Top products from r/industrialmusic
We found 21 product mentions on r/industrialmusic. We ranked the 23 resulting products by number of redditors who mentioned them. Here are the top 20.
1. Assimilate: A Critical History of Industrial Music
Sentiment score: 0
Number of reviews: 2
Oxford University Press USA
9. There Is No Time - The RAS DVA Quadruple Compilation - The State of the Art on Four Discs
Sentiment score: 1
Number of reviews: 1
11. Cyanotic Presents: Gears Gone Wild
Sentiment score: 1
Number of reviews: 1
Shrink-wrapped
13. Riders on the Storm: The Doors Concerto
Sentiment score: 0
Number of reviews: 1
KENNEDY / COLEMANINSTRUMENTALESINTERNATIONALMUSIC
16. Psalm 69: The Way to Succeed & The Way to Suck Eggs
Sentiment score: 0
Number of reviews: 1
Ministry- Psalm 69
18. Wreckers of Civilisation: The Story of Coum Transmissions & Throbbing Gristle
Sentiment score: 1
Number of reviews: 1
"Industrial" music started here
http://www.discogs.com/label/Industrial+Records
The slogan "Industrial music for Industrial people", coined by the lovely Monte Cazazza, was where the actual term "Industrial music" comes from.
Largely it was a synthesis of medium and message; through a combination of sound and presentation TG looked to communicate thoughts, feelings and criticisms of modern (between 1975-1981) life. It was NOT about noise for noise sake. It was experimental. Listen to 20 Jazz Funk Greats, listen to D.O.A; these are not super noisy records but they are Industrial.
This is great reading for more of the story http://www.amazon.com/Wreckers-Civilisation-Transmissions-Throbbing-Gristle/dp/1901033600/ref=sr_1_1?s=books&ie=UTF8&qid=1347582593&sr=1-1&keywords=wreckers+of+civilization
As far as bands that embody that synthesis of form and message, making more a collage project than just a "band" (and that don't involve directly members of TG) , I can think of a few off the top of my head: Prurient,Death Grips, Grouper, Msott (maybe). And actually...although I'm not a fan...I have to hand it to Amanda Palmer for putting her money where he mouth is and making the form and concept of her music mesh in a way not dissimilar from how TG employed fans to create zine's and fans clubs.
In short, to me, Industrial Music represents a holistic view of artwork involving the process, presentation and final output in a raw and honestly emotional or intellectual way.
Well, the bands that made it out of the 70s were the exception rather than the rule. And the Pistols (and the Damned, and countless other "proper" punk bands) were really just recycling '50s rock & roll, but louder and sneerier. Initially it was interesting and "arty" but it became a rigid template incredibly quickly.
There's a reason Lydon went on to PiL - because he was clearly better than punk would let him be as Johnny Rotten. And Siouxsie Sioux and Pete Murphy effectively invented Goth because equally, punk wasn't open to the things they wanted to do. The bands that stuck with it - UK Subs, The Damned, even the Clash - just recycled the old stuff or kept with mainstream pop/rock styles into the '80s.
What I've read of the original punk scene tends to paint it as aggressively conservative. The bands may have initially been "experimental" but once the die was cast, that was it. TG were lumped in with punk initially, although they were clearly much more of an intellectual endeavour, because of their transgressive style. Subcultures, scenes and music genres weren't really that much of a thing to most people, so there was a huge amount of crossover in who would play gigs and what the audience would be like.
You should read 'Lipstick Traces' by Greil Marcus, 'Rip It Up And Start Again' by Simon Reynolds and, most certainly, 'Wreckers of Civilization' by Simon Ford, for a great cross-section of the late 70s music scene.
Industrial has forever borrowed production elements from both Rock and Electronic genres. Front Line Assembly was originally very much EBM but moved into a more death metal influenced sound in the 90s, and is now using production elements from modern EDM like drum & bass and dubstep. Numerous other Industrial artists explored Dark Trance sounds in the 90s/early 00s as well; in fact if the band wasn't experimenting with something else they stagnate quick.
Like it or not, this sound is here to stay for a while and expect more and more artists to explore it. Either embrace it or become the old fart yelling 'get off my lawn' and 'music isn't just what it used to be'.
New Artists like Comaduster, Diskonnekted, Modulate, and Binary Park are all exploring EDM production elements from drum & bass and dubstep. Remixes from Aesthetic Perfection to Wumpscut now feature those production elements as well.
Hmm, kinda interesting. EBM/trance/psychedelic from Canada, sounds like they have been around forever with very little visibility.
https://www.youtube.com/watch?v=7sSbyHTj88c
https://www.amazon.com/Masters-Conspiracy-Cryptomnesia/dp/B001CJTCOS
http://www.inmusicwetrust.com/articles/50e03.html
http://barsnbands.net/listings/bands/466/
https://store.cdbaby.com/cd/theatreovidiots
Try it on Spotify, there's a 12 track album. First 3 are good.
This list is great, I'd second these recommendations to OP. If you're interested in making a starter purchase, the Gears Gone Wild compilation would be right up your alley. Features a lot of the bands mentioned above plus a few others that are in a similar vein.
Yeah, in recent years he is.
I know that in his memoirs he was mis-crediting Mike Scaccia for things that he was never involved in to start with.
I highly recommend Chris Connelly's memoir which predates Al's, and also comes in Audio book form, narrated by Chris himself ( It's HILARIOUS!!).
If you miss Paul Barker, go listen to his album "Fix This!!!" or his band "Flowering Blight". Both are excellent albums close in sound to older Ministry.
https://www.amazon.com/Assimilate-Critical-History-Industrial-Music/dp/0199832609
Alex Reed's a solid guy. Don't be a dick.
It wasn't clear where to buy Black Plague online, but it's on Amazon at a few sellers:
https://www.amazon.com/gp/offer-listing/B075B84JHJ/ref=nav_signin?ie=UTF8&condition=new&qid=&sr=&
You can download both albums as an MP3 through Amazon.
SunnyPsyOp
Devils in My Details
maybe worth a read scan - i'm reading it now - but is a slow process since every page leads me online to listen to more and more music: https://www.amazon.com/Assimilate-Critical-History-Industrial-Music/dp/0199832609/
Which bush? It's on the Psalm 69 record. And any of the live versions from that time (just one fix- Australian tour release is live versions of most of the Psalm record.) Psalm 69: The Way to Succeed & The Way to Suck Eggs Amazon
At that point, just buy the Virgin Voices comps.
https://www.amazon.com/Virgin-Voices-2-Tribute-Madonna/dp/B00004RJ1O
Satanic Submarine by Okusa?
Jaz' classical stuff is typically under his name. Two symphonies, Fanfare for the Millenium and Island Symphony. He also has a few others which have not been released as far as I've found. Total departure from KJ.
The classical versions of other bands that I can remember offhand are Us and Them for Floyd, Kashmir for Led Zeppelin and Riders On the Storm: The Doors Concerto for The Doors.
You should check out Lion (the Peter Murphy album), even not being a big fan. It's really heavy and absolutely intense.
Raymond's been promising a new album since well before 2015. He apparently had some money issues or something, which prevented him from recording for a long time. Then he had a massive health scare last year, burst abdominal wall or something (per his usual, he was rather vague about it and details were scarce), but he seems to have recovered. The posts about it seem to have been purged from his Facebook, and the Swining website hasn't been reliably updated in years. Even the forum is offline.
Do you know Prick (Kevin McMahon)? He'd be up near the top of my list if he would produce some new material more often than once a decade.
Sadly, neither version of "CorpseFucker" on this album is the one from Coldwave Breaks II.