. Going to also try doing some chromakey video.

I'm currently looking at softboxes and have my eye on this kit to get me started.

My question: I'd like to be able to use the same softboxes for speedlights and continuous lighting both. From the pictures of the softboxes, I can't think of an easy way to swap out the continuous light heads and use a speedlight instead. Any tricks?

These are my lights.

> 15 x 45 Watt Compact Fluorescent Perfect Daylight Balance Light Bulb (equals 3000 watt)

I have a Canon ELPH 300 HS I can use, but believe it or not I specifically bought the iPhone 6 due to the rave reviews the camera got. It's also nice to have such a huge screen to see what I'm filming. I'd really like to use the iPhone 6 and am just hoping I have something set wrong.

I have good audio. I do not have great lighting, but I plan on getting that separately. The set I'm looking at is $40: https://www.amazon.com/dp/B005DFP6M4/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=3JYLO6Z0YZFFZ&coliid=I1FE9EJ3314FIZ

I bought mine on Amazon for $39 a piece. I have two if these https://www.amazon.com/LimoStudio-Photography-Continuous-Lighting-AGG702/dp/B005DFP6M4/

Good questions. (Warning Wall of text ahead)

TL:DR

• 1. Try some soft lights so they don't reflect off your wall
     
• 2. Pick times that work for you and stick with them. Will power is a muscle, Exercise it.
     
• 3. Decide if you want foot traffic (viewers that show up for a game) or viewers (followers that tune in for any game). Foot traffic only comes from games and visibility. Viewers come from foot traffic that you won over with your personality.
     
     

1. Now i've done very little with lighting my cast my info may just be a place to start looking.
   Lighting is always tricky, there are 2 ways you can go about it.
   First is using some propper defuse/soft lighting will work the best. Something like http://www.amazon.com/LimoStudio-Photography-Continuous-Lighting-AGG702/dp/B005DFP6M4/ref=sr_1_3?ie=UTF8&qid=1451332880&sr=8-3&keywords=soft+lights Should light your face without bouncing off your red walls creating the miscolor.
   Second you may be able to go into your webcam controls and play with the saturation and remove some of the excess red color. As for exact settings i'm unsure but you should be able to get the picture to a more desirable asthetic.
   
   
2. Schedule is all up to you. As a student i've suffered the woes of having to change my schedule...A lot. But here are a few tips for picking the best times. If your work schedule changes a lot, Look for trends in the changes and pick times your work wont schedule you to work. That way you can always stream those times. As for your side job, you could incorporate that into your stream, and just stream working on the graphics. And finally whatever you decide, Remeber the channel is a show. If you pick times you're making a promise to your viewers that you'll be there rain or shine. Sometimes you'll be sick, Dead tired, or have real life stress distracting you. But if you truely want a consistent schedule its up to you to exorcise the will power to maintain whatever schedule you set.
   
3. There are so many different ideas and theories as to how to get more viewers. None of them confirmed, all of them believed. So why don't I just tell you what I've noticed working, and not working. First, There is a difference between foot traffic and viewers. Foot traffic are people that pop into your stream becuase they noticed you playing a game they are interested in watching. Viewers are the people that follow your channel and watch no matter what your playing. Some will argue its easier to influence your foot traffic, Others will say its easier to influence your viewers. I believe both camps have marret but I'm going to be frank, if you find a game that has good foot traffic, and the viewers to push you to the top ten of that game. Foot traffic will give you crazy numbers for your channel. BUT that doesnt mean you're gaining any viewers from that game. Its very often that you'll be experiencing one time spikes. That being said the only way to gain viewers is by having foot traffic and being a caster they like when they pop in. So what influences foot traffic? How active a games community is, How many streamers are broadcasting that game. Basically you have to find the combination of game you stream well, that people are looking for, and you show up at the top in. Example, I was one of the few people with a 3ds capture card when Pokemon X/Y came out, and I averaged 40 viewers and gained about 700 follows in a month. I stopped playing pokemon went back to 10 viewers and 50 follows a month. You've just got to find an audience to cast to. But you have to decide if you just want foot traffic or viewers.

I use this https://www.amazon.com/gp/product/B005DFP6M4/ref=oh_aui_detailpage_o05_s01?ie=UTF8&psc=1

I have a cheap LED desk lamp as a fill

i got 2 sets of lights.

1. A 3 light ubrella kit This
   
   
2. A horse shoe light This

Personally I just went for it and got
https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_kfVByb3M3GG3G

Worth it. Brought them with me in Christmas to get good lighting for photos. Great success!(;
Came with carrying case and everything!

Thanks! I've been eyeing something cheap like this (comes with stand):
https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_2?s=photo&ie=UTF8&qid=1474599365&sr=1-2&keywords=light+set

Have you used the neewer one? Seems like it would be a great key light. I've heard the cheaper ones can sometimes have flicker problems, but the reviews are kind of amazing for it only being $33. Might have to pick it up. What's your lighting like?

https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio/dp/B005FHZ2SI/ref=sr_1_3?keywords=lighting+setup&qid=1565406980&s=gateway&sr=8-3

Hello!
I'm trying to build a small studio on a budget, since I don't really know that much about lighting and equipment, I'm shopping by best sellers/most reviews on Amazon, I will be doing portraits photos.

https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_3?s=electronics&ie=UTF8&qid=1511300862&sr=1-3&keywords=lighting+kit

And what about this for the stand?

https://www.amazon.com/dp/B00E6GRHBO/ref=sxbs_sxwds-stvp_1?pf_rd_m=ATVPDKIKX0DER&pf_rd_p=3341940462&pd_rd_wg=jm5yS&pf_rd_r=XZG63ZDMVDGWZAPMBNH4&pf_rd_s=desktop-sx-bottom-slot&pf_rd_t=301&pd_rd_i=B00E6GRHBO&pd_rd_w=JmGsI&pf_rd_i=lighting+kit&pd_rd_r=abee786f-075f-4975-acf1-144b8e613585&ie=UTF8&qid=1511300901&sr=1

Thanks a lot!

http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI

This is the light kit I have. It works really well for starting out and its like 51 bucks.

That's pretty limited space for a green screen, but two simple umbrella lamps (at about 45-60' angles L & R) would probably suffice. If you have the space and can put one on either side of your computer table, that would probably work. You can get them fairly cheaply on Amazon.

Something like this (just an example): http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1462284480&sr=8-1&keywords=umbrella+studio+light

A top light can be very helpful, but it's more difficult to pull off in the average home environment. A ceiling lamp should suffice. A small back-light is nice too, and some studio lighting kits come with them. Might not be realistic with 1-2' behind you though.

There are lots of professional lighting tip videos on youtube, etc. I only have one lamp (umbrella-type) in use on my streaming setup at the moment, but I learned a lot about professional studio lighting just from watching videos. Good luck!

Edit: If you would like to see what one lamp looks like in a typical home environment, go ahead and spend 30 seconds on one of my VODs. What you'll see is:

1 x run of the mill umbrella studio light with a somewhat expensive 1950 lumen 6000K daylight bulb (LED) - placement is about a meter to my front-right, at about 45'.

1 x normal ceiling lamp w/ 2 x 13w soft-white bulbs (LED) - located about 4 feet rear-right at about 45'.

My lighting solution is acceptable IMO, but is in no way "professional" (my space restrictions make a full lighting solution impossible). However, you can see what even a single light diffusing umbrella with a very good bulb can do to help.

I started with a similar cheap kit to this: http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI?ie=UTF8&keywords=light%20kit&qid=1462400627&ref_=sr_1_3&sr=8-3

I still use it to this day from time to time although with softboxes. Anything from cowboystudio (or similar names that en with studio, limostudio, fancystudio) will do fine for starting. They are cheap made but I grew my kit from there. Changed the bulbs for more powerful ones. Put a 1 bulb to 4 bulb adapter. Bought a couple led panels, better stands etc.

Buy one or two 5 in 1 reflectors with c stands and clips.

If you want a better kit (your budget seems to allow it) I would get individual lights and build a kit. I'm a big fan of led. I always shoot raw so as long as my lights have the same color temps I'm usually fine.

Hope that helps.

Thank you, this is very helpful.

Here is what I bought. I'm not using flashes as it's continuous lighting.

Photography Light stands are your best friend. Anything that has a camera mount (threaded screw that goes into the bottom of a camera) will work with the rift sensors.

I bought this kit for my wife's dress photography sessions but she stopped using them. The stands are PERFECT for either a full 3 sensor room setup OR just the rear sensor.

It seems that your comment contains 1 or more links that are hard to tap for mobile users.
I will extend those so they're easier for our sausage fingers to click!


Here is link number 1 - Previous text "kit"



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^Please ^PM ^/u/eganwall ^with ^issues ^or ^feedback! ^| ^Delete

Why don't you get the photolights?

I know they're a bit pricier, but they will last longer and, in the end, might end up costing the same amount.

Top seller on amazon

I would really like to know, as these are almost tempting to for me to buy.

Thanks for your response! Yeah, this is the kit: http://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI?ie=UTF8&psc=1&redirect=true&ref_=oh_aui_detailpage_o04_s00.

Sure! This is what I bought:
Photography Photo Portrait... https://www.amazon.com/dp/B005FHZ2SI?ref=yo_pop_ma_swf

Do you mean these? https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI

Those are what I have in my wishlist but I won't really have room for them. Also, I don't know if I can use LED strips since I'm renting. Don't they require being drilled into the wall?

I'm getting pretty frustrated the quality of my photos, especially with brighter, neon, or pastel clothes. I'm currently using these + a white sheet flat lay + iPhone 8 camera. I try to take photos in the lightest part of my house, but it's gray as hell where I am during this time of year. Any suggestions on improving my setup or technique? TIA.

I would suggest that you try it yourself if you have a DSLR (maybe even try it with your smartphone camera if you don't have a DSLR). It takes time, but it can save a lot of money. Unless you go to somewhere like Fiverr, even the cheapest photographers you will find IRL will charge hundreds. Seriously professional ones like to charge thousands. Here's an outline if you're interested:

1. Firstly, get a white backdrop of some kind. When you white out the background in post, you want your reflections on the product to match.
   
2. It's important to use manual settings with product photography; otherwise, you will get unnecessarily noisy images (your auto mode on your DSLR expects you to be shooting handheld, not on a tripod, so it uses a relatively fast shutter speed and thus high ISO and low f/stop). Set your aperture to something like f11 to f18, ISO 100, and adjust shutter speed to expose slightly brighter than your metering tells you to.
   
3. Then white out your photos in Photoshop or, if you don't want to invest in Photoshop, something like Affinity Photo works just as well. Remember to up the contrast by using levels after you're done.
   
4. If you want to take it up a notch, then you're going to need to focus more on getting the lighting right. I recommend getting at least three light stands with color-balanced light bulbs, around 5500 K. There are combos on Amazon that could give you everything you need. (not an affiliate link)
   
   If you're not interesting in going DIY for this because you don't have a camera or the time, DM me; I've been doing product photography for about 4 years and Photoshop for 8. I have a Fiverr listing you may be interested in, but I won't link to here since I know the subreddit rules. If you're not interested, no worries.
   
   Product Photography is a huge category on Fiverr, I suggest you look around. If it's not an extremely valuable one-of-a-kind item for Etsy or something, then it makes sense to bet about $10 + the price of your item, instead of immediately going to a full-fledged product photographer and spending hundreds.

Trying to set up to take photographs of my watercolor paintings to produce digital copies that I can make prints from. I am open to buying stuff if I need to, but if possible would like to use what I already have. My main concerns are accurate colors, even lighting and of course a sharp image without distortion. Will be editing in Adobe Photoshop. I am by no means a good photographer, but I am a bit familiar with manual settings. Both my brother and dad were into photography at some point, so I have access to some gear.

I have:

Nikon D7100

50mm f/1.8 and a 50mm f/1.4 G

35mm f/1.8 G

85mm f/3.5 G ED macro

4 tripods

3500K light bulbs

A wall to attach paintings to


My current plan is to use the 50mm f/1.4 lens on a tripod about 3ft away from the wall - or at a distance where the painting fills most of the viewfinder. I put two 3500k lights on tripods and will have one on both sides ideally at a 45 degree angle (or less?). Will be shooting raw and at iso 100 - that's about the extent of my plan but I am trying to do more research for the best set up.

My questions are: Would some sort of color balance or grey card help? I am not exactly familiar with how something like this works but I've seen them mentioned in a few places online - it seems expensive but accurate colors is important to me.

Should I get something to diffuse the lights? I am almost just considering getting something like this if that would be sufficient.

Any critique of my plan or other tips on photographing artwork would be greatly appreciated! Thanks!

I am looking to get some lighting gear like this. However, I already have some stands and umbrellas - what is the thing I would be looking to buy if I were only looking for the head (that would hold a light bulb)? Also, what kind of light bulbs should I look for?

These are a little cheaper and work exactly the same: https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_oZybzbZ9XAP4V Just make sure they're about at a 45° angle to you on either side, a little above your head. And make sure the green screen is back just enough so you're not casting any dark or large shadows on it

I also do the youtubes. I use this cheap and reliable light kit from amazon.

This one looks good in that price range.

Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_cp_api_7WkdzbE542YXW

Make sure you get daylight if you are mixing with windows. Some CFLs will be way too warm to mix.

I think for your budget, you'll get more light going with CFLs. It'll be a little warmer, but not searingly hot.

I prefer OBS for software. It's lightweight, easy to use, and gets the job done. XSplit is a bit more feature rich but for most people's uses OBS will work.

As far as your camera, if you want to do a camera setup the most important thing is lighting. Really any HD webcam - I prefer Logitech models - up through an actually professional camera will work. I like using a greenscreen but regardless of if you use one or not you have to have good lighting. Using normal household lighting might work, but I'd suggest getting some cheap studio lights. I picked up this and it works just fine.

It takes a lot of work to get lighting and camera settings just right, so just take your time and work on it. I'm still not 100% happy with my setup, but that's something I'm going to be working on while I'm on a break from streaming.

That lighting backdrop looks good. You'll then need to solve the problem of softening light sources on the sides. You could do the backdrop and use a larger box with paper windows to diffuse light, or pick up some continuous lighting and umbrellas.

http://www.amazon.com/LimoStudio-Photography-Portrait-Umbrella-Continuous-Lighting/dp/B005FHZ2SI/ref=sr_1_1?ie=UTF8&qid=1421634201&sr=8-1&keywords=Continuous+lighting

As far as cameras go, you don't need latest and greatest. Get a model a few years old and a telephoto lens. I would suggest something with live View so you can judge exposure. I would actually say that in your situation, a decent Micro 4/3s camera would be perfect. Even a Sony NEX would be fine. They are both interchangeable lens cameras. They both offer cheap telephotos too. Again, you don't really need a macro lens.

http://www.amazon.com/Sony-NEX-5TL-Compact-Interchangeable-Digital/dp/B00ENZRP38/ref=sr_1_1?ie=UTF8&qid=1421634410&sr=8-1&keywords=Sony+nex

http://www.amazon.com/Sony-55-210mm-F4-5-6-3-E-Mount-Cameras/dp/B00HNJWSDS/ref=sr_1_3?ie=UTF8&qid=1421634575&sr=8-3&keywords=Sony+NEX+telephoto

Thanks ! This is what I have at the moment.

Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio LMS103 https://www.amazon.com/dp/B005FHZ2SI/ref=cm_sw_r_other_awd_uDpCwbFP3M7R2

And I have a seamless bright white paper background. I also have 2 additional smaller lights....same company, same color.

Lighting for sure, I use this and it works alright https://www.amazon.com/Photography-Portrait-Continuous-LimoStudio-LMS103/dp/B005FHZ2SI/ref=sr_1_3?s=photo&ie=UTF8&qid=1478746071&sr=1-3&keywords=Studio+lighting

Thanks

This lighting kit; I'm mostly doing outdoor/macro photography, but if I expand to portraits I could actually be making some money out of all this.

I agree about the background, but it was my only option since my house is so dark! It's funny because just this morning I ordered this kit:

https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

I'm pretty excited about it. I feel like I can't get much detail from my pics, and figured getting a solid background would improve things tons, as well as less distracting. Plus i can't for the life of me get a good pic of a solid black or white garment outside.

I use my galaxy s4. I know other sellers use their cell phones as well, and I personally don't intend to change that. I don't feel like getting a nice expensive camera isn't in the cards for me at the moment. Plus it's super convenient for me to use my phone.

I've been using this: https://smile.amazon.com/gp/product/B005FHZ2SI/ and it's been great so far. I'm not a skilled photographer, but this lighting really did make a difference.

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Title|How I Start an Abstract Portrait in Acrylic - Sketching Techniques on Canvas
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Description|Shelly sketches the faces in preparation of acrylic painting her subjects' caricature like portraits. Watch her detailed demonstration on her technique that she uses on her abstract portraits prior to acrylic painting.⤶⤶⤶*****⤶Check out our Amazon recommendations on Kit!⤶⤶▶ Check out our recommendations on Kit: https://kit.com/LifeCreatesArt⤶⤶Links provide a small commission & will allow us to continue content like this!⤶⤶**⤶Equipment we use for our videos:⤶Lights⤶Photography Photo Portrait Studio 600W Day Light Umbrella Continuous Lighting Kit by LimoStudio, LMS103⤶https://amzn.to/2KiN7zs (affiliate)⤶⤶Microphones⤶For Interviews!⤶Lavalier Lapel Microphone 2-Pack Complete Set - Omnidirectional Mic for Desktop PC Computer, Mac, Smartphone, iPhone, GoPro, DSLR, Camcorder for Podcast, Youtube, Vlogging, and DJs⤶https://amzn.to/31jgwiD (affiliate)⤶BOYA BY-M1 3.5mm Electret Condenser Microphone with 1/4" adapter for Smartphones iPhone DSLR Cameras PC⤶https://amzn.to/2GMXo4K (affiliate)⤶⤶Camera⤶Canon PowerShot SX730 Digital Camera w/40x Optical Zoom⤶https://amzn.to/31lORh6 (affiliate)⤶⤶https://amzn.to/31kl5ZXLife Creates Art⤶⤶https://www.youtube.com/c/LifeCreatesArt⤶Website: https://life-creates-art.business.site/⤶Facebook @artlifebyshelly⤶Twitter @creates_art⤶Instagram instagram.com/shellyslifecreatesart⤶⤶Attribution⤶Stock images provided by pixabay.com

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I have this one: https://www.amazon.com/gp/product/B005FHZ2SI
I used to use a remote but I had to hide it in the pics so now I use voice commands or Android phones have a feature to take a pic when you place your hand in front of you, thats quite helpful.

It depends. you can get away with it with regular house lamps, or get a lighting kit
here is one i bough, but takes a bit of room . If going with regular house lamps, make sure it casts light evenly and does that you dont cast a shadow on the screen.

https://www.amazon.com/gp/product/B005FHZ2SI/ref=oh_aui_detailpage_o04_s00?ie=UTF8&psc=1 They sometimes go on sale , and i was lucky to get mine for 35 dollars. Very good lighting!

Hi /u/alocc247 - here are a few suggestions at various price points [Referral Links]:

• For what you're doing, this [$49 3-point set from Lomo Studio] (http://www.amazon.com/gp/product/B005FHZ2SI/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005FHZ2SI&linkCode=as2&tag=battleforthew-20) may be sufficient - and will save you a lot of money.
  
  
• If you need backdrops for chroma key, this [$170 3-point softbox kit with black/white/green backdrops] (http://www.amazon.com/gp/product/B003TYFT4G/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B003TYFT4G&linkCode=as2&tag=battleforthew-20) is a very good value for money.
  
  
• If you want the results seen in [this review] (http://www.lafcpug.org/reviews/review_diva_ring.html), you may want to consider three [$119 ring lights] (http://www.amazon.com/gp/product/B00B1V6QAU/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00B1V6QAU&linkCode=as2&tag=battleforthew-20) and three [$20 light stands] (http://www.amazon.com/gp/product/B00B1V6QAU/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00B1V6QAU&linkCode=as2&tag=battleforthew-20) (you can also get [two of the three light stands for $24] (http://www.amazon.com/gp/product/B001WB02Z4/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B001WB02Z4&linkCode=as2&tag=battleforthew-20)). This is the most expensive of the three options, but ring lights are easier to handle than soft boxes, and produce very flattering light.
  
  Hope this is helpful!
  
  Bill

would you guys recommend this?

http://www.amazon.com/gp/product/B005FHZ2SI?psc=1&redirect=true&ref_=oh_aui_detailpage_o07_s00

Here is the mobile version of your link

Buy a green screen like this one about $60 and a cheap webcam for $50 and for lighting $60

Will this light kit be adequate for small product photography for creating that seamless white background effect? Specifically fishing lures for a web store. I would get one of those soft box kits but I would like to use these lights for other things. Like setting up a green screen studio for my young nieces and nephews. Thanks

http://www.amazon.com/gp/product/B005FHZ2SI/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=APGNKGIBL58YH

"Gel" is indeed what you are looking for. (It's called gel because the filters used to be made from gelatin, but now it's a plasticy polyester film) What I would recommend is to find a theatrical supplies or lighting rental store by you and pick up a gel swatchbook so you can test the different colors on your actual lights. You may need to block the parts of the lights that the swatches don't cover, I'd suggest using aluminum foil and tape.

If you can't find a supplier near to you, you could order a swatchbook online: https://www.amazon.com/Rosco-Lux-Small-Swatchbook/dp/B0002ER2YG/ref=sr_1_1?ie=UTF8&qid=1495168846&sr=8-1&keywords=gel+swatchbook

In addition to the warmth, you might want to use a Rosco #119 or #114 which is a frost that will also help to soften the light.

Camera: canon t6 refurbished $350
audio: rode ntg2, an xlr cable, cheap boom pole
You can get the mic used for about $200, spend another $200 for a tascam dr-60

A 5 in 1 reflector kit from neewer for another $20

A few clamp lights and 3200/5600k bulbs


An okay tripod for now

And a cheap shoulder rig

That all should come out to around $1000 and should definitely be enough to get you started. Some of the stuff is a bit cheaper and you’ll need to replace as you move on and understand your needs better but there’s not much quality equipment to be bought if you need a whole package for around $1000

Non-mobile: This

^That's ^why ^I'm ^here, ^I ^don't ^judge ^you. ^PM ^/u/xl0 ^if ^I'm ^causing ^any ^trouble. ^WUT?

Did you know Amazon will donate a portion of every purchase if you shop by going to smile.amazon.com instead? Over $50,000,000 has been raised for charity - all you need to do is change the URL!

Here are your smile-ified links:

https://smile.amazon.com/Neewer-centimeters-Octagonal-Speedlight-Photography/dp/B00PIM3I6I

https://smile.amazon.com/Fotodiox-Premium-Shoot-Through-Translucent-Umbrella

https://smile.amazon.com/Neewer-Professional-Universal-Speedlite-Umbrella/dp/B00JJJR7PY

https://smile.amazon.com/Neewer-centimeters-Portrait-Product-Photography/dp/B00L4YR0BS

https://smile.amazon.com/AmazonBasics-Electronic-Flash-DSLR-Cameras/dp/B01I09WHLW

https://smile.amazon.com/Neewer-Wireless-Speedlite-Receiver-Universal/dp/B00A47U22U/

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You could set your self up pretty good with $500. I have a couple suggestions, but the first would be to get yourself a cheap prime lens first. Either a 50mm 1.8 or a 24mm pancake. Both are around $100 and would still leave quite a bit in your budget. So, saying you go ahead and do that:

• You could get a couple of Yongnuo 560 IV
  You could choose to fire then optically with your Canon speed lite or get one of these
  
• Grab a few of these to hold your flashes
  
• And a few of theseto stand them up
  
• In terms of modifiers you have a few options. You could go with cheap umbrellas which are fine. Or you could get some small soft boxes. I say just grab a huge modifier. As big as you can get. It's gonna really depends on how much space you have. check this out
  
  That's a decent, portable, and effective setup with two lenses for right about $500.
  
  Since your using someone else's studio lugging equipment is gonna be a pain. That's why I think speed lights is the way to go. But if you don't mind, look into a monolight kit. For your portraits I really do think you'll like what you get from a fast prime lens.

PRODUCT PHOTOGRAPHY PEEPS! Where you at?!


Hello guys! I’m an industrial design student, and am looking for a lens to do product photography, as well as continuous lighting. My budget is about $650.
I currently have a canon t5i, with the stock lens, with a tripod, memory card, batteries and all that Jazz.

I initially was looking at a Tonika macro lens. But the fine people at B&H suggested a 50 mm prime lens.

I don’t know which direction to go in regards to lenses and everywhere online says one thing is better than the other, so it’s confusing.

Next, I wanted some lighting, so I looked on amazon, and lo and behold, there’s something Chinese that looks too good to be true.
But it has good reviews, and ultimately I’m a beginner, so I feel this might be good enough for me? If you know other lights in this price range let me know.

And if you can, please recommend anything else I might need for studio photography (those little grey cards that do a thing, or whatever else).

I’d super appreciate it! Thanks guys and gals :)

Buy a $50 light kit for fucks sake

https://www.amazon.com/Photography-Portrait-Umbrella-Continuous-LimoStudio-x/dp/B005FHZ2SI/