Best monopods according to redditors

Or, for $7.83 on Prime

:D

They could have had something like this, in which case the cameraman was nowhere near the line of fire.

This is a real thing: http://www.amazon.com/Opteka-X-ARM-Extender-Portrait-Handheld/dp/B0035H7W2E

i recommend this pole.



It's spent more than 5hours down to 25metres in freshwater and seawater when scuba diving. Its been hung out of airplanes and dropped more than 100 times...

Absolutely solid compared to the GoPole i used to have!

Why would you make your own ugly piece of crap or mess about with string when this is $16?

Hello :-)

As /u/sflamel wrote -> For hand-held, <=10x magnification is recommended.

20x isn't overly high, so you can probably get away with any camera tripod.

• Cheap tripods 1 2 - Random links. These are not very rigid. I have a cheap one somewhat similar like these, and it works, even with my smaller spotting scope. But if you invest a bit more, they will be of noticeably better build quality.
  
  
• Binocular/Tripod adapter 1 - Random link, you can get them cheaper off ebay; 2^(YMMV/Long shipping times)
  
  Another alternative could be a mono-pod. 12345. Monopods are better for lower magnifications though; Also see this forum topic.
  
  The deluxe solution is THIS of course ;-)
  
   
  
  In the summer, when the ground isn't cold, you can also lay down and just rest them against your head.
  
  With these binoculars you'll going to be able to see the Gallilean moon's of Jupiter, Saturn will be a bit elongated 'dot', and of course many star clusters and a bunch of nebulae and galaxies will be visible as faint glow.
  
  Have fun!
  
  //edit: Added links

There are a couple factors that you need to take into account when choosing a telescoping pole mount:

• Application (underwater, outside window while driving, walking, etc)
  
• Maximum (fully extended) length
  
• Portability (fully collapsed length)
  
• Price
  
  I did some research and ended up trying a couple different products, and I'll share my thoughts on each one with you.
  
  ----------------
  
  XSories Big U-Shot
  
  | Min (Collapsed) Length | Max (Extended) Length | Weight | Price |
  |:-:|:-:|:-:|:-:|
  | 8.75in (22.23cm) | 37.75in (95.89cm) | 4.1oz (116.23g) | $39.99 |
  
  Pros:
  
  
• At ~9 inches, the XSories Big U-Shot is almost small enough to be pocket sized. I actually put it in my swimming trunks pocket and used the included carbiner to clip the bottom of it to a belt loop (yes my swimming trunks have belt loops) to prevent it from falling out. It ended up being fairly comfortable while sitting on a jetski.
  
  
• The extension locking mechanism allows for quickly readjusting pole length.
  
  
• With a max reach of 37.75 inches, you can easily fit yourself and a bunch of your friends into a nice selfie - and depending on the angle you use, you won't even see the pole.
  
  
• The pole is light enough to float with an attached ProFloaty (3rd party floaty with attached tether).
  
  Cons
  
  
• This is not meant for shooting in or around water. I took it on the ocean for one day, and all of the metal in the ball head noticeably oxidized.
  
  
• The locking mechanism seems cheap and flimsy, you basically pull out a section and twist it to the side and it seems to lock with friction.
  
  
• Maybe it's because I over tightened the tripod mount, but the little clear disk under the 1/4" screw started cracking after about 3 uses, and will likely fall off shortly. This confirms my suspicion that the entire ball head on this one is a bit too fragile.
  
  
• Due to it's light weight I'm a little concerned about holding it out the car window while going 80mph.
  
  ----------------
  
  Sealife Aquapod
  
  | Min (Collapsed) Length | Max (Extended) Length | Weight | Price |
  |:-:|:-:|:-:|:-:|
  | 18in (46cm) | 53in (135cm) | 9oz (255g) | $69.95 |
  
  Pros:
  
  
• At 53 inches you can get really up close and personal with wildlife, or capture some nice faux-flyover footage.
  
  
• The construction of this thing is strong and I would not hesitate to stick it out the window going 80mph.
  
  
• Firm locking mechanism.
  
  
• Comes with standard 1/4" inch and GoPro attachments, so you don't need the extra tripod mount. In addition, the attachments are quick release, so you can easily remove and put back the GoPro as needed.
  
  
• The Aquapod is made to be used underwater, so you don't need to worry about rust / oxidation.
  
  Cons
  
  
• When completely collapsed to 18 inches, it is far from pocket-sized and won't fit into just any backpack. Your best bet would be mounting it on the outside of your backpack/bag.
  
  
• The Aquapod is noticeably heavier than the other poles, which says something about its durability. At the same time, it takes a significant amount of strength to hold it, especially when fully extended.
  
  ----------------
  
  XSories Big U-Shot 2.0
  
  | Min (Collapsed) Length | Max (Extended) Length | Weight | Price |
  |:-:|:-:|:-:|:-:|
  | 11.45in (29cm) | 37in (94cm) | 4.94oz (140g) | $49.95 |
  
  Pros:
  
  
• With a max reach of ~37 inches (same as the original Big U-Shot), you can easily fit yourself and a bunch of your friends into a nice selfie - and depending on the angle you use, you won't even see the pole.
  
  
• 100% stainless aluminium ball-head feels sturdy and will not rust.
  
  
• The U-Shot 2.0 is made to be used underwater, so you don't need to worry about rust / oxidation.
  
  Cons
  
  
• Has the same extending/locking mechanism as the original U-Shot which I'm not a huge fan of.
  
  
• Feels a little flimsy when fully extended, but still better than the original U-Shot.
  
  ----------------
  
  The XSories Big U-Shot and XSories Big U-Shot 2.0 both come in non-Big variants, but I feel they are too short to even be considered.
  
  ----------------
  
  I think I'm gonna end up getting rid of the Sealife Aquapod and the original XSories Big U-Shot and keeping the XSories Big U-Shot 2.0; it's portable, extends enough to capture nice footage / get wildlife closeups and is meant to be used underwater so no worries about rust and corrosion. I really wish there was a hybrid between the XSories Big U-Shot 2.0 and Sealife Aquapod, but until then I hope my breakdown will help you in making a decision.

I carried one around with me to take pictures while we were in Turkey. Despite all the hate you read about "selfie sticks", it was very useful in a lot of situations:

This was close to the model I had

Worked well enough for the two week trip. But after a adjusting the angle of the camera over the course of the trip, some plastic pieces wore down. It was $8 well spent, but is going to get replaced on the next trip with something a little more durable.

Btw, think of it as a monopod, it'll help you not feel like douche in your head.

Amazon. 13 bucks, lightweight hollow collapsible camera pole:

https://www.amazon.com/AmazonBasics-WT1003-67-Inch-Monopod/dp/B00FAYL1YU/ref=sr_1_1?ie=UTF8&qid=1494865098&sr=8-1&keywords=amazon+basics+camera+pole

http://www.amazon.com/GoPole-REACH-Telescoping-Extension-Cameras/dp/B00B3YFDBS

I would recommend you go with the GH5 and a nikon to mft metabones speedbooster. The GH5 has a lot of features that the other cameras you mentioned just don't have that you would want for run n' gun shoots. Rugged splash/freeze/dust proof body, in body image stabilization, dual sd card slots, 4k at 60p, and more. The speedbooster would allow you to use your nikon lenses on the GH5 and get an extra stop of light. This would get you a great camera setup for roughly $2.5k which would allow you to spend the budget on any needed accessories like a monopod and since I do not see that on your list and I would think it would be a very useful addition.

You'll also need a bracket on top to angle the lighthouse, like this (unless Pre comes with something that will do this).

I use the above, with a photography light stand. These are very lightweight.

Even with these, with a wide base, if the floor isn't too stable (eg wood), then I've noticed that vibrations from people walking near it can cause it to sway around a bit. I've not had tracking issues with it yet, but I wouldn't be surprised if I did. For this reason I'd avoid the monopod, as the base doesn't look particularly wide, and you want all the stability you can get.

I also think that my solution would be cheaper, when taking into account the bracket that's required for angling the lighthouse.

Here it is in action at VR Brighton, on the right.

I recently got a GoPole Reach and it works great. It's solidly build, telescopes, won't rust or be otherwise damaged by water. It's also got a nice grip (basically like a mountain bike handle).

I tried a few other products, but this is the first one that I really felt comfortable with. I have no problem trusting it with my GoPro.

https://shop.gopole.com/products/reach

EDIT: Here's the Amazon link (although the price seems a little higher than I remember):

http://www.amazon.com/GoPole-REACH-Telescoping-Extension-Cameras/dp/B00B3YFDBS

I like this one: http://www.amazon.com/GoScope-Extreme-Telescoping-Extension-Cameras/dp/B00ER5MXTA/ref=sr_1_8?s=electronics&ie=UTF8&qid=1406342130&sr=1-8&keywords=Quikpod

This has served me wonders for years. Very sturdy and has 2 mounts on them for 2 GoPros, though I don't know if that's relevant lol.

Check out the SJ5000 camera's. They're very similar to go pro but cheaper. They also record in decent quality. You could also get something like this: http://www.amazon.com/Chest-Mount-Harness-GoPro-Cameras/dp/B00JCSLDAW?ie=UTF8&keywords=go%20pro%20rig&psc=1&qid=1465410873&ref_=sr_1_1&sr=8-1-spons // http://www.amazon.com/Dolica-WT-1003-67-Inch-Lightweight-Monopod/dp/B000VZS2EU?ie=UTF8&keywords=gopro%20monopod&qid=1465410956&ref_=sr_1_3&sr=8-3

buy one. .they're like $7 on amazon prime http://www.amazon.com/Floureon-Extendable-Telescopic-Handheld-Monopod/dp/B00FF5ZCCG/ref=sr_1_1?s=electronics&ie=UTF8&qid=1410388152&sr=1-1&keywords=gopro+stick

Batteries
, Suction Cup,Polemount(you'll need the tripod mount for this one too)


Those are my essentials. if you dont want mounts then just get the batteries. if you're going to use the Wi-fi it really drains the batteries and the wall charger is convient

And if you don't feel like making it yourself

US link http://www.amazon.com/Smatree-SmaPole-Extendable-Thumbscrew-Threaded/dp/B00ST1Y2QU/ref=sr_1_1?s=photo&ie=UTF8&qid=1464275286&sr=1-1&keywords=Smatree+SmaPole+Q1

It comes with it's own mount, so I had mine on a wall in the spare room, when they're up high you barely notice them.

Also these are good for when you need to go mobile with your back drop: http://www.amazon.co.uk/Photography-Light-professional-studio-photolamps/dp/B0011363NS/ref=sr_1_1?ie=UTF8&qid=1314737417&sr=8-1

I just bought one too for my upcoming Caribbean cruise. I'm planning on getting this mount for a snorkel excursion. http://www.amazon.com/The-Bobber-Floating-GoPro%C2%AE-Cameras/dp/B006XE4SSM

To anyone who surfs/scubas with a GoPro, they sink like rocks. Get one of these: http://shop.gopro.com/accessories/floaty-backdoor/AFLTY-003.html or http://www.amazon.com/GoPole-Bobber-Floating-GoPro-Cameras/dp/B006XE4SSM

Monopod is the single best investment I EVER made for on-the-go video production. Its just incredible usefull and ultra fast.
For example this video (there are plenty on youtube)
https://www.youtube.com/watch?v=P7bnxcMS0Oo

BUT: You definitively need one with a ball and little tripod feets on the bottom and a tilting head on top. Like this one: https://www.amazon.com/Manfrotto-MVM500A-Aluminum-Fluid-Monopod/dp/B00CBB5E3Y/
Just a stick wont help you.

Get more information about this on youtube. Trust me, it is the best invention for 1-man-army-on-the-go. Tripods are totaly disgusting compared to THIS level of speed and simplicity. The Manfrotto one is so steady, I can even let go of the camera and it will stand still. Don't try a cheap one -> buy cheap = buy twice. You won't need much more if you have one of these.

Also I think what you can do better: expose a little bit brighter, look from where the light is coming. Its also a little bit to shaky, a monopod will help you with that. Also, try to avoid multiple camera movements at once (for the beginning. Don't try to pan, zoom and run at the same time. Get the composition right an then focus on ONE movement per shot and at a time.

This is the model that almost everyone uses for video work, especially when I went to college. The fluid head helps a lot with moving the unit as you can two hand it or one hand it with the tripod legs to do some unique dolly shots.

A fast 50mm would be awesome if you're reasonably close. I have a f1.4 and it's a beautiful thing.

Yes, the monopod would help with smoother panning, and also take the weight off your arms the whole day. They collapse fairly small and are usually very lightweight. I'd recommend having a quick release head for it as well.

I purchased this a year ago, and LOVE it.

Here's another option: $15 + $8 for tripod mount. Metal, doesn't float, not specifically made for water use but I've used it in a pool with no problems.

I like this pole a lot, especially for the price.

some like monopod's like this one.

Others like the tray mount like this one.

Obviously, neither are the only options, just examples.

I personally prefer the tray style and honestly, I didn't start taking a camera in the water until I was comfortable enough that I didn't have to use my hands.

I've been using this thing as a floaty its been good for river trips and cliff jumping and whatnot.

You could also get this offbrand one, it comes with adhesive to stick it to to any back.

The head strap ontop of goggles isn't a fun choice while snorkeling. It doesn't come down far enough with the goggles in the way to really stay on tight. It also feels uncomfortable have all that pressure on your head. When I went we used our XShot 2.0 pole and it turned out great. Just wash the pole and case with fresh water and dry after snorkeling. There are better options but for your first time out I'd say start small and buy more if you think you need it the second time out.

You wont need a red filter but you'll see improvements however I cant think of any manufacturers who have on for the Hero3+ case.

You could also get the Bobber mount so it'll never sink.

Also this is there SD cards I use

I actually followed this tutoritial: https://www.youtube.com/watch?v=tTH4hl_eGNo and bought this to do it with: http://www.amazon.com/Dolica-WT-1003-67-Inch-Lightweight-Monopod/dp/B000VZS2EU/ref=sr_1_1?s=electronics&ie=UTF8&qid=1418205951&sr=1-1&keywords=Dolica+WT-1003+67-Inch+Lightweight+Monopod

Worked out great. The adjust ability on the monopod is perfect, very sturdy but it somewhat is a bit heavy in weight. But then again, I had one i bought of of ebay for 20 bucks, and even thought it was light, it was not reliable and did not feel safe. I feel the trade off for weight is worth the sense of reliablity

I carry my camera near the top of the pack, usually wrapped up in a jacket. I can put them in a light dry sack if there's concern about rain, but if I'm not sure about the weather or doing some water crossings, I'll put them in a heavier duty dry bag.

To protect them while in the dry bag, I picked up some neoprene pouches like these

https://www.amazon.com/AmazonBasics-Camera-Lens-Protective-Pouches/dp/B0735BN46S

They work well protecting your lens and giving some protection from the elements, nice if you're just dropping your lenses into a shoulder bag. These pouches come with a clip and a belt loop, but I wouldn't consider putting heavier ones on my belt, there's only one row of stitching across the bottom and one blown thread might cause the lens to drop out of the pouch.

For day hikes, I use a rock climbing day pack (old BD 30L) with an insert, or a Lowepro Flipside; the Flipside is nice since it has a narrow profile and doesn't immediately scream "camera pack" like Fastpack (which I also have; it's not very comfortable, but it's good as an airline carry on since it can also carry a laptop). The main reason I use an insert or camera pack is that without any support, the camera gear tends to sink down to the bottom of the pack. Once I was in a rush and just threw the gear in a day pack, and found the lens detached from the camera; I think one of the smaller lenses must have depressed the release and the lens just worked its way loose. With inserts the lenses are kept separate, and with the neoprene pouches there's less risk of one of them bumping the release.

I have a Sirui carbon fiber monopod

https://www.amazon.com/SIRUI-P-326-Section-Carbon-Monopod/dp/B004QC6VAG

with a mini Arca-swiss compatible clamp. I've got a big CF tripod that is too much to carry on the trail... for the most part I don't bother with the monopod either. I shoot handheld, use one of my trekking poles as support. or even use two like a bipod.

Here's the parts (in addition to the cameras). I use Gopros that I have but you could probably use the cheap Chinese cameras on Amazon, though originally I tried those and they had a tendency to crap out in the middle of the game for unknown reasons. The Gopros also have noticeably better quality. As long as you're mounting it on your bench, you don't really have to worry about people walking away with them.

Suction Cup Mount: https://www.amazon.com/gp/product/B0023ZK2TY/ref=ppx_yo_dt_b_asin_title_o05_s00?ie=UTF8&psc=1

Selfie Stick: https://www.amazon.com/gp/product/B00ST1Y2QU/ref=ppx_yo_dt_b_asin_title_o05_s00?ie=UTF8&psc=1

Swivel Mounts: https://www.amazon.com/gp/product/B07M77G7M2/ref=ppx_yo_dt_b_asin_title_o07_s00?ie=UTF8&psc=1

Dual Camera/Device Rig: https://www.amazon.com/gp/product/B01ATRQI5Y/ref=ppx_yo_dt_b_asin_title_o05_s00?ie=UTF8&psc=1

I was in your situation a few weeks ago and would listen to what others have already posted.

I would strongly recommend picking up a retractable pole. It helps for a number of reasons, e.g. getting close to reefs/fishes without running into them, taking self/group shots, etc. I found this one from Amazon to be quite affordable and useful.

http://www.amazon.com/gp/product/B000VA4CK8/ref=oh_details_o01_s00_i00?ie=UTF8&psc=1

You'll also need a GoPro tripod mount.

http://www.amazon.com/gp/product/B002RCLYXG/ref=oh_details_o01_s00_i01?ie=UTF8&psc=1

Also, depending on the depth, a red filter may improve the colors coming off the GoPro. Something like this one.

http://snakeriverprototyping.com/shopblurfix3so.html

I am about to upgrade from a Sony HX400V to a Sony a6300 for my photography. In addition to toddlers a big part of what I do is take pictures of life to post to iNaturalist (Example 1, Example 2, Example 3, Example 4, Example 5 you can click on photos and hit original for a larger version). Therefore I am trying to set up a good macro system, eventually this will upgrade to an underwater system with the ikelite system so I want the lens to be compatible with that.

Here is what I am planning to purchase:

Sony a6300

Sony SEL90M28G FE 90mm f/2.8-22 Macro

SIRUI P-326 6 Section Carbon Fiber Monopod

Manfrotto 234RC Monopod Head Quick Release

Raynox DCR-250 Super Macro Snap-On Lens

Sigma Flash Macro Ring EM-140 DG

Movo Photo AF Macro Extension Tube Set

B+W 62mm XS-Pro Clear

Is any of this stuff likely to be useless for its intended function? Is there anything in this price range which is likely to be helpful that I forgot about? Is there anything less expensive which is just as good as one of the products I chose?

Personally, I just use the monopod that's built into my Manfrotto Fotopro C51, which is an okay-ish monopod. But I've heard amazing things about the Sirui, and it'd be my top pick if I were going to buy a proper monopod!

> My results

OMG, those pics are incredible! I'm gonna have nightmares now, but they really are spectacular.

Great tip on the monopod. As it happens, I just bought a carbon fiber Sirui monopod and a Manfrotto head. I was stunned to find a .9lb monopod for $100!

I'm now looking seriously at a Yongnuo YN-568EX wireless speedlight (if I can figure out exactly how "wireless" it really is). Lighting and diffusion are both as foreign to me as the macro world, but I'm excited to learn. And I'll certainly remember the styrofoam bowl trick.

Again, those spiders are frickin' crazy cool.

The pole is a Floureon monopod
And I attach the light using a grip like this

Actually, you can use a gopro $5 selfie stick with height adjustment and angles at the tip since it has the 1/4 thread hole on the bottom for camera mounts. That's what I did. Also seen them at my local Walmart.

https://www.amazon.com/gp/product/B00G442QAS/ref=oh_aui_detailpage_o02_s00?ie=UTF8&psc=1

I have this one that I use with a gopro. It's actually great.

Do you have any experience with Benro or Manfrotto monopods? I was looking at this one from Benro (https://www.amazon.com/Benro-Aluminum-Flip-Lock-Articulating-A48FDS4/dp/B00O469M96/ref=sr_1_3?s=photo&ie=UTF8&qid=1483930706&sr=1-3&keywords=benro%2Bmonopod&th=1) and this from Manfrotto (https://www.amazon.com/Manfrotto-562B-1-Fluid-Aluminum-Monopod/dp/B003YM58XK/ref=pd_lpo_421_tr_t_3?_encoding=UTF8&psc=1&refRID=KH7D7PN3HF8HP1P8M653) but really don't know much about monopod's to figure out which one would suit my needs.

I got this for $18. It's cheap and works just fine. The thing I don't like about it though is the nut for the mounting bolt isn't attached, I ended up hot gluing it in place.

http://www.amazon.com/Adjustable-Pole-Mount-GoPro-Camera/dp/B00H1YPYLS/ref=sr_1_4?ie=UTF8&qid=1405061523&sr=8-4&keywords=gopro+monopod

Check out the SeaLife Aqua pod, it has worked great for me...

http://www.amazon.com/SeaLife-AquaPod-Underwater-Monopod-Release/dp/B00A622TTW/ref=sr_1_1?ie=UTF8&qid=1410240788&sr=8-1&keywords=aquapod+sealife

I'm assuming used in all cases. Heck, a Sirui + a Vanguard SBH-50 is close to that price new.

A monopod would inspire me to travel more. I have a digital camera, but I can't hold myself still enough to get good shots with a high zoom. I live in AZ, surrounded by beautiful mountains and sunsets, cool and creepy critters, and lots of awesome hidden spots in the city. This would definitely give me a reason to hit the road a little more often. Thank you for the contest.

Go with a Manfrotto fluid head monopod and never look back! If you don't use a monitor and your gear ways less then 10lbs... go with this.

I use these, you'll need some kind of swivel head for it too but they can be picked up for literally pennies.

They're cheap and feel it, but the clamps hold the weight of the lighthouses fine, and they don't sway if you don't extend the poles fully (I usually leave an inch or two per segment), but that still puts the lighthouses at about 7 feet high, more than enough.

Any opinions on this?
http://www.amazon.com/Adjustable-Pole-Mount-GoPro-Camera/dp/B00H1YPYLS/ref=sr_1_2?ie=UTF8&qid=1411140801&sr=8-2&keywords=gopro+pole#Ask

> What's the difference between this and a regular monopod?

Everything! For starters, its a single leg. It can balance by itself to get static shots. You can pan and tilt (with some practice) smoothly.
-edit read it wrong thought you said regular tripod (lol). Manfrotto quality is top notch and when I tried cheaping out previously I found even when plates claimed to be compatible with my tripod/shoulder right/steady cam, it gave me problems or fit too tight or too loose.

I used to have a shoulder rig with my 5D MKIII and now C100 and once I tried another professional's monopod (I was second shooter on his gig) I immediately bought it. I get shots so much faster and safer with the monopod. Sold my shoulder rig and haven't missed it since.

Improved the quality of my event shooting exponentially.

Here is the link: https://www.amazon.com/Manfrotto-MVM500A-Aluminum-Fluid-Monopod/dp/B00CBB5E3Y/ref=sr_1_1?s=photo&ie=UTF8&qid=1466191005&sr=1-1-spons&keywords=manfrotto+monopod&psc=1

I have this one: https://www.amazon.co.uk/Smatree-SmaPole-Q1-Extendable-Thumbscrew/dp/B00SUR47MW/ref=sr_1_7?ie=UTF8&qid=1466934821&sr=8-7&keywords=smatree+gopro

and love it. Have taken it skiing, hiking, mountain biking and it works a treat.

Sirui P-204S.

It's a bit expensive, but:

• The build quality is amazing.
  
• The camera sits right at eye level when fully extended, which is super important for 360°.
  
• The legs are almost invisible at the bottom of the photos/video.
  
• Breaks down into a bunch of different configurations.
  
• Super light for being solid aluminum. Seriously think you could club someone to death with it and it probably wouldn't even bend.
  
  Gear 360 is pretty much permanently attached to mine.

I was going to advise you this one, but it's now almost twice the price I paid for it, and I forgot you need an adapter. A couple of days ago /u/shallowlikeme posted an awesome picture of the Morning Glory allegedly taken with this pole, which seems to be one hell of a good deal.

In my opinion I'd skip the chest mount and get a telescoping mount, like this one. You'll be able to get cool looking selfies without looking like a complete ass and you can make some interesting shots (over walls, off the edge of buildings, etc.) with the pole at full length. And when you're just doing normal-er handheld stuff you can just reel the pole in to minimum length and use it as a palm grip.

Edit: Also get one of these because it's the best accessory deal there is. Two batteries and a wall charger for $24.

Edit 2: Also unless you're really strapped for cash the black version is weeeellll worth it over the silver. The amount of increased control and shooting modes you have over the Silver will last forever and you only have to pay for it once :). If you hunt around you can usually find some kind of online coupon that brings the price down, I know REI does a 20% off single item coupon every 6 months or so that can save you a bundle on pricier items.

I have two of these, from Amazon. I think they were 7 bucks and change each, and Prime shipping elligible. I have had zero problems with them wiggling, wobbling, spinning, or anything - but the tripod mount that it comes with is a little off size and really hard plastic or something because you really have to crank down on the bolt to get the camera housing to be secure. I ended up getting the gopro tripod mounts instead, but still use this pole all the time.

http://www.amazon.com/dp/B00G442QAS/

EDIT: Link.

I'd get a 6x1 1/2" pipe nipple and a 1 1/2" floor flange, bolt the flange to your 'yak wherever it'll be most handy, screw the nipple into it and slide a cheap monopod into the nipple. The scope will screw onto the monopod and the monopod will allow you to adjust the height of the scope.

https://www.amazon.com/AmazonBasics-WT1003-67-Inch-Monopod/dp/B00FAYL1YU/ref=sxin_3_ac_m_rm?ac_md=0-0-Y2FtZXJhIG1vbm9wb2Q%3D-ac_d_rm&keywords=camera+monopod&pd_rd_i=B00FAYL1YU&pd_rd_r=fc900a6a-73c3-4d4a-923e-b383542571b0&pd_rd_w=Hp09b&pd_rd_wg=K8uN2&pf_rd_p=d1a6ea92-24ed-409e-8e33-97dc5a8de815&pf_rd_r=Z6KYSKGCRZFDNW3MND7Z&qid=1569225541&sprefix=camera+mon

If you're broke (which as a highschool-freshman, you likely are) buy a super cheap monopod and a super cheap ball head. Sometimes I'll even put a small monopod onto my shoulder-rig and stick the bottom into my pocket. It adds another point of contact.

I too use a G7. I just bought this

Benro Aluminum 3 Series Twist-Lock Video Monopod Kit w/ 3-Foot Articulating Base and S2 Video Head (A38TDS2) https://www.amazon.com/dp/B00J62XOF6/ref=cm_sw_r_cp_api_Vxg5ybN8KXJ4N (it was $125 like 3 weeks ago.

The same day a video company I work for gave me a knock off monopod with a manfrotto head to try out. The manfrotto head is definitely better, but I don't think it attaches with just a normal thread.

The benro head does (s2 is the smallest head), but if you're not careful you can actually unscrew the head or the feet pretty easily if you turn the monopod instead of the head. Overall I think it's good for the price. I didn't return it.

The biggest difference for me was something I didn't think about till I tested them. The manfrottos actually have a fluid ball (?) at the bottom, making it so you can turn and tilt the monopod much more smoothly. If I had to do it again I might get something like this,


Manfrotto 562B-1 Fluid Video Aluminum Monopod with Plate https://www.amazon.com/dp/B003YM58XK/ref=cm_sw_r_cp_api_aBg5ybDKV69Y3

I'm sure it's better build quality. I do think that ball at the bottom makes a huge difference and you could always get a fluid head later.

I hope this was helpful. Let me know if you have any other questions.

I dont, have the Sandmarc personally. But it seems to have pretty good reviews on amazon.

http://www.amazon.com/GoPole-REACH-Telescoping-Extension-Cameras/dp/B00B3YFDBS/ref=sr_1_1?ie=UTF8&qid=1416019894&sr=8-1&keywords=gopole+reach&pebp=1416019899415

The slider looks cheap. I am not sure you can get smooth shots with it as my experience with slider that arent on ball bearing rollers have not been nice. Look into a Konova slider, I have one a K2 and have been using for 3 years now. Get one a like a good tripod and it will last for years instead of having to replace it every year.
http://www.amazon.com/Konova-Camera-Slider-Dolly-80cm/dp/B0098EZ76G


The monopod looks nice, I recommend this Benro Monopod for lightweight cameras like DSLR's. The legs are stable enough they can stand a camera on it own if you need it while holding on to it gently. It's light and great for a long day of shooting.
http://www.amazon.com/Benro-A38FDS2-Monopod-Locking-Sections/dp/B00O469M96/ref=sr_1_2?ie=UTF8&qid=1458833998&sr=8-2&keywords=BENRO+MONOPOD

That Ravelli tripod... I'm not going to lie I had one for years and used it early when the DSLR revolution started. I was too cheap to buy a good one. It will last for a while but the head will not. If you want a good but cheap tripod that will last for a short while I recommend this one. Use it for a little while but upgrade to a better one pronto! You'll outgrow it fast or it will break. A good pair of sticks like everything else, if you a buy a good one it will last you for years to come.
http://www.amazon.com/Fancierstudio-Professional-Camcorder-Tripod-FC270A/dp/B003UOMWOK?ie=UTF8&psc=1&redirect=true&ref_=oh_aui_detailpage_o01_s01

Hope this helps!

Yeah, so I hold the small boom in my left hand and camera in the right. The boom has a speedlight and a roundflash disc modifier. I dont extend the boom, so its only maybe 12" long when I am using it most of the time. I hold it up high and slightly off axis. I dont think I have any photos of me using it.

The Benro is a lot cheaper but certainly not dirt cheap. There are much cheaper direct ship from China versions on eBay as well but I'm not sure I'd trust them to hold up a camera on the little tripod base for long

http://www.amazon.com/XShot-Camera-Extender-Cameras-XS2379-F/dp/B000VA4CK8

First off, I wouldn't get the mark 1 lens with GH5. Spend the little extra money if you're going for a Panasonic lens and get the mark ii to use in body image stabilization. Basically it would come down to a choice between a cheaper lens and a gimbal or a lens with dual IS. However, the camera + the IS 2 lens would be your budget, and there's certainly lots of other stuff to buy when getting started.

This is a set up I have used with the Black Magic Pocket Cinema Camera and it works great, fully expect it to look even better with the GH5:

https://www.amazon.com/Panasonic-LUMIX-LEICA-SUMMILUX-H-X015/dp/B00J8H7H48/ref=sr_1_5?ie=UTF8&qid=1493994405&sr=8-5&keywords=panasonic+14mm

https://www.amazon.com/Zhiyun-Crane-Brushless-Handheld-Stabilizer/dp/B01I2MWUOG/ref=sr_1_1?s=photo&ie=UTF8&qid=1493994394&sr=1-1-spons&keywords=zhiyun+crane&psc=1

That is a lightweight 14mm 1.7 lens (works great in low light) and the most affordable gimbal on the market. I also have access to a Ronin-m at work, and I have to just say, the shots you can get on both are different, but the Zhiyun is soooo much easier to set up and get great shots with. Plus it fits into a small backpack and is far less to lug around. I would also recommend either one of these monopods to use with this system:

https://www.bhphotovideo.com/bnh/controller/home?O=&sku=554095&gclid=CLPR1In82NMCFdgKgQod580D0w&is=REG&ap=y&m=Y&c3api=1876%2C%7Bcreative%7D%2C%7Bkeyword%7D&A=details&Q=

^ This is a great set up with the Crane. What I do is velcro the included remote to the lower point of the monopod and use it to control the crane manually. I can then extend the pole (even smoothly while filming) and essentially have my own hand held jib anywhere I go.

https://www.amazon.com/Sirui-SUP204SR-Photo-Video-Monopod/dp/B00I5NKCNE/ref=sr_1_1?s=electronics&ie=UTF8&qid=1493994900&sr=1-1&keywords=sirui+monopod

^This version is a bit heavier, but also a touch more stable. You can not smoothly lengthen the pole while filming, but this monopod has the added version of feat attached to the bottom. You can set it up at its shortest and it will stand on its own as long as it's not windy. Great for setting up shots in the wild that you would also like to be in. I put a quick release plate between each point of contact (Quick release on the monopod -> crane, and quick release on crane -> camera), and you can just as easily set it down on the feat and detach from camera with no issues.

Now, something to consider is that you could get two GH4's (on ebay, around $700 each) for the price of one GH5. I guess that would depend on if you have others filming with you and whatnot. I think it really depends upon what you're wanting to film. Like for example, what exactly would you do with the drone and how would it help your footage? If you think that you need landscape shots and what not, then it's probably best to jump down a level in camera for a decent drone.

Some other things to consider that you might need:
-External Mic
-Tripod
-Extra batteries
-Fast enough SD card to record 4k (Sandisk Extreme)

Another camera to consider may be the Sony a6500 for around $600 cheaper.

GoPro: The rest of you might laugh but I actually get some decent shots from mine. My setup is the GoPro-On-A-Stick with GoPro Remote. I don't see my shots beforehand and don't mind either way as that would just be another system/battery to monitor; I'd rather keep it light-weight and I get good shots as it is.

Not-GoPro: Fujifilm X-T1 with 12mm, 23mm, and 18-135mm lenses.

Stuffing it all (and supporting gear) into a Lowepro Flipside 400.

http://www.amazon.com/Opteka-X-ARM-Extender-Portrait-Handheld/dp/B0035H7W2E

Alright I've done very similar things so I can help!

That kit is a great start. Just a heads up that you WILL want a different stick, that one is extremely cheap and not only will it break, but it's going to make noises that will pickup in your gopro audio making it nearly useless. You'll want a more solid and reliable one, I've had this one for a few years and I've taken it snowboarding, in oceans, heck I've went sliding on sand hills in new mexico and it's awesome.

https://smile.amazon.com/Smatree-Extendable-Aluminum-Monopod-Session/dp/B00ST1Y2QU

I have used the grande and while it's a VERY solid design, it just doesn't get small enough for me when compact. It's still 15 inches long which makes it hard to stick in a pocket when not in use and becomes something you need to either carry everywhere or put in a backpack. Not the end of the world but just not ideal for the "on the go" aspect.

The stick is great when you're doing something "epic" like skiing. But for most of the time I like the chest mount. Hand free and I can just record all the stuff I'm remotely interested in and it makes for fun footage later on when edited down.

OH and on the chest mount, the one that comes in that pack? You WILL want to get some super glue and glue in one of the mounts. Make it 100% solid and secure because otherwise you're going to get creaking sounds, it's just the reality with the third party brands.

I never had much use for the wrist mounts or the floaty mount or the little flexible tripod thing but give it all a shot BEFORE your vacation. That way you don't end up wasting time dicking around with stuff that you don't even like the footage from, try it out early, do some test videos and see if there's certain shots that you like, and maybe you focus more on that. But please take my advice and get a better stick, and the chest mount is awesome but please glue down the part that snaps into the chest piece or your audio may be completely shot.

For being really portable/run-n-gun consider the Manfrotto monopod with video head, I have this and love it:

https://www.amazon.com/dp/B01MDR8K49/

In my personal experience a standing video monopod is way less stable than a lighter and more compact tripod, especially if on a soft wooden floor. I use a Sirui monopod for my Rift DK2 camera now, mostly because it fits behind my desk, but then that small footprint also is what makes it less stable than a tripod.

In the end it depends on what balance of height, stability, weight and footprint you want. I have more often brought the tripod with me as it fits in my backpack and only weights 1kg. It ends up about 10cm or so lower than the monopod but that's hardly any difference IMO.

The tripod is older and pretty much out of production which explains the price, I paid about CAD 165 when I got it.

Sports and dance don't require you to be running around with a camera, and tripods are normally used, but it seems you want to be mobile. Maybe a monopod would be good. I've used this one many times on doc or verate style shoots :

Manfrotto Xpro Aluminum Video Monopod With 500 Series Video Head, Black (MVMXPRO500US) https://www.amazon.com/dp/B01MDR8K49/ref=cm_sw_r_cp_apa_R.rXzbAW9ZCY6

I don't really know whether ones better than the other. I owned a D40 but I've never used a D70 nor really looked at them.

You can do a quick comparison here - http://snapsort.com/compare/Nikon_D40-vs-Nikon_D70

But either way, you are better investing in lenses rather than the body. So I would say get whatever one is cheapest so you have more money for a good lens.

I'm not really sure what to recommend in terms of continuous lighting as everything cheap I've used has always sucked but you could pick up a Yongnuo flash. The set up with a flash would probably be about £75 (There iwll be cheapest places for some of this stuff).

This might be a bit over kill to begin with but some links anyway just in case:

flash and triggers:
http://www.amazon.co.uk/YONGNUO-YN-560-II-ELECTRONIC-SPEEDLIGHT/dp/B009APY9TO/
http://www.amazon.co.uk/Yongnuo-Wireless-Trigger-Shutter-Transceiver/dp/B004YW79F4/

Stand, bracket and umbrella:
http://www.amazon.co.uk/Photography-Light-professional-studio-photolamps/dp/B0011363NS/ref=pd_bxgy_ph_img_z

http://www.ebay.co.uk/itm/Flash-Shoe-Umbrella-Light-Stand-Holder-Bracket-Mount-B-/390442523341?pt=UK_Photography_StudioEquipment_RL&hash=item5ae8301acd

http://www.ebay.co.uk/itm/33-Studio-Flash-Translucent-White-Diffuser-Umbrella-/190507468777?pt=UK_Photography_StudioEquipment_RL&hash=item2c5b2147e9

http://www.amazon.com/Opteka-X-ARM-Extender-Portrait-Handheld/dp/B0035H7W2E

When I went a few years ago I brought a gopro and an extending selfie stick. This is supposedly a good gopro equivalent for much less.

You'll probably want a red filter for any camera you get since the colors get washed out even pretty shallow and it's hard to fix in software.

For any camera I highly recommend the extending stick because you're not going to want to get close to a moray or reach into a cave.

You could put the camera on your own pole:

http://www.bhphotovideo.com/bnh/controller/home?O=&sku=768848&is=REG&Q=&A=details

http://www.amazon.com/Dolica-WT-1003-67-Inch-Lightweight-Monopod/dp/B000VZS2EU/ref=sr_1_1?ie=UTF8&qid=1381952565&sr=8-1&keywords=camera+pole

and see what happens

Equipment was a Hero 3+ and a Phantom Vision 2+ (with a few SLR stills).

Timelapse: at 00:45, 5 second intervals

IKEA Kitchen Timer 30 degree timelapse: at 00:59 Amazon link to product

Tree Branch time lapse: at 3:46. Putting the GoPro on a branch and recording the snow accumulating ended up being a nice effect

GoPro Stick: various shots including stuck in snow to record me crossing a creek, and out the side of a bus window and boat for other shots. I use a retractable pole and have found it invaluable.

And a big thanks to the band Anesthesia for giving me an unrestricted use license for their music (as long as I'm not profiting from the video, which I'm not). I ordered their CD and contacted them through Bandcamp.

I got this one. I have had it for a year and i've taken it snowboarding, diving, and hiking.

http://www.amazon.com/Adjustable-Pole-Mount-GoPro-Camera/dp/B00H1YPYLS/ref=sr_1_4?ie=UTF8&qid=1420318029&sr=8-4&keywords=go+pole

I have the GoScope Extreme - https://www.amazon.com/gp/product/B00ER5MXTA/ref=oh_aui_search_detailpage?ie=UTF8&psc=1

It can hold two GoPro cameras which is neat. Haven't had issues with it spinning in my hand, maybe you gotta grip it harder!

My only negative is that it's too long when collapsed. It's personal preference as I'd just want it to be as short as my forearm so I can rig some sort of velcro straps to wrap it to my sleeve when not in use.

I absolutely LOVE IBIS but the lowlight capabilities of the GH5s makes it an absolutely phenomenal choice for receptions. No one wants to hassle with lights (plus light stands are a liability for you, if someone trips on them you'll get sued).

I'd get the GH5s and a high end monopod like this one.

I recently bought this.

Pretty happy with it.

http://www.amazon.com/gp/aw/d/B00FAYL1YU?pc_redir=1404711563&robot_redir=1 it's cheap and durable! I bought this right before the X games 2014 and came in handy. Got some sweet shots, btw it extends to 67's!

I picked up one of these for about $15 and a head somewhere else for around $20. Couldn't be happier. No reason to spend 10-20x the price just for a nicer brand name. Unless of course you want to impress people on a set.

The one I'm using is this one: http://www.bestbuy.ca/en-ca/product/digipower-digipower-quikpod-gopro-selfie-expert-tp-qpgp-tp-qpgp/10369226.aspx?path=84bea2ee10a6fea8d6745dd060f3f204en02

But, as you can see, if you look down in the video, you can see a bit of a black line, that's the base of the stick. You could easily photoshop/after effects it, but just a heads up. The stick is fantastic though. Heavy duty and it extends quite a bit.

I also invested in the 6 GoPros + mount, and I'm using this monopod: https://www.amazon.com/gp/product/B000VZS2EU/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1

So far, it's been great. No complaints.

I covered PAXe as press.
You are generally in tight quarters, and I used a 17-40 http://www.usa.canon.com/cusa/consumer/products/cameras/ef_lens_lineup/ef_17_40mm_f_4l_usm for most of the shooting of people. I also shot video, using the same lens or the 50mm f/1.2L. Fill flash is a must, these places are very dark in general.

This time, I also bought a monopod http://www.amazon.com/gp/product/B003YM58XK which I used for every shot pretty much. The amount of shots I had to trash due to any shake was very, very low. I had a sturdy tripod for video interviews. Also, make sure you get a head on the monopod that can go vertical.

Goscope is good. There are several options out there worth considering. Maybe start here http://www.amazon.com/gp/aw/d/B00ER5MXTA?vs=1.

Would these work together and be good options for him?

Slider: https://www.amazon.com/gp/aw/d/B00A2BW8HU/ref=mp_s_a_1_1?qid=1458824689&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=KAMERAR+SD-1+60CM+DSLR+DV+Camera+Track+Dolly+Slider+Video+Stabilization

Monopod: https://www.amazon.com/gp/aw/d/B00CBB5E3Y/ref=mp_s_a_1_1?qid=1458825136&sr=8-1&pi=SY200_QL40&keywords=manfrotto+monopod&dpPl=1&dpID=21N4FaNAwnL&ref=plSrch

Also possible tripod?:
https://www.amazon.com/gp/aw/d/B00139W0XM/ref=mp_s_a_1_1?qid=1458825063&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=Ravelli+75mm+fluid+head+tripod


Also asking selfishly because I'm thinking of this setup myself (if they could work together)

Hello /u/Terrence_Phallic - you should be able to put together an affordable production studio for £2500:

Camera

• [Panasonic GH4 for £1175] (http://rover.ebay.com/rover/1/710-53481-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=321593315104&ipn=psmain&icep_vectorid=229508&kwid=902099&mtid=824&kw=lg) (after [£100 mail in rebate from Panasonic] (http://g-ec2.images-amazon.com/images/G/02/uk-ce/panasonic/2014/Q4/Christmas_Cashback_TandCs.pdf)). I own this camera, and it is the best value for money large sensor, interchangeable lens 4K camera you can buy right now.
  
  Lenses
  
  
• [Canon EF to micro 4/3 focal reducer - £89] (http://www.amazon.co.uk/gp/product/B00MN7KCYM/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00MN7KCYM&linkCode=as2&tag=hybrcamerevo-21) so you can use Canon mount cine lenses, reduce the crop on the micro 4/3 sensor and improve the light gathering performance of your lenses by one stop
  
  
• [Samyang 14mm T3.1 lens in Canon mount - £275] (http://rover.ebay.com/rover/1/710-53481-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=161461455085&ipn=psmain&icep_vectorid=229508&kwid=902099&mtid=824&kw=lg)
  
  
• [Samyang 85mm T1.5 in Canon mount - £250] (http://rover.ebay.com/rover/1/710-53481-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=331127939578&ipn=psmain&icep_vectorid=229508&kwid=902099&mtid=824&kw=lg)
  
  Follow Focus
  
  
• [Lens Gear Ring with Rod - £8.46] (http://www.amazon.co.uk/gp/product/B008OFAE04/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B008OFAE04&linkCode=as2&tag=hybrcamerevo-21)
  
  Tripod
  
  
• [Ravelli AVTP Professional with 75mm ball head - £61] (http://www.amazon.co.uk/gp/product/B00139W0XM/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00139W0XM&linkCode=as2&tag=hybrcamerevo-21). I own this tripod. It is robust, well-built and has a nice, smooth fluid drag head.
  
  
• [Glide gear tripod track dolly wheels - £125] (http://www.amazon.co.uk/gp/product/B006O130X8/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B006O130X8&linkCode=as2&tag=hybrcamerevo-21)
  
  
• [Glide gear dolly track - £133] (http://www.amazon.co.uk/gp/product/B00927FCI2/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00927FCI2&linkCode=as2&tag=hybrcamerevo-21)
  
  Sound
  
  
• [RODE VideoMic Studio Boom Kit - £169] (http://www.amazon.co.uk/gp/product/B00OKG6WHU/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00OKG6WHU&linkCode=as2&tag=hybrcamerevo-21)
  
  Lighting
  
  
• [Two softboxes with white, black and green backdrops - £89] (http://www.amazon.co.uk/gp/product/B00HNIJG8O/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00HNIJG8O&linkCode=as2&tag=hybrcamerevo-21)
  
  
• [F&V R-300 ring light - £175] (http://www.amazon.co.uk/gp/product/B00AY0J4OY/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00AY0J4OY&linkCode=as2&tag=hybrcamerevo-21). I own this ring light and it produces soft light for faces. If you shoot through the ring, you can get away with single light portraits. Later, when you buy or build your rig, you can buy an [inexpensive adapter] (http://rover.ebay.com/rover/1/710-53481-19255-0/1?icep_ff3=2&pub=5575034783&toolid=10001&campid=5337235943&customid=&icep_item=390947725140&ipn=psmain&icep_vectorid=229508&kwid=902099&mtid=824&kw=lg) and mount this light directly to your 15mm rails.
  
  
• [Light stand for ring light - £13] (http://www.amazon.co.uk/gp/product/B0011363NS/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B0011363NS&linkCode=as2&tag=hybrcamerevo-21)
  
  With this setup, you can produce well-lit, high resolution motion pictures with smooth dolly shots and green screen visual effects.
  
  The camera has decent preamps and manual level control with audio meters and a headphone jack, so you should be able to get decent sound from the Rode recorded directly to the camera.
  
  Later, you will want to buy an external recorder, a better microphone, more lenses, a shoulder rig, etc. - but this should get you started.
  
  Good luck!
  
  
  

Sure, you can use any telescoping type pole you can find as long as it's hollow. According to my Amazon history it was This Unit The only reason I used it was because I had it and had accidentally broken it.

Edit: It looks like the 24" models use this style system already. I wouldn't think miraclegro would spend the time and effort engineering something different just for them. This will most likely work just the same way, but I have no definitive proof/experience with them so try at your own risk.

That's a great solution.

uk version

As others have said, get a lightweight monopod - but get [one with legs for $139] (http://www.amazon.com/gp/product/B00O469M96/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00O469M96&linkCode=as2&tag=battleforthew-20) so you can get out from behind the camera and get your mic in front of your subjects.

I don't know what you're planning for sound, but you really have to get the mic close in a noisy conference setting.

My framing sucks in [this interview from NAB 2014] (https://youtu.be/th8fPBhuxmI) (I was trying to stay out of the shot), but the audio turned out pretty well considering how noisy the floor was.

It was shot with the GH3 and an f2.8 lens with a [$109 Audio Technica AT8004 ENG mic] (http://www.amazon.com/gp/product/B00198VYEI/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00198VYEI&linkCode=as2&tag=battleforthew-20), a [$22.95 Hosa MIT-156 XLR to 3.5mm transformer/adapter] (http://www.amazon.com/gp/product/B00FC4YR58/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00FC4YR58&linkCode=as2&tag=battleforthew-20) and a [$5 XLR cable] (http://www.amazon.com/gp/product/B000VJJQUU/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000VJJQUU&linkCode=as2&tag=battleforthew-20).

Hope this is helpful, good luck at the conference and best of the holidays!

I use the x-shot 2.0 it's really been great. http://www.amazon.com/gp/aw/d/B000VA4CK8/ref=mp_s_a_1_1?qid=1383069154&sr=8-1&pi=AC_SX110_SY165_QL70

Pretty sure it's this: http://www.amazon.com/gp/product/B000VA4CK8

Just bought one for my trip to Hawaii and it was awesome. It's not gopro specific so I used it with my point and shoot also. You'll the gopro tripod mount but I recommend it highly.

I picked up this along with the suggested attachment last week. It doesn't compact down to quite the size I want, but it seems very durable. Plus, I get the added DSLR monopod use out of it and it's a bit cheaper.

I am doing some underwater stfuff as well. Here's a few things that I purchased:

the bobber

red snap on filter

go scope

And a shameless plug for my first tide pool video shot last weekend.

When I was using a GoPro (prior to getting a camera+housing) I used a monopod called X-Shot 2. I liked that it wasn't too expensive and how short it is when folded. It is probably somewhat shorter than some other monopods and (therefore) less sturdy, but once you're underwater it's fine.

The only problem is that since it's not solely designed for GoPro, so you need the GoPro tripod mount and you need to take care when screwing that on to the monopod so it is secure. As an extra precaution I also a string from the camera to the monopod.

As for durability, I used it for some tens of dives and it's still as good as when I bought it, just made sure to rinse it afterwards and sometimes put a little WD-40 on it.

I recently bought one of these. Its bright yellow and grips well. Comes with a strap attached to it for added grip.

Although a bit overpriced for a piece of plastic.

its probably the pole extension for the gopro. http://www.amazon.com/GoScope-Extreme-Telescoping-Extension-Cameras/dp/B00ER5MXTA/ref=sr_1_6?ie=UTF8&qid=1396960302&sr=8-6&keywords=go+pro+pole has more uses than just selfies

If budget isn't an issue I would get a Canon 5D Mark III and a long zoom lens like this. I'd also get a monopod so your super zoomed in shots don't get all blurry.

One of the main drawbacks of that lens is it has a high f-stop, which means it can be a little dark. But I figure summer in antartica is going to be very bright ~24 hours a day so I wouldn't worry about that. Also with lot's of snow bouncing light everywhere you should be fine.

If that is too much money. You can easily downgrade to a Canon 6D, a used 5D mark ii, or even a Canon rebel t3i. All of these cameras have video functionality which are very nice.

Also, lots of extra batteries because cold temps kill them.

This.