Best professional video accessories according to redditors
We found 2,753 Reddit comments discussing the best professional video accessories. We ranked the 742 resulting products by number of redditors who mentioned them. Here are the top 20.
We found 2,753 Reddit comments discussing the best professional video accessories. We ranked the 742 resulting products by number of redditors who mentioned them. Here are the top 20.
![Pinnacle Dazzle DVD Recorder HD - Video Capture Card Device [PC Disc]](https://m.media-amazon.com/images/I/51dfatzWYbL.jpg)
Thanks!
Here's a pic of the setup.
The gimbal is the feiyu G4
https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6/ref=sr_1_1?ie=UTF8&qid=1469987103&sr=8-1&keywords=feiyu+g4
Two clamps. One to hold the gimbal and one to latch onto the headlight mount
http://www.bhphotovideo.com/c/product/546371-REG/Manfrotto_035_035_Super_Clamp_without.html
And the articulating arm between the two clamps:
http://www.bhphotovideo.com/c/product/616251-REG/Pearstone_9041660_9041670_8_3_21_1cm_Articulating.html
There's a ton of different brands of articulating arms but the cheaper ones usually don't hold.
I'll post a better pic of the setup when I get back to my motorcycle.
Cams: 2 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Internal-Memory/dp/B00AWZFHG0
1 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Discontinued-Manufacturer/dp/B00C3R14J4
Mic: http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS
Lavs: http://www.amazon.com/Sennheiser-EW-112P-omni-directional-system/dp/B002CWQTXG
Thanks for this video! Glad I could hear this with out having been there. A few production notes:
Please do some establishing shots before or after the interview, don't get all ADD on us and start zooming in on the Water Suppression tower and the Processing Building.
Make sure she's in focus... for a majority of the video, the background was in focus.
Clean your lens! Low contrast areas where there was dirt or water was extremely evident.
A small shotgun mic would go a long ways to help distracting audio from getting in the way. Something lightweight and inexpensive like this
Try J cuts for your audio if you do transitions/edits. The abrupt audio and rapid, random cuts were distracting. Either play the whole thing front to back, un interrupted, or make tasteful edits. No point in just cutting to cut. Always record the full event, beginning to end, never start and stop while recording as you can always take stuff out in post.
The text at the beginning should be simple, lower thirds, and un-distracting. Throwing it up there all willy nilly does no one a favor.
Again, I'm not ungrateful here, just trying to give you some tips to up your production value. You've already done 90% of the work by being there with gear on hand, let's help you take it up a notch so it can be more enjoyable for us to watch! Thanks for your time and effort, let me know if you have any questions about production notes in the future. I'm sure I'll run into you at OG2 :)
Dslr cameras are the best thing in a price range of $4000 or less. The canon t2i is lower end but has huge bang for buck. You really do want an external recorder for them. Dslr audio is horrible but that rode mic will really improve it, just not as much as external recording. The 50mm lens is the best starting point it is very cheap but looks great. You need a tripod for a dslr because they look horrible hand held unless you have a good stabilization rig or steady cam.
Everyone is recommending something cheap like a blue yeti or whatever, and honestly those mics are highly overrated. Get literally anything by Shure, Sennheiser, or Rode.
Here's a very popular one.
Gimbal
GoPro Mount
Test Run
In his how to be a good YouTuber video he mentioned that he gets them for about $19 and that it usually has a clip (he broke the one on his), so it is probably this or something similar.
Going to repeat my suggested setup in this thread.
Components:
Samsung Galaxy S8 - its just hands down the best video and streaming phone out there atm. Not the S8+ - bigger screen - more heavy - less battery life.
A Samsung Protective Case with a lens kit. The benefit is, when needed, you can attach a wide angle lens to capture bigger groups and environments. For a IRL stream a good thing.
DJI Omni Mobile Gimbal - offers the benefits of enhanced controls and a stable picture during walking and stuff.
RØDE VideoMic Me+Windshield - An external microphone that would enhance the audio depending on where you are pointing it too, as it is a directional mic.
A pack of fast charging, low cost battery packs to power the equipment during the day with a backup for loading during while the others are being used. Depending on usage between 4-8.
A pair of 90° degree flat usb-c cables. You want that cause using the gimbal, you wanna make sure the phone is as centered as possible and a bunch of those custom made cables assures that. Shouldn't be too hard to find a cable guy to set that up, as the items are purchasable on alibaba.
You can see the gimbal in action under the following link:
https://www.youtube.com/watch?v=HPTwtGZoK8Q
Note: It is an S8+ - performance of the gimbal will be better with the smaller S8!
Rode Microphone Soundcheck outside:
https://www.youtube.com/watch?v=y7OIUC6Y2-o&t=319s
S7 Lens video(s8 is ~the same):
https://www.youtube.com/watch?v=z9wWvMdbkZk
PowerPack review:
https://www.youtube.com/watch?v=-I6AVQW-abI
I hope that offers some ideas how the setup could look like without having to carry around a backpack with a car sized battery and a gazillion of wires.
Man, I understand when making YouTube videos is a hobby and people don’t want to invest a lot of money into it, but having bad audio ruins a video for me. It sounds like you’re really far away from the mic, then you get closer and it’s loud. Then there’s a hum/whine going the whole time. Lapel microphones are cheap and they improve audio consistency and quality while not being too inconvenient. Here’s one that seems to have pretty good reviews for a little more than $20. I know it seems knit picky to get stuck on this but to me the difference in quality of audio is what separates high end channels with a lot of production value from someone who just films something and uploads it.
FAVOLCANO Easycap ($11). See capture quality here.
i-o Data GV-USB2 ($35). See capture quality here.
Diamond VC500 ($36). See capture quality here.
Dazzle Video Capture ($44). See capture quality here.
Hauppauge 610 ($49). See capture quality here.
To capture from these you would need a computer, an AV splitter, and some software to capture video (like OBS).
I don't know exactly what model of rig they are using. This one is similar. But there are a bunch out there if you search iPhone rig.
The mic looks like a Rode video micro.
The light could have been anything. If you Amazon search for LED on camera light, you'll see a lot of similar setups.
/u/Jameson2912 - with a $300 budget, you can get decent camera support, a low light lens and an external mic.
If you can stretch your budget by $19, I recommend a [$179.99 Panasonic 25mm f1.7] (http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=182012172949&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg), a [$59 Rode VideoMicro] (https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20) and a [$79.95 3Pod V3AH Tripod with Fluid Head, Quick-Release Plate and a 65mm bowl] (https://www.amazon.com/3Pod-V3AH-Anodized-Aluminum-Quick-Release/dp/B00F8VU3CQ/ref=as_li_ss_tl?ie=UTF8&linkCode=ll1&tag=battleforthew-20).
This will give you a steady platform with smooth pans and tilts, improve the camera's low light performance and improve your audio quality (as seen [here] (https://vimeo.com/146584593)).
You might also want to subscribe over at /r/PanasonicG7 - lots of knowledgeable folks there who can help you get the most out of your new camera.
Hope this is helpful, good luck with your new camera and best of the holidays to you and yours!
What you are looking for is a lavalier mic (also called a lapel mic). They come in several different varieties. Do you want one that is wireless or one that is wired? The wireless ones are nice if you are moving around a lot or doing commentary away from your desk. The wired ones are nice because they don't require a battery pack and you never lose signal (not really an issue anymore). Tehre are also some that are made to plug into your cell phone so that you can record onto your phone.
For the best quality of wired lavs I would go with an XLR setup. You will have to spring for a mixing board or an audio interface, but you will get better sound quality and the ability to adjust your sound on the hardware. I suggest the Audio Technica Pro70 or the Shure SM93. You will also need to add a board to that as well.
If you go wireless you'll probably be paying much more than $200 for a decent lav mic. Probably $300-600 just for the mic and receiver. You'll also need a mixing board or audio interface on top of that.
There are also some budget options, like the Rode SmartLav+ which is pretty good for the price and you can record off of your phone or the 3.5mm input on your computer. You won't get as good of audio or the adjustment as an XLR setup.
There are also products like the invisilav that allow you to wear the mic underneath your clothing to hide it. I would definitely do some research on how to wear a lavalier mic to get the best sound. They can be pretty tricky sometimes because they can rub against your shirt/jacket or the cord can rub and make sound. Best of luck!
I'm gonna offer my two cents here, I hope this helps:
Here is pretty much exactly what I would buy with that amount of money:
I believe that totals a little less than $700 for an enviable amount of non garbage, budget friendly equipment. You can even add some lighting and still stay under that bundle price.
I'm riding with a GoPro 3+ as the camera and a Feiyu WG 3 axis Gimbal.
Here's how to solve your audio problems.
You'll need to pic up a Lav Mic and a portable audio recorder. I'd recommend a Rhode Smartlav and a Zoom H2
The mic clips onto your shirt and plugs into the recorder. You set your recording levels and other settings like sample rate and bitrate (may take some experimenting to find your ideal setup), hit record, slip the recorder in your pocket and do your thing.
Afterwards you should have a decent quality sound file you can drop into your video editor and sync up with your footage.
One note is that it's easiest to sync up the audio track to the footage by having another microphone in the room recording you just like you did in this video, but make sure it's recording to a separate audio layer than the game audio so you can delete it and be left with just the game audio and the Lav track.
Depending on how long your ceremony is your camera settings might be capped to stop recording at 30 minutes so if you don’t have someone watching it then it might not record the whole thing. Also, the sound will probably be pretty crappy so I’d recommend getting one of these and having your officiant or FH wear it:
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=mp_s_a_1_3?keywords=rode+smartlav+%2B&qid=1568152167&s=gateway&sprefix=rode+smart+la&sr=8-3
I don’t have much of an opinion on it it’s rude or not to ask a friend to record it, but it is a lot of pressure to put on someone!
Short answer: Yes, it will sound awful.
I am a professional videographer, so I may not know the most cutting-edge Hollywood techniques, but at the level I work at I would never try that. Better to find a workaround to not need the audio. If you want to get serious, here's a decent option for $100. If you've got $500, you can get a Tascam DR40 and a Rode NTG2 and it will give you fantastic audio that's very adaptable to difficult locations (although not anything as windy as the OC)
Lumix g7
25mm 1.7
Shoulder Rig (raids are from it as well)
Variable ND
Matte Box
Cage
Currently I use just my iPhone. But, I’ve saved up some money and recently purchased this lapel mic. It should arrive in the mail this week. 😆
I would also recommend getting some kind of cheap boom arm mic stand to hold the camera. This is what I use. I started off with a small tripod stand, but the boom arm was a massive improvement in camera setups without a huge expense.
Good luck to them!!
You know, I was about to type a long reply but I've decided to be lazy and copy/paste the contents of an email I sent to a buddy who just bought a T3i. I use a 60D, and use all these things, but most all this stuff should work for you with a 5D.
Crane and eyecup:
http://www.amazon.com/gp/product/B003SAHSVI
Cards:
http://www.amazon.com/gp/product/B002WE4HE2
I buy 8 or 16 gigs, with the idea being that that's NOT a lot of room. If I had a 32 or 64 gig card and that card failed I'd much rather lose 16 gigs of footage than 64 gigs which could be an ENTIRE production.
Batteries:
http://www.amazon.com/gp/product/B003ZSHKIO
Work justs as good as the Canon name brand ones.
My 'Kit' lens:
http://www.amazon.com/gp/product/B000EXR0SI
Cheapo plastic shoulder mount we used for the music video:
http://www.amazon.com/gp/product/B0036NMQ7S
Gini camera rigs:
http://www.ebay.com/sch/gini-2011/m.html?_nkw=&_armrs=1&_from=&_ipg=&_trksid=p3686
I did a minimum purchase right as the auction ended, and snagged their "dslr rig pro 10" for 235 + shipping. If you look at their past auction history, it seems like EVERYONE does this.
Audio Recorder:
http://www.amazon.com/Zoom-Handy-Portable-Digital-Recorder/dp/B001QWBM62/ref=sr_1_1?ie=UTF8&qid=1315766729&sr=8-1
They just got me this bad boy at work to plug my XLR mics into, so I record audio to it, and video to my dslr and then sync in FCP. Works awesome, however you probably could do the same thing with your HDV camera, they'd be about the same size.
As always: cheesycam.com has the best reviews and whatnot on all this stuff.
Here's KEH.com's listing for the kit lens you are looking at. They have a rating system with UG at the bottom, then BGN, and up. I'd go for BGN though, they tend to be extremely conservative with their appraisals. http://www.keh.com/camera/Canon-Digital-Zoom-Lenses/1/sku-DC079990648100?r=FE
Remember, it's the glass that matters. so buy the (or borrow my) cheapest lens you can and start saving for the nice lens.
Heres the shoulder rig
http://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=sr_1_3?ie=UTF8&qid=1374173576&sr=8-3&keywords=shoulder+rig
Olympus ME-51S Stereo Microphone... https://www.amazon.com/dp/B000BTAH62?ref=ppx_pop_mob_ap_share
Movo WS1 Furry Outdoor Microphone... https://www.amazon.com/dp/B00HX40OL6?ref=ppx_pop_mob_ap_share
Camera is a GoPro Hero 4. I use this headrest mount, which places it nicely between the seats and far enough back to get a decent view both inside and outside the car. I also use this external mic, with dead cats covering the mics. The mic just stays attached to the headrest mount.
In other videos I've run a second camera looking back, with a lav mic just above one of the exhausts, to mix in some better sound, but that camera (a Hero 3) got destroyed last month, and I haven't replaced it yet. So there's just ambient sound in this weekend's video.
For data, I have an AiM Solo 2 DL, tapped into the car's CAN bus to get all the fun stuff like RPM/throttle/brake. I put the videos together after the fact in RaceRender. Template is my own semi-custom thing that I'm still refining. Next improvement will probably be combining throttle/brake into a single vertical bar instead of two separate horizontal ones. I tinkered with that a bit this morning and liked how it looked.
These are the cheapo flashes on probably ebay brackets. I have a feeling this guy is actually using a rig like this to do some work. The thing on his back is this only inverted.
What is the result you'd like? Good quality training montages? Or just quick and dirty training clips?
For quick videos, you can get a cheap setup with these items:
Tripod:
http://www.amazon.com/JOBY-GorillaPod-Original-Black-Charcoal/dp/B0087FFTT2/ref=pd_rhf_se_s_cp_5?ie=UTF8&dpID=51I9rXPp7ZL&dpSrc=sims&preST=_SL500_SR135%2C135_&refRID=1JJ8S8MYKH0MRNMG59A9
Phone mount:
http://www.amazon.com/LimoStudio-Monopod-Tripod-Samsung-AGG1462/dp/B00PBCBZJ2/ref=sr_1_1?s=photo&ie=UTF8&qid=1459116583&sr=1-1&keywords=phone+tripod+mount
OTG USB cable if you're hurting for storage:
http://www.amazon.com/Bargains-Depot-Electronics%C2%AE-Product-Camcorder/dp/B00M8QXL64/ref=sr_1_3?s=photo&ie=UTF8&qid=1459116662&sr=1-3&keywords=on+the+go+usb
You can plug in a flash drive and keep that in your gym bag.
If you want to do high quality videos, go with a good smart phone or camera such as a decent camcorder, and a shotgun mic to get rid of the tinny sound.
Rode mic:
http://www.amazon.com/Rode-Videomic-Shotgun-Microphone-Rycote/dp/B00CAE8PM4/ref=sr_1_3?s=photo&ie=UTF8&qid=1459116783&sr=1-3&keywords=rode
If your camera doesn't have a shoe mount:
http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/ref=sr_1_4?s=photo&ie=UTF8&qid=1459116904&sr=1-4&keywords=camera+grip+handle
Hope this info helps.
This was well edited, but the amateurish shots let it down - that first pan looked like a dolly slide and I got excited!
A few tips for your friend:
Otherwise, cool vid!
i'd avoid in the future the shots like 0:55-1:15, try and get the full body in the shot rather than lower half. generally speaking, the rule of thirds is a pretty good thing to stick to when film making: http://en.wikipedia.org/wiki/Rule_of_thirds
Buying something like this helps a lot when your skating and filming: http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/ref=sr_1_1?ie=UTF8&qid=1367859643&sr=8-1&keywords=steadicam. Also, mess around with colour correction, it goes a long way in improving the quality of your footage once you get the hang of it. I'd also keep practising syncing your footage with your music. generally making sure things happen (cuts/transitions, effects, or someone sliding, for example) on the bass kick and high hats is a good rule to stick to. I'd start messing around with whatever effects and transitions you have in your editing software and see what else you can sync to the audio which looks good. just don't over do it on the effects, most music videos only have 4 or 5, it gets too confusing and inconsistent otherwise. hope this helps!
BAM
If that's not good enough?
BAM
Also, use a 30mm or below, since the D3200 is a crop sensor.
I picked up everything off Amazon (other than the camera which I bought 2nd hand off Craigslist):
For starters, I'd be glad to help you find the right camcorder!
Here is an option:
For attaching the mic, slide the included detachable cold shoe mount into the slot at the rear of the camera until it clicks, slide the mic into the cold shoe and tighten the knob to secure it in place. For attaching the LED light, screw the bar into the bottom of the camera and attach the LED light to the bar similar to attaching the mic.
If you have any other questions, do not hesitate to ask. I hope this helps!
Personally I'd buy a Feiyu G4 Gimbal and a refurbished Hero4 Silver
Total cost is around $408 compared to around $600 ($599.98 = $699.98 - $100)
The extra $200 buys you the latest camera with voice control that's water resistant without a case and a gimbal that turns on the camera and the gimbal at the same time (which is very nice compared to the Feiyu option.)
I have a Hero4 Silver and Feiyu G4 and I'm pretty happy with it.
There is currently no 3rd party usb-c mic adapter in the market.
That being said the most popular mic is the
https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW
Thanks for the review. Have you tried/compared the Feiyu Tech Wearable Gimbal? I've been pretty happy with its performance, and it's a little over a hundred bucks cheaper. Short clip from the weekend for anyone interested
The one issue I've had is that my knees and saddle occasionally bump the camera on steep downs since it sticks out from the chest a bit.
I would definitely recommend the Rode Videomicro. If want even better, plug the Videomicro into a Zoom H1 and you'll be set!
> In terms of sharpness, how is the 55-250 comparable to any of the 70-200 lenses?
70-200s are generally the higher-end range of lens manufacturers.
That said: http://www.dxomark.com/index.php/Lenses/Compare-Camera-Lenses/Compare-lenses/(lens1)/622/(brand)/Tamron/(camera1)/0/(lens2)/449/(brand2)/Canon/(camera2)/0
> I am hesitating between the Tokina 11-16 f/2.8 ($550) and Tokina 12-24 f/4 ($400.)
Most people on this sub prefer the 11-16.
This mic seems to get good reviews on Amazon, for the fraction of the Rode. If you can't afford it, I would go for this one.
I still use my Yeti Blue for quick usb recordings. There's nothing wrong with them. Pretty sure that most if not all of the airchecks I've recorded for this forum have been recorded using the Yeti Blue.
My entry-level XLR mic was the Rode NT1A. (It's still part of my setup when I need multiple mics simultaneously.) They are currently on sale one Amazon Rode NT1A but I don't know what the current 38% off / $229 translates into for you up there in Canuckistan. (That's a package price that includes a pop filter, shock mount, mic stand, and xlr cable.)
If you do go with the Rode NT1A, you'll want to take a few basic steps to treat your room if you haven't already. It picks up everything. For example, before I had my room treated properly, I had to stop recording if the refrigerator started running downstairs.
My primary mics are currently a Shure SM7B for studio stuff, and a Shure Beta 58a for live outdoor vocals. But the Rode NT1A is still in the mix from time to time. It's a solid entry-level professional microphone.
I really like the Rode NT1A. It's a pretty versatile mic, I've used it for voice overs, vocals, drum overheads, guitars, etc. Comes with a shock mount and pop filter.
Beginners kits get asked often here. Here is what I wrote up a few weeks ago for beginners kits:
A beginners kit on a tight budget ~$180:
A good beginners kit ~$700:
An advanced hobbyist's kit ~$1975:
Boom.
That looks like shoulder mount to me, the camera is pretty high off the ground to be actually handheld.
A nice cheap option for shouldermounting a lightweight camera is this cowboy studio shoulder rig - though it's often available unbranded for far lower prices, especially if you're happy to wait for a direct import from China.
There are other systems available, though I'd personally advise against any of those super-cheap ones with the two handles on; as you need to have a free hand to pull focus and operate the camera.
For both handheld and shoulder mount, camera weight is the key. If you're trying to do either with a tiny, lightweight camera, you'll get a lot more shakes and wobbles. By adding mass to your rig, you'll end up with more stable shots and a smoother result.
I was recently in your position, and after doing a lot of research, I found some pretty solid products for the price.
I picked up the following:
Additionally, you may want to pick up a Follow Focus if you want to do some nice focusing in camera, without having to fake it in post.
To secure these all to the rig, and your H4N, I would recommend picking up 2 of these Friction Arms
Edited: Formatting
http://www.amazon.com/Shoulder-Camcorder-DSR-PD198p-ePhotoInc-RL01/dp/B005NJCF7E/
I bought this awhile ago and really enjoy it. Although, the DIY ones posted around seem to a good deal on the cheap too
Lapel mics? Also called lavalier mics.
I'd save up a few dollars and buy this gimbal. Everyone loves it.
In only the past week, multiple Amazon sellers offered V2 of the Crane for $512 and $520.
In the past few months, Amazon sellers have on a number of occasions sold it for under $400.
If you buy from Massdrop, it won't deliver until Aug 18th. Buy from Amazon, you'll have it in a few days.
There's also the returns issue. If there's a problem, Amazon will have your back. While Massdrop...
http://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?ie=UTF8&qid=1459340823&sr=8-1&keywords=steadycam
I just ordered THIS, and it should be coming in today. I can update you and let you know how all my equipment fits.
Here's what I got:
The D3200 has an external mic input, so you can buy an inexpensive external mic like the Takstar SGC-598. I bought one for my D3200 and it massively improved the quality of the recorded audio.
Perhaps the most important and expensive is making sure you have a good computer or laptop that can handle streaming. Hopefully you or a friend in the scene can make that happen, 'cause that will be the biggest expense.
In terms of actual stream equipment, I'm going to assume you want the cheaper options:
You will also want a crt that has an output area in the back or a seperate device called a splitter!
I super recommend this, $50 for a good quality mic that is durable and super easy to set up. Since it is an open mic it will capture extra noise aside from a commentators but I think starting hear is best!
https://obsproject.com/
https://www.xsplit.com/
Old, but this thread can be helpful, even though it's for melee. Has a bunch of products with prices and quality tests.
https://smashboards.com/threads/beginners-guide-to-capturing-and-recording-melee-footage.298260/
For people who just want to record matches for cheap, there are a variety of recording cards, such as:
If you have any questions, lemme know! Stream shit is complicated at first, but once you get into the groove a lot of it makes sense. :)
Alright, so let me try to break down your problem a little bit. You're running into a few issues:
Condenser Mics
Condenser mics are a type of microphone that operates using capacitors and other circuitry. The advantage is that they are smaller and generally more sensitive. The downside is that they require power to function.
In studios / stages, the "phantom" power (48 Volts) is supplied by the mixing board or installed infrastructure. In field settings, you need a battery of some kind to power the microphone. This could be a belt-pack or a DI Box. You now can find condensers that are designed to work with smartphones; I'm not 100% sure, but I think they are using one wire in the TRRS connector for power.
Balanced Signals
Most microphones use a "Balanced" connection (XLR, TRS). A balanced connection generally uses 3 wires to send a single (i.e. mono) audio signal. The way this works is that one wire is the shield, and the other two wires both carry the signal (out of phase with each other). The benefit of this is that any noise introduced along the cable can be cancelled out when you compare the two signal wires.
The confusion comes when people decide to send two (i.e. stereo) signals over the same kind of connector (e.g. TRS). In that case what you get is a neutral wire, a left audio wire, and a right audio wire. This is an "unbalanced" connection, and does not have the noise rejection property that balanced connections do.
What you need
So, if I may take a stab at describing what you're trying to do; you're trying to take two balanced audio signals (your two mics) and use them as the L/R channels in the unbalanced TRS connector on your camera.
So, you need to first find way to power your mics: beltpacks, DI box, or other, then find a way to make them unbalanced, then connect them to a L/R TRS breakout cable.
Make Sense?
Zoom H1/MB Registratore Digitale su Amazon 98€. Microfono lavalier 66€. L'audio è la parte più importante di un cortometraggio, puoi avere delle immagini scadenti ma se hai un audio perfetto (decente) ha fatto il 70% del lavoro. 😉
> The Hosa cable is is XLR to 3.5 mm, which is the standard size on practically every phone
Yes, but a 3.5mm TRS cable will line up with the headphone out connections, not the microphone in connections, because the phone's connector is TRRS. It will fit, but it won't work.
This would be your best option. If you're really set on using a dynamic mic, you'll need an adapter like this.
(I'm biased towards Sony and shoot with an A6500 and A7RII. I plan to preorder the A7SIII when it's announced).
I recommend the Sony RX100 VI if you want an all in one, or go with an A6500 for it's in-body stabilization, amazing low-light, 120fps slow motion/4k, and the ability to take some great photos as well. The lens on the VI is built in but is supposed to be really good but the A6500 allows you to shoot with different lenses to get the shots you want.
RX100 VI - https://www.trustedreviews.com/reviews/sony-rx100-vi
A6500 - https://www.trustedreviews.com/reviews/sony-alpha-a6500
External mic if you want better audio - https://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardioid/dp/B00GQDORA4/ref=sr_1_3?ie=UTF8&qid=1536635571&sr=8-3&keywords=videomic
Can't say about the a6000, but the built-in microphone really isn't bad on my a7r ii for vlogging purposes.
For a step up, people have been swearing by the Rode VideoMic Go, which doesn't require any extra batteries. In my opinion though, the Rode VideoMic series (Pro and Go) always gives a kind of low-level hiss that I find somewhat annoying. You can easily get rid of that hiss during post though.
Hi evilmonkey - the new [$298 Sony Music Video Recorder] (http://www.amazon.com/gp/product/B00EVIBMR2/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00EVIBMR2&linkCode=as2&tag=battleforthew-20) might be what you're looking for.
Here are some examples of what it can do: https://www.youtube.com/user/MVRbySony/videos
It doesn't have a zoom lens, so it's good for small venues - but not so good for big concerts.
Another option would be the [$387 (on sale) Panasonic FZ200] (http://www.amazon.com/gp/product/B008MB6ZX0/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B008MB6ZX0&linkCode=as2&tag=battleforthew-20), with its 24x constant f2.8 zoom and 2.5mm external mic jack.
Here is my FZ150 (the FZ200's older brother) with an external mic and a [$2 3.5mm to 2.5mm adapter] (http://www.amazon.com/gp/product/B000QU3JN4/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000QU3JN4&linkCode=as2&tag=battleforthew-20): https://lh3.googleusercontent.com/p4I1G-p5nraBO7lfPcPFNcMeX8oU9O2UHnPDiRshn9E=w815-h543-no
The FZ200 is [not that much larger than the EOS M] (http://camerasize.com/compare/#349,351), and there's no way you'll get a 24x constant f2.8 lens for the EOS M for a reasonable amount of money.
Even with its internal mic, the FZ200 sounds pretty good at concerts: https://www.youtube.com/watch?v=3PkFNogHwiQ
With an external mic, you will get even better results. Here it is with the [$229 Rode Videomic Pro] (http://www.amazon.com/gp/product/B004K8WPUQ/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B004K8WPUQ&linkCode=as2&tag=battleforthew-20): https://www.youtube.com/watch?v=0uQRJohR0lA
If the camera plus the Videomic Pro is too expensive, you might want to look at the smaller [$99 Videomic Go] (http://www.amazon.com/gp/product/B00GQDORA4/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00GQDORA4&linkCode=as2&tag=battleforthew-20).
Hope this is helpful,
Bill
The type of stabilizer you need will depend greatly on your budget and camera size. They range in price from $20-$10k so there's no "right" one you need.
The first thing I would do is figure out how much your camera setup weighs (including the camera body, lens, battery, and any monitors/extras that you plan on having on the camera when shooting). Either weight it on a scale or find out how much each part weighs online and add. Give yourself some wiggle room with the weight limit so you don't buy a useless rig (i.e. if a stabilizer's weight range is 2-5lb, I would put 4.5lb on it at the most).
As far as what type of stabilizer to get, that's all a personal preference. Handheld monopod-type stabilizers are cheap and will get you steady shots, but you have to keep in mind that your arms will get tired very quickly.
Shoulder mounts tend to not be perfectly steady, and are usually used to mimic hand-held (where actual hand-held creates way too shaky footage). Don't buy a shoulder mount with the intent of getting steadicam-esque shots. On the plus side, they're usually cheaper than cages and are easier to use over long periods.
Cages (like the Movi or Ronin) provide excellent results but are often cost-prohibitive for somebody buying their first stabilizer. They tend to take smaller cameras and require some skill in setting them up and using them properly, but if you have the money and your camera fits, you should definitely consider one. I've used the Movi M5 a number of times and it's awesome, albeit a pain to set up and very costly.
In short, do your research and don't feel like you need to drop $5k to get a good stabilizer. If you want help picking a stabilizer for your set-up feel free to DM me and I would love to help!
I bought one on amazon for $70, it was very wobbly and not very steady. I did get good at making it steady and practicing my skills with handling the system. (http://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?s=photo&ie=UTF8&qid=1452087283&sr=1-1&keywords=steadicam)
I just upgraded to a Glidecam HD4000 and holy crap I should have gone for this gem instead of buying the $70 version. It's amazingly stable.
Don't think that just because you get a steadicam/glidecam it will give you amazing footage instantly, it does take practice to start getting good at it.
Like people say, "buy cheap, buy again"
I got my HD4000 on Craigslist for $240 which is even less than the HD2000, if you live in a bigger city odds are their might be a Glidecam on the market. Ebay has good deals on used ones too, and the HD2000 might be within your budget depending on what camera you are using.
Hope this helps
I have this. It's nice, but the shock mount is a pain in the ass. Get the updated Pro R version with the Lyre mount if you can.
Yeah! It's neat. And okay, great. Just wanted to make sure you understood mics overall. When I was first hunting for a mic I ended up purchasing one of these and was super disappointing with it. Basically, my expectations were incorrect and even being 5-8 feet away from it meant I essentially had to yell. Great mic, but I was using it incorrectly.
I run an external microphone to the trunk. Cuts out all the wind buffeting and you can really hear the exhaust well.
http://www.amazon.com/Olympus-145037-ME-51S-Stereo-Microphone/dp/B000BTAH62/ref=sr_1_2?ie=UTF8&qid=1417484489&sr=8-2&keywords=olympus+microphone
Well, If filmmaking and video is your goal with these cameras I wouldn't recommend either.
If you're just starting and serious about video production here's a pretty effective starter kit that's just a tad over your $400 budget.
[Camera: Canon Vixia HF R400] (http://www.amazon.com/Canon-VIXIA-R400-Advanced-Camcorder/dp/B00AWZFJ22/ref=sr_1_1?ie=UTF8&qid=1395594961&sr=8-1&keywords=canon+vixia+hf+r400)
This is a decent starter camera. It's got a decent range of focal lengths, optical stabilization, microphone input, progressive frame-rates and most of all designed with video in mind. You'll need a SD Card
I noticed the cameras you picked resembles DSLRs but keep in mind that these in particular are not and with fixed lenses which defeats the purpose of having DSLR for video. Trust me, learn how to be effective with a camcorder first! Then, when your skill requires more artistic control you can upgrade.
Audio:
[Microphone:] (http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1395595673&sr=8-1&keywords=shotgun+microphone)
Having clean audio is probably the most important part filmmaking! The key is to get the mic as close to your subject as possible and away from your camera. You'll need a cable. If you need to mount it to your camera use this [bracket.] (http://www.amazon.com/Heavy-Photography-Bracket-Standard-Mounts/dp/B005Z4ROIW/ref=sr_1_1?ie=UTF8&qid=1395595189&sr=8-1&keywords=flash+bracket) This bracket will also help keep the camera stabilized when you go handheld.
Keep in mind this won't deliver perfect audio but it will be a MASSIVE improvement to the on board microphone and learning how to record with decent audio in mind is your first step into becoming a pro.
[Lighting:] (http://www.amazon.com/Bayco-SL-300-Clamp-Aluminum-Reflector/dp/B007RKKEHA/ref=sr_1_17?ie=UTF8&qid=1395595354&sr=8-17&keywords=can+lights)
Lighting is EXTREMELY important. A couple of these can lights will not only help with your image quality but put in you in the right direction for learning how to properly light your scene. You could start with daylight equivalent CFL bulbs.
[Tripod:] (http://www.amazon.com/AmazonBasics-60-Inch-Lightweight-Tripod-Bag/dp/B005KP473Q/ref=sr_1_3?ie=UTF8&qid=1395595413&sr=8-3&keywords=tripod)
You NEED a tripod. This one is cheap and cheerful. Looping the ends of a couple rubber brands around the pan handle and the other end around your finger will help deliver some smoother pans!
Total: $425/£258
Some things to keep in mind:
Best of luck to you!
edit: formatting
Just a few thoughts: If you are a beginner and especially if you are going to be both operating the camera and doing interviews at the same time, don't use a DSLR. You need a regular consumer camcorder, the nicest one you can afford. Be sure it has an external microphone input and a headphone output. So, you will need at least one external microphone, a shotgun and/or a lavalier. The most important thing in your documentary is good sound!
This little Audio Technica lavalier can sound just fine:
http://www.amazon.com/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO/ref=sr_1_2?ie=UTF8&qid=1382119845&sr=8-2&keywords=audio+technica+lavalier+mic
This inexpensive shotgun also works well:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1382119920&sr=8-1&keywords=audio+technica+shotgun+mic
A little explanation: A consumer camcorder has pretty good auto focus and usually face recognition, so you won't have to worry about keeping things in focus. Also, you'll have pretty good auto exposure and auto white balance. If you are shooting your first documentary with limited experience and/or a very small crew, you need to think about content and let the camera help you instead of having to think about too many things. It's true a DSLR with a good operator can make your documentary look better, but it won't matter if the story isn't there. If your story is good, the audience will accept a lot of shortcomings, especially in the picture.
When shooting, use the external microphone whenever you can. If you have only one subject, use the lavalier, otherwise use the shotgun. Always monitor the audio in the headphones. I have a friend who accidentally plugged the microphone into the headphone jack and didn't know it until too late!
Good luck!
http://www.amazon.com/gp/aw/d/B002GYPS3M/ref=aw_ls__5?colid=XREX5Q3TPYE2&coliid=I18IR1HSIBHNAX
I'm getting into filmmaking and I can't afford a new mic yet. This is a reasonably priced one I'm looking into.
http://www.amazon.com/gp/aw/d/B000BQQ7QE/ref=aw_ls__3?colid=XREX5Q3TPYE2&coliid=I3VY2E5QUH0FZF
This is what I want to get as a boom pole for the mic, since a real boom pole is a ridiculous amount of money.
If someone got me this stuff I might literally lose my fucking mind. I'm only 16 and I'm having so much trouble finding any sort of job. So c'mon...gimme !
He could probably get by with this. It's what I used for three years. Great sound quality. Only negative is it doesn't come with a shock absorber, but I built my own for under $2, it's pretty easy.
I don't really think there's a clear answer for this, but the good news is that there are many excellent options these days. Sound quality isn't always the most important aspect to consider. Many artists have had great success with just an SM58 microphone hooked up to their computer. If you're just starting up and you don't need studio quality recordings, something like this might be fine. I often just use a basic handheld mic when I'm multitracking a new arrangement for my group to learn. It's quick, simple, and often easier for recording beatboxing with too. There are plenty of free or affordable programs available for multitracking too, so the mic will be your main expense.
If you're looking to make some top quality recordings, you can expect to start spending more as well. Not going to lie - this is where it can get complicated and expensive. I'd recommend starting basic and get a decent condenser mic with a stand and a pop screen, a soundcard or usb mixer with a decent preamp, and stick with the cheaper software for recording.
If you find you're getting more serious with your recordings you may want to upgrade the microphone to a Neumann, install some noise dampening panels, and look into a DAW (digital audio workstation, or recording software) such as Pro Tools.
Whatever you do, don't spend too much on overpriced cables. Check out Monoprice
Hey there! Here's my suggestion if you're starting out and have a $600 budget.
That mic is a great one to start out with and I can personally vouch for its sound, whereas i cannot for the SE one you linked (not saying it's bad, just haven't tried it!)
That soundcard is a hell of a deal, high quality, and *comes with a mic stand and XLR cable (and an extra pop filter) all bundled in.
Total price for all of this: $390
You can grab a reflection shield and still be at $450 total (https://www.amazon.com/LyxPro-VRI-30-Portable-Absorbing-Recording/dp/B012OFI98I/ref=sr_1_2?s=musical-instruments&ie=UTF8&qid=1520277017&sr=1-2&keywords=reflection+shield)
Important: Please note, while it will help, a reflection shield alone is not enough to tame the echoes in a hardwood room with a lot of reverb. If AT ALL possible, the absolutely best thing you can do (if I had to choose between reflection shield vs. doing this, I would do this every time) to improve the quality of the recording you'll get is to spend some of that remaining budget - remember we've got everything for $450 so far! - and buy cheap blankets from Ikea or similar. They have like their cheapest comforter/duvet blankets that are only like $4-5 each and cover a lot of space, if you use some command hooks (or nails/tacks, whatever your living space allows) to put these on the walls, put a cheap rug down on the floor, etc. to break up the flat surfaces, you'll be astounded by the difference.
I did this to my studio room - again, using all cheap blanket materials and no expensive acoustic foam - and even random guests comment on how quiet it sounds when they're talking and walk in from the hallway and hear how much their voice changes.
Here's a picture series (click the right arrow to go through them https://www.instagram.com/p/BWYSx2XFdi0/?taken-by=petravitamusic) from my studio after I'd set up the blankets, and for sound quality examples of the microphone, everything on my soundcloud within the last year has been recorded on the mic I linked, and recorded in this room. A couple examples: https://soundcloud.com/petravita/the-land-of-no-seconds-petravita-prod-syndrome-demoaday-67365 and another with no reverb added back in during the mix process so you can hear that the recording sounds very clean: https://soundcloud.com/petravita/the-science-of-art-petravita-prod
I really hope this helps you, and please don't hesitate to reach out to me via PM or reply here if you have questions :)
The exact setup that i decided on when i first bought my equipment was a G7, sigma combo, and Sachtler Ace M. Very solid stuff.
Honestly, i just went with this guy: https://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S. The reviews were surprisingly good, and for that cheap there's no reason why you shouldnt have it in your kit. It's super compact and you can even take your hands off the rig and it stays up. I'll be honest, i've used it maybe once, but that's because i really dont like shooting anything handheld or with a shoulder rig. I guess you have to ask yourself what you want a rig for? I'd rather just keep my shots on a tripod.
If i had a blackmagic, sure! I'd throw it on a rig. But with these tiny bodied, cameras with the jello-ey shutter and strong video look that they have...i stay far away from that look.
I also dont know that i'd ever use the 50mm on a shoulder rig. The longest i'd probably go is the 35 end of the 18-35mm. Depending on what you're doing, i don't know that a cage is a good investment. Especially since you might want to get a cage made specifically for your camera, and if you're planning on upgrading your G7 like i did, you dont want JUST a G7 cage.
Note: i also somehow managed to find a Camtree Hunt GH4 cage on ebay for $120. It's amazing quality, and i don't know how i got it that cheap because now i can only find them (or the varavon similar ones) for like $350. Either way, they're good quality for the price.
Seconding the kit 18mm as probably wide enough, but if you're wanting really wide at that price range - here's a Samyang 10mm 2.8 or if you don't mind not having as fast a lens (less DoF options and need more light) a Canon 10-18.
My advice since I own the same camera - if you don't have it already get magic lantern installed. If you have trouble PM me and I'll walk you through. It gives you new options with your camera. Second, if you don't have a fast lens, get the nifty fifty - canon 50mm 1.8 and consider getting the new canon 24mm 2.8. These are fast prime lenses that will 1, challenge you to work on framing your shots since you can't just adjust the zoom, and 2, let you open up for more light, practice things like pulling focus, get some 'cinematic' shots with subject in focus and the blurry background (bokeh). Then invest in audio. At the very least a dslr shotgun mic like the Rode VMP or if you have a smartphone you can use, something like a Rode Smartlav. Better yet, spend next to nothing and make one out of a headphone/microphone combo for cell phones like this one. Tons of DIY projects on the web. Buy a really cheap cam stabilizer or make one. Same for jibs. Make a skateboard dolly shot rig.
If you do get the T3i, try going with an on-board mic. The Rode VideoMic and VideoMic Pro are pretty common with DSLR's.
Noob here too,
I just purchased This Shoulder kit, full basic kit
and This one too, thanks Film Riot
Yeah, make sure it's charged. Try to test it with a phone. The way it splits into two looks gimmicky, I suspect you have a bad mic or something isn't plugged in right. You might want to send it back for an exchange.
If you can't do a Rode Video Micro, this alternative has good reviews:
Movo VXR10 Universal Video Microphone with Shock Mount, Deadcat Windscreen, Case for iPhone, Android Smartphones, Canon EOS, Nikon DSLR Cameras and Camcorders https://www.amazon.com/dp/B0723D3FVL/ref=cm_sw_r_cp_apa_i_ZDdMDb5BMNV1V
This is an even cheaper mic, a bit larger, but it's surprisingly good, rivals the original Rode VideoMic:
TAKSTAR SGC-598 Interview Microphone for Nikon/Canon Camera/DV Camcorder https://www.amazon.com/dp/B00E58AA0I/ref=cm_sw_r_cp_apa_i_KGdMDbNG7HMBK
EVO SS ($279) is the best one out there now, FeiyuTech WG($178) is the best budget option. There is a new water-proof FeiyuTech but the reviews are not yet clear, some people say it really really sucks.
The Sony A6000 Hands down the best in that price range. You are going to want decent audio though so I would recommend also getting something like The Rode Video Micro.
youtube vlogging setups is also a great place to get some really good info!
Røde do the best in my opinion, this will be enough for what you asking for as long as you aren't an audiophile:
https://www.amazon.co.uk/dp/B015R0IQGW/ref=cm_sw_r_cp_api_jQVzyb0Q2900M
Also just check if you really need a microphone, most cameras have fairly reasonable quality now, especially for YouTube and such
[Rode's VideoMicro](http://amzn.to/2d9pZRN "Rode VideoMicro") may be a good option for your needs. It comes with a fuzzy windscreen which should help reduce wind noise.
You can use a flash bracket (example) to use accessories like microphones and LED lights with your camera. The bracket attaches via the camera's tripod mount and provides you with a couple cold shoe mounts.
For those interested here is what i decided to do:
Use my Current Samsung S7.
For when it is on a tripod:
Cell Phone Tripod Adapter = $7.85
https://www.amazon.com/Cell-Phone-Tripod-Adapter-Smartphone/dp/B00OS9E6AO
Rode VideoMic Me Smart Phone Mic = $59.00
https://www.amazon.com/Rode-VideoMic-Directional-Microphone-Phones/dp/B018KIJGU8/ref=sr_1_7?s=electronics&ie=UTF8&qid=1474375938&sr=1-7&keywords=Rode+VideoMic
For when I am on the Go:
Media Camera Mount - On the Go = $50.00
https://www.walmart.com/ip/27448961?wmlspartner=wlpa&selectedSellerId=0&adid=22222222227018721588&wl0=&wl1=g&wl2=c&wl3=40332802352&wl4=pla-78294429872&wl5=9006607&wl6=&wl7=&wl8=&wl9=pla&wl10=8175035&wl11=online&wl12=27448961&wl13=&veh=sem
I plan to use a Cold Shoe Mount Adapter to attach my Rode VideoMicro to the top mount of the above on the go unit:
https://www.bhphotovideo.com/c/product/828816-REG/Vello_CS_20_Cold_Shoe_Mount.html
Two cheap options I’ve used-
This works great on my 5S iPhone but has started crackling with my 6S+ (it improved when I cleaned the headphone jack but wasn’t fully resolved). https://www.amazon.com/dp/B018KIJGU8/ref=cm_sw_r_cp_api_QpxOBb4NPFK0A
This is a pretty solid lapel mic that plugs straight into a phone; I like it and haven’t had any problems with it. https://www.amazon.com/dp/B019HQHXN4/ref=cm_sw_r_cp_api_trxOBbVNM9ATZ
Audacity is a free audio editing program where you can “teach” it the sound of the white noise and then remove that sound from the whole file. It’s more steps but if you want a free option it should at least improve the quality.
It's very hard to find a good camera in that price range. If you have a phone that is less than a couple years old, you're probably better to go that route. That said, if you can afford a GoPro, the guys use a GoPro HERO4 BLACK as a backup camera that would be better than a smartphone in most applications. This model's built in mic is said to be much better than the new model that was just released. If you want to use an external mic, you'll need this adapter. You can also find all of their gear in a post I made here, if you're interested.
Edit: If you decide to use a smartphone, this is a pretty good mic that attaches directly to a phone.
I'd say use your iPhone for video - I don't think $200 is going to get you anything better.
Invest your $ in audio - nothing worse than echo-y or garbled sound no matter what the video quality is.
Maybe this thing from Rode for the iPhone?
iPhone videos can look amazing if you're willing to do a little editing/color grading.
Has considerado microfonos de clip como este o este otro?
En general es cierto que los audifonos "gamer" son pesimos en su calidad de sonido y te conviene mucho mas comprar un audifono dedicado y un microfono aparte (sea el de una webcam, uno de clip, etc).
Hace tiempo que no reviso como esta el mercado de audifonos en Chile y no se que haya bueno en este momento, pero te recomiendo que revises por Mediaplayer o ve si hay algo decente en el [cyber monday de audiomusica] (http://cybermonday.audiomusica.com/#/category/audifonos-monitoreo). Por ejemplo, aun estando en oferta en Amazon, los sennheiser HD600 te salen como 280 lucas (impuesto + envio) y ahora en audiomusica tan a 245. Algo es algo. Yo tengo los HD600 y los recomiendo por completo, pero se que es un lujo gastar sobre 100 lucas en audifonos (y mas 200)
En general te sugiero que intentes buscar audifonos abiertos circumaurales. El posicionamiento de los sonidos mejora harto y eso ayuda en muchos juegos que aprovechen bien los canales de audio y el rango dinamico. No obstante, creo que casi cualquier audifono de marca reconocida tipo beyerdynamic, sennheiser, grado, etc le ganan si o si a cualquier audifono "gamer".
Lo ultimo que puedo decir es que averigues bien sobre que tipo de sonido buscas, y aparte de los juegos consideres que generos de musica escuchas. Hay gente que le gustan mas detalles en los graves, otros que sean neutros, algunos los prefieren con boost en graves y agudos, y asi. Puede que yo considere cierto tipo de sonido como "el mejor" pero tu los encuentres horribles. Recomiendo que te informes en lugares de reviews e idealmente pruebes algunos modelos (como en mediaplayer que te dejan probar casi todo) para tener una "referencia" a futuro.
https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1502257714&sr=1-3&keywords=lapel+mic There's a great cheaper lapel mic.
Not at all!
We currently use:
3x Logitech C922x Pro Webcams
7x 3.5mm Lapel Mics
7x 3.5mm to 1/4in adapters
2x Mini Audio Mixers
1x USB-to-1/4in Cable
1x 1/4in to 1/4oin cable
For video, we just use the webcams like normal.
For audio, we daisy chain the two mixers with the 1/4in cable, and plugin each mic to their adapters and into the mixers. Use the 1/4in to usb cable to capture the audio out of the last mixer, and now you have a dial for each audio line, but only one audio input device to your PC.
It's not the best solution, but it is way less expensive than buying the hardware video encoding and digital audio mixers would have cost (by factors of 10).
the 2 daddies at the moment are the Dji Ronin S and the zhiyun crane 2 (amazon referral links). Don't confuse the crane 2 (the latest model) with the crane V2, although if your budget can't reach then the crane v2 was a good gimbal and certainly powerful enough for your sony.
If you want to go oldschool and not worry about carrying a battery, or lengthy rebalancing if you take the camera on and off then flycam steadicam can be excellent after learning how to use it
I love that you're making short films. Each time you film one they'll get better and better. Write constantly and do your best material each time.
The pieces are all there. They each just need a bit of polish to get it put together. With a story this basic, I would have told it in half the time. Set up the conflict, show the effect, then milk the payoff.
You can buy an attachment for many phones that offers good demo-quality audio for around £100. There tend to be more offerings for iPhone, something like this or maybe this would work well. THere's also something like this that would work on any phone, and would give better results than just the mic on your phone.
There are also a few good recorders out there in your price range that would give you good quality like the Zoom H1 or the Tascam DR-05. Both Tascam and Zoom have a range of options for digital recorders, and some of the Zooms also function as an audio interface that you can plug into the computer. I have the Zoom H6, which is outside your budget but a fantastic recorder for the money.
One word of warning, don't be suckered in by cheaper alternatives for mics or recording equipment. You get what you pay for, and anything under about £50 in either department isn't going to be too much better than the mic on your smartphone.
Yes, a good mic will definitely help. The best way to get good audio is to just get the mic closer - even a $1000 microphone will sound awful if it's not close to your subject. Because of that, I'd recommend picking up something like the £52 Rode SmartLav+ and connecting it to your phone with the 3.5mm > Lightning adapter that comes with the iPhone 7.
If getting the mic close to your subject isn't possible, the Rode VideoMic Me is around the same price as the SmartLav+ but clips directly to the phone. It's supposed to plug in to the headphone jack of the phone and hang off the side of the phone, but people have gotten it to work with not much hassle on the iPhone 7.
I hope this answers your question, if you have any more please feel free to ask.
https://www.amazon.com/Rode-VideoMic-Directional-Microphone-Phones/dp/B018KIJGU8/ref=sr_1_1?ie=UTF8&qid=1487819016&sr=8-1&keywords=rode+videomic+me
Instead of post-processing, you're much better off 'pre-processing' by purchasing an external field recording microphone that plugs into the headphone jack. Something like this is relatively cheap and will make a world of difference.
Rode VideoMic Me Compact TRRS Cardioid Mini-Shotgun Microphone for Smartphones: https://www.amazon.com/dp/B018KIJGU8/
Yas, dewit!
That is actually a really cool idea for a podcast! "Tales from the backseat" or something like that! They also make stuff for it! I found this on amazon as well as this. Totally affordable!
Alternative mic suggestion: Tascam DR-05 and a cheap lavalier mic like this
It's a lot more portable and versatile than the Snowball, but it will require you to sync up audio and video after the fact.
edit: honestly, even just the lav mic would help a lot
This one's good for its price
I've been happy with my PowerDeWise Lav Mic, good budget option at only $22
https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=sr_1_1_sspa?ie=UTF8&qid=1550863177&sr=8-1-spons&keywords=iPhone+lav+mic&psc=1 Thanks for the reply, this is the one I have, I'm not sure if it fits into that category.
https://www.amazon.com/Microphone-Universal-Sennheiser-Audio-Technica-200CM-Black/dp/B01IRCXC9S/ref=mp_s_a_1_1?ie=UTF8&qid=1537320528&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=ketdirect&dpPl=1&dpID=412p1pN9CrL&ref=plSrch
Or
https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=mp_s_a_1_3?ie=UTF8&qid=1537320633&sr=8-3&pi=AC_SX236_SY340_QL65&keywords=clip+on+mic&dpPl=1&dpID=511anYrvUvL&ref=plSrch
For what you're describing, the video camera sounds like it would be sufficient.
Rode's are OK, but I think they're a bit overpriced and not all that awesome for the price. For the money, Takstar makes a widely-touted knockoff that many people feel sounds better. It sells for about $25. Link here: https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I/ref=sr_1_5?s=electronics&ie=UTF8&qid=1537758700&sr=1-5&keywords=video+microphone
You also might consider a wired lavaliere mic. There are several on Amazon from about $20-30. I always have a few as backups and frequently use them as primaries, too. Here's one that's pretty highly rated: https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=sr_1_6?s=electronics&ie=UTF8&qid=1537758700&sr=1-6&keywords=video+microphone
Best of luck!
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Would this work?
tried this once, they really don't last. it wasn't the exact same adapter but with feedback from people I know who try these, they all fail pretty soon. mic functionality is typically lost within a year and you have to buy another cable. it really adds up if you're a student gamer.
I'd say try to go for a nice, relatively inexpensive USB mic like this Fifine one or try to snag this $17 lapel one while it's on sale. The built-in microphone in Sony cans isn't too great anyway
almost anything cheap on Amazon will likely be better than your phone's mic. For example this one does the job just fine: https://www.amazon.com/dp/B01AG56HYQ/
test it out, try putting your phone an arms length from you and speak. Now do that while you move, go to the fridge to grab some foods and describe them at the same time. Play back and see how intelligible it sounds from your audience's perspective. A mic on you will almost always be better.
You can definitely do that, there are some cheaper ones on Amazon that I'm not sure on the quality of, or there's a Rode model that costs more but is known to be decent quality.
Personally since it's easy to return items to Amazon if they don't work well, I'd try the cheap one first and see how it goes.
adding onto this: I recently bought this mic for self tapes. https://www.amazon.com/gp/product/B01AG56HYQ/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1
It's a super affordable option, and sounds 1000% better than my iPhone mic. Nothing fancy but it does the job. I just tape it to the inside of my shirt and plug it into my phone and it works great. Before I used this mic, the volume on my tapes would go in and out depending on if I or the reader were saying lines (making the take unusable). I think my phone had trouble picking up the sound from two people. Problem fixed.
The first option is to go without a housing at all, and instead get a frame. The latest frame nicely snaps out too, but around 40$ USD or so. The next option, is to look into an external microphone with the microphone attachment that goes through the micro USB port.
Using this adapter and a standard microphone. The hard part however, I think is mounting the mic onto the housing/frame so that you don't have to stand there all day with the mic in your hand.
If you check out /r/goproDIY there are a few rigs made by some who have attached mics to mounts.
The Movo MA100 is about as close to your picture as I could find. However, if you don't mind putting up a little more money, the Olympus ME-51S looks a lot better, going by customer reviews.
Edit: From the Q&A on the amazon page, that second mic I linked looks like it's a hit-or-miss in terms of compatibility with phones; I wouldn't trust it.
Video will finish uploading here in about 45 minutes. This is from a GoPro with this microphone inside a deadcat stuck to my license plate with a magnet. I'm still playing around with positioning, but I'm pretty happy with it. Clipping isn't too bad and the wind noise is tolerable.
Took mine to a club last night and it really doesn't pick up bass well at all. Quality is insane though, 1080p @ 60fps. Haven't tried 30 fps yet let alone play with ProTune. Lots of time to tweak before festival season comes along ;).
I am going to get an external mic soon, probably this one.
mostly indoors. a few outdoor shots that can be dubbed if needed. I was considering hooking this up to my laptop as a budget choice:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_15?ie=UTF8&qid=1395945806&sr=8-15&keywords=3.5+mm+boom+mic
thanks for your help!
Less than $500 for even a decent camera will be difficult. I'd suggest looking into a used Canon T3i or a new/used T2i. They may be slightly more expensive but they're the best thing you'll find around that price range (in my experience). Also because they both have interchangeable lenses you can upgrade/adapt them as you get more cash to invest.
I know less about mics although I think it may be difficult to find what your describing, especially at that price. Something like this may be what your after but I really can't say that the quality will be great and the cable will probably get in the way if you're moving around.
What I'd really suggest is to abandon the idea of on-body unless it's absolutely necessary for some reason. If you're up for doing that I'd suggest a shotgun mic (something like this would probably do just fine). The absolute best option in terms of quality and lasting value would be to buy an H4n. The disadvantage is that you'll end up having to sync your audio to the video but the advantages are that the audio quality is great, you can add better (XLR) mics in the future and you can move it around depending on where your audio source is.
I know that this isn't exactly what you're looking for but I hope it's some help anyway. If you have questions please feel free to ask :)
No problem dude.
So first off I just want to go against your thought on only using an iPhone until you can get a professional camera. I really do think that you need the DSLR step in between the iPhone and the professional camera for many factors. Even though the app that you are using is very impressive, it still cannot match a DSLR. You even said it yourself, the camera sensor is way too small to use in anything but exceptional light. Secondly being able to tell the story not just the angle you have the camera, but in the lens choice is something that is awesome to do. With a single change in a lens you can make someone who is in an ally look like they are claustrophobic and trapped, to someone being alone in a large amount of space. So using lenses are a huge help in telling the story you want and being able to know that before using a professional camera is huge. I also want to point out one of the big and main differences why someone would want a professional cinematic camera. One of the main reasons is to have the capability to shoot in RAW which allows for awesome post production. I've used RAW many times before and it is awesome to adjust almost every aspect of the shot. Here is the thing though, you almost really don't need that unless you are really going to push the camera in post, or if you are doing a movie. Even without RAW a DSLR or mirrorless camera can achieve professional looking video without breaking the bank. Here a great video on professionals comparing 8bit vs 10bit which is essentially the difference between cinema cameras and mirrorless ( https://www.youtube.com/watch?v=AekKwgvS5K0 ). This is a very interesting video and really shows how good mirrorless cameras are, and the small gap between the two. I know it's fun to say that you filmed a whole film on an iPhone. I've also used an iPhone and android phones to film really good looking video, but I knew what it can and can't do because I had used dslr and professional cameras. Without the knowledge I had there would've been wild problems that I couldn't fix in post, and even with all of my knowledge I had to change how I did things to get everything right. It was a great experience, but there is a time and place for everything.
Okay not that is out of the way I'll tackle the audio questions you had. So when I said that you can eliminate background noise while recording it wasn't necessarily in a software, rather in what you are doing while filming. The number one thing that you need to do is get the mic as close to the actor as possible. By doing this it eliminates most factors so you can have more flexibility in post. Secondly it is a good idea to have someone dedicated to being the audio engineer. Having to do both is exhausting and results in lukewarm audio and video. Third you need to get an app or some external device that allows for adjusting the gain. There should be multiple apps that can do this, however I would recommend a pre-amp. Here is a link to a great pre-amp https://www.amazon.com/dp/B01LBS52YI/ref=psdc_11974581_t3_B007534LFK . It is a great deal for what it is, but it is still pretty pricey if you don't have much money or much income at all. This is a great tool because it will allow for any audio recorder, phone, or camera to accept xlr, quater inch, and normal aux connections and even providing two. You can also adjust the volume it is putting out so you can more easily adjust on the fly. Getting the right levels is essential for getting good audio in post. The next thing you can do is have some portable sound proofing. There are audio blankets that do a great job, but they are $60 for one. Not to say it isn't worth it, but it's a bit much if it's between getting that and a new mic. So instead I recommend getting a moving blanket. It isn't perfect, but you can get a huge amount of them for cheap and they do almost as good as the audio blanket. The way can use this is to cover up whatever is making the noise if you can. If you can't you can make a wall out of the blankets with light stands, or pretty much whatever you can attach them to. This will not only reduce echos from the actor, but it will also greatly reduce the amount of ambient noise that the mic is picking up. Seriously pick up some moving blankets, they are a great tool not just for audio, but you can use them to block out light, and actually move stuff. They are a really awesome tool. So by doing all of this it should reduce the amount of ambient noise that the mic picks up. Also for good shotgun mics, I am not a great resource for this but I do know a few good mics. Here are two that I know are good and that others say good things about. https://www.amazon.com/Professional-Advanced-Broadcast-Microphone-accessories/dp/B00N39J0LU/ref=sr_1_4?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-4&keywords=shotgun+mic https://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_5?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-5&keywords=shotgun+mic . If you want to know more there are a large amount of articles on good mics for cheap.
Next I just want to quickly mention that you should invest in some lights. No matter what it is a good idea to have them. Here is a link to a great budget light, https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1503160499&sr=8-1&keywords=neewer+light . It isn't the most exiting thing to buy, but it is well worth your money.
For the acting questions, it is hard to put to words what I experience. It's more of an instinct, and is different in every situation . However I know I would not be happy with that answer, so here is a link to an article that I think has some really good points. http://www.masteringfilm.com/tips-for-directing-actors/ . This isn't the guide lines for what you can do, but this is just a starting point for what you can do to direct actors better. There are many articles out there so pick and choose what you want. My only piece of advice that I could find words for is this, make your actors not act. You want them to be the character. So a good way to get this to happen is to have them write a back story for the character, it won't be incorporated in the film, but it will help them shape their decisions on how they act. It is really a great way to have the actor connect with the character. Also just tell the actor what they are doing. Don't be a dick about it, but let them know so they can change it. Don't be vague by saying "do that but happier" because no one really gets that. Instead say something like "Jim while you are saying that line could you have a bit of a smile and have a bit more hop in your step" something like that. That might've not been the best example, but you hopefully get the idea.
Okay I hope that answered all of your questions. Let me know if you have more.
It's an omni directional mic - meaning the pickup pattern like a sphere that surrounds the microphone. The closer the subject to the microphone the better the audio.
You will probably have to place the lavalier close to the chopping in order to get a nice clear audio of that sound.
Since you were going to drop $300 on the zoom anyway, maybe also get a hypercardioid microphone (shotgun). It's pickup pattern is like a long spear, so whatever its pointed at, it will get clear audio of without getting a lot of reverb:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?ie=UTF8&qid=1345246835&sr=8-1&keywords=shotgun+microphone
You're going to be hard pressed to find a shotgun mic for $30 thats worth the money. The lowest end shotgun mics that are still at all useable run about $60, like this one. here. I own that one and it is a very good shotgun mic for the price, although after a lot of use it does start to pic up more background noise and looses reach.
If you want to get in close and not use a lav mic, you could use an Audio Technica shotgun mic which has a 3.5mm jack to connect to the camera. Then just find a pole or a stand to put it on.
Absolutely—I might even make a single lesson dedicated to listing different pieces of equipment that are both affordable and helpful for shooting video on DSLRs. For instance, Audio-Technica's ATR-6550: http://www.amazon.com/gp/product/B002GYPS3M/ref=as_li_qf_sp_asin_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B002GYPS3M&linkCode=as2&tag=qinema-20
is an excellent and relatively cheap shotgun mic which can record directly through your min-jack port without an adapter.
I've put the class enrollment page location on the /r/FilmClass subreddit as well as the location to another, more general Cinematography course I'll be teaching. I hope it's helpful!
http://www.amazon.com/gp/product/B002GYPS3M/ref=ox_sc_act_title_1?ie=UTF8&m=ATVPDKIKX0DER this mic i just bought it works great!
according to to the faq:
> Cams: 2 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Internal-Memory/dp/B00AWZFHG0
>
> 1 of these: http://www.amazon.com/Canon-VIXIA-Camcorder-Discontinued-Manufacturer/dp/B00C3R14J4
>
> Mic: http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS
>
> Lavs: http://www.amazon.com/Sennheiser-EW-112P-omni-directional-system/dp/B002CWQTXG
Pretty sure the cameras are out of date tho and they use Lumix GH5s now but I can't say either way for the other stuff. Think they have Rode mics to go with them and a boom as well.
Sorry for the delayed response: Yeah, step one is to usually invest in a decent cardioid mic and an audio input. Here are the ones I'd recommend for getting started. Good enough quality to be just under professional tier, though capable of producing professional quality sound, but not so expensive as to offer you features you don't need for years to come:
Mic: https://www.amazon.com/gp/product/B002QAUOKS/ref=ppx_yo_dt_b_asin_title_o08_s00?ie=UTF8&psc=1
Audio Interface (to be able to plug that or any other professional mic into [XLR input]): https://www.amazon.com/gp/product/B01E6T56CM/ref=ppx_yo_dt_b_asin_title_o09_s00?ie=UTF8&psc=1
and this is optional but can be helpful to understand the true sound of your recordings, monitors:
https://www.amazon.com/dp/B075QVMBT9/ref=twister_B07NDRK282?_encoding=UTF8&psc=1
(either the 3.5 or 4.5 would be totally fine)
Aside from t hose t hings, the only other things you'd need to get set up would be soundproofing foam, either putting panels up around your space, or around the mic itself. Conversely, you could set up inside a closet full of clothes and accomplish the same task for free, cable length and space permitting.
Good luck!
Hi, I'm the co-editor for podcast production and I think I may be able to help with your questions.
Mics: Depending on your current recording space you have 2 options, Condenser or Dynamic Microphones. Condenser mics are very good at picking up detailed sound but they are most of the time to sensitive to be used without some sort of sound proofing or acoustic treatment to the room as they are really good at picking up even the quietest of sounds. but if you have a treated room or a acoustic shield then that might be an option to look into. Dynamic mics however are really good at capturing loud sounds and because of that, they are mostly used for singing and instruments. however they are also often used for narration because you don't have to go all out with the sound proofing as they are less sensitive. now since my talents are in post production, I don't need an expensive microphone to get a good sounding recording, so I just use a $20 Dynamic microphone from amazon, they're great in fact I bought 4 of them for a podcast I was doing, I can give samples if you would like. As for price, Condenser are on average going to cost more because of everything that goes into it. Dynamic mics are older tech, so they aren't as expensive. my friend who does the vocal recordings has the Rode NT1a, a rather expensive condenser microphone $229, and I record using the Behringer Xm8500 Dynamic mic $20 on amazon. so it's really up to your budget and editing know how.
Rode NT1a
Xm8500
You will also need a audio interface if you're going to be using XLR mics, which I highly recommend you do. Here's the one I use, although you may not need that many channels
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Software: I use Adobe Audition around $20 a month subscription. However I have in the past used Audacity and if you know how to use it, you can get some really good results. If you are looking to get into industry standard software I would recommend Pro Tools also I think $20 a month.
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Yes, people who don't use a studio generally record to their preferred Audio editor and mix/edit then upload to a hosting website for their podcast, the production I work for uses Blogtalk which I think has a free option. However there are many options for hosting websites (E.g. Acast, Podbean, Libsyn, Ect.) I recommend reading this website for hosting options.
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People typically find voice actors through Casting Calls which they themselves set up or by going through a casting call website, and yes voice actors are typically paid although some may offer volunteer if they're just getting out there or for charity. For the sake of professionalism always assume you are paying for their services, that way if they decline payment then that's their choice as an actor.
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If your podcast gains enough listeners then yes, you can definaty make money through podcasting, but you should never go only for making money. because one, it takes a while ti gain listeners and two it's just no fun if your only in it for the money.
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I remember being exactly where you are now asking these questions, so If you need any help don't hesitate to ask. I hope this helps :)
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TL,DR
Mics: I use a $20 Dynamic mic which gives me great recordings, although there are more expensive and higher quality options out there.
Software: I use Adobe Audition to edit everything but there are a myriad of other audio editing options out there including the free software Audacity.
Yes it can be as simple as Record/Edit/Post depending on what your doing and the type of podcast your going for.
You find actors through casting calls, and typically you always pay actors for their services. Always expect to pay.
Yes you can make money through podcasting depending on your listenership and Ads and things like that.
i recorded these on a shure sm88 which is only 88 on amazon. http://www.amazon.com/Shure-SM58-LC-Cardioid-Microphone-without/dp/B000CZ0R42. Its the same mic i did the vocal drop on Pitbull dont stop the party. if your looking for something a little more upmarket but still cheap and good cop the http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS . ITs the same mic that Nick Hook (who works with Brenmar and everybody) that he used to record Azealia Banks 212.
http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1344460807&sr=8-1&keywords=rode+nt1a This product plus any free DAW (like audacity) will give you amazing sound results. It can be used both for piano (overhead) and vocals.
Well if echos are an issue maybe look into dynamic mics for now. Maybe try out the Shure SM48 and see how that fairs, you'll save money getting the non-on/off switched one. Then I would invest in materials later on to sound treat your recording area to help remove echos. Then you can step up to condenser mics that pick up a much clearer / more accurate sound once you get the room treated.
Our group uses 3 Rode NT1A's which are condenser microphones for reference if you want to hear how they sound.
IMO dynamic mics only work with certain people, most of the time they make people sound nasaly and sound like a sports commentator but some people have the right voice that it doesn't effect them.
Looks good, thanks! :) I've got the Rode NT1A though for my other recording needs and I think that'll do just fine.
(http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1452267188&sr=8-1&keywords=rode+nt1a)
I use the fifine 669b, it was $40 on amazon (canada). You can find my channel in my profile if you'd like to hear example of quality. Personally I'm baffled at how good it is for the price. I doubt you could hear an upgrade from any microphone until you start hitting the $300 range like this one: Rode NT1-A
Okay this is going to be a long post, so here goes.
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If you really want to get into sound design, youre going to need a few essentials. A DAW (Digital Audio Workstation), an audio interface, a handheld recorder, and a microphone.
DAWs
As far as a DAW goes, there's a few alternatives you can go with. I personally use Avid Pro Tools for near everything I do, but also mess around with Reaper. I've found that most studios will use one of these two. Most DAWs will have a pretty steep learning curve, so be ready for that.
Pro Tools First is the free version of Pro Tools. It has a lot of limitations, but for starting out it should be fine. If you want less limitations it costs big money, but I'm sure you can find a crack or two as long as you don't use it commercially.
Reaper is starting to grow on me lately. You can customize it to your needs, and the full version is only $60. You can also just deal with a popup everytime you open the program for ten seconds and use it for free. I mainly prefer Pro Tools over this because the video engine in Pro Tools is much better. But for batch editing multiple sound files, Reaper is muuuuuch better.
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Audio Interface
This basically takes over as an intermediary between high quality audio and your computer. You can plug a microphone right into it to record sound straight to your computer. You can do this with a USB microphone as well, but the quality is a million times better with one of these.
I would recommend either the Behringer UMC22 or the more advanced Focusrite Scarlett Solo. Both will do the trick, I just prefer the mic pres on the Focusrite a bit more.
Handheld Recorder
Handheld recorders allow you to record anything you want to without having to deal with any cables. They should be compact but durable.
The Tascam DR-40 is a great intro recorder. It was the first recorder I got 5 years ago, and it still holds up. I've dropped this thing so many times and it still powers through.
Another favorite is the Zoom H4N. This was a favorite among most of my classmates as it was the one my school supplied, but I didn't feel like going through the checkout process all the time so I saved up and got the Tascam. It has a newer version, the Zoom H6, which is pretty slick, but comes at a higher price point. It also comes with some interchangeable microphone capsules so you can get different types of recordings. I'll cover more of this later.
I'll leave off with the recorder I have now, the Sony PCM-M10. This thing is a godsend. It's discontinued due to a newer version coming out, but you can find this guy on eBay for around $300-400. It's smaller than a phone, and the sound quality is amazing. If you have the money to shell out for this guy, definitely go for it. Every sound designer inn the industry I know swears by it.
Microphone
So the first thing you need to know is that there's a load of different microphone types. Its a lot to cover, so I'm just going to link you to this article that will cover the basics of what you need to know. Basically I would recommend different microphones for different things, all depending on what you're trying to capture.
A good all-around microphone is the Shure SM57/Shure SM58. They're essentially both the same microphone. But these things will LAST. Like,people have run over them with trucks and they sound fine. Definitely a good starting point
For vocal recordings, I would recommend the Rode NT1A. This mic is a great starting point for capturing voice, and is durable to boot.
For capturing foley/field recording, I would go with the Rode NTG2. Its a shotgun mic with great quality for the price, and never let me down in all the years Ive been using it. I won its successor, the NTG3, in the Riot Creative Contest a few years back, but still use the NTG2 from time to time when I need to.
Some Extra Stuff
Theres a lot of cool, free plugins out there. I've used both Blue Cat's and Melda's plugins, and they all get the job done with a bit of tweaking.
As far as building up a sound library goes, I would recommend recording literally everything you can around you and playing with those sounds with plugins as a good starting point for building up a library. There's a few resources out there that give out free SFX every once in a while, GDC has had a bundle go up for 2016, 2017, 2018 and 2019. You can also check out the BBC Sound Effects Library. Be careful about getting libraries and bundles though, as they add up quick. I have to go through my sound library soon, and I probably have around 500,00+ files but only really need a few thousand.
For all your sounds, you're going to want a file manager. A great and free one is Mutant. You just add the directory where you downloaded your sounds to, let it load them in, and voila. You can search easily for what you need.
Hopefully, all this was somewhat helpful to you, or to anyone else reading this who's interested in sound design!
I was looking for an interface a few months ago as well and eventually bought the Focusrite Scarlett 2i2. I have been REALLY satisfied with it and do recommend it highly. Its preamps have been praised highly and I also think they are very good and I am convinced that you get very good bang for your buck value! The sound quality is excellent, it's easy to install and a joy to work with.
However you should be aware of the two following points that get mentioned often:
As for the microphones, I have not heard good things about Blue mics at all from any reputable source. From what I have read they are overhyped and overpriced marketing fads with an emphasis on style and not on sound, similar to the beats by Dre headphones. I have no first-hand experience with these, so take this with a grain of salt but again: evidence seems pretty overwhelming. I can't say anything about MXL mics at all.
One mic that gets recommended often as a general-purpose entry-level mic is the Audio Technica AT2020 which you can get for around 100$: http://www.amazon.com/Audio-Technica-AT2020-Cardioid-Condenser-Microphone/dp/B0006H92QK/ref=sr_1_2?ie=UTF8&qid=1426165287&sr=8-2&keywords=audio+technica+at2020
If you want a mic that is generally in very high regard as a versatile and built-to-last mic, have a look at the Rode NT1A: http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1426165396&sr=8-1&keywords=rode+nt1a
There is even a bundle with the Scarlett 2i2 interface available: http://www.amazon.com/Rode-NT1--Focusrite-Scarlett-stand/dp/B00JOOQPJS/ref=sr_1_3?ie=UTF8&qid=1426165396&sr=8-3&keywords=rode+nt1a
Have you looked into making your own?
i was looking at shoulder rigs yesterday and had the idea of maybe doing a diy rig and this is the rough list I've come up with so far.
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Couldn't you just get something like this then? https://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=sr_1_6?ie=UTF8&qid=1466753053&sr=8-6&keywords=cowboystudio
EDIT: This is a review: https://www.youtube.com/watch?v=9rhJ-m3-Qa0
Since your budget is tight, ditch the spider rig, and consider these instead of the spider rig...
http://www.amazon.com/Opteka-CXS-25-Universal-Aluminum-Camera/dp/B00A4EAJAI/ref=sr_1_2?ie=UTF8&qid=1408856359&sr=8-2&keywords=dslr+rails
http://www.amazon.com/dp/B0036NMQ7S/?tag=googhydr-20&hvadid=33867566155&hvpos=1t1&hvexid=&hvnetw=g&hvrand=5234213955375955278&hvpone=&hvptwo=&hvqmt=b&hvdev=c&ref=pd_sl_7g0sbnoesl_b
It's about the same price, and you could at least build off it.
This is the rig that I like to use personally
http://smile.amazon.com/dp/B005UF3G2Y
combine that with this
http://smile.amazon.com/dp/B0036NMQ7S
and your hands are free to adjust focus, settings, etc. while you shoot.
That shoulder mount appears to be about half the cost on Amazon as it is on eBay. Just FYI.
No it isn't. Yes you can.
EDIT: No idea if this is good, but it is cheap.
Interesting question. Its one I've been experimenting with for some time.
I have a manfrotto 680 monopod with a benro s4 head, so basically a video monopod minus feet. I'll choose my tripod (also benro) every time. Here's why:
The one and only advantage I've found from using a monopod is the speed of setup. But for true run and gun I prefer to use this:
http://www.amazon.com/dp/B0036NMQ7S/?tag=googhydr-20&hvadid=30934079781&hvpos=1t1&hvexid=&hvnetw=g&hvrand=1583563968911428565&hvpone=&hvptwo=&hvqmt=b&hvdev=t&ref=pd_sl_7dxgxvpsm7_b
In the end its all personal preference, but that's my experience.
Using the viewfinder pressed to your eye, one hand on the grip and one hand on the lens is almost all you need usually. Otherwise, might be time to add more weight. A cage or a gunstock to add a fourth point of contact pushing against your chest will help a lot too. A very cheap and effective option is the classic cowboy studio shoulder rig for 30 bucks. https://www.amazon.ca/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=sr_1_1?ie=UTF8&qid=1522194992&sr=8-1&keywords=cowboy+studio+shoulder OR if you have some budget zacuto enforcer is great https://www.bhphotovideo.com/c/product/997525-REG/zacuto_z_der_dslr_enforcer.html and edelkrone has a great compact folding gunstock https://edelkrone.com/products/pocketrig-2
This works surprisingly well. It has some limitations though. It's cheap and plastic so you have to be carful not to break it, but it gets the job done. If you are going between handheld and tripod a lot it's a bitch because you have to take it off the entire rig and put the plate on each time.
http://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=sr_1_1?ie=UTF8&qid=1367963672&sr=8-1&keywords=cowboy+studio+rig
The addition of more B-Roll will go a long way. Food, pedestrians, colors - these are all great things to use for filler or cutaways.
Absolutely, get more footage of the food. Closeups....REALLY tight shots work well in this instance.
For story, I would've liked to see the 'illegal' carts (usually found at night). Downtown or Hollywood after the clubs close are great locations. Lighting might be an issue but this will add another dimension to the overall production.
Drop the image stabilization. Early in the video, there appears to be driving in a car shot? It can be a little disorienting. There are really cheap shoulder mounts that I use when shooting. This is a relatively inexpensive option: http://www.amazon.com/gp/product/B0036NMQ7S/
You could go with the Cowboy Studio Shoulder Mount. It's 25 dollars at the moment.
Thanks.
The helpful chap that sold me the GH1 managed to find a one-hand friendly rig for me today, a very cheap $30 shoulder stabilizer from CowboyStudio (http://www.amazon.com/gp/product/B0036NMQ7S/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1)
Have ordered and will test using with my street photography to see how viable it is. A good challenge for sure.
First off, that hill isn't that fast and there are no corners you need to slow down for. Second, I've done a lot of skating with Cal and Matt and have the utmost confidence in their skills. Third, I put the camera on one of these things to get a better grip and used one of these to automatically take a photo every second; so I was just pointing it and hoping for the best. Finally--this is key--I have pretty good insurance on my camera gear.
Speaking from a filmers perspective, you got a nice setup so far. However, you want to remember to keep the skater in the center of your frame, and not head or board cut.
You shouldn't do night shots unless you have a really good floodlight or something along those lines because otherwise it will not look as good as it should and its most likely more difficult for the skater.
Try not to have such big space between tricks in lines, and if you have to, speed it up a bit or add in some flatground tricks.
Your lens needs to be clean at all times, so bring a cloth to the park or something.
The music shouldn't take over the whole audio track, so use some light stuff and keep it up enough that you hear the pop of tricks.
If i were to recommend a grip, i would say the X-grip but im not sure how that works on a t3i, so google around.
On one final note, tell your friends not to scream and yell when someone lands a trick. I know you're having fun, but that ruins the shot imo.
Looks like one of these.
Budget. Budget. Budget
Do you have $200 $2,000 $5,000 $10,000?
Can't even start if we don't know how much you have to spend
There's cheap dslr platforms around the 5Dii, there's the pocket magic, black, Canon C300, the Red dragon epic. There's also cheap handicams that point and shoot decent quality.
To shoot low light low noise images like that you'd at least be looking at a 5Diii rig. They probably used at least +$5,000 of gear to shoot that video
using a remote operator for those focus racks.It's pretty damn hard to nail focus from a low angle while moving so close to the ground.You at least need a basic steady cam rig to hold the camera low to the ground steadily while walking. Since it's low to the ground
you cant actuallyit's difficult to have someone operating the camera while it's moving.You need an expensive sensor and lens to let a lot of clean light in.
Re-watching the video on my laptop they didn't actually need a remote operator, they pulls weren't that accurate or difficult but still shooting clean low light video takes a decent camera.
Also remember non of the audio from that track cam from the camera. That all came out of a recording studio with post production.
Realistically you probably want to get a 5DIII rig with a 24-70mm f/2.8 or f/4 IS lens that'll run you $3,300 new if you go with a 6D you'll save like ~$1,000 but loose some handy buttons but not loose any actual video quality. You can run magic lantern on the camera for focusing tools and additional video settings. And of course buying used will save you a lot of money.
You'll want to get a camera rig to hold it like one of these. You probably want a focus rig they can be cheap or expensive. Or even cheaper but you'll need a 15mm rail system.
For audio you'll probably want a shotgun mic like this
All and all it'll probably cost around $5,000 to record high quality audio and video at night on the cheap end if you use a DSLR platform. There are other options but I'm less familiar with them.
I believe it's this model. Thanks for the complement, I'm glad you enjoyed them. I think I've read a quote from that Ira Glass video before. It's an awesome point.
I know you said photography but the first $200ish thing that popped into my head was a shotgun mic for video work. The internal mic in a DSLR is garbage and it would be easy for you to know if you've seen it or not.
This is a good mic near your price range: http://www.amazon.com/Rode-VideoMic-VMP-Shotgun-Microphone/dp/B004K8WPUQ/ref=sr_1_2?s=musical-instruments&ie=UTF8&qid=1333466843&sr=1-2
Rode Shotgun (if its in your price range, there are cheaper) http://amzn.to/2cqqWVA ($200+)
Takstar mic - http://amzn.to/2cqqA10 ($24) got really good reviews and claimed that it's the same manufacturer as the rode?
Recorder: H1 - http://amzn.to/2c6zbJS ($90)
Lav: Rode Smartlav - http://amzn.to/2cqofTU ($80)
Cheaper Lav - http://amzn.to/2c0jWh6 ($18) works just as well
Trrs - Trs adaptor - http://amzn.to/2c6zbJS ($15)
Hope this helps, check out my gear list if you have any questions!
https://medium.com/@IndiemarchFilm/wedding-season-gear-list-eda046d9749a#.rhqzcw6d9
I meant to post the pro, I wasn't aware there was a non-pro version, get the one with the gain. This one http://www.amazon.com/gp/aw/d/B004K8WPUQ/ref=pd_aw_sbs_2?pi=SL500_SS115
That's what I meant to post originally
Does anyone have any experience with budget shoulder rigs for filming with a DSLR? I need something for a video I'm making, but I almost never record video with my camera, so I only really need a basic one for this one project. Nothing fancy or professional.
I've looked at this one, it looks decent and at £32 it's within my budget. But would I be able to manually focus the lens when using this design, or would I need both hands on the handles at all times? My camera's live view autofocus will hunt all over the place, so I need to be able to focus manually.
https://www.amazon.co.uk/dp/B005NJCF7E/ref=twister_B016ZBA282?_encoding=UTF8&psc=1
There are alternatives by the same company where I could have a follow focus, but they're a little more expensive. £60 is probably the furthest I could stretch my budget. Any other suggestions welcome.
My new years resolutions:
1 - Shoot every day. I have done 365 projects in the past and while they can have days when it is more pressure than fun, the net is very positive. It really forces you to FIND beauty and keep your mind open. I need to do that again.
2 - Use the gear I have instead of buying more. Another project I did was a personal "One Lens Challenge" - go shoot with just one lens and solve the problem of getting an image without being able to dig into a bag. It teaches you the capabilities of the gear you already have and forces you to see the image that each lens is capable of producing. It also teaches you what gear you are not using and could probably get rid of.
3 - Shoot with strobes again. I think I have used my strobes 10 times in the last 4 years. Thats not a good thing. I used to use them almost every shoot. I did a shoot as part of Help Portrait in early December and the first day was painful because I had forgotten what I needed to do. Creating light with strobes is a perishable skill and mine is on its death bed.
4 - Shoot with models again. I think one of the things that frustrates a lot of photographers as they are getting started is dealing with people who say "I don't like my picture taken" or who immediately shy away from the camera. The best antidotes for this, IMHO, are theater kids and models. Its so much more fun when the person in front of the camera WANTS to be there. Nice thing about this task is that it almost requires me to do task #3, aids in task #1 and puts a stress on task #2.
5 - Learn to shoot video. This is my number one skill I want to acquire this year because frankly I have none. Im just looking for baby steps here. I got a shoulder rig for Christmas and now I need to learn how to use it.
So those are mine. Five things I want to do this year. Some are multi part tasks but really its just 5 things. Compared to Coach Bill Snyder's 16 goals its pretty reasonable :)
I bought one of these
http://www.amazon.com/ePhoto-Camcorder-DSR-PD198p-ePhotoInc-RL01/dp/B005NJCF7E/ref=sr_1_1?ie=UTF8&qid=1347037668&sr=8-1&keywords=dslr+shoulder
and its works pretty well, it can adjust to a variety of positions and it helps alot with shooting off the sticks.
Also shooting wide helps, I have a t2i and mainly use a tamron 17-50 2.8 for video, it gets very wobbly when at 50 however.
Also, if you already have a tripod this is a simple and easy way to get some stability if you need to do over the shoulder
using a tripod or monopod as a counterweight can help
And some plain ol' walking around with the camera and being mindful of how you are walking, try to learn what muscles to use to better steady a shot while moving around
If you are able to invest in something to help stabilize more definitely do it! I used to shoot music festivals and live music a lot and those little shoulder rig things really make a difference and can be found for cheap, one of my buddies always used this $40 one:
https://www.amazon.com/gp/product/B005NJCF7E/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005NJCF7E&linkCode=as2&tag=tomantfilan05-20
Review:
https://youtu.be/KwMFcWcHjOk
​
Your handheld idea is the best way to get a variety of shots like you did, however I would suggest holding shots a little longer, making sure you nail the focus, and either slowly moving to the next subject each time, or doing a quick 'whip pan' to minimize transition time. I tend to like shooting on a tripod with a big zoom lens so shots are stabilized, but i can still get some variety.
Depends on what you're trying to film. If you're looking to do interviews something like the Aputure A.Lav or RODE smartLav+ work great. They plug into your phone and let you record the sound.
If you're doing something where you want more ambient or background noise (travel videos/etc), I would go for something like the Zoom H1, and then get a Takstar SGC-598 to plug into it. You could mount them both to your camera, or have them off camera somewhere else.
Syncing the audio after is actually really easy. If you're using Premiere all you have to do is drag the video and audio clips onto your timeline, select both clips, right click select Synchronize, select the Audio option at the bottom and then Premiere will sync them both for you. Keep in mind that the video clip will still need audio in order to sync, so you still need to record with the internal camera mic when filming. If you're not using Premiere or software that can sync them together, just make a loud clap on camera (or ask your filming subject to clap) at the beginning of the recording, and then go and sync the clap sound with the frame when your hands come together.
If you are a newb and want something that sounds better than an on camera mic, i'd buy this and screw it into a monopod.
https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I
I have a videomic too and they are pretty much on par but with a 1/10 of the cost.
Also, it's 3.5mm, so you won't need to get a field mixer.
When your movies get so good that you need better sound, then hire a sound guy or pay $500 for a nice mic.
My opinion.
Here’s my 2 cents from someone who has done both professional video and amateur photography. Don’t get any of those kits. Almost everything is cheaper/better quality buying separately.
First, the body. I love the rebel series so I think a T7 is more than fine with what your trying to do right now. As someone who also has a “family camera” (aka I do all the family photos and some video), I personally have a 70D but I have used the T’s a lot and they are decent. My only recommendation is to by a referb from canon directly. They are usually $100-$200 cheaper and (from what I have seen) no difference in quality.
As you rightly pointed out, lenses are going to be the most important and most expensive thing that you buy (more than likely). Personally for a first lens, I would go with a nifty fifty (canon 50mm 1.8). It’s about $100 and it is fantastic for both photos and video for that price point. Plus, unless you are planning on getting a light kit of some sort you will probably want the addition aperture room for low light (unless you are doing video outside). There is a reason why it is the most recommended lens for amateurs. I personally have shot tons of portraits, music videos, and just other general video/pictures with this lens and even though I (now) have a few others I keep coming back to this one.
I don’t know much about audio, but I have heard some decent things about the rode mic. There is also an off-brand version of the rode mix (what I use) called [Takstar](TAKSTAR SGC-598 Interview Microphone for Nikon/Canon Camera/DV Camcorder https://www.amazon.com/dp/B00E58AA0I/ref=cm_sw_r_cp_api_i_S1M1BbAP1Z3QC). It seems to be pretty decent for amateur stuff, so it might be good enough for your purposes with the added bonus of being 1/3 the price. But I’m sure that someone can speak more to the audio than I can.
One place to absolutely NOT skimp on/don’t buy in a kit is a tripod. For the most part, the more expensive a tripod is, the better quality it is. Not always true, but for the most part the materials that are used to make tripods are just expensive. If you want a metal tripod, which you probably do since the plastic ones wear out easily and can’t hold much weight.
Anyway, just my thoughts!
Yeah the reviews are not exactly inspiring me to upgrade yet either. I wouldn't be shocked if the GH5 gets some sort of a patch or Mark II or something, I'm going to wait it out.
You could always get an extension bracket take off the mount and screw one side directly into the H1, and on the other side run a shotgun mic. Believe it or not this can hold its own with the Rode for the price points. I have one I've used as backup before and used the audio professionally. Also if you get a mini tripod you can set that zoom up places and let it roll, or put the windcap on and let your kids play news reporter.
Don't underestimate some peoples' desires towards production quality, though! I bought an external DSLR microphone recently just so our GW-spinoff stuff would be better quality, and I'm beginning to pay attention towards lighting, too.
Congrats on your new camera! As a general rule of thumb, having purchased hundreds of thousands worth of gear over my career, it's best to invest in the best glass that your budget can allow. Lenses generally hold their value over time and as long as you take care of them, can last decades. They will certainly outlive your camera. That said, the lens that you've chosen is fine as a starter, but I think you'll quickly outgrow it. Look for a faster lens (lower f-stop) if you can afford it. Personally, I went the route of going with vintage prime lenses that are cheaper but still great quality. I added a Metabones Speedbooster to be able to mount them. Higher up-front cost for you, but if this is more than just a hobby, I think it's a good investment.
The other thing I would add is an onboard microphone. A cheap one that is actually pretty good is this no-name brand one. The built-in microphone is pretty much useless.
Those are the bare essentials, in my opinion. I actually do okay with a handful of EN-EL20 batteries. They're cheap and compact. Just don't expect to record long events or anything beyond 20-30 minutes. You can get an external battery pack for not too expensive, though. If you have the budget, I'd also recommend a cage to protect, provide stability, and get extra mounting points. Hope that helps! Oh, and you may also want to hit up bmcuser.com for more info.
I would say pretty much do what everyone else has said, but if you are still set on getting a shoe-mount mic, don't get the Rode. Get this thing: http://www.amazon.com/dp/B00E58AA0I/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=2JWDL4YMPY6SP&coliid=I38DDYBSAL4YB6&psc=1
I've used both, as well as a few sennheisers and others mounted on my T3i, and for my money, the Takstar has sounded as good if not better than most of them. Max Yuryev did a video comparing the two: https://www.youtube.com/watch?v=r6Dwrd3mMX0
i have one of these takstars. for what you're paying, it's a huge upgrade from an onboard mic. there's videos of people compairing it with the rode mics and it holds it own pretty well.
So heres a curve ball for you. Ive used a ton of mics in the past and have realized that most of them are expensive mainly because of the name. I recently purchased this Takstar mic and have been blown away with its performance. For example, here is a video i did only using this $25 mic. Mind you this audio isnt even edited. I had the AC running which is the constant white noise you hear. https://youtu.be/mea39_6Xidc?t=147
It's good, my buddy has that one, but it's hard to tell the difference between that and my $29 taskar mic.
https://www.amazon.com/gp/aw/d/B00E58AA0I/ref=mp_s_a_1_1?ie=UTF8&qid=1521095013&sr=8-1&pi=AC_SX236_SY340_FMwebp_QL65&keywords=taskar+microphone&dpPl=1&dpID=41mBUtB2sJL&ref=plSrch
Don’t forget a mic. this mic should be all you need to get started. It’s a great mic that punches well above its price class. But please don’t forget about audio. I know you stated “I won’t do much of that” but audio is so damn important and this mic is so cheap that you can’t afford not to pick one up. Even for tiny bits of audio it will make your stuff sound 1000times better and audio is often what separates the people with pretty images from people making truly great videos. And definitely a big factor in what separates amateurs from professionals. I guarantee you’ll use/need/want quality audio way more than you think. For under 30$ bucks it will be the best investment you make. Much more important than a new camera IMO.
Not sure where you read that but I had something like this years ago and it worked fine.
That's crazy. This one is literally the first one on the amazon search page. Why would anyone go searching for a more expensive dazzle, not sold by amazon? Just to make a point? There is no way anyone would pay 150$ for a dazzle in 2014 unless they were a complete idiot.
This one? it's advertised as a dvd recorder? is it good?
l
https://www.amazon.com/dp/B00EAS14KI/ref=cm_sw_r_cp_api_DsDqxbC6NT8SK
My recommendation would be to throw down a bit of money and get a good usb capture card, some RCA Splitters, extra cables and a TV or Monitor that has inputs. Total cost should be around $50 on Amazon before the TV/Monitor. The analog signal only degrades slightly (can barely tell on a CRT or stream) and is super easy to set up. There are cheaper options out there but I wouldn't recommend using them - a few of the USB capture cards I have seen that are cheaper than the GV-USB2 don't have drives that work passed windows 7, and even on Win7 they are super janky to get working. The GV-USB2 has a bit of lag when going into OBS so I wouldn't recommend playing straight off of it, hence the splitters. An alternative capture card would be a Dazzle, but I have heard multiple people having issues with audio on those, your mileage may vary regardless of which option you go for.
There are also more expensive options such as getting an internal card but you will probably be stuck with having to get one for digital or one for analog at an increased price.
Are you sure you're in the right focusing mode? You'll want AF-C (Auto Focus-Continuous). As long as you're set to AF-C, your camera will do its best to track you and keep you in focus. One thing to keep in mind is that if you're using the onboard mic, AF-C is going to make your audio quality even worse than it already is. The microphone on your D3200 will pick up the sound of the focus motor on top of your voice. If you're really serious about video and sound quality for your vlogs, you're going to want a lavaliere mic or a shotgun mic to give you professional sounding audio. You just plug it into the mic port on your D3200 and the camera will use your external mic over its internal one. The D3200 will produce some great looking video, but without an external mic your audio may not be usable (and it'll really set your video apart from the rest quality wise).
Yeah I've yet to find a Mic that works. I thought the S7 was TRRS, but I guess it isn't.
I've got the Olympus ME-51S Stereo Microphone and it works on my iPhone using the Rode SC4 TRS>TRRS adapter, but not on my S7 Edge.
Edit: Have you tried the Rode smartLav maybe?
Would love to hear if anyone else has managed to make it work.
Tbh I only watched for 10 seconds. The lighting is bad and the low angle of the camera is weird and you gotta get a [microphone] (https://www.amazon.com/dp/B00EO4A7L0/_encoding=UTF8?coliid=I5WH8R51T7AZC&colid=UWLSND0N5YXK)
I’ve had good luck wirh Rode’s model:
Rode smartLav+ Omnidirectional Lavalier Microphone for iPhone and Smartphones https://www.amazon.com/dp/B00EO4A7L0/ref=cm_sw_r_cp_api_i_1AmACbKFKYVRH
I'm not sure that it does - although that's a really good idea!
If you want a really cheap and actually pretty good lav mic solution then try this https://www.amazon.co.uk/Rode-Smartlav-Lavalier-Microphone-Smartphone/dp/B00EO4A7L0/ref=sr_1_2?ie=UTF8&qid=1538829280&sr=8-2&keywords=rode+smartlav
Rode SmartLav+
https://www.amazon.co.uk/Rode-Smartlav-Lavalier-Microphone-Smartphone/dp/B00EO4A7L0/ref=asc_df_B00EO4A7L0/?tag=googshopuk-21&linkCode=df0&hvadid=309952060520&hvpos=1o1&hvnetw=g&hvrand=14750880571118021847&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9073557&hvtargid=pla-352077295439&psc=1&th=1&psc=1 Rode Lav mic like this one! Apart from my recent video, where I had it too close to my mouth like an idiot but that's a fault of my phone, it sounds good!
g7, because:
i would highly suggest against using the onboard mic for any sort of interview. grab yourself one of these on the cheap and use your iphone as the recorder
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0
As I suspected, your VO mic is a condenser. Treat your room and see if you get better results. If not, I’d go with a cardioid microphone. I use a Behringer xm8500 which you can find on Amazon for $20-30 depending on who’s selling it and if it includes an XLR cable. I also use a dedicated USB audio interface vs having one built into the mic. I started out with the Behringer UM2 which ran about $60 on Amazon. I’ve since upgraded to a Focusrite Scarlet 2i2 because it has some nice features I was after since I’d gotten more into the podcast. It ran about $110 as I recall. Yes, you’ll have separate components, but you’ll get a better overall sound and it’ll let you mix and match with different microphones for different occasions without having to worry if the mic can plug into your computer directly.
I don’t have any experience with the Rode type setup, but if you’re using the 3.5mm cord to plug straight into the iPhone, I don’t see why it would be poor quality. It almost sounded like the iPhone was using its onboard microphone instead of the external one. I imagine you’re using a Lightning-to-3.5mm headphone jack adapter, yes? What I’d check for is if that 3.5mm audio cord coming off the Rode receiver unit has 3 “rings” on it. Look at a set of headphones that have an inline mic. You’ll see on the plug there’s 3 rings. There’s 3 contact areas inside the jack - right audio, left audio, microphone audio. If that jack doesn’t have 3, it may not be making proper contact inside the plug and telling the iPhone “hey I’ve got an external mic here!” Hope that makes sense.
The picture of this lavalier mic has the kind of jack I’m talking about: https://www.amazon.com/dp/B00EO4A7L0/ref=cm_sw_em_r_mt_dp_U_mG91DbNKN5GEE
Hope that helps!
https://www.amazon.co.uk/Rode-Smartlav-Lavalier-Microphone-Smartphone/dp/B00EO4A7L0/ref=as_li_ss_tl?s=aps&ie=UTF8&qid=1458129244&sr=1-1-catcorr&keywords=rode+smartlav%2B&linkCode=sl1&tag=tomscottcom-21&linkId=ffcd2f9700cd18f5708f56f6e26a0b12
This is what was recommended to me. Whatever you end up choosing, good luck with your channel!
For most podcasters, video is only a worthwhile choice when the content communicates better in video. Comedy and tutorials are often like this.
But since this is for an education project, you don't need to worry much about how much sense the decision makes. :)
Here are the most important things for video, in order of priority.
Microphones for video are usually more expensive, but they don't have to be. Your two main choices are wearable mics and shotgun mics.
Shotgun mics are expensive and cumbersome, but they keep the mics completely out of the shot.
Wearable mics, like a lavalier, can be hidden. But they're sound best if you don't try to hide them. My advice is to only hide the mic when you want something to seem real, like something dramatized. Otherwise, a discreetly visible lav mic isn't distracting.
On the low end, I recommend the JK MicJ 044 mic. They're small, only $29, and get surprisingly good sound for their price. It'll easily connect to any audio recorder (like the Zoom H1). Or, you can get a TRRS mic/headphone splitter and connect a lav to a smartphone and record with an app (for iOS, I like Røde Rec). For something simpler but a little more expensive, the Røde SmartLav+ sounds great and connects directly to a smartphone.
For lighting, be near a window on a sunny day. Get diffused sunlight (not direct) on your face to brightly light you. Otherwise, consider a cheap three-point lighting kit.
Finally, your camera could be a DSLR, smartphone, or even an HD webcam. The camera actually matters least for your overall quality. Great lighting can make even a cheap camera look good.
That's cool. Was just checking you had considered the options... From an audio point of view, a voiceover will result in cleaner audio, but it sounds like capturing the moment is more important to you.
I'm not familiar with the mic you have... I looked at it on Amazon just now and it should work fine for you, but if it's too sensitive then you need to lower the gain (level) of the mic at it's input stage. Is it the Voice Memos app that you've been using? I don't think that has gain control. I believe the Røde Rec LE app is free and has input level control, so I'd give that a try. Or the PCM Recorder MK II app by TEAC/Tascam should do the same if you prefer that.
If that doesn't work then it's likely that the mic is just too sensitive for yoru application and you might have to consider another option. I don't have much experience with consumer lav mics, only professional ones, but I've heard people say the Røde smartLav+ is surprisingly decent for the price and it has headset mount available too.
Other than that, I think you'd have to step it up a level and look at a better quality mic and probably a hardware audio recorder.
Apologies these are the English Amazon pages, but I think you can search the Amazon product number on the listing to find it in your area.
Cable:
http://www.amazon.co.uk/gp/aw/d/B004SP0WAQ?cache=ddd3f2d6e23583d64a92699c8d841dde&pi=SY200_QL40&qid=1411460485&sr=8-1#ref=mp_s_a_1_1
Smartlav:
http://www.amazon.co.uk/gp/aw/d/B00EO4A7L0?cache=ddd3f2d6e23583d64a92699c8d841dde&pi=SY200_QL40&qid=1411460567&sr=8-2#ref=mp_s_a_1_2
Sadly, the [$79 SmartLav Plus] (http://www.amazon.com/gp/product/B00EO4A7L0/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00EO4A7L0&linkCode=as2&tag=battleforthew-20) is a great mic - but it can only be used with a phone with a TRRS jack - not directly into your camera (which has a TRS jack).
Rode Smartlav+
TRRS Extension cable
Although I'll bet you've come across some nice wireless lav mics in your auction travels. ;-)
I'm looking to get a microphone to attach to my DSLR for filmmaking, I just need a generally good all-rounder. Budget £75 but can go for more if you can persuade me of the benefits.
I'm looking at a couple of different RODE mics but it's confusing what the benefits are when they're so similarly priced -
https://www.amazon.co.uk/R%C3%98DE-VideoMic-GO-Camera-Microphone/dp/B00GQDORA4/ £50
https://www.amazon.co.uk/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW £42
https://www.amazon.co.uk/Camera-Audio-VideoMic-Rycote-Mount/dp/B00CAE8PM4/ £70
I don't know anything about sound so any advice would be appreciated. Thanks!
I don't have experience with GoPro specifically but I really like the Rode VideoMic
https://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardioid/dp/B00GQDORA4
Its hard this is the one I ended up going with http://www.amazon.com/Polar-Pro-Promic-Microphone-GoPro/dp/B00MFVO9L8/ref=sr_1_5?s=photo&ie=UTF8&qid=1456874646&sr=1-5&keywords=gopro+mic
over this
http://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardio/dp/B00GQDORA4/ref=sr_1_8?s=photo&ie=UTF8&qid=1456874683&sr=1-8&keywords=gopro+mic
If it were up to me, I would get a Rode Video Micro, which is around $40 cheaper than the Video Mic Go, (I'm going USD because that's where I am, not sure if you are GBP or what, but the price ratio should be around the same) and from most of the reviews out there seems to be a bit better all around, and it comes with a dead-cat wind breaker, which you would have to pay extra for if you got the Go. If you are shooting in a forest you'll want that to help break any wind noise coming in through the trees.
Here is a review comparing the Video Micro with the Video Mic Go and the Video Mic Pro:
https://www.youtube.com/watch?v=hSfDWCpRUk8
So case 1 is get a Video Mic Go for around $100 (https://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardio/dp/B00GQDORA4) and get a dead cat wind screen for around $30 (https://www.amazon.com/Rode-DDCGO-DeadCat-Artificial-Shield/dp/B00JG8IBW6/ref=pd_bxgy_267_img_2?_encoding=UTF8&psc=1&refRID=X6C0TJQWT1W5RK1TW680) because you will absolutely need it if there is any kind of wind. That would be around $130-140 depending on shipping/tax/etc.
Case 2 is get a Rode Video Micro, which I personally own and really really like, and that is $60 AND comes with a wind screen, so for the money you have saved you could get a Zoom H1 as well and come out pretty close to the same price!
https://www.bhphotovideo.com/c/product/1183909-REG/rode_videomicro_compact_on_camera.html
https://www.bhphotovideo.com/c/product/1260111-REG/zoom_h1b_h1_ultra_portable_digital_audio.html
$60 for the mic + ~$80 for the recorder puts you at $140, so like $10 more. Not bad in my opinion. And it gets you the peace of mind of being able to monitor your audio, make sure that you don't have any weird interference or background noise since it has a headphone jack. Yes, you have to sync audio in post, but it is totally worth it in the huge jump in audio quality. This is basically the setup that I used for quite a while (H1+ Nikon ME-1 mic for me, so this setup is probably even better) and it is a really cheap option compared to what is out there (now I am using a Zoom H4n Pro + Sennheiser Lavalier Mics + Rode Video Mic Pro and some other gear as well,) and there probably isn't a massive difference between the two setups.
Just my opinion, but I think that you would end up with better audio the second way, and the audio really makes the movie. Bad audio and a good video image/story still generally is a bad video.
This is what I'm looking to get when I'm in need of an ext. mic. Decent price and good quality, but it still doesn't solve your low-profile mic request.
Im new to the game as well, but so far these are the things I have picked up for my G6:
first, i bought a G6 kit that came with some handy stuff
I have also purchased
A slightly better tripod
A flood light
Battery pack for said light
Variable ND Fader for filming out doors
Rode shotgun Mic
Zoom H1
Lav mic to go with the H1
Headphones to listen for levels
Triple Mount Hot Shoe
Backpack to hold everything
This is just a fun lens, and its cheap the 50mm means its a 100mm equivelent, so its for really tight portraits, but the low aperture is good for low/light and for a very shallow field depth. When I am able to use it, this lens produces the most popular results when i post them online.
new strap cause the one that comes with the G6 sucks!
What i want to get:
A bigger zoom lens I am mostly interested in videography(weddings etc), and this would be good for back of the house shots)
The M 3/4's "nifty fifty"
Depends on budget, but considering he's using the onboard mic, anything will be an upgrade. I don't know what camera he is using so I don't know what kind of input he has. But you can find wired lav's for an 1/8" jack for pretty cheap. You can go wireless for $200ish. Or you can just put a shotgun mic on the camera for $70? BH is a terrific resource too :)
If you're just needing Natural Sound, then the Rode VideoMic Go will do you fine. It also picks up decently well in interviews.
However, even if you have that Shotgun for interviews, to make them just that much better, use a Giant Squid Lav Mic connected to a Zoom H1. It's a phenomenal entry level Lav setup that is decently affordable.
Let me trow my two cents into the ring.
When you say HQ video I assume you mean 1080p. That can be had much cheaper and that at good quality. More than good enough for a studio setting and interview work.
This is a good perspective by Casey Neistat on gear you need:
https://youtu.be/nLSUrTxquyE
With that being said, what most people forget is that lighting, the audio, knowing how to setup and just a little prep that can make all the difference.
In all honesty you could just buy this:
Now you are at $790.96. Bottom of your budget. Now make improvements on your kit. Maybe get a whole different camera, get another light, or additional Zoom Audio recorders. The H1 is my backup to a H4.
Buying a high end camera is no guarantee that you get good video if all other factors are not right!
Most important are the people that will do the interview. Do yourself a favor and broswe some youtube videos like these:
https://youtu.be/LWpwgDqSkQw
https://youtu.be/E26xv-bZfUU
Best of luck!
I had a friend grab a Rhode mic that he used on his GoPro at Electric Forest Festival and he said the audio turned out pretty good.
This is a great balance between the cheap options and a premium mic. It performance is superb, any higher spending and you start to get diminishing returns.
Gonna try to give you a good answer here, but understand that you get what you pay for. The a7sii is a great camera but if you load it up with a bunch of shit accessories you should expect sub par performance.
I've bought a ton of gear over the years for both myself and for my company and it really comes down to you get what you pay for. You can spend $1000 finishing out your kit and expect that to get you a year or two of decent use. Or you could invest in better equipment that will last you for many years to come, and perform better while doing it. There's nothing more frustrating than a cheap piece of gear that you're always fighting only to have it break anyway.
I mean, I'm not sure if it's worth investing in anything for an XL1-- i'd seriously look for a new camera once youve gotten the feel for things-- but shoulder rigs are good for basically any cam: https://www.amazon.com/Neewer-FilmMaker-Camcorder-Dual-hand-Camcorders/dp/B00GTMBA7K/ref=sr_1_5?s=photo&ie=UTF8&qid=1466655726&sr=1-5&keywords=shoulder+rig
You can't get a professional setup for $10k. However, you can get close and this is what I would recommend to do so.
That leaves a $500 buffer for anything else you want to buy.
I bought this Neewer rig last week. There is so little written about this brand of rig so me buying it was a big shot in the dark. However, my initial reaction was that it was pretty damn decent for the price range. I think that I will create a video review for it to hopefully elucidate the pros and cons for future buyers.
I'll disclaim that not only am I a film making rookie (only doing corporate film making for about half a year now) but I am also using an incredibly light - not to mention outdated - GH2 setup. Also, at the time of writing I have used this rig in a pro capacity only once, so I only have one point of data to base it's professional performance on. Therefore take my opinion with the caveat that I have never experienced any other rigs, but also that it may not be a suitable rig for much heavier cameras. With that in mind, I can't help but feel that the rig was worth the £60 I paid for it.
I forgot to buy a counterweight for the job I was working on and so I wasn't really using the product as intended. But just the unbalanced rig alone seemed to reduce excess camera movement to a satisfying level. One thing that did turn out to be a bit challenging is that the rig did make the camera significantly heavier, so in shots that required me to film for more than a few minutes my arms got tired and a little bit more shake started to come into frame. I imagine that this will be solved when I pick up a counterweight, but I can't be sure until I test it.
Another of my big concerns pre-purchase was build quality. I made sure to prioritise the Aluminium build for strength and it seems sturdy and well fitted. There were some comments on the Amazon article about the thumb screws not tightening firmly enough but I found that they fitted quite snugly. People also talked about the loose handle bars sliding out of position and - while they aren't immovable - they certainly don't move unless I make them. Once again, this may be different under the weight of a heavier camera. I also made sure to prioritise the model featuring aluminium thumbscrews for reasons that I am sure are obvious.
The model I went for had a different shoulder pad; moulded out of a single foam block that is shaped to fit on your shoulder. I went for this version over the shoulder pad that is featured in your link because I wanted to make sure that I could fit a counterweight to my build and I wasn't sure if this was possible with the model you linked. This is definitely something to consider.
I also looked at other models, but the [next affordable shoulder rig] (http://www.amazon.com/gp/product/B005RQK4B2/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005RQK4B2&linkCode=as2&tag=drippingdawn-20) was significantly more expensive and seemed to ultimately be the same product. It even was missing some of the features of the Neewer shoulder rig like the height-adjustable camera mount and quick release plate.
Oh! That's another thing, the quick release plate is pretty decent in some regards and a bit iffy in others. It is solid enough, and the QR system works fine, but the screws on the plate get in the way of my GH2's flip-out screen unless you slightly unscrew them before attaching the camera. This doesn't affect stability or structural integrity but it does mean you could lose the larger screw if you aren't careful. I would consider sticking it down with tape. One other factor in the base plate is that the 1/4" screw isn't a thumbscrew. You might want to look into buying a replacement screw on ebay or Amazon (or whatever) to replace it with. I'm sorry I didn't do this when I bought the rig. On my last job I had to carry around a 2 pence piece to unscrew the camera from the base plate in order to change the battery. This was obviously a big faff and because the battery switch took so long I actually missed some useful footage. I'm now looking into an external battery setup so that I can dodge this problem in the future. Hopefully the external battery doubles as a counterweight as well.
In conclusion it seems like a decent bit of kit. Not something that would service you for your entire professional career but definitely an acceptable starting rig, especially for the price range. One of the biggest advantages to using the unbalanced rig on a corporate job was that nobody mistook me for a stills photographer. Which is normally a big pain.
If I have missed anything feel free to ask.
You can even settle for something like this: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?ie=UTF8&qid=1469155114&sr=8-1&keywords=steadycam
I used the above for corporate events when I filmed some b-roll footage. Worked great. Setting it up properly is key though.
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_2?ie=UTF8&qid=1473713532&sr=8-2&keywords=neewer+glidecam
+1 - Used this with my 7D mk1 and a 10-18mm. It worked well for 80 bucks. My camera was too heavy for it and what I did was buy more weights to put on the bottom. After getting it balanced it was pretty good. But unfortunately the bolts that adjust the balance seem to back out or not hold super snug, I had to adjust about every 45 minutes or I got sway to one side or the other. Then again, my camera was above the weight rating basically.
A smaller camera and im sure this would be a GREAT option. Hope this gives you some insight.
I have the one listed below, it take a bunch of practice but you can get some very smooth shots.
https://www.amazon.com/Neewer-Aluminium-centimeters-Stabilizer-kilograms/dp/B00NJKJ1IA/ref=sr_1_3?s=photo&ie=UTF8&qid=1541695145&sr=1-3&keywords=glidecam
I got https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_5?ie=UTF8&qid=1492067270&sr=8-5&keywords=steadycam and i find it pretty good to handle but a used glidecam would be also a good option in my opinion.
Hey! You got some pretty cool shots here! I have a couple recommendations:
Depending on what you're shooting video with, it looks kind of like you shot a lot of the video at a faster shutterspeed and the video at 60 frames per second. With a few exceptions, it generally looks better/more natural to the human eye if you shoot in 30 or 24 frames per second and as a rule of thumb double that for your shutterspeed. So 30fps =1/60 and 24 fps = 1/50. Unless you have a reason to shoot outside of one of those two that's a good default. 60fps is also pretty good for slowing down footage for a subtle slo-mo if that's what you chose to shoot natively, for a travel video like this, that could be pretty cool.
Also, some of your shots are pretty shaky, I would advise for stuff like this to get a handheld stabilizer like this one or if you can't do that, the stabilizing software within the editing suite you're using (and preferably, do BOTH of those things for really radical, smooth shots).
You'd be surprised how much better your footage will look doing just those two things! :) keep making stuff like this friend!!
I've never bought from this company but for that price, I'd highly recommend buying a Neewer stabilizer: http://amzn.to/2scPc8f I was actually able to get it for around $60 (just watch the Amazon page for price drops).
It's not quite as nice as a Glidecam but it's absolutely worth the $$. Good build quality, almost all metal (the knobs are plastic).
You can always just get a Feiyu Tech G4 3 axis gimbal.
https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6/ref=sr_1_1?ie=UTF8&qid=1466001722&sr=8-1&keywords=feiyu+tech+g4
Also with the extension stick attachment
https://www.amazon.com/Neewer-Carbon-Extension-Converter-Handheld/dp/B00S0TBVKG/ref=pd_bxgy_421_img_2?ie=UTF8&refRID=PD33SP9BTG3WVHEV40RQ
What was with the camera doing barrel rolls?
EDIT: oh, steering wheel. I got one of these which I strap to my remote control car. It works a treat. Could definitely work in a car too, just fasten the handle and let the head keep things stable on rough roads.
Most places I go are paved, but are frequently a fair drive away. I made this timelapse a few years back of one place we go. 400 kilometre/4+ hour round trip. Wasn't anything particularly unusual, I just wanted to see how much footage fitted on my dashcam at the time and thought it would be a cool clip:
https://youtu.be/s7l3mrunKiE
A few guys do the out west stuff, which is over 1000 kilometres of driving round trip. I think the furthest I've driven was 5600 kilometres round trip, but that was over the course of a week doing a heap of little jobs on the way. Brisbane -> Cooktown with deviations to most major cities on the way for those familiar with Australia.
And some unrelated silliness from way back in the day when I was but a naughty young apprentice that happened to be in my YouTube list near the timelapse:
https://youtu.be/Mit66aaYW_c
Solution (though not very cheap)
This is a good place to start. Here are a few more thoughts/suggestions:
Feel free to ask any questions you might still have. Also, congratulations and good luck!
I'm no expert when it comes to DSLR's, but as someone who started with a 700D then moved up to a 70D after three years learning the basics, go for the 70D first. The auto-focus is phenomenally better, higher megapixel count and wifi connectivity. In terms of quality they're all pretty much the same and a beginner such as yourself wouldn't really be able to notice many of the main differences, but if you're going to throw some cash at a starting line I'd make sure you're in the perfect place rather than wanting to upgrade later down the road. :)
Another pointer from my experience would be to get a variety of glass, best quality you can afford. It doesn't really matter which camera you go with when you're starting out if you have some decent lenses to mix up your shots. Get yourself a wide angle, a prime and a zoom; 10-18mm, 50mm/35mm & 75-300mm. That's your starter kit, then upgrade to better quality lenses and cameras as you go - worth noting that the ones I linked are all the lowest quality (except the 35mm) considering you're probably on a tight budget, but you'll still get some sweet footage. It simply means you'll be able to get a wider variety of shots and you'll be prepared for most occasions - the beautiful city skyline scene, the crispy portrait with a bokehed out background, and the "Oh! There's a deer 50ft away! Let's capture it on video rather than running up to it and being kicked in the balls!".
One other thing that might be worth mentioning is that I always carry a point-and-shoot with me. My choice is the Sony RX100 IV - shoots in 4k, incredible slow motion (up to 1000fps), slog2 recording (higher dynamic range to make your scenes look incredible after colour grading), no hassle with interchangeable lenses and in my opinion is generally more convenient than lugging a DSLR around with you when you're on holiday somewhere.
Throw me a message if you have any questions, or just leave a reply and I'll check it when I can. Here're a few video samples for you to compare your possibilities: Canon 70D Auto-Focus, Sony RX100 IV Sample.
EDIT: Fixed up some grammar & wanted to throw you a few accessories incase you hadn't thought that far ahead:
• Gorillapod: Your trusty ol' wrap-around-a-tree tripod. Way more versatile than your traditional kit and easier to travel with.
• Røde Shotgun Microphone: The best quality microphone you're going to be able to find for the price. Canon's default mic sucks balls, so grab one of those if you run with the DSLR.
• Class 10, 64GB SD Card: If you decide to grab the Sony RX100 IV, you'll want one of these to shoot in 4K otherwise your camera will just give up after a few seconds. If you run with the Canon, grab this anyway for faster transfer speeds, but it's really not necessary.
Thanks man! For audio I use the Rode VideoMic Pro.
I highly recommending spending a few bills on this mic or a similar Sennheiser if you are doing videos like this. Audio is half your content unless you're just making montages with music!
The Feiyu Wearable Gimbal - best one out there
https://www.amazon.com/Feiyu-FY-WG-3-Axis-Wearable-Gimbal/dp/B011YNWKEA
Most likely something like this: http://www.amazon.com/Feiyu-FY-WG-3-Axis-Wearable-Gimbal/dp/B011YNWKEA/ref=sr_1_1?ie=UTF8&qid=1458189348&sr=8-1&keywords=Wearable+gimbal
Pittsburgher here too, cool stuff man.
I just bought one of these gimbals and it's really upped my video game. Would be cool to see you do this with a chest mount and a gimbal.
It might be pretty under budget, but I got recommended the Rode Videomicro over on the /r/videography subreddit and have been loving it. It's just a standard shutgun mic, pretty small, comes with a fur and an antishock mount.
So far I've used it for filming crowds, which it handles decently, done some range testing outside with people talking, which it does very well, and I've done a voiceover for a documentary-like piece. The mic was really nice overall, but it suffers from phantom power, in that you have to use the camera's preamp, which is decent on the G7, I'd say.
$59 in the US, from Adorama.
[58€ in the EU, from Amazon.] (https://www.amazon.de/Rode-VIDEOMICRO-VMMICRO-VideoMicro/dp/B015R0IQGW/ref=sr_1_1?ie=UTF8&qid=1465681346&sr=8-1&keywords=rode+videomicro)
There's also the Videomicro's bigger brother, the Videomic. Don't really have experience with that one, but if reviews are to be believed, it does what the Videomicro does, just bigger and better. It's battery powered, also.
91€ in the EU from Amazon, although I couldn't find an option in the US for under a hundred.
Just my $.02
My favorite guides to budget film making are the old Film Riot videos and DSLR Video Shooter
For Audio I would personally recommend the RODE VideoMicro It is $60 or so and with a boompole it would be a great dialogue and sound effect mic.
Some of the cheaper light kits on Amazon (i.e. LimoStudio, Fancier Studio, Neewer) are OK? I use the LimoStudio kit and it works for small rooms but anything further than 8-10 feet is almost useless. I would recommend getting the work lights and wax paper mentioned by /u/potablepotents
Hope this helps, and I'd be interested in seeing you final project or working with you!
Rode video Micro is great too (lighter than the VideoMic Pro). Got one of them as well - it's a shotgun mic as the previous commenter suggested.
What are you using to film?
EDIT: https://www.amazon.co.uk/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/
either this: https://www.amazon.com/RODE-VideoMicro-Osmo-Quick-Release/dp/B01CSAV5BC/
or this: https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/
I can definitely say I'm jealous! I wish I could do what you're doing.
The quality of the footage is definitely nice and high, which is always important in vlogs, especially in travel vlogs. I definitely recommend picking up some kind of microphone to improve the talking quality, but it's honestly not bad. It's just the easiest nitpick to make. One cost effective mic that I've had repeatedly recommended to me is this one.
https://www.amazon.com/dp/B015R0IQGW/?coliid=I27W1PR76WPIHS&colid=1T8AH88FFX71&psc=1&ref_=lv_ov_lig_dp_it
The music felt fitting, and had that 'pop' music feel that is very appropriate for this type of video. I can agree with noodltube in that you should focus more on having the commentary match the clips (if at all possible), but I think the shots you did provide were really nice for the most part.
I would also suggest lowering the background audio as well.
Finding a format for videos, I find, is one of the biggest difficulties in creating content. I would suggest you heavily focus on determining what your format should be for future videos. This was just a trailer of sorts, so I'm not really criticizing this video as much as just giving you hopefully helpful hints for the future.
Keep giving it your all and I wish you luck on your journey! Sorry if my criticisms sound too harsh, I think you're off to a fine start.
I use this takstar (30$) - http://amzn.to/2rx9Qwe
Here's a sample video/vlog of mine on my g7 outside in chicago. https://www.youtube.com/watch?v=WSsQcUmsflo&t
Short review: I think its best bang for the buck. For 30$ it's half the price of the rode micro and the quality is within 90ish% of the quality of rode and sometimes better. The only cons I would say is its a bit bigger, and the on/off is annoying sometimes bc I forget to flip it on and my video records without audio. If you got 60$ I'd go with the rode micro - http://amzn.to/2pYWFDk. Its smaller and easier to use.
your audio is not that bad actually. yeah it can be better but ive done worse lol My audio is finally on point now.
wait ...is that why you have the ear bud in....thats your mic? I bought a great boom mic. I have a lav too if im in a crazy area or dealing with a lot of outside noise.
i like your content i like how you have clips of the actual movie. I wanted to do something with movies but Idk how to get the movie without buying it. blaaaah. i aint tryna steal it. lol
some ppl would be put off by the swearing. Im not but i get that complaint too in my vids.
your thumbnails- good that your face is in them. make your letters bigger. use the space wisely. easy to see and highly recognizable ya know.
boom i use. not too expensive https://www.amazon.com/gp/product/B015R0IQGW/ref=oh_aui_detailpage_o03_s03?ie=UTF8&psc=1
Sorry about that. Mondays. 😩
https://www.amazon.com/gp/product/B015R0IQGW
I did a bunch of research and there is a lot of good things to say about the Rode directional mic. I just ordered one for myself.
https://www.amazon.com/gp/product/B015R0IQGW/ref=oh_aui_detailpage_o01_s00?ie=UTF8&psc=1
Afraid not.
Filmic Pro is a nice app for making your iPhone feel more like a video camera.
Something like a RODE VideoMic ME or a RODE SmartLav would help things sound better (which makes a huge difference in perceived quality.
A mount for your phone is handy but a tripod is overkill. Something like this flexible GorillaPod phone mount is pretty handy for attaching your phone to whatever stands you have access to.
Lastly, a bright, high-quality LED panel can give you a lot of control over how things look. This Yongnuo YN-300 is the go-to for a low-cost good-performing LED light panel.
here’s a good mic to look at if you don’t want a rig like mine that I use and is an arm and leg for.
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Title | MY GIRLFRIEND'S FIRST SKATEBOARD!!!
Description | CONTACT | STORE | BUCKET LIST: http://www.iamjohnhill.com/ SARA: https://www.youtube.com/saradietschy MUSIC IN ORDER: https://www.youtube.com/watch?v=m9DxfsqUN-A https://soundcloud.com/lghthd (strange) Can't deny the good time I'm having with this peach(: NEW CAMERA: http://amzn.to/2lEBxQF NEW WIDE ANGLE LENS: http://amzn.to/2ljpfRz MIC: http://amzn.to/2mybAWG WIRELESS MIC: http://amzn.to/2ljowzG MIC RECORDER: http://amzn.to/2lELOMy POINT AND SHOOT CAMERA: http://amzn.to/2j7ftAs HANDLE: http:...
Length | 0:16:01
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A Brushless gimbal can be expensive, but the chinese ones are pretty affordable, though not $100 affordable. Don't think we'll see them that cheap for a while, if ever. Something like this would do the job if you can find a way to mount a phone to it.
Here you go
For GoPro
GoPro Session
yup, https://www.amazon.com/FY-WG-3-Axis-Wearable-Gimbal-Stabilizer/dp/B011YNWKEA/ref=sr_1_2?ie=UTF8&qid=1478555881&sr=8-2&keywords=feiyu+wg
http://www.amazon.com/Feiyu-FY-WG-3-Axis-Wearable-Gimbal/dp/B011YNWKEA
Yes, thank you that helps alot! I was looking abround some more and found these things
phone cage with 2 lenses
light - and maybe the charger/softbox combo
And a mic
Total price would be around $200 so I can work with that. And yes I will just have to show them the ropes a bit on how to get the best possible video.
Thanks so much for your help!
Yes that is the camera, and here is the link to the mic. https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW
Haven't played with mics very much, but I'll point you to this video that talks about them a bit.
I know the Rode VideoMicro is pretty popular though.
https://www.amazon.com.au/Rode-Microphones-VIDEOMICRO-VideoMicro-Microphone/dp/B015R0IQGW/ref=asc_df_B015R0IQGW/?tag=googleshopdsk-22&linkCode=df0&hvadid=341791754774&hvpos=1o1&hvnetw=g&hvrand=10873099546598325858&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9070871&hvtargid=pla-362879272511&psc=1
Sorry I am from Australia but it should be easy to find
Glad I could help!
All the cameras will have a built-in mic but I'd highly recommend getting an external shotgun mic (one that sits on top of the camera). They're not that expensive and the quality difference is super worth it. One thing to note though is that some camera's don't have an external mic jack so make sure your camera has that.
[This one](https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/ref=sr_1_10?keywords=rode+shotgun&qid=1569370736&sr=8-10) is pretty popular and not that expensive. You could also check eBay to get a better deal on one.
https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/ref=mp_s_a_1_3?ie=UTF8&qid=1536156165&sr=1-3&pi=AC_SX118_SY170_FMwebp_QL65&keywords=rode+mic&dpPl=1&dpID=41k-7cYwIvL&ref=plSrch
Thoughts on this microphone? You get deadcat and stuff for just 50 dollars
Planning on buying the Hero7, I have few questions:
I know Hero7 has HyperSmooth. Would a Gimbal improve stabilization or it's pointless? Would The Handler or similar be enough? I'd love to have maximum stabilization as possible (planning on going to concerts and filming).
I'd also love to set up an external mic (I have this one) attached to the Gimbal/handler, sort of like this picture. Is it possible with a Gimbal?
I've read that having the GoPro 3.5mm Mic Adapter plus an external mic, some people got problems while recording and simultaneously charging the GoPro Hero7 battery saying there was no audio recorded in the video, if this is true it's fixable?
Since I'll go to concerts, due to the high volume, is it possible to adjust the audio to the minimum into the Hero7 settings?
Any recommendations if Karma Grip is better than any other like Feiyu G6 Gimbal?
Why not? Just curious.
I saw this mic but how I will record if I can't use it with the iPhone while filming, what are my other options to get good quality audio?
Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount https://www.amazon.com/dp/B015R0IQGW/ref=cm_sw_r_cp_api_OIkPybXVYK0WF
ive been debating on doing that, then using the gift card to help pay for this gimble or for the Mic.
Unfortunately, the only thing I can think of that will still reliably get you decent audio is the Rode VideoMicro, which is just over your budget. You can also get an extension cable if you get the Rode or another mic but still need a long cable. Hopefully you can find something within your budget, but that's the best suggestion I've got, sorry.
https://www.amazon.de/Rode-Microphones-VIDEOMICRO-VMMICRO-VideoMicro/dp/B015R0IQGW/
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is this the one you are refering to? because if it is im sold
Soo, Mic is working but I can't hear anything when I call someone because the OnePlus think there is an headset connected. But I can record a video with external Mic.
I have this https://www.amazon.de/dp/B015R0IQGW/ref=cm_sw_r_cp_apa_i_UDGODbZ07NB92 and this https://www.amazon.de/dp/B00L6C8T22/ref=cm_sw_r_cp_apa_i_UCGODb7YS5VMQ
Hey everyone! Ill keep this short. Been looking into a shotgun microphone for dslr low quality videos. I need a new one because my old one broke.
I had a Audio Technica ATR6550. It did its job, sounded good. I would like something similar.
I was looking at the Rode microphones. Such as the VideoMicro or the Rode VideoMic Go
They are both under $100 which is nice. All I am asking is your opinion on these and if there maybe something better out there I am missing.
This is the one that i just purchased https://www.amazon.com/Rode-VideoMicro-Compact-Camera-Microphone/dp/B015R0IQGW/ref=sr_1_1?ie=UTF8&qid=1482707389&sr=8-1&keywords=rode+micro YouTube has a bunch of reviews if you want to check those out.
The G7/14-42mm lens you linked to is a great deal right now. You should be in excellent shape if you go in that direction.
Also, don't overlook audio! The built-in camera microphones are universally terrible. To start with, invest in a rode videomic, rode videomicro, or a Movo VXR10. Eventually, you'll probably want to look at lav mics (the kind you see clipped onto news anchors).
Lastly, getting professional results out of a camera requires experience. The camera won't do the work for you no matter how nice it is. Hit up youtube for some corporate video-making tutorials and you'll be off to a good start.
Good luck!
Try the rode videomicro! It is on sale right now for $60 and is great quality! I shoot all my videos on it
https://www.amazon.com/gp/aw/d/B015R0IQGW/ref=mp_s_a_1_1?ie=UTF8&qid=1485070457&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=rode+videomicro&dpPl=1&dpID=41k-7cYwIvL&ref=plSrch
For an on camera mic, no doubt the Røde Video Micro
How far away do the knock offs work? For example, could you whisper at 4ft with acceptable noise levels?
https://www.amazon.com/ask/questions/Tx2JRPVN77N28PC/?
These answers seem promising.
But would it out perform this? https://www.amazon.com/gp/aw/d/B015R0IQGW/ref=ox_sc_act_image_2?smid=A2LXBKOLL3J3K6&psc=1
I don't know what the best microphone for the 2XL is but I have been using this microphone with my DSLR and thought I'd try with my 2XL: https://www.amazon.com/gp/product/B015R0IQGW
This cable works with my 2XL / dongle: https://www.amazon.com/gp/product/B00L6C8T22
Just got the new Google camera a few days ago so haven't been able to play with it a lot. it works. Sound quality is very good but the audio level is very low making it basically unusable. Haven't found a way to turn up the mic gain.
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Description|Overcoming negative mental health is not easy, it's a journey but there is a destination. In this video I share a bit of my story. How I got to a bad place and how / what I did to get back out again. ⤶I hope this video can inspire and help you take some steps forward to eventually become free of negative thoughts and habits to live your life to the fullest. Having overcome your mental negative health! - With that, have an awesome day friend!⤶⤶This video was recorded using a Canon EOS M50: US: https://amzn.to/2Kxbw6J ⤶UK: https://amzn.to/2P5VKhA CA: https://amzn.to/2UzLeFi⤶Microphone - RODE VideoMicro: US: https://amzn.to/2DbOig1 UK: https://amzn.to/2Zaez87 CA: https://amzn.to/2X8V3Xw⤶⤶Looking to start a YouTube channel I recommend using the analytics tools⤶VidIQ: https://vidiq.com/#_l_yv⤶TubeBuddy: https://www.tubebuddy.com/AlexTheAnder⤶⤶DISCLAIMER: This video and description contain affiliate links, which means that if you click on one of the product links, I’ll receive a small commission.⤶⤶⤶⤶In this video Alexander Grans talks about his life before, through and after high school. How he ended up with negative mental health, but then overcame it through various means. How negative thoughts, negative feelings and depression can be turned around, with certain steps.
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A lac mic is sounding like the best option! I do have this shotgun Rode mic:
https://www.amazon.co.uk/gp/product/B015R0IQGW/
But I'm worried about it being clipped on top of my camera - wouldn't that pick up the whirring noise of the lens autofocus?
Cool, Thank you!
Do you think the wireless mic would be a better option than something like this?
Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount: https://www.amazon.com/gp/product/B015R0IQGW/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=A17MC6HOH9AVE6
Can you eleborate on comprehensive audio setup?
I'm trying to think of ideas of how filming my teaching this could work audio-wise. I could potentially re-add the music in post production and maybe have the voice audio mic so loud that the music in the back wouldn't show up at all.
My goal is to create videos of me teaching my group yoga classes to post it on YouTube so people can take the classes with us if they choose. I'm hung up on the audio and also getting into music copywrite stuff for youtube. I create unique playlists to teach to for each class and it is a big component to the teaching. If I can integrate the music the classes will be more interesting, dynamc and fun.
Any Ideas or suggestions anyone has is appreciated! I've been trying to sort through this for a while now...
I'm deciding on a mic primarily for "corporate videos" (interviews with doctors) and potentially podcasts. I've narrowed it to the below and was wondering if fellow redditors had any input? I am leaning towards the PowerDeWise simply because of costs though I like that the shotgun mics would not be visible.
PowerDeWise
Rode SmartLav+
Rode VMGO
Rode VideoMic Me
Rode VideoMic Me
This. It's all about what you want to record. And how little you want the mic to be. This is a popular smaller mic. If you are going for more quality/bigger size, you could go with a shotgun mic. Also, You can buy a Chinese adapter on eBay for under $3.
this one
This is an awesome external mic that'd be great for his streams: https://www.amazon.com/Olympus-ME-51S-Stereo-Microphone/dp/B000BTAH62/ref=sr_1_2?s=electronics&ie=UTF8&qid=1499107727
Here ya go! The Olympus ME-51S would work really well for your needs, Here it is used to record the shelter tour on a GoPro so you can get an idea of the sound quality :)
Yeah, I have a Olympus ME-51S and a JK® MIC-J 044 but I prefer the Giant Squid. The ME-51S is nice though too. I do have a Movo WS10n windscreen muff on it too.
Helmet is either my Bell RS-2 or Arai XD3.
You could try a mic that plugs into the audio jack (like THIS for example) but I think that if you get an USB OTG type C to type A cable (like THIS) you could plug in any USB mic as long as it doesn't draw too much power.
We used to use something like this.
I made two low-budget feature films with them and they worked out really well. The one downside of cheap audio equipment is they have a higher floor noise and the basic 35mm cables aren't shielded (vulnerable to picking up static) and have a higher floor noise.
And if you're shooting outside, get a dead cat. (Yes, SFW, it's a big fluffy windscreen.)
I appreciate your response.
Here is the microphone in question:
http://www.amazon.com/dp/B002GYPS3M/ref=pe_385040_30332190_TE_M3T1_ST1_dp_1
I Also understand the lense thing has been talked about before, i just was wondering about generic shooting lenses. I wish they'd sidebar something of importance like that as the reddit search function is very inaccurate.
Here are some links for the product in the above comment for different countries:
Amazon Smile Link: http://smile.amazon.com/dp/B002GYPS3M/ref=pe_385040_30332190_TE_M3T1_ST1_dp_1
|Country|Link|Charity Links|
|:-----------|:------------|:------------|
|USA|smile.amazon.com|EFF|
|UK|www.amazon.co.uk|Macmillan|
|Spain|www.amazon.es||
|France|www.amazon.fr||
|Germany|www.amazon.de||
|Canada|www.amazon.ca||
|Italy|www.amazon.it||
To help donate money to charity, please have a look at this thread.
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Sorry I'm such a newb, but will this mic work? with this adapter? the guy in this video seemed to imply it would work. It looks like the cable is somewhat short, are there any work arounds for that? Sorry for all the questions, I hope someone here can offer some answers. Thanks!
Here's some reviews and discussions:
http://www.youtube.com/watch?v=PfXBDhdehl8
http://www.amazon.com/Microphone-recommendations-for-Kodak-Zi8/forum/Fx2VMV1QKVDM9OA/Tx3N0Q35XW239K/1?asin=B002HOPUPC
http://createvideonotebook.blogspot.com/2009/09/steve-garfiled-reviews-external.html
Shotgun mics are harder to find in your price range, but you can try something like this. Of course support then becomes an issue. You may end up getting two lavs and figuring out a way to mix them together.
I recommend this badboy. I bought it a couple of months ago. Ive been really satisfied with it
You'd want a shotgun microphone because it's one of the most directional available.
A simple amazon search got this:
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_1?s=electronics&ie=UTF8&qid=1323444845&sr=1-1 but I have no experience and no opinion either way of this specific mic's suitability or quality.
Thanks for the detail! It really helps. My shotgun mic is an ATR6550 with a 3.5mm cable, so I don't have an XLR cable yet. Another thing to mention is that I also have a Revo 1500 rig and a SmallRig QuickCage to place accessories.
Question, how can the Zoom be used as a backup in an emergency (with the Sescom), if the Zoom runs out of battery? Isn't the Shotgun the backup? Thanks!
Your best bet would probably be to pick up an xlr cable and some sort of supercardiod microphone. These are usually used in film in order to eliminate ambient noise when recording dialogue so it would be great for picking up crowd noise. Then just record straight from your mixer and add the two together with some quick post production.
(You could also pick up a consumer one with a simple 3.5 mm jack instead of an xlr and just plug it into your computer's mic jack - it would cost less but you'd lose some quality... Example)
For audio, the key thing is that you want the microphone as close to the actors as you can get. Starting with a shotgun mic and a boom pole will probably be your best bet unless you have the cash to splurge on wireless lavs. Rode and Sennheiser are always a good bet, but even a cheaper option like this Audio Technica mic will be way better than anything built into the camera.
For a camera, you'll want something that allows you to change focus/aperture manually. That's really the key to getting dynamic shots, where you can set focus for foreground/mid/background objects to keep things interesting. Depending on your budget, if you can afford a DSLR still camera that is capable of recording HD video you will get a lot more mileage out of it than a cheap handycam. The Panasonic LX7 is a good bet for lots of manual control.
If these are beyond your budget for now, just shoot with whatever you can get your hands on, even the GoPro.
Do you know how good her camcorder mic is? is she primarily in front of the camera?
If you are doing studio work you should be looking at shotgun microphones. A decent shotgun mic is going to cost a bit more than what is budgeted, especially when you factor a mount in http://www.amazon.com/Opteka-VM-200-Condenser-Microphone-Camcorders/dp/B007QV1E7Y/ref=sr_1_2?s=photo&ie=UTF8&qid=1377066476&sr=1-2&keywords=microphone+dslr
http://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=cm_cr_pr_product_top might do if it's just for youtube, not the best but it seems adequate for studio work for youtube
EDITED: I had misspelled studio at one point and it autocorrected to stupid. i fixed this.
Hey guys, I hope this is the right place to ask this.
To make a long story short, I'm looking to buy a mic to use for Skype/TS/VoIP type stuff, mostly while gaming. I'm also looking to try something nicer than the low grade desk mics that I've used in the past. I was previously planning to just buy something like the Audio Technica AT2020 USB, but I'd like to try to find a solution that will allow me to reduce the level of sound that my mic picks up from other sources, primarily my mechanical keyboard, which is loud as hell.
To this end, I was thinking about picking up a fairly cheap shotgun mic and hooking it into a USB mixer that I could plug into my computer. I think the shotgun mic's directional nature would be an improvement on the mics I've been using (and that my friends have been complaining about) and would have less sound picked up from my keyboard (although I know it won't go away entirely).
Keeping in mind that I'm on a college student budget, and that this isn't for any kind of recording/voice over work for music or anything, here's what I had planned:
Audio-Technica ATR-6550 as the mic. It's low-cost and has reasonably good reviews. I've owned a few different pairs of AT headphones before and never had any complaints about their build quality or performance, so this seems like a good pickup at my price point. If this setup works, I could consider picking up a nicer mic later on in time.
Behringer Xenyx 302USB as the mixer. Again, low cost and obviously not stellar in performance or options, but I don't need it to do very much.
My understanding of it is that I can hook the mixer into my computer via USB, and it will register it as a recording/playback device. Then I can hook the shotgun mic (with a 1/4in adaptor on it) into the XLR/TRS mic input and that will serve as the new mic. I also should be able to plug my headphones into the headphones jack and my speakers into the output of the mixer, so that all of the recording and playback devices are handled by the mixer.
Ultimately, however, I don't actually know anything about audio equipment, including the mic and mixers. So if anyone has any advice to offer or suggestions to make, that'd be greatly appreciated. Also, if I'm completely wrong about how the inputs/outputs or something like that on the mixer works, then it'd be awesome if someone could help explain it to me.
Really depends on what low-cost is to you. A lot of people use the DR40 or an H4n ($175-200), but I have seen people do just fine with an iphone and line in. I don't know what your skill level or experience with processing/editing audio is, but you might make a practice run with a mic in your phone and see how that works.
So that really means a decent mic with a minijack, My recommendation and what I had my first shoots, is this [Audio Technica] (http://amzn.com/B002GYPS3Mc). There are loads of better mics, but not that I can think of in that price range.
Windscreen and a dead cat are always advised, they can be got cheap. If you get that mic setup all you need is a deadcat and a boom (or gaffers tape and a pole) and a shockmount.
There are more experienced people that are more knowledge about audio than me, hopefully one of them can chime in.
Yeah, it's super cool. good mix of effects. I'll keep an eye out for your new song!
Thank you. I record vocals with this setup through Focusrite's Saffire 6. I use Cakewalk's Sonar for a DAW. From there, it's just plugins. I happened upon some Waves plugins that I've become really comfortable with using, though admittedly I'm a preset fiend. My chain usually looks something like De-Esser, Comp, EQ, Reverb. I double track nearly everything, usually with some stereo separation. Recently I've been playing around with sending all my chorus vocals to a stereo bus with octave effects, then reverbing the shit out of it and using MS techniques to really push the sound around and fill out a song.
But I mean, YouTube tutorials, endless experimentation, etc. I learn new shit every time I try to mix - it's equally inspiring and infuriating haha.
The Rode NT1-A is pretty great and on sale.It's got a nice bundle on sale with shockmount, XLR and carrying case for $229 when it's normally for $369.
I have a Rode NT-1A and have no issues with recording acoustic and vocals.
http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1393879325&sr=8-1&keywords=rode+nt1a
Not sure of your budget though.
http://www.amazon.com/gp/product/B001AS6OYC?ie=UTF8&tag=audio03-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=B001AS6OYC
This mic is a really versatile mic and is designed for the home studio crowd.
You are kind of asking for two differant things- a mic to use in the studio, and a mic to use for gigs..
Does your friend have an audio interface with preamps etc? Or does he need something with USB. If he already has an interface I would recommend saving a bit more cash and going with my favorite cheap condensor mic- the rode NT1-A http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS
Also YOU NEED TO BUY A POP FILTER! It is not an optional accessory all mics are useless without one.
Agreed. You CAN us an SM57 for vocals. In fact, I know some musicians that use those for when they play live. But, just for bedroom recording, a condenser mic will be much more suited. What type of music are you guys making? If he's going to be yelling/screaming, the 57 will do (it'll be quiet on the Scarlett if he's just going to sing regularly is what I'm saying). As would any dynamic mic I would think. The condenser mic though utilizes the 48v phantom power on the Scarlett and they usually are better at picking up quieter sounds like singing, acoustic guitars, etc... SM57s are great for things like snare drums and stuff like that. But as far as condenser mics, I can vouch for the Rode NT1a. It's just a bit more expensive than what you're saying, but man... it really sounds incredible for vocals. Awesome mic. Anyway... That's my two cents. PM me if you want to talk more. That's an awesome present too btw. Oh! Good call on the Focusrite too. They make great shit. But yep, I hope he likes whatever you end up getting. :-)
If quality is a big deal for you I suggest a Rode NT1A. We stream as a team and the mic can pickup the room quite well. This option is not cheap as the mic + USB converter came to a pricetag of roughly $500. We stream with the NT1A running into a Line 6 UX2. Our room isn't soundproofed but the quality is pretty stellar.
https://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS/ref=sr_1_1?ie=UTF8&qid=1493230407&sr=8-1&keywords=rode+nt1a
https://www.amazon.com/Line-6-POD-Studio-UX2/dp/B001EKECC2/ref=sr_1_1?ie=UTF8&qid=1493230506&sr=8-1&keywords=UX2
Thanks for the help!!
Ok so I have another question then.
If I get a xlr mic I plug that into the Behringer 202, and plug the Behringer 202 into my PC?
I'm thinking about getting this- https://www.amazon.com/dp/B002QAUOKS/?coliid=I2B8LBLU2EHI8Z&colid=2BKHP5PF3HNM0&psc=0 - So if I bought that and the Behringer 202 I would be set?
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I'm also confused about this- so I use this mic setup for my stream, then I guess I just have the mic plugged into my gaming headset and use that at the same time so people I am playing with on PS4 can still hear me?
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I couldn't agree more with /u/SativaGanesh 's comment below. I'll add that when you start learning to record, your focus should be on signal flow, gain staging, microphone technique, and learning how to edit and mix audio. Until you have a handle on the basics, a tape machine won't be beneficial to you. And when you DO have a handle on the basics, consider getting an internship at an analogue studio. If you're sharp and likeable, you'll probably have an opportunity to learn how to use a tape machine and console.
Here's what I suggest for your home setup. You can get a perfectly usable interface for around $150. That apparently comes with Pro Tools, but Reaper is a full-featured DAW that sounds great and supports most plugin formats out there. It's $60 for a full license. Here is a perfectly adequate microphone made by Rode. (Or if you can spend $600 go for the K2, it's awesome.) These speakers are halfway decent and will get you started on the right foot.
Nice nice! Thank you for responding :D. This is the one you were talking about right? http://www.amazon.com/Rode-NT1A-Anniversary-Condenser-Microphone/dp/B002QAUOKS
Does this seem like a good price for it? Also, where did you get your Scarlett 2i2 at?
This is the Mic and the power amp is here
If you can stretch the budget a Rode NT1A is always a good choice.
I was in your boat when I swapped to XLR and it was really confusing.
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So I bought a Rode NT1-A XLR microphone and a Focusrite Scarlett and have been very very happy with both. Specifically this one ( https://www.amazon.com/gp/product/B002QAUOKS/ref=ppx_yo_dt_b_asin_title_o09_s03?ie=UTF8&psc=1 ). I had a random foam pop filter head that I use over my mic, I don't like the screen personally. For YouTube videos you really don't need to be all that concerned about the pop filter. You can reduce any popping noises by offsetting your microphone a bit.
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My complete setup:
Rode NT1-A mic
Focusrite Scarlett solo
Rose PSA1 swivel boom arm
Reaper digital audio workspace
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I record on about 60% gain and I do all of my post-processing in Reaper. I've been very happy with my equipment and didn't have too many issues at the start. There were some driver hurdles which took a few hours of mucking around to figure out. Sound quality has been fine since.
Hey guys! I've recently decided to invest in a solid condenser mic and an audio interface. I would be recording keyboard, acoustic guitar, (maybe electric, but not a priority) and vocals. I am on a pretty low budget as I am also attending university, but would love some feedback on the options I have narrowed it down to, or suggestions for equipment I should consider instead would be welcome too! For the AI, I thought either the PreSonus http://www.amazon.com/gp/product/B00154KSA2?psc=1&redirect=true&ref_=ox_sc_act_title_3&smid=ATVPDKIKXDER
or the Mackie Onyx
http://www.amazon.com/gp/product/B003VZG550?psc=1&redirect=true&ref_=ox_sc_act_title_4&smid=ATVPDKIKX0DER
would suit my needs just fine. For the mic, I have narrowed it down to between the Rode NT1A
http://www.amazon.com/gp/product/B002QAUOKS?psc=1&redirect=true&ref_=ox_sc_act_title_1&smid=ATVPDKIKX0DER
and the Audio Technica 2035
http://www.amazon.com/gp/product/B00D6RMFG6?psc=1&redirect=true&ref_=ox_sc_act_title_2&smid=A4V0ATM4SIKP4
Once again any feedback/suggestions would be greatly appreciated!Thanks again!
Hello dear saints of the audio world,
I go by the name of TheBirdReich (you can call me Bird) and I do a lot of broadcasting on Twitch. Recently, I've been looking into upgrading my audio setup from my USB Blue Yeti microphone to a XlR microphone. I have a lot of questions because the transitional phase from the plug and play usb mics to XLR mics is pretty hefty. My budget is for the new setup is about $500.
For my application of "in home live audio streaming", which would be most applicable? (Disclaimer: I yell a lot)
The mic I was intending on purchasing was the NT1-A. Link is here:
https://www.amazon.com/gp/product/B002QAUOKS/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=ATVPDKIKX0DER
a. Is it a good idea to purchase a preamp to supply the phantom power, and adjust audio before it reaches my computer? Is it necessary?
This was the one I was looking at:
https://www.amazon.com/gp/product/B004LWH79A/ref=ox_sc_act_title_2?ie=UTF8&psc=1&smid=A25IRTXJ3Y3DFH
c. Will I need an audio interface to convert the line output of my microphone to a digital output to my computer no matter the type of mic I use? Do you have any budget friendly recommendations?
Overall I'm really unsure about what to even purchase, mainly because of the lack of knowledge, and I don't want to end up spending more than I have to. I know the creed for audio engineers is to spend no more on equipment that meets their requirements. :) I greatly appreciate your input and the fact that you're taking time out your day to help!
If you have recommendations on gear or items that you know would be good for my application I'd be happy to hear from you on them!
Thanks ahead of time!
Express35 Rig-X on a Cowboystudio shoulder mount. Combine with a D|Focus Follow Focus and you have your self a cheap and effective rig.
I use this piece a lot for weddings and prefer it over a monopod. https://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S
Perhaps, But I don't know a damn thing about Color hahah I think it looks great! I'm just starting to get into color correcting and was just curious if those effects could be achieved totally in Final Cut. As for my question about a shoulder mount, I was going to recommend this if you weren't already using one.
http://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S
Its $30 and works pretty damn well for the price. I love mine to death. Heres a quick (and very sloppy) sample of the first thing I recorded with it.
http://vimeo.com/22252489
I've worked full time as a camera owner/operator for a few years now and I still use the cowboy studio rig I got like 4 years ago. It's durable, versatile, cheap and does the job. I can shoot all day with it on my shoulder, and it fits really nicely at hip height too so getting a good variety of shots on the move is definitely possible.
I also got a small rail system just to put a handle in front of the camera, but it can be used with or without it.
EDIT: Just reread the OP and i realize now you're more looking for a rail system with follow focus. I'd say look into renting one, cheap ones suck and the good ones are super expensive.
http://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=sr_1_1?ie=UTF8&qid=1414548876&sr=8-1&keywords=cowboy+shoulder+rig
I made a handle to go with it. Not too bad.
Thanks for being so elaborate reply! Really appreciate the effort of putting the links up to everything.
Yeah the GH4 has been the camera that I had been leaning towards although I still haven't made up my mind totally, you seem to be pretty happy with it? Any draws backs you have found?
I was also looking at Sony a7s have you had any experience with this camera? I hear there are limited lens options for it, but I guess you can always get a converter?
I'd actually been looking at that tripod for a while but was worrying that even though it looks it, it might not be heavy duty enough, cheers for the assurance!
Do you have any advice regarding sliders and LED kits?
And also have you used a cowboy before? I was running on a shoot the other day and the op had one and he really rated it. http://www.amazon.co.uk/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S
Here's some budget friendly pieces to get you started.
http://www.amazon.com/gp/product/B005HTMYTO/ref=oh_aui_detailpage_o08_s00?ie=UTF8&psc=1
http://www.amazon.com/gp/product/B0036NMQ7S/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1
http://www.amazon.com/gp/product/B00EAJK2CS/ref=od_aui_detailpages03?ie=UTF8&psc=1
http://www.amazon.com/CowboyStudio-System-Handle-Stabilizer-Follow/dp/B00CRLBXTC/ref=sr_1_3?ie=UTF8&qid=1420818004&sr=8-3&keywords=FOTGA+DP500+Rail+Rod+System
Might I suggest you purchase a cheap shoulder rig off amazon for your cam. I'm assuming you're using a DSLR, you can buy a cheap one from cowboy studios off of amazon. That or cropping your vid and stabilizing it in post.
I have one of those for my dslr setup. Looks like this https://www.amazon.com/dp/B003PBB4ME
well i am getting http://www.amazon.com/Opteka-X-GRIP-Professional-Camcorder-Stabilizing/dp/B003PBB4ME/ref=dp_cp_ob_p_title_1 as i will be filming/shooting a lot of skate boarding. I of course will also just be shooting every day things. And all my photography kit currently includes is :- Cannon EOS 550D, 18-55mm lens, the photographers eye (book)
So you will probably move around with your camera while filming. The Hondo rig looks nice but how will you be holding your camera while filming?
I've got this rig http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/
It's really lightweight and makes it easy to move while filming. There are several of this sort of camere handle, this is just a cheap one and I'm not sure if and how this would work with a follow focus.
I don't know a lot about tripods so can't give you any advice on that but for moving shots the camera handle works great.
Oh man I am definitely artsy for life...
I do photography and videography and have been eyeing this [camera stabilizer] (Opteka X-GRIP Professional Camera / Camcorder Action Stabilizing Handle- Black https://www.amazon.com/dp/B003PBB4ME/ref=cm_sw_r_cp_api_YFOyzbHQ2RTFV) to use for videos, especially during the week of GISHWHES. GISHWHES especially is all about bringing people together and making people's days with random acts of kindness and absurdity and art. I absolutely love it!
There's also this
http://www.amazon.co.uk/Opteka-Professional-Camcorder-Stabilizing-Accessory/dp/B003PBB4ME/ref=sr_1_1?ie=UTF8&qid=1376775226&sr=8-1&keywords=x-grip
http://www.amazon.com/Opteka-Professional-Camcorder-Stabilizing-Handle-/dp/B003PBB4ME/ref=sr_1_2?ie=UTF8&qid=1367443579&sr=8-2&keywords=cam+caddie
If you already have a tripod, you can try spreading the legs as wide as they go and holding at the top of the tripod for some stabilization. Film Riot shows off another technique.
Another option might be a coldshoe handle, which I saw for $25 on Amazon, or if you're afraid of damaging the camera hotshoe, you can get something like the Opteka X-GRIP. A slight step up from that would be a cage with two grips on the sides and a top handle, or something like a HaloRig, which goes for $150.
For better stabilization and to fly through the scene, at $200 or below, you're probably looking at a counterbalanced stabilizer, similar to a Glidecam or Steadicam Merlin. Though I wouldn't recommend this alone for hiking, as you arm will quickly get fatigued from all the weight; you'll want to a shoulder rig for added support and better stabilization.
If you can budget around $600, you're getting into gimbal territory, like the ikan Beholder MS1 or which would give you a much lighter active stabilization rig compared to counterbalanced systems.
I do a lot of travel as well have tried out various methods of stabilization over the years. Personally, I think a gimbal is the way to go. It's lighter and way easier to setup than a counterbalanced stabilizer, though the counterbalanced stabilizers usually will give you more fluid motion (gimbals can be pretty robotic with movement, especially with panning left/right). I've gone on hikes with my Nebula 4000 Lite gimbal, and my arm hasn't felt tired at all, probably because I had the rig on an R-Strap and let it hang when not in use.
Thank you for the advice! I wonder if the g25 would be a wiser purchase?
As for sound gear, I was considering this Rode mic.
I use a Nikon D3300 for all of my videos. It's not really known as being a video making camera, but I have it set up on a tripod and I get great 1080p quality.
If you go this route, I recommend snagging an external mic to mount on top for better audio quality.
So far, I have had absolutely no problems with it, and don't see myself needing to upgrade anytime soon.
Get this instead:
http://www.amazon.com/Rode-VideoMic-VMP-Shotgun-Microphone/dp/B004K8WPUQ
go for the preamped one, plus the built is ergonomically better. I have the Rode VideoMic and the shock mount is suspended by those rubber bands. The rubber band caused a break in the mount, where the tabs are.
In that case, you have a few options you could play with. As 2013orBust mentioned, you could conceivably purchase the Blackmagic Cinema Camera (2.5k RAW). You could also pick up a 5dMkII, a Panasonic GH3, or even a Sony a99. However, I would highly recommend investing in a mid-priced DSLR (maybe a 6D, 7D, GH3, something along those lines) and save up the rest for some good primes.
As for audio equipment, the Rhode VideoMic Pro shotgun mic can be attached in the hot shoe and works well. You could also invest in a Zoom H4N, or Tascam DR-100mkII, or Tascam DR-40 (those are just some of the more popular, but there are some other options; my personal favorite is the DR-100mkII).
Head over here and look through the comments to see some awesome recommendations about some other gear you could potentially invest in at different price levels.
EDIT: Mistakenly thought the Blackmagic could only record RAW at 2k, changed that to 2.5k.
Here is a great guide for an audio setup in your price range.
You can definitely get a good audio setup for $500 seeing as you already have an H4N. I'd suggest for on camera the Rode Videomic Pro which will be useful for events and such when you're run-and-gun filming. Someone already mentioned some pretty good lavelier mics but if you want multiple mobile people using lavs and you can't use a boom, you could potentially invest in a Zoom H1 for each of your lav mics
Rode Videomic Pro: https://www.amazon.com/Rode-VideoMic-Compact-VMP-Microphone/dp/B004K8WPUQ
I really like the quality of the audio. I've used it as my only source of audio for 4 short films as a mixer and even some foley with the onboard mics. I use it separately with a shotgun mic on a boom (just using whatever mic I can get from my school, haven't purchased one yet).
However, I wouldn't recommend it for your case of recording on your camera because you'd end up having to (and I've never tried this) rigging up a way to have it attached to your camera then lined in to the camera with the onboard mics which are fine for receptions and all but bad if you want to focus on people talking (then to fix that you'd have to attach a shotgun mic via XLR and it just becomes cumbersome).
I would honestly look into the mic that the OP has: Rode VideoMic Pro. I've never used it but it has great reviews and seems, to me, to be the best cheap solution for on-camera audio. Use it outdoors with a deadcat and Magic Lantern installed on your T2i to monitor the audio while filming and it'll be a great option for videography and short films.
OR/ALSO/HEY RICH GUY CHECK THIS OUT, you can use this JuicedLink DT414 which is designed to attach to your camera and mix up to 4 mics. Yeah...lots of options.
I really like rode video mic (see link below). I use it as a backup when shooting interviews with a dslr and h4n. It will be great to use until you get an extern recorder like a h4n. Then when you get the zoom it it a great on camera backup Incase you screw up the audio with the external recorder.
https://www.amazon.com/Rode-VideoMic-Compact-VMP-Microphone/dp/B004K8WPUQ
This one? http://www.amazon.com/Rode-VideoMic-Compact-VMP-Microphone/dp/B004K8WPUQ/ref=sr_1_1?ie=UTF8&qid=1450064740&sr=8-1&keywords=rode+videomic+pro
and will it work with Nikon D3200?
http://www.rodemic.com/mics/videomicpro
I'm in the UK and presume you guys are in the US so I'm not sure where would be cheapest. Here is is on Amazon
I've been looking at getting this mic but just haven't pulled the trigger on getting it, or needed it.
http://www.amazon.com/dp/B004K8WPUQ/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=1C3WEQOMQC78G&coliid=I3KOLE4UH5M9GA
I don't use 3.5mm myself but there are a few options you could look into: Azden, Sennheiser, and Rode.
Again, the 3.5mm jack has the worst preamp so you will be getting extremely weak signals with any of those mics and, even with adjusted gain, you're going to have to deal with a lot of noise. That's just from my experience testing with the BMPCC 4K.
One is a microphone and one is a recorder. There is a difference.
You'll have to decide what you need it for. Speeches from a distance? Best use is a shotgun mic. Recording outside? Best use is a shotgun mic (wind, planes, cars, etc -- but get one of these).
Interviews? Cardioid or lavalier. Room tone? Cardioid.
I personally think the Rode VideoMic Pro shotgun mic will be fine for vlogs and interviews, and you can also shoot outside and from a distance. You should be able to plug it directly into your Canon, which makes things easier in post because with an external recorder, you have to sync it post (not that hard, but still). You can mount it to the camera's hot shoe or get a boom pole stand. Make sure you get the Pro and not the Go.
You can always buy the Zoom later and hook the Rode VMP up to that, but since you're doing basic stuff I don't think it'll be that necessary.
Ideally, you'll have three mics: shotgun, cardioid and lavalier along with a sound mixer/recorder. But that obviously comes with a price: $$$.
You should absolutely light subjects if you can, that is really the only thing that sets amateurs apart from pro's these days.
I use this and love it: http://www.amazon.com/dp/B005NJCF7E/ref=wl_it_dp_o_pd_nS_ttl?_encoding=UTF8&colid=3A6649UGCQB04&coliid=ICUY20UHEN2J4
Will you be mounting mics, batteries, matte boxes or follow focuses to your camera? If not then there's no need to buy a real rig. Just buy any of the many cheap rigs that will give you a top handle and attach your monitor to the rig or one of the 1/4" on the cam. Then save up for when you can afford a rig worth while with accessories.
https://www.amazon.com/dp/B005NJCF7E/ref=cm_sw_r_cp_api_KbzKxb2DE3G7B
I found probably the same items that /u/sternefoifi listed on amazon.com for cheaper and with Prime shipping.
http://www.amazon.com/dp/B00E5OO4T0/
http://www.amazon.com/dp/B005NJCF7E/
Just a heads up for you. :)
Try out different stabilizers. I got a cheap shoulder mount on amazon. I've had it for about a couple of years now, used mostly weddings. It does the job & it's great for the price!
You can also trim out 30-40 seconds off the edit. I know its tough to cut out your own shots and or edit. You get the point across 40 seconds into the show anyway.
great job on certain rack focus and framing. Keep at it! You did a wonderful piece for this venue!
I also have a 650D and was looking around for a shoulder rig, possibly a matte box in the future.
Either way i found this video:
http://www.youtube.com/watch?v=KwMFcWcHjOk
Here is link for US:
http://www.amazon.com/gp/product/B005NJCF7E/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B005NJCF7E&linkCode=as2&tag=tomant-20
Here is link for UK & rest:
http://www.amazon.co.uk/gp/product/B00CLXY3XO/ref=oh_details_o00_s00_i00?ie=UTF8&psc=1
It looks good, highly customisable and cheap.
If you are allowed to use a shoulder rig and it's a DSLR, I use this and it works great for not a lot of cash:
Shoulder Rig Mount- http://amzn.com/B005NJCF7E
It'll grow faster if your gear is right. Those little things really make a difference.
Try the "Takstar" microphone. I love mine, they're Rode nockoffs and they're great.
https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I
Depends on your budget and what videos ur making.
Shotgun mic:TAKSTAR SGC-598
https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I
Camera I would recommend: Canon vixia hf r800
https://www.amazon.com/Canon-VIXIA-HF-R800-Camcorder-Black/dp/B01N7OAH3I?th=1&psc=1
Video editing depends what your computer can handle and what video ur making. I use hitfilm express which is free. However it needs a decent gpu of some sort. Shotcut on the other hand is pretty basic and runs well on lower end hardware.
https://shotcut.org/
(Make sure you use express)https://fxhome.com/
I'll be starting a new job which has a long commute and I would like to vlog during that commute. I'll be using a DSLR for video and want a quick and easy setup. My budget it $75 CAD and I live in Canada.
I'm kind of stumped on the audio part because while I appreciate good quality sound I also want a setup that's quick. I want to spend the least amount of time possible to set everything up in the morning and between shots. I don't need film or documentary quality audio for this.
I was considering this mic: https://www.amazon.ca/dp/B00E58AA0I/ref=pd_lpo_sbs_dp_ss_1?pf_rd_p=1977604502&pf_rd_s=lpo-top-stripe&pf_rd_t=201&pf_rd_i=B00GQDORA4&pf_rd_m=A3DWYIK6Y9EEQB&pf_rd_r=0K6HBMF9DTZ12W1C2D54
However I don't have any previous experience with shotgun mics. I'm not sure if it's a good option if I'm not always facing the camera.
With the found-footage genre you have a lot of freedom to create with limited resources.
You get a lot of wiggle room with exposure, framing, shakiness, and (mostly) sound. You don't have to follow rules/standards of cinematic film, considering it's made to look and sound like someone just picked up a camera and hit record. You just need to know you should write things you know you can make, so that no wild post-production or high-budget set design will be needed.
But for the most part, all you need is a camera. A camera-mounted shotgun mic could do your sound nicely, but even that isn't essential for found-footage.
Your house/neighborhood setting shows you're not being overambitious, which is great.
Also, side note, I have had this extremely similar idea that seems to align exactly with what you're going for, both thematically and stylistically. I'm a film student in South Florida and I'm most likely going to write a draft in the coming weeks for this "found-footage web series figuring out an ARG with your life on the line" idea for my screenwriting class.
I'm interested in hearing more about what you're trying to do, would you like to PM?
I have a Movo VXR40. It might not be ideal due to the long wire and the fact that the shoe mount needs to be epoxied for better stability, but I've found it to be quite useful. I have a boom stand and I ended up using it with my Zoom H4n and boom instead of on my camera shoe.
Rode is a well-respected brand, but they are pricey and you can get better on-camera mics for less money, albeit at a visual aesthetic penalty (but let's be honest: who cares what your mic looks like?) The "affordable" Rode mics get lackluster reviews and are not very good; I'd buy nothing lower than the VideoMic Pro due to various issues I've read and listened to in comparison tests.
If I wanted an on-camera mic on the cheap today, I'd go with the ~$30 Takstar SGC-598 as can be heard compared against two cheaper Rode mics in this video where it gives the Rode mics a run for their money.
Two caveats: on-camera audio sucks, even with a good mic; you'll get better audio if a mic on a boom stand is an option; also, the G7 heavily compresses audio to 128 Kbps AAC which is not suitable for a significant amount of post-processing, but is perfectly fine for personal recordings or pro stuff where inaudible losses of quality won't be pushed enough to be heard.
After seeing a lot of YouTube reviews for it, I went with the TAKSTAR SGC-598. It’s a bit big for a 6500 (I use a Sony A7sii on rails), but it sounds pretty good, and under $30. Uses one AA battery, and has +10 dB boost.
https://www.amazon.com/dp/B00E58AA0I?ref=yo_pop_ma_swf
https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I/ref=mp_s_a_1_5?crid=3C19XG3R3J46M&keywords=shotgun+dslr+mic&qid=1556856695&s=gateway&sprefix=shotgun+dslr&sr=8-5
https://www.amazon.com/TAKSTAR-SGC-598-Interview-Microphone-Camcorder/dp/B00E58AA0I
you can probably find it even cheaper on ebay
You can also use a rig/hotshoe adapters to lift the mic further from the camera/lens.
Also I chose these over the Rode mics and have no regrets but lots more money in my pocket:
TAKSTAR SGC-598 Interview Microphone for Nikon/Canon Camera/DV Camcorder https://www.amazon.com/dp/B00E58AA0I/ref=cm_sw_r_cp_api_n4HFzbPQPT5RG
I recommend the TAKSTAR SGC - 598 https://www.amazon.com/dp/B00E58AA0I/ref=cm_sw_r_cp_api_n4HFzbPQPT5RG (as said in another comment)
For Film, your best bet is to invest in a follow focus so that you can manually focus on various subjects with precise focus and so you have full control. I often times end up using my ZOOM H1 with a hot shoe to tripod adapter piece and just use my Zoom an external mic since you'll need one anyway to record external audio. If you would like to use autofocus while filming, my advice would be to invest in a quiet lens. I've heard that the popular Sigma 18-35mm f1.8 is really quiet and has stunning results. That's just my 2 cents.
Are you using a DSLR camera? If so, start of with something cheap like this. Start off with trying to get good audio of voices, and when you're comfortable with that, try and get good audio of things you are seeing (ex. if someone puts their glass on the table in your short film, go back and record the sound of the glass being put on the table and insert the audio to sync up with the video)
From reading the other comments I'm guessing you don't so I would either get a used camera or use your phone. The budget of yours is quite limiting to fit in audio, lighting and a decent camera however it may work if you get a slightly older camera.
I would get the t3i body only which you can get at an average of $300. This has an articulating screen, good for interviews, and is still a good beginner camera years on from when it was released. The lens I would get is the YONGYUO YN50mm f.18 which is an cheap autofocus lens at a fixed distance to achieve the best quality.
For microphones I would reccommend the Takstar SGC-598 which is really cheap and surprisingly good. You can put this on a mic stand and get it as close to both the interviewer and the interviewee for the best sound. You will then need a wire to connect it to the camera. However if you have extra money you can save up for a Zoom h1 which you plug the mic into and it records seperately for better audio.
All in all this kit will cost you $500 for just the audio and no lighting. This would cost you about $50 extra for softboxes however if you shoot in daylight it will be much easier and require less lighting.
Another kit you could try is using your phone for video and then buying just audio and lighting. For this I would get the Rode Videomic Pro, the Zoom h1, a mic stand, a softbox lighting kit (2 lights) and any other things like memory cards etc. This would cost you around $400.
Get a Takstar shotgun mic: amazon (only $27 USD!!)
To anyone other than video / audio professionals, the audio quality difference is unnoticeable when compared to the rode video mic pro. Just tried it out for the first time on a wedding a couple weeks ago and it was fantastic. Incredibly useful investment.
Hi 'ra available to you is probably your smartphone.
You can significantly improve your phone's video image quality by downloading FiLMiC Pro from iTunes.
This app will allow you to control aspect ratio, white balance, exposure, resolution and frame rates - turning your iPhone into a pretty good approximation of a camcorder.
FiLMiC Pro was used for this recent feature film shot entirely on iPhones:
And this one, shot with FiLMiC Pro and inexpensive anamorphic "widescreen" lenses plus a Steadicam Smootheecounterbalanced stabilizer:
This one used FiLMiC Pro, iPhones and a jib:
Without a stabilizer or gimbal, handheld cellphone video can be very hard to watch.
You should also invest in a directional mic or a lavalier for better sound than you can get from the built-in mic. Ideally, you would want a dedicated mic on a boom, but I am assuming you don't have a boom operator.
Directional Mic
The least expensive option is the Rode VideoMic Me. It is the best directional mic you can buy for your phone.
Here is the Rode promo video with example audio: https://youtu.be/1-x8MVngwaI
Lavalier
For dialogue between 2 actors, you can get a Movo dual lavalier. You can either plug it into the phone you're using for video - or you can download an app to a second phone (e.g. Rode REC for iOS), record a "scratch" audio track with your camera phone's internal microphone and sync the audio from the second phone to your camera's audio track in the edit, as seen here (example is for the Rode SmartLav, but it makes the point for the entire lav/phone category):
http://youtu.be/P2RIFZOGMZo
With the right software and support gear, your phone can give you great video quality.
Hope this is helpful, and good luck with your short films!', im DAD.
Your cellphone is the best camera.
https://www.amazon.ca/Rode-VideoMic-Directional-Microphone-Phones/dp/B018KIJGU8/ref=sr_1_9?ie=UTF8&qid=1538871985&sr=8-9&keywords=rode+video+microphone
​
https://www.amazon.ca/Upgraded-Version-Octopus-Portable-Adjustable/dp/B00WO65Z6C/ref=sr_1_3?ie=UTF8&qid=1538872101&sr=8-3&keywords=joby+tripod+iphone
https://www.amazon.com/Rode-VideoMic-Cardioid-Mini-Shotgun-Microphone/dp/B018KIJGU8/ref=sr_1_50?keywords=recording+mic+for+phone&qid=1556758723&s=gateway&sr=8-50
Awesome. If you want a really good affordable mic for your phone, get a Videomic Me shotgun mic. It's really good for smart phone recording and relatively cheap. sound quality is 10x better than the phone's sound.
https://www.amazon.com/Rode-VideoMic-Cardioid-Mini-Shotgun-Microphone/dp/B018KIJGU8/ref=sr_1_2?ie=UTF8&qid=1540988783&sr=8-2&keywords=videomic+me
Maybe check out something like the Rode Videomic Me. It's specifically made for connection to a smartphone. It looks like it doesn't have great reviews, though, so maybe just look into similar options.
Whatever you end up getting, just make sure it has a trrs connector at the end. Those are the ones that'll work with cell phones.
Since space is limited, what about shooting with your phone and investing $300 or so into gear to help achieve better results? I'm thinking a 3-axis gimbal and a smartphone mic. Maybe add on a 22000mah battery pack. If you have the cash.
This is all assuming your phone has a decent camera. I shot with a my Pixel XL + Zhiyun Smooth II on a recent trip and the quality exceeded my expectations quite a bit.
Edit: they also make gorillapod like tripods for phones.
Let's say I want to interview drunk people or just general fuckery outside, would this work: https://www.amazon.com/Rode-VideoMic-Directional-Microphone-Phones/dp/B018KIJGU8/ref=pd_lpo_267_bs_t_2?_encoding=UTF8&psc=1&refRID=MPT6BGQCQTHN9TGW3PX2
Oh and I checked out the dslr but sadly it does not record video
RØDE makes a smaller mic for phones. You’ll need to use the thunderbolt to 1/8” adaptor though.
Rode VideoMic Me Directional Microphone for Smart Phones https://www.amazon.com/dp/B018KIJGU8/ref=cm_sw_r_cp_api_Q4.MAbGKME4Q3
You could still use your iPhone. Get a Rode VideoMic Me ($59) and you could put it in your pocket. It sounds pretty good, certainly much better than a phone mic.
That budget will limit you, so I'd look for a good directional mic that works with your phone. If your phone can take a mini 1/8 trs, that opens up all the DSLR mics and things like this iphone mic. I haven't tested that mic BTW, but it looks interesting.
There is more than enough room to include the jack, its was ONLY a money making tactic, there is nothing in its place.
The only reason I use my 3.5mm jack is for external microphone when making videos using THIS guy, using a dongle doesn't work all that well for people like myself in that situation and creates an issue for no reason.
What are you going to be recording with; phone, computer, other? I assume you will only be mixing the mic?
If you intend to record to your phone I would recommend either the Rode Video Micro or for a lapel the Audio Technica 3350
If you are looking for a USB dacs I would recommend behringer as it fits your budget. I use the U-Phoria UMC22 at my desk but I also have Behringer mixers in 5,8 and 12 channels - they all sound the same.
For the xlr mic I would normally recommend an SM58 but given your budget I think the Peavey 100 will work just fine and it comes with the XLR cable you would need. Don't forget a mic stand, these are as cheap as 10 dollars for table mount stands.
It makes audio a little bit clearer but honestly, I wouldn't get it. Look for something better.
https://www.amazon.com/gp/product/B018KIJGU8/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1
We've been happy with our Rode VideoMic, which plugs into the headphone jack. It's durable, simple to use, and small. Now that I have an iPhone X, I've lost my headphone jack, however, so there's that, unfortunately.
https://www.amazon.com/gp/product/B018KIJGU8/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
I use the smartLav+ from Rode right now and feel it does the job and it goes for a fair price. If you want something even cheaper, I actually started with this cheap lav micbut it gets the job done as well as you can expect from a $20 mic.
I watched your horror compilation that started playing when I opened your channel - first impression. I like your editing style, it reminds me of this Markiplier video except with less shouting.
If you don't already (it doesn't sound like you do) maybe invest in an external microphone. Here are a few that I found on Amazon at different budgets and different equipment that you might want to look into.
Cheap starter mic, works with Apple Products
MidRange Mic that you can attach directly to camera
More Expensive, higher grade mic
[another mid range mic] (https://www.amazon.com/Shotgun-Microphone-Camcorder-Digital-microphone/dp/B00PLCO9T0/ref=sr_1_15?ie=UTF8&qid=1468242974&sr=8-15&keywords=external+microphone) I personally am contemplating this one. I shoot with a Canon Rebel T3.
Hope this helps!
I don't really enjoy video game videos, but I found this entertaining to watch, even without having much knowledge of games. I went ahead and subscribed and hope to see more good stuff!
This is my splitter:
Sennheiser PCV 05 Combo Audio Adapter https://www.amazon.com/dp/B00IM36VU0/ref=cm_sw_r_cp_api_i_5DVHDbWVRC5K4
This is my mic:
Professional Grade Lavalier Lapel... https://www.amazon.com/dp/B01AG56HYQ?ref=ppx_pop_mob_ap_share
The splitter is directly connect to the controller, while the headphones 3.5 jack goes into the green jack while the mic goes into the pink one.
I apologize for this part. I still have limited knowledge about parts. So, I initially connected the 4 pole jack of the mic into the plug, which did not worked. So I had to use the 4 pole to 3 pole adapter that was included in the mic set for the mic.
However, there is a feedback that could be heard during the mic test. This disappears when I touch the exposed metal parts between the splitter and pole adapter. But, it magnifies when I touch the exposed metal parts between the mic and the pole adapter.
I hope this makes some sense. I apologize for the wall text.
Disclaimer: I’m not an expert, I’ve been doing a tiny bit of research because I want to improve my videos but haven’t pulled the trigger yet. I don’t think for your purposes you necessarily need to spend a ton on a top-if-the-line mic. You can get good results for under $25. Not podcast quality, but good.
It depends what you’re recording with. If you’re using a phone or other device with a 3.5mm (standard headphone) jack, and you are currently just using the mic on the device itself, I think it would be worth looking into a lavalier mic such as this one. You could buy the Similar Amazon Basics version to save even more. Or if you have Apple earbuds, you could just try using those as the mic is generally going to give you much better quality than the phone itself. Keep in mind if your recording device happens to be an iPhone 7 or later, you’ll need a lightning adapter too.
If you are using a device such as a laptop with a USB port, you could consider a USB microphone. I absolutely don’t know enough about these to make a recommendation.
Sorry to give unsolicited criticism, I just thought your video was really well put together and thought the audio quality could be slightly improved to let your voice shine.
I’m definitely going to try this recipe when I have the time btw!
What camera are you using?
My only problem is the music. Tone the volume down in post-production since the Avg (young) person have the volume on max and it killed my ears since I had headphone one.
Also, it seems like you are speaking loudly to me (audience) get you a mic that clicks on your shirt for better sound. When you are sitting down talking and next thing I know I hear metal being slamed around which distracts me from you.
You can plug it into the camera or into your phone and can grab that audio file and insert it into your videos in post-production.
Here are some: http://www.guitarcenter.com/Rode-Microphones/smartLav-Lavalier-Microphone-for-Smartphones-1404241162585.gc?cntry=us&source=4WWRWXGP&gclid=CjwKEAjwpJ_JBRC3tYai4Ky09zQSJAC5r7runvF-KIC3u7NS2LlFNXZOEEOxXthKj7fvkv1OP7OcpBoCtrvw_wcB
Cheaper:
https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=sr_1_3?s=musical-instruments&ie=UTF8&qid=1495859925&sr=1-3&keywords=Lavalier++Microphone
This is what you need for the camera, here's the full review - https://www.youtube.com/watch?v=VZBynLD7Kqk
As far as the mic goes, check this out - https://www.amazon.com/dp/B01AG56HYQ
When I made this post, I was under the impression that $50-$60 would be considered cheap for a wireless clip-on mic because at the time I only found $300s wireless clip-on mics. So far I found several options, being K031B and G130. These two are the main ones I'm currently looking at for options along with the wired PDW Clip-On Mic. I have rechargeable AA batteries so K031B needing batteries won't be an issue. There are other wireless mics I'm looking at as well around $30, but I'm checking to see if they work on PC, along with better pricing on other sites such as newegg.
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This should be working, hopefully
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There may be some questions still unanswered! Below are a selection of questions with no replies. See if you can help them out.
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> If I runt my 2700 at 3.2GHz in Cinebench, if i wiggle the mouse it locks up for a second and then continus to run. Is that normal?
/r/pcmasterrace/comments/9lw7ga/daily_simple_questions_thread_oct_06_2018/e7ak7s8/
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> Any recommendation for a external blu-ray drive?
/r/pcmasterrace/comments/9lw7ga/daily_simple_questions_thread_oct_06_2018/e7b04m4/
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> Currently trying to decide on a mic to use along with my VR head set. Currently I'm looking at this wired clip-on mic as a light option to use with VR, I do plan to order a 5ft extension on top of its 11ft length, but I don't want to deal with dragging another cable along with my vr set. I'm looking at the K031B and G130 as a wireless option. Any advice as to which one I should pick from these three or are there better options out there.
/r/pcmasterrace/comments/9lw7ga/daily_simple_questions_thread_oct_06_2018/e7b12tc/
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> can a hardware firewall go bad?
/r/pcmasterrace/comments/9lw7ga/daily_simple_questions_thread_oct_06_2018/e7bffae/
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> How can I fix losing signal with DisplayPort cable? Most if not all DP cables that I can buy are from shitty chinese companys. I have one from a reputable brand that's never losing signal. There is an option to adjust voltage swing in AMD Adrenalin, could that damage my gpu or monitor?
/r/pcmasterrace/comments/9lw7ga/daily_simple_questions_thread_oct_06_2018/e7bqt67/
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Ok, last question, I swear. I've narrowed it down to using a headphone / mic splitter like this, and using a lapel mic like this which doesn't need batteries. My question is, will this work? Or will there not be enough power for the output and input? much like what would happen if I tried to split it to two headphones at once
sorry if this question is dumb I just really don't know enough about this to figure out what search terms to look for
Yeah. One of these into your phone and boom: https://www.amazon.com/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/
Unless you have a really good/modern GoPro that you have insulated which is kinda finnicky.
I've been using an omnidirectional lav mic (Similar to this) connected to a cell phone for most of this year with poor results:
- With no ability to monitor the audio, the first few tries I went to edit and discovered popping and rustling noises from the lav rubbing against the fabric it was clipped to.
- Audio peaking. I used an app that supposedly brings the input level down, but it's still an issue.
- I tried clipping it under the shirt, sound was muffled and picked up a lot of rustling. I tried wrapping it in foam / tape like a guy on youtube showed, it picked up crackling from the tape. I clipped outside of the shirt, it picked up rustling and wind noise. I bought a deadcat, and it produced muffled audio.
Do you have any recommendations on recorder / lav combos? Would you recommend a directional lav over an omnidirectional? After my poor experiences with a lav this year I'd like to get a more dependable system.
I didn't want to spend much either so I got this lapel mic. Haven't really listened to myself but my buddy says it sounds fine. But you have to clip it to your shirt.
https://www.amazon.ca/Professional-Microphone-Omnidirectional-Recording-Conference/dp/B01AG56HYQ/ref=sr_1_3?keywords=lapel+mic&qid=1572444763&s=electronics&sr=1-3
Do you use a gopro, and the gopro mic adapter?
Anyway, I use THIS and it works very well for what I need. Your welcome to check out my videos and see the quality for yourself. But for the price and ease of use I think its fantastic.
I think major distortion can happen due to your helmet and mic placement. But I was using a cheap mic and definitely noticed more wind noise before I switched to this mic. It sits right in front of my mouth now and as long as the mouth vent is closed you can just hear my engine and me when I talk.
[Zhiyun Crane] (https://www.amazon.com/dp/B01I2MWUOG/ref=cm_sw_r_other_apa_kQ7QybBCFSYVW) runs 649.99 regularly but goes on sale for 500-550. It's easily one of the best handheld electronic gimbals out there.
What I'd like to cover:
My tech skills have gotten me this far
Question is:
Thanks!
First off, I wouldn't get the mark 1 lens with GH5. Spend the little extra money if you're going for a Panasonic lens and get the mark ii to use in body image stabilization. Basically it would come down to a choice between a cheaper lens and a gimbal or a lens with dual IS. However, the camera + the IS 2 lens would be your budget, and there's certainly lots of other stuff to buy when getting started.
This is a set up I have used with the Black Magic Pocket Cinema Camera and it works great, fully expect it to look even better with the GH5:
https://www.amazon.com/Panasonic-LUMIX-LEICA-SUMMILUX-H-X015/dp/B00J8H7H48/ref=sr_1_5?ie=UTF8&qid=1493994405&sr=8-5&keywords=panasonic+14mm
https://www.amazon.com/Zhiyun-Crane-Brushless-Handheld-Stabilizer/dp/B01I2MWUOG/ref=sr_1_1?s=photo&ie=UTF8&qid=1493994394&sr=1-1-spons&keywords=zhiyun+crane&psc=1
That is a lightweight 14mm 1.7 lens (works great in low light) and the most affordable gimbal on the market. I also have access to a Ronin-m at work, and I have to just say, the shots you can get on both are different, but the Zhiyun is soooo much easier to set up and get great shots with. Plus it fits into a small backpack and is far less to lug around. I would also recommend either one of these monopods to use with this system:
https://www.bhphotovideo.com/bnh/controller/home?O=&sku=554095&gclid=CLPR1In82NMCFdgKgQod580D0w&is=REG&ap=y&m=Y&c3api=1876%2C%7Bcreative%7D%2C%7Bkeyword%7D&A=details&Q=
^ This is a great set up with the Crane. What I do is velcro the included remote to the lower point of the monopod and use it to control the crane manually. I can then extend the pole (even smoothly while filming) and essentially have my own hand held jib anywhere I go.
https://www.amazon.com/Sirui-SUP204SR-Photo-Video-Monopod/dp/B00I5NKCNE/ref=sr_1_1?s=electronics&ie=UTF8&qid=1493994900&sr=1-1&keywords=sirui+monopod
^This version is a bit heavier, but also a touch more stable. You can not smoothly lengthen the pole while filming, but this monopod has the added version of feat attached to the bottom. You can set it up at its shortest and it will stand on its own as long as it's not windy. Great for setting up shots in the wild that you would also like to be in. I put a quick release plate between each point of contact (Quick release on the monopod -> crane, and quick release on crane -> camera), and you can just as easily set it down on the feat and detach from camera with no issues.
Now, something to consider is that you could get two GH4's (on ebay, around $700 each) for the price of one GH5. I guess that would depend on if you have others filming with you and whatnot. I think it really depends upon what you're wanting to film. Like for example, what exactly would you do with the drone and how would it help your footage? If you think that you need landscape shots and what not, then it's probably best to jump down a level in camera for a decent drone.
Some other things to consider that you might need:
-External Mic
-Tripod
-Extra batteries
-Fast enough SD card to record 4k (Sandisk Extreme)
Another camera to consider may be the Sony a6500 for around $600 cheaper.
Great video, love how you own the camera, and it seems you have a supportive partner who films you!! Your editing is great, your camera work is great, you have a gorilla pod, sometimes your shots of walking to the escalator or even of yourself while walking is shake maybe a gimbal would be a good upgrade? I use https://amzn.to/2q4k878 or Maybe it's because you're drunk LOL
But other than that love your intro with your title, great great job!!!!!
the zhiyun crane - http://amzn.to/2fczi9e ... and on a long board.
> Tascam dr 22wl
Your Tascam with it's XY is going to pick up everything in the room, just about. That'll be great for family videos, but if you want to shoot anything dramatic or promotional, a lav mic would be your best bet.
Personally, I was in a pinch one day and got this cheap shotgun mic and it's slightly warmer and has a slightly fuller sound than my more expensive AudioTechnica shotgun. Trouble is, both of them start to suck at over 5 feet away, so that's why I suggest a lav.
Other than that, does that Tascam have both a headphone AND a line out? I use a Tascam DR-80 and I use the line out just as /u/HybridCamRev suggested, so I can match audio nicely.
Thanks!
Just a couple more questions
Someone suggested a cheap shotgun mic that provides comparable audio quality to the more expensive rode mics. Here it is: https://www.amazon.com/gp/product/B00E58AA0I/ref=oh_aui_detailpage_o03_s00?ie=UTF8&psc=1
Could it go along with the tascam instead of the rode?
One last thing about the dual audio setup. So if I have the right idea, pretty much what's going on is that the shotgun mic (is the only one recording), and it records to the tascam? So having the shotgun mic record to the tascam provides much better quality then if it were recording to the camera?
Thank and sorry for all the questions!
No.
Get a $23 Takstar SGC-598 mic and strap it to the top of your camera. Is it perfect? No. But it records nicely and no one watching my film notices the difference.
Good luck.
Yeah. I might test out another USB mic that I've had for years; I bought it about 5 years ago: CAD U37. This is what I used to use with some of my older videos on Youtube. Then I got a TAKSTAR shotgun mic to hook up to my mirrorless camera. I might compare those two with the Insignia. We'll see! I mostly did it to avoid doing homework lol
As for the stereo, it's not the most accurate, but I do like how deep it sounds. Would have to play with the placement of it in relation to the board; I don't have a mic stand/arm that fits the threading that it has. It uses a smaller mount.
I would actually recommend this model Dazzle. It's the one I use, and I had none of the audio nightmares you hear about in terms of getting it to work in OBS. Just go and make sure the audio is outputting through it (It says something like "Line- Dazzle" in OBS) and you should be good to go.
Actually, would it be possible to use this:
http://www.amazon.com/Dazzle-DVD-Recorder-VHS-Converter/dp/B00EAS14KI
Without a laptop? I can use a desktop at home, and I plan to use this to record videos from locals.
dazzle capture card it's not hd but it works and is cheap. amarec to preview it. setup live inside of it. use 32bit version of obs and it should work. only 32bit version works for some reason. hope this helps
I use Dazzel. It's sold for under fifty bucks and it comes with a disk and no regular payments. It works great but as you now it's a real time down load - takes the same about of time to down load as it took to record it. I'm just keeping my search active for something that works faster. I guess we're not there yet. Thank you for your response. https://www.amazon.com/Dazzle-DVD-Recorder-VHS-Converter/dp/B00EAS14KI/ref=sr_1_1_sspa?crid=2L3DOPQ8SKWJO&keywords=dazzle+video+capture+device&qid=1558966242&s=gateway&sprefix=Dazzel+video+%2Caps%2C179&sr=8-1-spons&psc=1
If you get a powered AV switch with an output you can output to a capture device that accepts AV input. You may want to look into a dazzle. I personally use a discontinued Avermedia card that accepts hdmi and AV/Component and I had used a Dazzle very far back in the past. SVideo IMO is not going to help drastically much since your signal is going to be slighty degraded from being split.
You could use this switchet however you will experience some video signal loss since it is not powered:
https://www.amazon.com/dp/B07HF6MDCX/ref=cm_sw_r_cp_apa_i_ltyaCb4FT3XAA
The main thing to look for with one of these is that it has 2 outputs. The switcher I have is a much older discontinued kind with coax output and composite output and is a powered variety.
The capture card I have is an Avermedia C027 internal card but they are discontinued as far as I know of. But you can use a Dazzle and there are guides how to use them with OBS
https://www.amazon.com/dp/B00EAS14KI/ref=cm_sw_r_cp_apa_i_2yyaCbS4EBHFG
You can take a look at my channel and see how my setup works when I'm streaming from a classic console.
It can be tricky if you arent aware of how to keep your video signal boosted.
Well from connecting to a capture device. You won't need much to be able to record. Since the recording is handled by the device. Most laptops would do the trick. I recorded of a pretty low end one not to long ago.
Also This and This are also options. Keep in mind to record on the PS3 you have to use either composite or component cables. The Roxio is Component only and these other two are composite only.
Dazzle is more expensive than GV-USB2.
http://www.amazon.com/Dazzle-DVD-Recorder-VHS-Converter/dp/B00EAS14KI
http://www.amazon.com/DATA-connection-video-capture-GV-USB2/dp/B00428BF1Y
The standard elgato may not be a great choice for twitch, since there is a ~2 second delay that can be a bit of an annoyance.
You basically need:
A capture card
GV-USB2 is pretty great quality for SD, but installing the drivers is entirely in japanese. They're pretty easy to figure out by just hitting random buttons and guessing, but people have made guides for "hit these buttons in this order". Once you set it up, it'll work perfectly from then on. The Dazzle DVC 100 used to be a pretty common choice, but I think the GV-USB2 is honestly better (I have a Dazzle, and even I'll admit the GV-USB2 is better).
As far as a splitter/switch, unpowered splitter cables would be fine, such as these plugged into the side of your NES, just make sure you get RCA cables that match up to go to your TV and to your capture card. If you want to get the best picture quality, a powered splitter/switch like this one will give a slightly better picture and will give you room to hook up more consoles as well (since it is a switch as well).
As for software, the standard entry-level streaming software is OBS, and for free software, it honestly is pretty great. If you want to spend money, there's some other good stuff out there, but OBS does everything you'd probably want to do. If you want something a bit better for a timer than your iPhone, try LiveSplit. You can setup splits to keep track of your pace (though considering how short the WR is, just a basic timer is probably fine, this will just allow you to let people watching on youtube or twitch see your timer too).
If you need any help otherwise, let me know.
For lagless SD recording on a budget, I recommend either the Dazzle DVC-100 or the Diamond VC500. I have and use both, and they're pretty great.
Dazzle VHS to DVD converter still in the box, unopened. Got it off amazon for $63, I'll let go of it for $50.
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0
Scrubbing through the video I noticed that the camera auto exposes the shot to compensate for the backlit shelves so the fix for that would be to shoot with auto-exposing off or just shoot in manual since you’re staying the same distance away from the camera. That would fix the irregular lighting but it wouldn’t fix the lighting. To fix the lighting you could get an LED light rack that you could attach to your camera’s hot shoe: https://www.amazon.com/dp/B075N4CJYX/ref=cm_sw_r_cp_api_vlZKAbKWY98MZ
This would help you get more light on your face, acting as a fill light and would make a big difference in clearing out the shadows. Audio is more of a get what you pay for kinda thing. I really like the Rode SmartLav + which you can connect to your smartphone and with the Rode app you can record some pretty quality audio that is comparable to 300+ dollar lavs. Shotguns are good too but I typically use both to help match the audio on each recording devices. The smartlav is a great piece of equipment for only $75 and it doesn’t get much better than that and would completely take away the whirs and and sound annoyances. Here’s the link to the Lav: https://www.amazon.com/dp/B00EO4A7L0/ref=cm_sw_r_cp_api_7pZKAb2BFD9BK
You should be able to do everything in that video with the gear selected. Maybe get a Rode SmartLav too. (http://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=dp_ob_title_ce)
Send it back and get something branded that will work. Røde Smartlav+.
They don't publish any audio specs on the product page, which for me is a big black flag for audio gear.
Pro level lav mics I use:
That was extremely helpful! Heres what I've got so far.
I'm torn between the G7 with a 12-140mm lens and the G85 with a 12-60mm lens. They are the exact same price (if I get the G7 with 14-42mm it's half the price) But from what I've read and watched, the G85 only seems marginally better and people say it hums whenever its on. Would getting the older G7 that comes with a better lens be a better purchase? (Links
https://smile.amazon.com/PANASONIC-Mirrorless-12-60mm-Megapixels-DMC-G85MK/dp/B01M050N05/ref=sr_1_3?s=photo&ie=UTF8&qid=1523850414&sr=1-3&keywords=panasonic+g85
https://smile.amazon.com/PANASONIC-Mirrorless-14-42mm-Megapixels-DMC-G7KK/dp/B00X409TIC/ref=sr_1_3?s=photo&ie=UTF8&qid=1523850401&sr=1-3&keywords=panasonic%2Bg7&th=1
G85, then G7) In your opinion, does the newer attributes of the G85 outweigh the much larger range lense of the G7 option? This video ( https://www.youtube.com/watch?v=B_fjscdhJ0M ) makes the G85 stabilization seem very impressive. But I'm still on the fence, the 140mm capability of the G7 seems like it could remove the need for a long/tight shot lense.
As per the video you linked, I'm looking at getting the rode lavalier that the speaker mentions due to its convenience and price. I also subscribed and will be watching more.
https://smile.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=sr_1_3?ie=UTF8&qid=1523850906&sr=8-3&keywords=rode+lavalier+microphone
And for room/atmosphere sound I was curious if you use a shotgun mic, or a traditional supercardoid boom mic more often if it is attached above the camera.
If there is any way I could repay you for all the help you've given let me know. You've saved me countless hours of research and hundreds (if not thousands) in mis-bought goods. When I got into recording and mixing I spent weeks researching mics and audio interfaces on forums, reviews, and asking people at my university for their opinion; but the information you have imparted has cut this time significantly in my pursuit of filming. Thank you very much.
Just grab some lav's
[This Rode smartLav is great] (https://www.amazon.com/gp/product/B00EO4A7L0/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&tag=mic-reviews-20&camp=1789&creative=9325&linkCode=as2&creativeASIN=B00EO4A7L0&linkId=4ccaf6812920138f74d980411d5a90a8)
[This ATR-3350] (https://www.amazon.ca/Audio-Technica-ATR-3350-Omnidirectional-Condenser-Microphone/dp/B002HJ9PTO)
[If you can stretch for $800 bucks this will be excellent] (https://www.bhphotovideo.com/c/product/618735-REG/Sennheiser_EW_100_ENG_G3_A_Evolution_G3_100_Series.html)
[This BOYA mic is great and inexpensive] (https://www.amazon.com/gp/product/B00MRMU2HU/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00MRMU2HU&linkCode=as2&tag=pv0dbb-20&linkId=UZT4YZXUAJ7VKBG6)
Basically watch this video and decide what you think is best for your application.
Keep in mind, for a condenser mic you need a sound treated room for the best quality audio.
But yeah, there are FAR better mics out there.
[This is a great setup] (https://www.twitch.tv/videos/140197666)
Not really.
I'd like to offer you some suggestions for your videos that could improve them a lot, if that's ok.
You will never get good audio off a GoPro. You may want to look for a lav-mic option that can run off of an iPhone. Something like this, though I know people will use the hands-free mic that comes with the ear-buds and get okay results. By using a mic close in to yourself, it'll hopefully pick up less ambient noise.
The sad reality, though, is a waterfall is a pretty potent white-noise generator, and you might be better off doing the audio in post. Narrate your techniques over a good mic in a quiet room.
A phone, and maybe one or two of these: https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0
for mics with this too:
https://www.amazon.com/Rode-Microphones-SC6-Headphone-Smartphones/dp/B00KHQW6JU/ref=pd_sim_267_3?_encoding=UTF8&pd_rd_i=B00KHQW6JU&pd_rd_r=GX2K4KT0S7GSDMY3E8QS&pd_rd_w=VDSUL&pd_rd_wg=Ox75l&psc=1&refRID=GX2K4KT0S7GSDMY3E8QS
"Rode" is just a name brand of microphone. I use this one here for recording video on my iPhone, it's known as the SmartLav:
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=sr_1_5?s=musical-instruments&ie=UTF8&qid=1498231302&sr=1-5&keywords=rode+microphone
Plus the Filmic Pro camera app. I highly recommend both. The Rode mic records excellent sound quality. The only problem with it is that it has a short cord. The only real way around this is to invest in a wireless transmitter/receiver set up and those can be costly.
If you're wanting to get video to promote yourself professionally, I always recommend to people to find some college or even HS students (if you're in or near a town with a college) who do or are studying photography/videography and may need some footage/material for projects or who are willing to work for pizza/beer/etc. who want to have some fun and help you shoot video while amazing people on the street, at malls, etc. They usually have some good equipment of their own or can get it through their school to use. Just be careful where you go to shoot (in front of businesses, parking lots, etc) because sometimes you can stir up some trouble.
See some budget options below that will do a great job. Also, if it is not too late to return your Zoom, try to get your hands on the Tascam Dr-10L. The Lav locks in place so it won't accidentally fall out when in use by your talent, also it has a smaller footprint than the zoom.
Purple Panda Mic https://www.amazon.com/Purple-Panda-Lavalier-Lapel-Microphone/dp/B01MSKI46R/ref=mp_s_a_1_1?keywords=purple+panda+mic&qid=1556752190&s=gateway&sr=8-1
Rode Lav
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=mp_s_a_1_3?crid=2W44BLMT566W9&keywords=rode+lavalier+microphone&qid=1556752237&s=gateway&sprefix=rode+lav&sr=8-3
FYI, while shotgun mics are directional, they will pick up what you are pointing at and what's behind it, so they still pick up (literal) background noise. I bought the $200 Rode VMProShotgun and never use it anymore, I only use their SmartLav+ mic ( https://www.amazon.co.uk/dp/B00EO4A7L0/ )
Yes I realized this only lets you capture one person, which you have to mic up first, but it's the only way to get them to sound good, unless you buy an expensive boom mic and have somebody to hold it. IMHO shotgun mics are mostly a waste of money.
Rode VMPro worst case scenario; echos, buzzing light fixture
https://youtu.be/u1VQbFB88wI?t=17s
Rode VMPro so-so quality; outside with wind (basic sponge protector on, no dead cat) and indoors afterwords
https://youtu.be/FW9blag3xRA?t=21s
Rode VMPro best case scenario; outside, no wind
https://youtu.be/auyrRo1iYqk?t=18s
Rode SmartLav+ lapel mic
https://youtu.be/lpf0Jw_46sM?t=17s
If you pick up this for a wireless guest
https://www.amazon.com/Rode-Wireless-Go-Microphone-Transmitter/dp/B07QGGBNMN
Then a couple of these
https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=pd_lpo_sbs_267_t_0?_encoding=UTF8&psc=1&refRID=X9ZX9R5V6TAJHQCHYJ6D
That should put you around your budget. I haven't used either of these products just so you know.
This Røde mic is amazing. Studio quality. http://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/
I would recommend the Rode Smartlav mic.
Its a Lavalier mic that uses your smartphone to record audio.
You'll have to sync it with your fotage in post but the quality is worth it.
https://www.amazon.de/Rode-smartLav-Lavalier-Mikrofon-Smartphone-Tablet/dp/B00EO4A7L0/ref=dp_ob_title_ce
My main bit of advice is invest in a good lapel microphone. Right now with work I use this - https://www.amazon.com/Rode-smartLav-Lavalier-Microphone-Smartphones/dp/B00EO4A7L0/ref=sr_1_17?ie=UTF8&qid=1503314840&sr=8-17&keywords=lapel+mic+iphone
You can really notice in an interview video when the voice is coming from a mic and not the camera mic.
If you're on a low budget a Zoom H1 and a Rode Lav mic will work great, with that mic you'll need an adaptor as it is designed to work with phone ports
Yeah I've used those before, but never owned them because they're a little too expensive for the use I could make of them.
If you're looking to save some money, check out the Rode Smartlav. You could record directly to a smartphone and sync the audio up in post. Might be worth it to you to save $500 (though I'm sure the Sony you linked records at a much better quality).
Tascam DR-22WL, the audio recorder I use in conjunction with a Rode SmartLav+ (had the SmartLav before the recorder, don't need to upgrade the lav though). I use that when I'm on camera talking in my videos, and a Rode desktop mic (NT-USB?) when doing voice overs.
Hello, I'm interested in recording the audio of amateur musical gigs, which usually consist of several singer/dancers with a backing track in an inside hall, or sometimes outside open venue. Budget is ~£50. I've been browsing various things on Amazon/Youtube for a while and decided it's best to just ask the experts directly, after realising that most of these mics seem to be designed for very close-up audio recording such as desktop voice recording. So, can anyone suggest to me what I might want to be buying? Thank you!
here are 3 options but i have absolutely no idea if they're appropriate for my needs:
https://www.amazon.co.uk/gp/product/B00EO4A7L0/ref=ox_sc_act_title_5?smid=A3P5ROKL5A1OLE&psc=1
https://www.amazon.co.uk/gp/product/B06XB6M6HQ/ref=ox_sc_act_title_1?smid=A2JZY3640F5Q45&psc=1
https://www.amazon.co.uk/gp/product/B00ANI7HI2/ref=ox_sc_act_title_4?smid=A3P5ROKL5A1OLE&psc=1
after help from your reddit, i ended up deciding on these (havent purchased yet) https://www.amazon.co.uk/gp/product/B074C2GL2P/ref=ox_sc_act_title_8?smid=A1JM8SBC7Q3J8T&psc=1 and one https://www.amazon.co.uk/gp/product/B0773FL565/ref=ox_sc_act_title_9?smid=A2558Y5X3K7V67&psc=1 just to try it out / see if it's viable
Amazon prime, overnight shipping, under $100. It'll be better than the internal mic on your camera.
https://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardioid/dp/B00GQDORA4/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1524162067&sr=1-1&keywords=rode+external+microphone
Yes but more specifically this https://www.amazon.com/dp/B00GQDORA4/ref=cm_sw_r_udp_awd_e0hZtb0EKER2T6VM but the a6000 doesn't have a mic jack. So would a audio adaptor work?
> Or just external 3.5mm analog mic to connect it with my DSLR camera?
Maybe try a Rode clip on mic attachment.
Try and get a small set up for that price instead of just the camera. Get her a camera, a tripod, a microphone, and if you can a light as well.
The Nikon D5100 is a great DSLR that can do 1080p. It's got a 3.5mm microphone port so they'll be able to plug in an external mic for better audio. A tripod like this will be great as it's sturdy, can go up to 1.4m and has a spirit level on the head. These microphones are brilliant. This light pack even includes 2 lights and 2 tripods for them.
Hope this helps (and the UK links work).
Oh, you already have the camera. I was interpreting it as you found it for sale and wanted to know if you should buy it...
.
I assume that model of camera has a connection for adding a microphone (as far as I can tell, there are several models of the EOS rebel).
The Rode video mic is a popular choice, and isn't too expensive.
> Videography is basically just photography squared when it comes to equipment costs.
Good to know. The more I'm learning the more the SL2 seems like the right choice, at least for a beginner like myself.
> Also happen to be friends with a few cinematographers / video geeks.
That's cool. I either forgot or was never aware of how popular photography and videography are as hobbies.
Any recommendations on a DSLR microphone? I'd like to keep it under $100, but I'd be willing to spend up to $150 if necessary. I was thinking of just getting something like this that sits on the top of the camera. That way my setup is super easy to just film and go, and I could also do some vlog style videos if I wanted.
No sweat man, keep it up!
For audio, I have a Zoom H4N recorder that I got used for $100. It does a surprisingly good job for how inexpensive it is. You can also plug nice mics into it if you can find a deal on a shotgun mic. A cheaper/easier option is Rode's DSLR mic that goes in the hot shoe port. Better sound is going to make your videos much better. Anywhere that you don't get great sound, cut to B-roll and do voiceover in a quiet room at home.
Good luck!
If you check out my channels latest video I use the C920 and to me looks nice and crisp. I use my own lighting which helps an f ton for the c920 (2 desk lamps with L.E.D bulbs). Here's my settings for my C920 if you're interested.
For filming other things and what not, it's gonna be pretty expensive if you want quality recordings, just having a gander on something I'd use, might cost upwards of $600 AUD. But most cameras can easily work with OBS, either via a capture card or it's in built functionality.
Edit: If I was gonna buy a camera for on the go stuff I'd go for this and probably this for mic and I'd probably count that as mid tier equipment at most.
Looking for recommendations for a shotgun mic for VLogging. I’m rocking a 5D right now so I’m trying to not add much more weight. The Rhode Go with a cat seemed like a possible option. And it’s $30 cheaper on Amazon vs B&H.
Thank you! :) I was using the Rode shotgun mic! An older version of this one https://www.amazon.de/Rode-VideoMic-Kamera-Mikrofon-Halterung/dp/B00GQDORA4/ref=sr_1_2?ie=UTF8&qid=1538842289&sr=8-2&keywords=rode+shotgun
Greetings!
Ah, okay.
Sorry, the type of video production I am most familiar with is the kind for short film production, music videos, weddings, things of that nature. So I don't feel 100% comfortable trying to give advice on things of this nature. Just from a quick glance though it looks like the adapter to connect an external microphone to your GoPro is $49.00 just by itself.
That leaves about $51 on your maximum budget, which rules out my preferred style of handheld camera microphone, the shotgun mic. If you already have the adapter and therefore don't need to spend the $49 I'd heavily recommend Rode products, specifically for your needs the Videomic Go.
There is this inexpensive shotgun mic bundle that I found on Amazon, but I don't have the experience with this product like I do with Rode products to speak to it's quality. It does record in mono sound, but you can duplicate the audio track in your editing program to simulate stereo. For a quick and cheap setup you can get the adapter and this shotgun mic and that will still be better than audio straight out of the GoPro.
The reason I prefer shotgun mics to lavalier mics is that you have the ability to capture sounds other than yourself if you so desire to, but also lavalier mics have a habit of being obscured by clothing and being affected heavily by wind. I'd hate for you to record a vlog only to realize your sweatshirt had been over your microphone for the better part of the day and now you have no useable audio.
But if you are set on the idea of a lavalier mic then your best bet for the GoPro would be this kit I found on Amazon. You don't need an adapter because it's meant for the GoPro, and it comes with a windscreen which will reduce your wind interference. And at the price this honestly might be your best entry-level audio option for that camera set up to add some production value to a vlog.
Great stuff as always. An external audio recorder might be a solid investment. Good audio bumps up the production quality of any video. An external mic (like this would also work wonders
This is the mic I'm using
Rode VideoMic GO Light Weight On-Camera Microphone https://www.amazon.com/dp/B00GQDORA4/ref=cm_sw_r_cp_apa_i_3qm0Db43TC2PP
Rode VMGO Video Mic GO Lightweight On-Camera Microphone Super-Cardio https://www.amazon.com/dp/B00GQDORA4/ref=cm_sw_r_other_awd_m2bKwb8WHJX5H
I don't know much about microphones but this is pretty much always the most recommended I see under 100
Manual focus should be quieter, if not silent. An external mic makes the whole camera a bit big and chunky but helps reduce the amount of sound picked up on the camera itself: http://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardio/dp/B00GQDORA4/ref=sr_1_1
>I really respect and appreciate all of the work you do for Central Coast D
Thanks!
> How fast and easy it is to put on and remove?
Very! I don't use the strap, so you just grab it, and it comes right off. We used it to shoot our round with McBeth, and it was super easy to pass back and forth.
For the breathing issue. When I didn't have a shotgun mic I would just try to breath away from the camera. A shotgun mic (I have the model up from the linked one), helps a ton. It really eliminates sound that's not in front of the camera.
An external microphone would surely help with the audio issues you're having. Something like this set on a small tripod out of frame might do the trick.
like I said it was just the one video that was really bad wind noise and others were mostly fine great channel btw, and I did subscribe, the more chem channels the better, ill be watching some more in spurts. and I don't mean to assume you're Indian or even living if India if you are but due to your appearance and voice that was my assumption so here's a link to Indian amazon with a lav mic for what equates to 15 USD . its worth spending money on your channel, its an investment money in = higher quality out = better search results from youtube algorithm and also more views/ people wanting to stick around and subscribe and that's how you start making that youtube money edit: link https://www.amazon.in/Boya-Omnidirectional-Lavalier-Condenser-Microphone/dp/B076B8G5D8/ref=sr_1_1?keywords=lav+mic+gopro&qid=1572498206&sr=8-1 edit2: if you do decide to invest more into your channel here's a better mic for https://www.amazon.in/Rode-VMGO-Lightweight-Microphone-Super-Cardioid/dp/B00GQDORA4/ref=sr_1_5?keywords=outdoor+mic&qid=1572498612&sr=8-5 ₹ 6,349.00 another chemtuber extractions&fire uses one
It seems a bunch of people have already dived into some of the sound issues you're having, so I won't go into it too much - I do agree that a shotgun mic would probably be your best bet, with Rode offering some semi-affordable yet very high quality options, such as:
http://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardio/dp/B00GQDORA4/ref=sr_1_3?ie=UTF8&qid=1425203459&sr=8-3&keywords=rode+videomic
I am definitely a Rode-head and love their products.
I do like the corner you're in, with the Dr. Seuss artwork a nice pop of color as well as just a nice bit of insight into your surroundings and personality. Also really nice to have an outro video, so good job there, as that's something I would highly recommend everyone add.
If you have some money available, I'd recommend buying a light stand just for a key light on your face - you don't have to buy three lights for the traditional three point setup, but just some more focus on your face would be great.
And my final piece of advice would be to try and shorten the video as much as possible, as the average YouTuber loves shorter videos. This could be done by just quickening your pace a bit, along with removing some auxiliary stuff such as reading the questions aloud. I know this can be tough, as it's excruciating for me to cut out stuff from all the material I've gathered!
I just picked up a [Rode NT-USB] (https://www.amazon.com/Rode-NT-USB-USB-Condenser-Microphone/dp/B00KQPGRRE/ref=as_li_ss_tl?ie=UTF8&qid=1526506838&sr=8-2&keywords=nt+rode+usb&linkCode=ll1&tag=thesysadminch-20&linkId=36cb209ceaf0e58a89cad9db949bf23f) and I love the quality. It has a great tone and has a good depth to it. It is a little pricey at $169 on Amazon but if you're going to be doing videos for the long haul I definitely think its worth the money.
While I was doing my research i also noticed a lot of people mention that they had a Blue Yeti from Blue Microphones and they liked it as well. This is also a USB mic and the sound quality is really similar (and the mic is about 50-60 bucks cheaper) but I just really liked how the Rode Mic sounded.. That's just personal preference. You can find this mic at around $100 so its still a little pricey but again, if you're going to be doing videos its still worth it.
If you're looking for something to use with a DSLR camera, I like the way the [Rode VMGO Shotgun Mic] (https://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardioid/dp/B00GQDORA4/ref=as_li_ss_tl?s=musical-instruments&ie=UTF8&qid=1526507932&sr=1-1&keywords=rode+shotgun+mic&linkCode=ll1&tag=thesysadminch-20&linkId=35f8c1b5488c41dba8cf0a011e6d6db4) sounds. It has that full sound and this one comes in around a little under $80.
Finally if you're looking for something under $20 I would probably go with the [Boya By M1] (https://www.amazon.com/BOYA-Electret-Condenser-Microphone-Smartphones/dp/B00MP566OM/ref=as_li_ss_tl?s=musical-instruments&ie=UTF8&qid=1526507786&sr=1-1&keywords=boys+by-m1&linkCode=ll1&tag=thesysadminch-20&linkId=c8648c47cac36d32bf6e84c547b8fdfa) mic. This is a lapel mic so its easily portable and for like $16 its a great starter mic.
I did my research for about 2 months because I was so indecisive on which type i wanted i get for my use case. Since I do Voice-overs I wanted to get something that's easily compatible with my laptop so thats why i chose the USB route. Keep in mind that audio quality is just as if not more important than the video quality.. If you're audio sucks, you won't keep long retention rates which means your videos won't rank as high which means less views and ultimately less subscribers.
Hope that helps!!
I think you mean deadcat like wind shield. What I mean by shielded is against RF interference that electronics sends out. It might just be unshielded cables but I'm not sure
Some of the Amazon reviews talks about it (search interference)
https://smile.amazon.com/Rode-VideoMic-Weight-Camera-Microphone/product-reviews/B00GQDORA4/ref=cm_cr_arp_d_viewopt_kywd?sa-no-redirect=1&pageNumber=1&filterByKeyword=interference
I think what you're looking for is a shotgun microphone
it's what's used on film sets and the like to get primarily the actor's talking and not the sound of the people walking around them
something like this but there's a load of them
most of the cheaper ones'll be 3.5mm input, but if you get pricier they'll be XLR. honestly if you're just using it for talking I wouldn't go too expensive anyways.
as always if you're gonna go for something, look up lotsa reviews yo. they'll save your life
it won't completely stop speaker noise, but it should make it a lot better
Here you go: [Rhode Shotgun Mic] (https://www.amazon.com/gp/aw/d/B00GQDORA4/ref=mp_s_a_1_1?ie=UTF8&qid=1487820893&sr=8-1&pi=AC_SX236_SY340_FMwebp_QL65&keywords=rhode+shotgun+mic&dpPl=1&dpID=311njjpFONL&ref=plSrch)
Were you interested in the camera?
J'ai ça mais la disposition de ma pièce crée peut être un peux d'écho je sais pas. Faut que je me renseigne pour peut être nettoyer le son au montage :(
Here is the mobile version of your link
Thanks man, I know that took a lot to write out. I'm definitely interested in a nicer Gimbal but it would have to be in the future.
So I'm liking the idea of a smaller setup shoulder rig/stabilizer but under $200 that I could use comfortably on hikes.
Should I be looking at something like the [Roxant Pro](Thanks for the insight. If I went monopod, wouldn't it be the same stress though of holding that around for 20-40 minutes at a time? Or maybe I'm missing something on how to work with them.
What about something like this Roxant Pro or The Neewer Shoulder Rig?
Any other suggestions?
I purchased a Neewer Shoulder Rig a while ago and was surprised how good its build quality actually is. Worth picking up for the price in my opinion.
https://www.amazon.ca/Neewer-FilmMaker-Camcorder-Dual-hand-Camcorders/dp/B00GTMBA7K/ref=sr_1_6?ie=UTF8&qid=1487655901&sr=8-6&keywords=shoulder+rig
I used this for a bit, not the exact model but essentially the same, but I bought 4" rods to put on the back end and attached a weight to it, helped with the balance.
As for the movements... looked like a lot of moves were initiated with the knees and sometimes added a dutch tilt in there, and then I also noticed what I think is a lot of medium range lenses (85mm?) with jerky pans and tilts.
Shooting jerky video is easy, editing it to match the look your going for might be the tricky part.
IMHO I'd stay away from cheap follow focus/matte boxes and go with just the shoulder system.
I just got the PR-1, quality seems pretty decent. There's also Neewer and Polaroid rigs that are very affordable.
Absolutely. I started with a Neewer stabilizer, I've yet to invest in a motorized gimbal myself, as those go for upwards of $600 for a decent one. For short docs I find myself using a shoulder rig the most, and for a shoulder rig I started with the Neewer brand as well. This brand was my best friend starting out lol. The stabilizer/glidecam will take a tinsy bit of practice but this particular one has served me very well personally. YouTube search the gear you're eyeballin, see what others say, and you'll surely make the best choice suited for you. Cheers!
https://www.amazon.com/dp/B00NJKJ1IA/ref=cm_sw_r_cp_apa_0tLLzbKA1ZE19
https://www.amazon.com/dp/B00GTMBA7K/ref=cm_sw_r_cp_apa_IzLLzbHH9G1YM
Film City rigs are decent for their price. I had one a few years ago and then upgraded to a VariZoom rig.
This one looks promising:
Neewer Portable FilmMaker System With Camera/Camcorder Mount Slider, Soft Rubber Shoulder Pad and Dual-hand Handgrip For All DSLR Video Cameras and DV Camcorders https://www.amazon.com/dp/B00GTMBA7K/ref=cm_sw_r_other_awd_iazPwbWHDGHJH
I use this with BMPCC. Its inexpensive leaving you money for accessories.
Its not huge and its built to interchange anything from the rails, shoulder pad, and even add a weight, Follow Focus, and Matte Box.
To each his own but it works for me! Hope i helped.
This is the stabilizer: https://www.amazon.com/Neewer-Aluminium-centimeters-Stabilizer-kilograms/dp/B00NJKJ1IA
On a college student's budget, I imagine something like this would be best:
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_2?s=photo&ie=UTF8&qid=1469684126&sr=1-2&keywords=glidecam
I haven't used this unit, but the reviews are positive.
Even still...an effective 56mm focal length feels a bit narrow for this kind of thing. I'm not an expert with the things, but I've typically seen between 20mm - 40mm used more commonly. And there is definitely a learning curve with glidecam-like stabilizers.
If your budget is higher then you could try out the DJI Osmo, an all-in-one camera and stabilization device for $500-ish. The footage it produces isn't amazing, but it stabilizes well and has a wider 20mm-equivalent focal length.
mexicojoe is right, though...you could use a tripod. Mounting a camera to a tripod and carrying the rig by the legs will give you a steadier shot than handheld thanks to the added weight. But it will still be very very shaky at 56mm.
Appologies in advance if this is not the best place to ask this, but I could use some help. I have recently started to make use of my DSLR (a Nkon 3200, btw) for filming, and I've been looking at stabilisation setups. I've found three that look good, but I'[m having a hard time deciding between them, so I thought I'd see if any of you lovely people have any comments that might help me. My camera weighs in at around 700-850g, depending on the lens I'm using.
These are the three that I've narrowed it down to, any advice would be most appreciated.
Fotowelt
Koolertron Mini
Neewer
Not recommending it, but I've been looking at this (https://www.amazon.com/dp/B00NJKJ1IA/ref=cm_sw_r_other_awd_wq8-wb22ME7PP). It's what came up when I searched another obscure brand I watched a review on that looked good. Definitely do your research, as I will.
What kind of camera do you have? For my DSLR I use a steady cam. This is a pretty cheap and good one.
Steady Cam
Hmm ive just watched some video on the ND Filter, that looks awesome!! Ill Be sure to grab one of those, is £100 About the norm for one of these?Also hand held stabiliser? Would oyu be able to suggest one or two? I have looked at many of these things and there are allot of conflicting views, I know smooth shots will make me look more professional but I dont know where to start. I mean there are some I have seen on amazon Neewer Glidecam Copy and this one eimo 60centimeter Magic Carbon. From looking over the amazon reviews, they all seem to offer the same sort of quality. Not Hollywood level, but good enough to get started?.
Would you suggest something like this Handheld-Stabilizer Neewer I have no Idea if this would do the job but they seem to go up to ££££ mega cash.
I like the idea of the portable light but I get what you mean with the direction, I meant more like what portable lighting or lighting in general should I be getting for a music video, or should it be those big silver reflectors?
I'm a downhill skateboarder and a few of my friends use a DJI Ronin stabilizer to ride along with other riders and film. Unfortunately there aren't many gimbal stabilizers that are under $200 that would be useful for riding along and filming. However, you could get a simple scorpion grip that would serve the same purpose, though not with gimbal level stability.
If you're not going to be riding along with them and instead will be standing and filming while the riders go by, you could get one of these. A friend of mine has one and the footage looks great.
Steadicam: https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_16?s=photo&ie=UTF8&qid=1482698629&sr=1-16&keywords=steadicam
Thanks for helping! I don't have a lot so far, but I'm in a position where I can buy more equipment.
https://www.amazon.com/Neewer-Handheld-Stabilizer-Release-Cameras/dp/B00NJKJ1IA/ref=sr_1_1?s=photo&ie=UTF8&qid=1478792372&sr=1-1&keywords=steady+cam
http://www.amazon.com/Canon-EOS-Rebel-EF-S-18-55/dp/B00BW6LWO4
http://www.amazon.com/Rode-NTG2-Condenser-Shotgun-Microphone/dp/B00093ESSI
If you can provide with a list of stuff I would need to reproduce something of similar quality, ideally for fairly cheap, I'll happily give you gold for your troubles!
https://www.amazon.com/gp/aw/d/B00NJKJ1IA/ref=mp_s_a_1_4?ie=UTF8&qid=1494504575&sr=8-4&pi=AC_SX236_SY340_QL65&keywords=steady+cam&dpPl=1&dpID=41WhFqqDMRL&ref=plSrch
Super cheap and well made, you should just practice on using it first. I used it in my music video for the opening shot.
I think you will find a drone frustrating to carry around. If I were you I'd spend the money on a gimbal to make your gopro footage more usable. I've used this one before and it makes a huge difference: https://www.amazon.co.uk/dp/B00T32A0K6/ref=cm_sw_r_cp_apa_Zz.wxbSXB8R1K
I brought both my GoPro Handler and Feiyu G4 in the parks Saturday and Sunday. Had them both on the top of my camera equipment and pulled them out first thing saying "these don't extend" and showed them.
If you demonstrate that you know what they're looking for and aren't packing what they're looking for it's generally not a problem. "Worst" I had was one guard warning me to be careful with my collapsible tripod.
thanks for the tips!
Is this the gimbal you mentioned? https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6
Did you get the yi 4k? Any lack of software compatibility? (err, I guess it's just a bunch of avi or dvi files. just no gopro software).
That looks like a mean little point and shoot Canon! Probably great size to have on the slopes.
Do you mean that you literally ride filming with the gimbal in your pocket? wow!
No it's really easy ... I got a Feiyu G4 stabiliser for my GoPro, it's sick!
http://www.amazon.co.uk/Feiyu-3-Axis-Handheld-Cameras-Similar/dp/B00T32A0K6
https://www.amazon.co.uk/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6/ref=sr_1_3?ie=UTF8&qid=1520253530&sr=8-3&keywords=gopro+gimble&dpID=31YZSD9xEZL&preST=_SY300_QL70_&dpSrc=srch
https://www.amazon.com/3-Axis-Handheld-Gimbal-Cameras-Similar/dp/B00T32A0K6?th=1
A lot of people seem to recommend this one:
Feiyu Tech Phone Gimbal
by Feiyutech
Link: https://amzn.com/B00T32A0K6
It's $215 right now, so it's cheaper than some, but the footage I've seen with it seems to be pretty smooth.
Here's a handheld gimbal for $200 USD, just a little bit cheaper:
https://amzn.com/B00T32A0K6
I use this one, works perfectly fine
I got this rode mic and I've liked it! It takes a battery, which is supposed to give it more range. I've not compared to head-to-head with anything else, but there are a crap ton of youtube vids that do just that if you want to compare!
I'm no expert, but how about a G7 kit/bundle, Røde Mic + Deadcat and finally a decent tripod?
The G7 is really great as far as I'm concerned, especially for the price. I'm guessing it's way better than any camcorders you can get for the same price.
Grab a pair of these lights. They're shitty and really white but they will do the job on your budget.
As for the Rode, it's probably not a good idea since you will need a boom pole, stand, XLR extension, and audio recorder to get it to work to its full potential. You can blow your $500 alone right there. So, for now, pick up a VideoMic Pro.
Its a Canon 70d w/ 18-135mm lens and 17-85mm Lens (the 17-85mm is the one that clicks when it is focusing) For a microphone he uses a Rode VMPR VideoMic Pro R. He used the NEEWER 160 LED light for the ursla series. To mount the microphone and light he used something like the Eynpire Camera Triple Mount.
LimoStudio 700W Photography Softbox Light Lighting Kit Photo Equipment Soft Studio Light Softbox 24"X24", AGG814 https://www.amazon.com/dp/B00E4YS2XU/ref=cm_sw_r_cp_api_ZTQSzbVNKB89F
these lights are amazing. I agree with what someone else on this thread said about sound quality, if your using sound for films a good mic is a necessity.
Rode VMPR VideoMic Pro R with Rycote Lyre Shockmount https://www.amazon.com/dp/B00YAZHRZM/ref=cm_sw_r_cp_api_iXQSzbKQ519VP
This mic is pretty good for recording, your also going to need a boom pole. For the lenses ND filters are a must as well, get these and some stopping down filter rings for your lenses. The lenses someone listed down below look pretty good
mate you mean this RODE
Amazon.com: Rode VMPR VideoMic Pro R with Rycote Lyre Shockmount: Musical Instruments
https://www.amazon.com/Rode-VMPR-VideoMic-Rycote-Shockmount/dp/B00YAZHRZM/ref=sr_1_1?ie=UTF8&qid=1478799161&sr=8-1&keywords=rode+videomic+pro
$229.00
if it's really worth it ... I might ...
These Lav's are great especially since you don't need to buy a recorder to go with them if your actors have iPhones.
I recommend a lens with Image Stability or a shoulder rig. The Office is shot handheld, but unless there's some stability, your footage will come out looking like Cloverfield.
Practice your whip zooms and focus pulls. Study the script. Look for the comedic moments and find how they can be complimented with clever cinematography.
Good luck!
Dude awesome!
Getting better with each video!
You should get a simple mic so your sound won't be crappy
Rode SmartLav+
Will a top mounted shotgun work for ya?
http://www.amazon.com/Rode-VMGO-Lightweight-Microphone-Super-Cardio/dp/B00GQDORA4/ref=sr_1_sc_1?ie=UTF8&qid=1452211788&sr=8-1-spell&keywords=rode+shotgu
Rode is a good brand. At $75 I wouldn't call it that cheap, but you could try out a Movo http://www.amazon.com/dp/B00RNDD4IW?psc=1
Much cheaper but I don't know if they're good. See what the reviews say
Camera: canon t6 refurbished $350
audio: rode ntg2, an xlr cable, cheap boom pole
You can get the mic used for about $200, spend another $200 for a tascam dr-60
A 5 in 1 reflector kit from neewer for another $20
A few clamp lights and 3200/5600k bulbs
An okay tripod for now
And a cheap shoulder rig
That all should come out to around $1000 and should definitely be enough to get you started. Some of the stuff is a bit cheaper and you’ll need to replace as you move on and understand your needs better but there’s not much quality equipment to be bought if you need a whole package for around $1000
http://www.amazon.com/CowboyStudio-Shoulder-Support-Camcorder-Camera/dp/B0036NMQ7S/ref=cm_cmu_pg_t
Best bet is probably a G7 + kit lens for $797.99. If you wait a bit you might be able to find them on clearance since the G9 was just announced.
Use what's left to buy an external mic such as this as well as an SD card while leaving some budget for a faster lens if you so desire.
This is the gimbal he is using. All the gopro gimbals are around $200 USD.
https://www.amazon.com/FY-WG-3-Axis-Wearable-Gimbal-Stabilizer/dp/B011YNWKEA
Something like this?
Dude pay the extra 120
https://www.amazon.ca/dp/B018KIJGU8/ref=cm_sw_r_cp_awdb_t1_PMvJBbAT9FQY9
Then we have to change tactics; stop shoving phones in their faces.
>It's like people who prefer to listen to vinyl because of the aesthetic. I just like doing it, even though it's more inconvenient and lower quality.
And this is why I hate it.
Stop being a stupid hipster and film in HD. At least vinyl has the advantage of being true analog-analog recording, SD is like using a cassette instead of a CD with none of the upsides (i.e. HD is more portable/durable/etc.). If you were filming with legit film (8mm, 35mm, etc.) I could respect that (if you didn't go bankrupt trying, lol).
It's not so much the actual pixel resolution (I will fight to the death that lower resolution cameras can have a far superior image quality, there is far more to a camera than how many pixels the sensor has, anyone that has seen 1080p Arri Alexa footage against most 4K footage understands), it's the fucking interlacing and 4:3 ratio. Everyone is viewing on a 16:9 progressive scan screen nowadays and combing artifacts on a progressive scan screen gives my eyes cancer. Even when you digitally de-interlace, it still only looks "OK" and is still the wrong aspect ratio. May as well film with a cell phone in portrait mode if you're going to forego standards that much.
Also, everything you said about HD cameras is your own fault/problem. There are tons of fantastic ultra-portable light weight cameras out there either through name brand GoPros or the numerous chinese knockoffs like the Firefly 7S that actually offer amazing quality and resolutions up to 4K with far better low light and contrast than a VX will ever do. They come with built-in fisheyes and a host of digital options, some including excellent digital gyros that will smooth out even a jittery filmer's hand (though the gyro does require cropping some of the viewing angle, so it's a filmer's call which is best for the situation). All you need is a $20 caddie and it's just like holding a VX.
VX's were overrated even back in the 90's/early 00's, but now they're just a dinosaur. It became this ridiculous circle jerk for no reason and it never had any merit whatsoever. You may as well record your next music album with this.
Here you go.
I just saved you one Project Ara.