Best on-camera video lights according to redditors
We found 567 Reddit comments discussing the best on-camera video lights. We ranked the 128 resulting products by number of redditors who mentioned them. Here are the top 20.
We found 567 Reddit comments discussing the best on-camera video lights. We ranked the 128 resulting products by number of redditors who mentioned them. Here are the top 20.
Maybe I'll be over 100 karma comment when the giveaway closes :)
LEDs for the win. Yes. Night portraits, night ceremonies, details, first dances, and speeches. I use a pair of Yongnuo YN-300-III panels for all of that.
Separately, was playing around with some different LED tubes on Sunday. Fun stuff, more to follow...
I would purchase things that are relatively affordable (this tascam lav works great with auto levels and is totally worth the money) and rent things like lenses (and camera if you don't have something that's decent) that you'll definitely need but are a large upfront cost.
My essential gear would include:
I also want to add- DO NOT BE AFRAID TO BUY USED GEAR especially from Adorama or B&H as long as it's listed in good condition. Everything I've bought used from those companies (when listed in good condition) has felt brand new.
As far as advertising- the only thing I've seen really work for people is showing up to those Bridal shows and handing out cards and just talking to people. Besides that it's just word of mouth. But you'll need work to show potential brides. If you have never shot a wedding, I would reach out to wedding coordinators on WeddingWire/The knot/ anywhere you can and offer your services for free for one wedding. We did this and it was how we got started. Now I probably messaged 30+ coordinators and only one responded, but we built a great relationship with her and got our first 5+ weddings that way. The way I worded it was basically "we'd like to film a wedding for someone who did not intend to have a videographer (i.e wasn't in their budget at all). We want them to be aware that this is our first wedding and we do know how it will turn out."
Anyway, I'm really rambling here. Hope this info was helpful. We've been shooting weddings for the last 3 years- so long enough to know what we're talking about but short enough to remember how we started and what we did wrong.
As a photographer obsessed with light and an avid DIYer, do not do this.
Your camera was designed with the intent to be used with many different types of removable lights, both strobe and continuous. Please don't glue anything to it. If you have your heart set on gluing, please buy a plastic hot shoe cover and then glue whatever you want to that.
That said, you are better off buying a strobe for still shots, or an LED light for video. You can manage with a cheap ($25) LED light that has the added benefit of a built-in hotshoe adapter and a dimmer for video use.
With regard to color balance, Google how to white balance LED video lights (or something similar) to learn how to set your DSLR to the correct white balance.
Please don't get the impression I'm suggesting you not build your own light... but don't glue it to your camera. There's no need, and now it's a pain to undo later if you want to. If your end goal is to save money, LED lights have dropped so far in price that you may be better served buying a functional unit rather than order parts to build it from scratch. However, if your goal is to build something, my suggestion is to build it such a way that it is easily removed rather than permanently attached.
If you want to go really low budget, pick up a couple of clamp lights and some CTB gels. Put the clamp lights up high on a tripod with the CTB gels and light the background emulating moonlight. But if you want to go battery powered instead of the clamp lights, use some cheap LEDs like this one: https://www.amazon.com/gp/aw/d/B00FJ0RGD0/ref=mp_s_a_1_2?ie=UTF8&qid=1485007292&sr=8-2&pi=AC_SX236_SY340_FMwebp_QL65&keywords=neewer+led&dpPl=1&dpID=513fgzM5AjL&ref=plSrch
Other Links:
http://m.homedepot.com/p/150-Watt-Incandescent-Clamp-Light-HD-300PDQ/205031467
https://www.amazon.com/gp/aw/d/B004QC1KDE/ref=mp_s_a_1_1?ie=UTF8&qid=1485007001&sr=8-1&pi=AC_SX177_SY255_FMwebp_QL65&keywords=ctb+gel&dpPl=1&dpID=01AyHNU%2B7OL&ref=plSrch
I bought this light and put it on this bracket. The GoPro is attached with a tripod mount. I had to file part of the mounting piece on the light to make it fit on the bracket.
As others have said your big difference is power, but most people don't understand how huge of a power difference there is.
For these examples I am going to compared flashes to Something like the
https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01NCJSK5V
a 660 LED light panel. For those 660 LED you get 3360 lumens of light. That is a lot for a light. A 60w old school bulb would give out 800ish lumens. So its already equivalent to 4 60w bulbs. But if you have a pop up flash on your camera, you know the really underpowered flash no one ever really uses, its around 10,000 to 12,000 lumens. So you are going to need 3-4 of those light panels for the same amount of light from your pop up flash. A full powered speed light will be around 500,000 lumens or 149 of those LED panels. A studio strobe like your Einsteins will be well over 1 million lumens with a reflector. They are world apart different in power.
Can constant lighting be used in photography, sure, you will need to shoot wide open with slow shutters and higher ISO though to come anywhere close to what a single strobe can bring to the mix.
If size and portability is the issue, look into mini strobes like the AD200 with its remote head or an AD360 or even speedlights to be super portable with setups
Awesome write-up!
My favorite macro photography tool is a cheapo LED light I got on Amazon. It adjusts from dim to pretty darn bright and, especially with the included plastic pieces, is diffuse enough to not end up harsh like an on-camera flash.
Here is an example of the results - this photo was taken using a NEX-5 on 2-second timer on a tripod, an old FD-mount 50mm macro lens on an adapter, and said LED light, no other gear necessary (and no post). I missed focus a wee bit since I was shooting pretty wide open and my wrist moved while the timer was running, but it turned out pretty nice anyway.
Sure, it's pretty straight forward.
I used this L Bracket
to mount this
Gimbal. For lighting up my dark house/living room, this
LED Light works great. It's very bright.
To mount my old iPhone 4s as a monitor, I used a couple of these and a cheap iPhone case.
This produces very stable videos that turn out great for indoor parties, Christmas morning, etc. The WG gimbal mounts easily on my moutain bike or helmet as well, it's very flexible.
Budget Rig
I mainly shoot internet video for my daughter and events.
Viltrox L116T
I recently picked up almost everything on this list so I can give you an honest opinion and I'm a vfx artist trying to get out there and shoot my own content.
The fisheye....we never use it. We shot a prom and that was the only time we used it, and that was for b-roll because the kids loved it.
Definitely pick up the Sigma 30mm f/1.4. It's such a great lens! I almost use if for everything I do, but it's also good to have a wide angle lens. I currently use one of my buddy's which is a Canon 17mm-85mm.
Nodal Ninja I haven't seen before, but looks great.
Video tripod is good, I use a Manfrotto 502 but it's way more expensive, so this looks like a decent alternative. Also, the quick release plates are awesome. You'll eventually want to pick up tonnes of these. I used 2 yesterday to put on both the bottom of my new slider, as well as the top. I have one on my cage as well.
You can probably do without the Shoulder Rig for now. You may consider using the Kamerar Tank 2 cage with rail system to hook up the Kamerar Follow Focus. I found that once I got my Tank, I just disassembled the shoulder rig and never used it since. The Glidecam is something that I've been considering as my next purchase. Check out my thread asking about the glidecam.
Definitely grab the NTG-2 and possibly a Zoom H4N. The sound quality is fantastic. You need an XLR cable, windshield, boompole, and a shock mount.
Kamerar's Follow Focus is solid. It gets a little cramped using a smaller lens, the follow focus, and a matte box though. You have to tinker with teeth to learn how you need to set it up properly so that the teeth don't slip.
The Matte Box, while nice to look at, hasn't proven it's worth to me. I shoot with the Sigma 30mm f/1.4 and because the lens is so short, the matte box does very little to block out light. I just got the new "donut" in the mail yesterday so maybe that will help, but I wouldn't advise getting it when you can spend that money on something else.
And the backpack is pretty awesome, definitely worth picking up. If you travel to shoots I would recommend the Pelican 1510 to store all your stuff in.
I would also recommend grabbing a couple LED lights and the batteries and charger. These things are a life saver. I'll be picking up a third this week.
I hope this helped you out a bit. Like I said I was in a similar situation to you a couple months ago, but everything's coming together now. If you have any more specific questions about any of this, let me know. Take care.
/u/TooTurntGaming - I would avoid Canon DSLRs for video. Even if you deliver a 1080p product, you don't want to be limited by their 1080/30p maximum resolution and frame rate. Nor do you want a camera with a maximum 30 minute continuous video recording time for wedding ceremonies.
[Here] (https://youtu.be/J4FDn8YX4Ao) is why you want to record at 4K. And [here] (https://youtu.be/kIf9h2Gkm_U) is why material originated at 4K looks better on a 1080p monitor than material originated at 1080p.
With a $2000 budget, you can afford two 4K cameras with hours of continuous recording (one with in-body stabilization). Here is the two-camera wedding setup I recommend (cameras, lenses, lighting, audio recorder and tripod included):
With this setup, you can give your assistant the G7 - or, when you're shooting solo, put the G7 on the tripod and shoot smooth handheld with the G85.
Here are a few examples of the image quality you can get from Panasonic cameras and Meike lenses:
And the G85 cuts together with the G7 very well, as seen here:
Hope this is helpful and good luck with your new videography business!
This beautiful light:
https://www.amazon.com/VILTROX-Portable-Camcorder-Brightness-3300K-5600K/dp/B07C9ZNY17/ref=sr_1_3?ie=UTF8&qid=1540139218&sr=8-3&keywords=viltrox
You can put it on a tripod to help you out.
If you don't need something very small this is far and away the best option: https://www.amazon.com/VILTROX-Portable-Camcorder-Brightness-3300K-5600K/dp/B07C9ZNY17/ref=sr_1_3?keywords=viltrox&qid=1554782408&s=gateway&sr=8-3
Are you shooting video or stills? If it's video, you can get a basic LED video light kit for your DSLR for less than 30 bucks. It will give you much better results than a single LED. You can make something like this for even cheaper if you can solder.
http://www.amazon.com/Neewer-CN-126-Camera-Digital-Camcorder/dp/B004JZI78O
If it's stills, you can get a 3rd-party dedicated flash for 40-50 bucks. Again, it will way out perform a single LED.
Pretty cheap light that companies put their own branding on. Here it is from Neewer
Simple on camera lighting, most likely a small LED bank attached to the cameras hotshoe. Something like this
Edited to add: The softness can come from a piece of diffusion taped over the light, or they make softboxes for the light I linked.
It's a mix of f/4 and f/1.8. Mostly f/1.8. I made a little white box out of some large card stock, and one of these. I used a 160 LED Video/Studio light for the lighting.
The camera/lens setup is a Nikon D3100 with the Nikkor 35mm 1.8G.
Pretty much! It’s an LED light wand from Amazon. Helps me see potholes + looks cool.
YONGNUO YN360 LED Video Light with Adjustable Color Temperature 3200K-5500K https://www.amazon.com/dp/B01D2X4A8Y/ref=cm_sw_r_cp_api_i_C3mLDbX4TD92T
I picked up everything off Amazon (other than the camera which I bought 2nd hand off Craigslist):
This one
Or they have a much more expensive bi-color version, which I would have bought if it was out when I got my first couple.
I second this and personally have some Neewer Bi-color panels are they are pretty good, as well as bright. $160 for 2 lights, bags, and stands + AC power adapters (no batteries), but they do work with standard Sonys, can't recommend them enough IMO https://www.amazon.com/dp/B06XW3B81V/ref=psdc_3109915011_t1_B072Q42GXQ
For what you asked for, the Nitecore recommendation by u/PreparationX is a great place to start. While it’s completely outside the form factor you requested, I feel that no thread about a close-up inspection light for fine-detail work is complete without mention of a Viltrox panel light. Theyre designed for videography, have tremendously high color rendering, dial-adjustable color temperature (which could be useful for finding flaws in a variety of materials) and project a very diffuse, smooth light. It’s big and wouldn’t clip to your hat, but it would do a tremendous job of providing the light you need.
Well using B & H as a pricing reference, here is a filmmaking 'kit' I have compiled :
Of course, there are other things such as some AA and AAA batteries and cheap sd cards for the audio recorder, as well as a pop filter. You're going to have to get creative with how you get the audio recorder close to your subject without it being in the shot.
Looks like these:
http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1458333618&sr=8-1&keywords=neewer+led
I bought one a good while ago. Relatively cheap and has come in handy more than once.
What I've been using if I need to go portable (i.e. battery powered and no other power source) and it's not a large scale production, I've been using a couple of these cheaper LED lights - http://www.amazon.com/Neewer%C2%AE-CN-160-camera-video-light/dp/B004TJ6JH6/ref=sr_1_2?ie=UTF8&qid=1381513337&sr=8-2&keywords=led+light - mounted on these cheap light stands - http://www.amazon.com/CowboyStudio-Photography-Light-Stands-Cases/dp/B001WB02Z4/ref=sr_1_1?ie=UTF8&qid=1381514172&sr=8-1&keywords=CowboyStudio+Set+of+Two+7+feet+Photography+Light+Stands+with+Cases .
The lights can get quite bright, but they can also be used pretty dim, so I really like them for what they are. The colors aren't perfect, so in the past I've sometimes used actual light gels and taped them over the light (almost always using the diffusing filter). They run off AA batteries, or you could use a few different options of camera batteries.
You could use several different light stands, I just linked you to the cheap ones I bought for these lights. One downside of those particular stands is that the pole isn't completely circular, so you can't just twist it to get the light in the direction you want, you have to actually rotate the stand itself. Not always an issue, but could be a hassle in tight spaces or on uneven terrain.
Those lights are only $25 and they mount on top of a DSLR if you don't have the stands for them
https://www.amazon.com/gp/product/B004TJ6JH6/ref=oh_aui_detailpage_o00_s00?ie=UTF8&psc=1
These aren't tubes but are one the most used pieces of lighting equipment in our production bag:
The Yongnuo Light Saber:
https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_5?keywords=yongnuo+light&qid=1564150579&s=gateway&sr=8-5
This sexy handheld mofo can dial in daylight, tungsten, RGB and everything in between. Its cheap and adds such a vibe. Once again not tubes but could be used in a similar fashion. Highly recommend.
Well I wanted a Manker E03H Nichia but they're not on amazon anymore. :( So I'll take one of the Viltrox panels instead; I know people that do videography and such.
These don't look too bad for LEDs. https://www.amazon.com/Neewer-Pieces-Bi-color-Video-Light/dp/B06XW3B81V/ref=sr_1_9?keywords=neewer+led+lights&qid=1574087935&sr=8-9
Or this, https://www.amazon.com/Neewer-Reflector-Continuous-Recording-Photography/dp/B07PBG17PG/ref=sr_1_13?keywords=neewer+led+lights&qid=1574088078&sr=8-13 (But you will probably need a scrim to defuse light with that)
I know that it sucks posting this expecting yoyoing critiques and getting videography criticism, but it's really hard to see the string. I really recommend these lights for filming: http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_federatedaps1_1?ie=UTF8&qid=1411698079&sr=8-1&keywords=led+light
I have one of these:
http://www.amazon.com/Neewer%C2%AE-CN-160-camera-video-light/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1371588491&sr=8-1&keywords=led+dslr
and it works wonders. Built-in dimmer, comes with colored plastic plates to change the color temp. I imagine with just a few of these places properly, a "moonlight" look could be achieved fairly easily. With spare batteries for each, you could easily get 4 of these in your budget.
As a TSLA long, I'd prefer they deleverage to $0 debt and outlive every other automaker that dies in the next recession. I'll wait. Dude needs a light.
My work already had the LED light, but I think it's the same if not very similar to this one: https://www.amazon.co.uk/d/Camera-Photo/Dimmable-Digital-Camcorder-Pentax-Panasonic-Samsung-Olympus/B004TJ6JH6
The light has it's own battery so needs to be charged every so often. The external mic is powered from the GoPro.
Thanks! It's this one (ac adapter is separate). Benefit is that it's on a dimmer. And I can move it a little and use it for webcam lighting.
If it's an indoor location with no windows, you might be hard pressed to get nice images without a flash. The ISO performance on the d5300 isn't fantastic. I would look into possibly getting video lights, or a flash to light your images, you can pick up both from yongnuo pretty cheap.
The best moments to pick up here would be if she had family or friends she's interacting with, you can only take so many pictures of her getting her hair done before it gets boring. Look for laughs and interactions, good luck!
These are the lights I got. Six of them.
https://www.amazon.com/gp/product/B01934RL0U
I'm pretty happy with the test we did today, night and day difference.
Ring lights are fine for close ups and interview shots, but not what you're trying to do. You should invest in these. They are relatively cheap. They are RGB LEDs, and you can control from an app.
https://www.amazon.com/gp/product/B01D2X4A8Y/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1
You can use any standard Sony NP-F series battery, or these power supplies.
https://www.amazon.com/YONGNUO-American-Standard-Adapter-Switching/dp/B00OHHTTVS/ref=sr_1_3?keywords=YONGNUO+power+supply&qid=1570647093&s=electronics&sr=1-3
It may sound like a large investment, but they are very cheap compared to professional lighting. You can buy one at a time, and add as you need to. They are very durable, I've had about 6 of them for several years, and they always come in clutch on a shoot.
Simple three point lighting is (Key, Fill, Rim.) The key and fill go to the left and right of the camera array, and the rim be high, behind the subject (when you look at the shot this light is creating a glowing rim around your subject.)
Get some fill light dog.
Either you get a fixture that is not hanging low like spotlights or led's, or you take it off the ceiling altogether and come up with a different approach.
I mounted spotlights on top (not very bright tbh) have leds behind my TV and monitor (Self adhesive usb led strips), Philips living colors lamps around that give me mood light and when I need really bright light I have those battery powered lights on cheap stands (come handy everywhere, garden etc.)
Lumen ratings are often exaggerated, although I suppose it could be possible that a dual head light of the size of the one you linked could put out 14,000 lumens since the heads appear to be big enough to provide quite a bit of surface area for cooling.
I keep seeing the Home Depot Husky brand LED worklights stashed in various places at work. However, I've never seen anybody actually using one, and the maybe 3 times I've taken a moment to try one myself, it's been dead. So those don't seem like a very good option.
This might be different than what you're looking for, but I'll mention it because they're somewhat similar and get discussed here occasionally - Viltrox high CRI panels. Several users here have and like them for the natural looking light they produce. They're intended for photography and videography, and not as bright as halogen worklights, but with relatively low size and weight and minimal heat, you can position them safely much closer to whatever you're working on, and they can run both off of AC power or camcorder batteries.
There's a little version that puts out 1000 lumens, and a larger version, rated for 2500 lumens.
Not at all! I’m using these ones . They’re very good; plenty of power, adjustable output, battery operated, adjustable color temp, hot shoe mount included, and easy interface. Downsides are you’ll need to buy a hotshot-c stand bracket if you want to use them on stands, they don’t come with any color gels, and they drink power. They only last ~30-45 minutes turned on at full power. But they are very strong at full power and they’re very compact, so it’s an understandable compromise. I recommend them.
Another vote for a Canon Vixia. You can get them refurbished for as low as $130 from B&H. We use them at a little community station I'm involved with as loaner/newbie cameras. They'll take a good picture (no, it's not going to match a GH5, but you can just set it up and hit record), are the only entry-level camcorders with a mic input, and the codec edits fairly well even on a modest system.
You will want decent light - "practical light" (IE - overhead lights, lamps, etc) can be enough, but these little LED panels are cheap and bright enough for sit-down interviews where you can place the light a little closer to the person. https://www.amazon.com/VILTROX-L116T-3300K-5600K-Temperature-Brightness/dp/B07D8TTFSR/
You might want to pick up one of those and an inexpensive light stand, you'll need/want a couple of SD cards (I'd recommend 64gb w/ the Vixia, it'll hold hours of interviews and is at a good price/capacity point). Get two, and an external hard drive - a 2tb drive is about $50-60 now. As soon as you get home copy the video to the external hard drive.
You'll want a decent tripod, you might be able to get away with a cheap tripod for this project, but spending a few bucks more gives you something that will hold up. This is still a cheap tripod, and it's heavy, but it's a good one, reasonably smooth pan and tilt and the one we have has stood up to 3 years of abuse by volunteers. https://www.bhphotovideo.com/c/product/1240923-REG/davis_sanford_provista7518b_provista_7518b_tripod_with.html?sts=pi&pim=Y
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A lavalier mic can be useful. One thing to note, the Vixia does not provide "plug in power" to mics, so you need to look for dynamic mics that truly don't need power or battery powered condenser mics.
I don't have a whole lot of experience with the built in flash as when I used it I didn't have much luck with it. It isn't very powerful but I have seen youtube videos showing how you can use it some what effectively. If you are using the kit lens you can use it straight on but if you have a longer lens, such as a Sigma 16mm, the barrel of the lens is so long that it gets in the way of the flash make the built in flash unusable unless you point it upwards and bounce it off the ceiling or such (again i'll refer you to youtube for more research on that). If you are looking for a cheap alternative to the built in flash I highly recommend a cheap $30 flash off Amazon (maybe even cheaper with the Amazon Day deals going on right now) and a cheap LED light for photography for extra light. I personally have this flash (for $30.99) and this LED light (for $34.59).
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There are a few scenarios in which I use these lights.
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I will say if I am taking photos of animals or people I never use the LED light as the constant light source can be overwhelmingly bright on the eyes where as the flash is just a quick, well, flash of light. So shooting stills might be best to use an LED light of sorts in your scenario. Again this is my experience of a hobbyist photographer AND if you want to do it on a small budget, by no means am I a professional and I always recommend people to do their own research on how to use their camera properly as there is great videos and guides out there from known professionals.
The ones I use are the Viltrox L116T [referral link]. They're reasonably bright for the cost, and they feature variable brightness and color temperature. They can also be powered by batteries or a power supply. The lights cost $37.59 for the kit that includes the batteries and charger, and you can mount it on your camera, or a tripod.
Thanks as always Para! :) Viltrox
R.I.P. gundeals
https://www.amazon.com/VILTROX-L116T-3300K-5600K-Temperature-Brightness/dp/B07D8TTFSR/ref=mp_s_a_1_2_sspa?keywords=viltrox&qid=1563219816&s=gateway&sr=8-2-spons&psc=1
Usually if you tap in the lower left corner of the video on the YouTube logo, it’ll open YouTube. But here’s a link to the light: NEEWER 160 LED https://www.amazon.com/dp/B004TJ6JH6/ref=cm_sw_r_cp_api_L12KAbE6MT3ZZ
I've been using these Neewer CN-160 LEDs recently, and they're quite impressive for the price! Runs on AA or Sony NP batteries. I have mostly used them indoors - they're probably no match for direct sunlight, but should be able to do something in the shade.
It's not, I promise.
LED flashlight for your actor - $8
Basic bouncecard to bounce the flashlight light into your actors face - $13
LED battery powered light to illuminate your foreground or background - $44, including a battery and charger
There you go. Basic lights for a basic forest scene for $65. Add 1/2 CTB gel to your LED light to simulate some moonlight. It can absolutely be done, just get creative.
mine's an early kickstarter model. generally having more light gives better hi-speed results but the camera's surprisingly sensitive - some of the shots were done with a few 900lux led lights i got off amazon. not much processing for daytime shots, mostly just balancing levels to bring out details in blacks and boosting saturation, nighttime takes a bit more caressing but nothing too taxing...
Buy one of THESE, then run around the bike doing a long exposure. It's called lightpainting.
Mine just showed up today! I'm excited to try it out.
Have you considered some of those portable LED floodlamps? They only cost about $50 bucks and one of my photographer friends swears by them.
I think this is the model he uses:
http://www.amazon.com/LED-CN-160-Dimmable-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_2?ie=UTF8&qid=1325027836&sr=8-2
Lighting is super important, but don't forget about sound! People are much more likely to forgive a terrible image than they are sound.
The sensor in the t3i is the same as the t2i (but not the t1i, which can only do 20fps 1080). So if you can find a t2i for cheaper, do that. For lighting, you can get some pretty cheap but highly effective LED panels (see [here] (http://www.amazon.co.uk/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1393882490&sr=8-1&keywords=LED+Light+panel)) that will allow you to buy some decent audio equipment.
I'd honestly still go to the pros for this one, or at least cheap ambitious student film makers. Local high schoolers even. As a working freelancer/producer, I've had inquiries for "DIY"/mobile studios for clients to setup up themselves and they've botched every single one of them.
If your clients are seriously that hellbent on saving costs and time, then I like Hybrid's suggestions for tech. On top of that, I would add an LED panel for keylighting and this handy tutorial by Realm Pictures for setup.
But honestly, from my experience, this much knowledge/tech will baffle the non-savvy so really feel your way out on this and try to steer them towards finding help. Hopefully a solution is found! GL!
I would ask for gift cards, i.e. Amazon and B&H, or money. You can save these up and get nicer equipment or build your own rigs. But a nice Tripod can make a huge difference. But honestly, it all depends on what you film. Such as me, I often shoot on locations so lenses with a faster aperture do more than a set of studio lights. Here are my recommendations for basic stuff to ask for Christmas:
CN-160 LEDs - about $30 (http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/) and of course some NP-F970 Batteries go along well for about another $22 (http://www.amazon.com/Halcyon-Replacement-NEX-EA50UH-DCR-VX2100-HDR-FX1000/dp/B008X9L6ZS/)
Extra batteries - The off-brand batteries work well. I have two and they are great
Extra Memory Cards - I highly reccommend Lexar as my SanDisks don't work insanely well anymore.
Stabilizer Rigs - The Mantis Rig Is A Great Rig for everything (especially starting) and is only $33 (http://www.amazon.com/Mantis-Folding-Rig-Fotodiox-Transformable/dp/B00AUKBV7G) Or if you want to get a glidecam-style I suggest the Laing P-4S stabilizer which is like $275 and includes a bag and weights (http://www.amazon.com/Quick-Release-Plate-Laing-Stabilizer/dp/B00G3TCYQK/)
And My Best Piece of Lighting Equipment - A Reflector which you can get for like $20. (http://www.amazon.com/Neewer-43-Inch-Collapsible-Multi-Disc-Reflector/dp/B002ZIMEMW/) There's plenty of different sizes, too.
So, just from some googling it looks like you could get some decent, dimmable panels for well within your budget.
Here, here. and here.
Search term: "dimmable battery powered LED panel".
Good shooting!
Im new to the game as well, but so far these are the things I have picked up for my G6:
first, i bought a G6 kit that came with some handy stuff
I have also purchased
A slightly better tripod
A flood light
Battery pack for said light
Variable ND Fader for filming out doors
Rode shotgun Mic
Zoom H1
Lav mic to go with the H1
Headphones to listen for levels
Triple Mount Hot Shoe
Backpack to hold everything
This is just a fun lens, and its cheap the 50mm means its a 100mm equivelent, so its for really tight portraits, but the low aperture is good for low/light and for a very shallow field depth. When I am able to use it, this lens produces the most popular results when i post them online.
new strap cause the one that comes with the G6 sucks!
What i want to get:
A bigger zoom lens I am mostly interested in videography(weddings etc), and this would be good for back of the house shots)
The M 3/4's "nifty fifty"
No problem dude.
So first off I just want to go against your thought on only using an iPhone until you can get a professional camera. I really do think that you need the DSLR step in between the iPhone and the professional camera for many factors. Even though the app that you are using is very impressive, it still cannot match a DSLR. You even said it yourself, the camera sensor is way too small to use in anything but exceptional light. Secondly being able to tell the story not just the angle you have the camera, but in the lens choice is something that is awesome to do. With a single change in a lens you can make someone who is in an ally look like they are claustrophobic and trapped, to someone being alone in a large amount of space. So using lenses are a huge help in telling the story you want and being able to know that before using a professional camera is huge. I also want to point out one of the big and main differences why someone would want a professional cinematic camera. One of the main reasons is to have the capability to shoot in RAW which allows for awesome post production. I've used RAW many times before and it is awesome to adjust almost every aspect of the shot. Here is the thing though, you almost really don't need that unless you are really going to push the camera in post, or if you are doing a movie. Even without RAW a DSLR or mirrorless camera can achieve professional looking video without breaking the bank. Here a great video on professionals comparing 8bit vs 10bit which is essentially the difference between cinema cameras and mirrorless ( https://www.youtube.com/watch?v=AekKwgvS5K0 ). This is a very interesting video and really shows how good mirrorless cameras are, and the small gap between the two. I know it's fun to say that you filmed a whole film on an iPhone. I've also used an iPhone and android phones to film really good looking video, but I knew what it can and can't do because I had used dslr and professional cameras. Without the knowledge I had there would've been wild problems that I couldn't fix in post, and even with all of my knowledge I had to change how I did things to get everything right. It was a great experience, but there is a time and place for everything.
Okay not that is out of the way I'll tackle the audio questions you had. So when I said that you can eliminate background noise while recording it wasn't necessarily in a software, rather in what you are doing while filming. The number one thing that you need to do is get the mic as close to the actor as possible. By doing this it eliminates most factors so you can have more flexibility in post. Secondly it is a good idea to have someone dedicated to being the audio engineer. Having to do both is exhausting and results in lukewarm audio and video. Third you need to get an app or some external device that allows for adjusting the gain. There should be multiple apps that can do this, however I would recommend a pre-amp. Here is a link to a great pre-amp https://www.amazon.com/dp/B01LBS52YI/ref=psdc_11974581_t3_B007534LFK . It is a great deal for what it is, but it is still pretty pricey if you don't have much money or much income at all. This is a great tool because it will allow for any audio recorder, phone, or camera to accept xlr, quater inch, and normal aux connections and even providing two. You can also adjust the volume it is putting out so you can more easily adjust on the fly. Getting the right levels is essential for getting good audio in post. The next thing you can do is have some portable sound proofing. There are audio blankets that do a great job, but they are $60 for one. Not to say it isn't worth it, but it's a bit much if it's between getting that and a new mic. So instead I recommend getting a moving blanket. It isn't perfect, but you can get a huge amount of them for cheap and they do almost as good as the audio blanket. The way can use this is to cover up whatever is making the noise if you can. If you can't you can make a wall out of the blankets with light stands, or pretty much whatever you can attach them to. This will not only reduce echos from the actor, but it will also greatly reduce the amount of ambient noise that the mic is picking up. Seriously pick up some moving blankets, they are a great tool not just for audio, but you can use them to block out light, and actually move stuff. They are a really awesome tool. So by doing all of this it should reduce the amount of ambient noise that the mic picks up. Also for good shotgun mics, I am not a great resource for this but I do know a few good mics. Here are two that I know are good and that others say good things about. https://www.amazon.com/Professional-Advanced-Broadcast-Microphone-accessories/dp/B00N39J0LU/ref=sr_1_4?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-4&keywords=shotgun+mic https://www.amazon.com/Audio-Technica-ATR-6550-Condenser-Shotgun-Microphone/dp/B002GYPS3M/ref=sr_1_5?s=musical-instruments&ie=UTF8&qid=1503160247&sr=1-5&keywords=shotgun+mic . If you want to know more there are a large amount of articles on good mics for cheap.
Next I just want to quickly mention that you should invest in some lights. No matter what it is a good idea to have them. Here is a link to a great budget light, https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1503160499&sr=8-1&keywords=neewer+light . It isn't the most exiting thing to buy, but it is well worth your money.
For the acting questions, it is hard to put to words what I experience. It's more of an instinct, and is different in every situation . However I know I would not be happy with that answer, so here is a link to an article that I think has some really good points. http://www.masteringfilm.com/tips-for-directing-actors/ . This isn't the guide lines for what you can do, but this is just a starting point for what you can do to direct actors better. There are many articles out there so pick and choose what you want. My only piece of advice that I could find words for is this, make your actors not act. You want them to be the character. So a good way to get this to happen is to have them write a back story for the character, it won't be incorporated in the film, but it will help them shape their decisions on how they act. It is really a great way to have the actor connect with the character. Also just tell the actor what they are doing. Don't be a dick about it, but let them know so they can change it. Don't be vague by saying "do that but happier" because no one really gets that. Instead say something like "Jim while you are saying that line could you have a bit of a smile and have a bit more hop in your step" something like that. That might've not been the best example, but you hopefully get the idea.
Okay I hope that answered all of your questions. Let me know if you have more.
Maybe a couple of these?
This very well may have been my friends, as we usually extend our sessions after the sun goes down.
We have a couple of these headlamps. Cheap, and super bright. They have a zoom function so you can concentrate the light as needed:
http://www.amazon.com/gp/product/B00QAAZY00?psc=1&redirect=true&ref_=oh_aui_detailpage_o05_s00
Then we use these as floodlights. Not super durable, but very bright and cheap, and the brightness is adjustable via dial.
http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=pd_bxgy_421_3?ie=UTF8&refRID=0BFHGB0K90J2N6SASFDM
http://www.amazon.com/Generic-Replacement-NP-F550-Digital-Battery/dp/B0007Q9PWQ/ref=pd_sim_421_1?ie=UTF8&dpID=51DW8ndgtKL&dpSrc=sims&preST=_AC_UL160_SR160%2C160_&refRID=1QD2ST71K4MTG47GN6J7
http://www.amazon.com/niceEshop-NP-FM50-Np-f330-Np-f550-Np-f570/dp/B000OPB4U6/ref=pd_bxgy_421_2?ie=UTF8&refRID=0BFHGB0K90J2N6SASFDM
Two is enough to light up anything but really big problems. We combine those with the headlamps and have been able to light up things like High Plains Drifter enough to get good video in the middle of the night.
Trust me, this is what you want. Most of the people who have climbed with us end up asking me later what lights we were using so they can buy some for themselves.
Yep, LED lights are your best bet- they are small last long on battery power, do not emit heat, and depending on the one you get they can come with a temperature(as in color temperature- blue and yellow) dial as well as a dimmer dial. Something like these:
http://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_2?ie=UTF8&qid=1346276906&sr=8-2&keywords=camera+light
First I would get a 10 dollar bag of reflectors though- use them the right way and they are more valuable than a light.
http://www.amazon.com/NEEWER%C2%AE-60CM-Light-Collapsible-Reflector/dp/B004ATJDVY/ref=sr_1_4?s=electronics&ie=UTF8&qid=1346277225&sr=1-4&keywords=light+reflectors
EDIT: Sorry I'm kinda lazy and didn't shorten the link these better
most important for gh2 is lens adaptors / lenses. anything so you don't have to shoot with the extremely limited m4/3 lens selections. I'd go with old school nikon primes. thats the cheapest way to cinema look. I have since invested in more expensive canon zoom lenses, but that is for long term investment, because honestly I don't see m4/3 as having much shelf life in terms of video. I really think panasonic made a mistake with the format. they just got lucky that hackers made the gh2 so awesome. so yea, for more expensive glass, I'd say its smarter to invest in s35 or full frame.
Audio. I use a zoom H4n for my dslr recording. I have an me-66 for shotgun stuff, and sennheiser g2 kits for wireless (with the me-2 mic). i usually just do wireless for most things. does the job great.
Shoulder rig, anything really will do. I recommend you don't be seduced by the zacuto stuff, if only because equally functional rigs can be had for 1/10th the cost. I got a $200 indie systems rig on ebay, then DIY'ed a counter balance for it. works great.
other. may want an on camera light, depending on what you're shooting. there's a light on amazon thats only 34 dollars. its cheap, but again, does the job, for 1/10th the litepanels equivalent. (I have the litepanels micro, purchased for $300, equally cheaply constructed and not nearly as bright.) I would definitely have bought this cheap one if it existed at the time.
yeah, i'd do that with any camera tbh and keep the in-camera audio as a back up, just because the pre-amps on consumer cameras tend to generate a lot of hiss.
if that's the case-- if you want sharper video and 60p for slow mo/a better camera for whenever you want to shoot stills, either the a6000 or its cheaper sibling the a5100 are great options. the a6000 is a little easier to use ergonomically because of its hotshoe and viewfinder, and only about $100 more. The a6000 doesnt have a mic jack, but there's a pretty decent shotgun stereo mic that sony makes that plugs directly into the hotshoe to work for about $100.
i'd also definitely recommend going for the native 50mm 1.8 or 35mm 1.8 with OSS in them-- they're not too pricey, especially used, and the stabilization and video AF in both are surprisingly decent.
Panasonic also has some really good options, namely, you can get a used GH2 or G6 for under $300, both of which do great video.
But I'm not going to recommend either of those. Instead, I'm going to recommend the EOS M. You can get one with the pancake 22mm f/2 kit lens for under $300, easily. Yes, it's soft 1080p, but:
>1: it has a mic jack and hotshoe, and with magic lantern, you get pre-amp control, audio levels, and focus peaking to fix its ergonomic failings
>2: its image quality in stills mode is excellent
>3: that leaves you with as much as $250 (even less!!!) for other lenses and or lights + mics + etc
>4: it's mirrorless, so you can adapt basically any mount for it
>5: its the canon menu system, so you're used to it, and if you're shooting for web, soft 1080p is ok-- basically all video on the web is upscaled 720 at best with Youtube's garbage compression & Vimeo's very wise move to default at 720p for streaming. More importantly, canon has great out-of-the-box skin tones, decent 3rd party options for flat profiles, and does skin tones better than anyone (though samsung comes close).
>6: with the amazing 22mm pancake lens, you can literally fit it in your pocket, with a sharp, fast, wide lens. don't underestimate that. I'll never, ever be getting rid of my EOS M for that very reason.
if you're willing to chance it with a no-return ebay listing, this is an insane deal for it at $200: http://www.ebay.com/itm/Canon-EOS-M-18-0-MP-Digital-Camera-Black-Kit-w-EF-M-STM-22mm-Lens-Extras-/301852333911?hash=item4647cd1757:g:xmcAAOSwUV9WntSq
edit: here's a listing that does offer returns and isnt expiring in 25 minutes: http://www.ebay.com/itm/Canon-EOS-M-18-0-MP-Digital-Camera-w-EF-M-STM-22mm-Lens-SN401090-Near-Mint/252261698510?_trksid=p2047675.c100005.m1851&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D1%26asc%3D20150604093004%26meid%3D9cc556ced6ae4eb2988415606b2afa1e%26pid%3D100005%26rk%3D1%26rkt%3D6%26sd%3D321987815557&rt=nc
Edit 2:
If you go with the eos M + 22mm at $250, that leaves you with:
-$125 for a solid ravelli video tripod (less if you search CL or ebay)
-this Takstar mic for $30-- it's 90% as good as a Rode/AT, and its actually easier to work with in post (which you'll need to do with in-camera audio) http://www.amazon.com/Takstar-SGC-598-Recording-Microphone-Camcorder/dp/B00E1D2LTA
-this 50mm f/1.8 manual focus lens for approx. $30 http://www.ebay.com/itm/CANON-LENS-EX-50-MM-1-1-8-/262261014275?hash=item3d0ff97f03:g:oHMAAOSwNSxVdKLd (requires a cheap adapter for an additional $16: http://www.amazon.com/Fotasy-AEMFD-Mirror-Camera-Adapter/dp/B00ACYTWFI/ref=sr_1_2?s=hi&ie=UTF8&qid=1453854045&sr=8-2&keywords=ef-m+fd)
this LED camera light for $30: http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_3?ie=UTF8&qid=1453854327&sr=8-3&keywords=led+camera+light
This hotshoe extender for $12: http://www.amazon.com/Movo-HVA20-Heavy-Duty-Accessory-Microphones/dp/B00HTWF7MS/ref=sr_1_11?ie=UTF8&qid=1453854366&sr=8-11-spons&keywords=hotshoe+extender&psc=1
and finally, this cold-shoe grip + extender, for using this tiny camera on the go with a mic for $30:
http://www.amazon.com/Movo-SVH6-Stabilizing-Extender-Olympus/dp/B00YQD94RW/ref=sr_1_1?ie=UTF8&qid=1453854193&sr=8-1-spons&keywords=cold+shoe&psc=1
This is a little over $500, so you could drop 1 or 2 of the accessories, but this will do way more for you for your money.
Cheap LED lights, like these
Very interesting! Too bad GoPros suck in low light - I recommend looking into some of these. I use one mounted on my DSLR for video and as a flashlight when exploring abandoned buildings - it can light up an entire (small) room.
I keep suggesting this seller off of Ebay for the shoulder rig. I recently picked up this item from them, and all I can say is; this was the best cheap purchase I have made in regards to my filming gear. I did have to buy a couple of additional items to make it completely suit my needs, but overall I still saved a LOT of money compared to anything I could have bought off of Amazon or other film gear sites. At the moment I don't need a great matte, the cheesy one that comes with this rig works fine for blocking light.
For follow focus I went with the 50-Dollar Follow Focus from Hondo Garage. I like it a lot, but it doesn't seem to be for everyone. The price also goes up if you buy the larger lens upgrade, which gives you a longer belt and a bigger wheel.
This light panel is plenty bright for anything indoor or anything outdoor that isn't in direct sunlight.
As for mic and mixer, I bought the Tamron DR-40 4 channel mixer, and the Rode NTG2 Shotgun mic. I went with the Tamron because it was $100 dollars cheaper than the Zoom H4N (equivalent mixer) and it was mentioned on several reviews to have a cleaner sounding preamp.
I have a Canon 60D so I don't need CF cards and my tripod is generic and gets the job done.
You can use a $30 LED light and light paint the car. Here's an example of with and without the LED light. I'm extremely happy with the results and for only $30 I consider it a no brainer.
It looks like something similar might be useful for canyoning too... I have a lot of trouble with fast-n-light light down there!
But those LED's, are they something like this... wouldn't they just break/fail in the foam too? Or are those ones waterproof?
Can you tell some more details about the LEDs? ie how effective you find them, how far the light goes, how long they last?
Im not sure how far you need to see in front of you, but I use a flash grip bracket like this combined with a led flash they also have bigger led flashes. It works decent with my gopro white so with the new cameras itll worl even better. As for transfering it to my ipad I use this card reader and it works great.
I recently just picked up this light, a rechargeable battery pack, and this stand.
It is a VERY bright LED light with adjustable brightness, and it can light up a green screen and you with ease as long as it's positioned correctly. Fits on my desk behind my monitor perfectly.
Here's a good, cheap LED panel you could use https://www.amazon.com/YN300-III-Adjustable-Temperature-3200K-5500K/dp/B00T3W0KDS/ref=sr_1_3?s=electronics&ie=UTF8&qid=1510248303&sr=1-3&keywords=yongnuo+yn-300
https://smile.amazon.com/Neewer-Dimmable-Lighting-Digital-Camcorder/dp/B00Z8YDRTY/ref=sr_1_1?ie=UTF8&qid=1493856101&sr=8-1&keywords=led+lights+film
https://smile.amazon.com/dp/B00LVTZH9I?psc=1
This is the kkind of thing I was thinking of.
Are those lights dimmable? It looks like you want to be flexible and lightweight. If so, I've really enjoyed this setup because not only are they highly portable, but you can also mount them on the camera hotshoe which is great for run and gun (ie. weddings). You wouldn't be disappointed.
They have some with bar doors and filters. This is what I got.
http://www.amazon.com/gp/aw/d/B00Z8YDRTY/ref=mp_s_a_1_8?qid=1464125470&sr=8-8&pi=AC_SX236_SY340_QL65&keywords=neewer+led&dpPl=1&dpID=51sGu5c3V%2BL&ref=plSrch
>https://www.amazon.com/dp/B01934RL0U/ref=cm\_sw\_r\_cp\_apa\_i\_OiArDbD2DT7J9
I went with what /u/Ematai suggested and ordered these
Nice! Thats the same mic I have.
​
lighting is a bit of a struggle, I got some led panels but rarely use them, Most of the time I've been shooting in daylight and interiors with big windows
when I have shot night stuff, I've preferred going for harsh, single source lighting with lots of shadow, since I'd rather go for style than trying to make it look well lit cinematically. This is the one I have
In my opinion strongly colored stylistic lighting looks better than poor normal lighting so I also picked up a bunch of colored ones.
I just got this light and so far it fkin rocks. You can probably find something for half the price if you look hard, but this thing puts out a lot. I plan on getting a second in the future.
https://www.amazon.com/gp/product/B01934RL0U/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1
https://www.amazon.com/gp/product/B008MI5VMO/ref=ppx_yo_dt_b_asin_title_o03_s01?ie=UTF8&psc=1
Other than that check out YouTube. It's a well of content and there are honestly too many to list.
Next Level Painting
Jack of Clubs Painting
Slow Fuse Gaming
Sonic Sledgehammer
Midwinter Minis
Also TWITCH. A lot of people streaming live content and will take questions from viewers as they're working. I pretty much always have someone running on screen while I'm building/painting.
If you want to go one step further, there are people who do private solo or group classes thru Patreon.
I noticed that keeping back lighting on my editing workstation helps keep my eyes adjusted by evening out the direction of light piercing my eye balls all day/night long. They’re adjustable colors too which helps a lot when I go into color correction/grading. I’m using a couple of these - YONGNUO YN360 LED
Thank you!
these are the lights very versatile !!!
https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_1?keywords=younguo+led&qid=1557668678&s=gateway&sr=8-1-spell
I have a Lowel Ego and a Yongnuo wand light and it's worked out really well for me. The Lowel and a reflector is enough for most shots while the Yongnuo is a backup in case the shot location doesn't have a plug
This smaller than a deck of cards LED light, helps with helps, a live saver in video. The cold shoe mount can come off; I often keep it in my pocket and bust it out, sometimes hand hold it at an angle.
https://www.amazon.com/Aputure-AL-M9-Amaran-Light-Camera/dp/B01ITRLJIW/
Thanks and congrats! Another milestone!
I've got to try that Viltron L116T.
Viltrox L116T
Great shot!! Product photography is 80% lighting. A few basic tricks if you dont want to invest too much:
1- A basic reflector kit (silver, gold, diffusor) will set you back about 30$ and can really help up your photography game. Alternatively, a 2x3 piece of glossy carboard, set like a dome over your watch, can act as a ghetto reflector and give you very nice results.
2- A LED panel such as this one lets you adjust both the intensity and the warmth of the light, which comes in handy when you want to match it with a secondary source of light.
3- You probably already know this, but RAW + Lightroom are your best friends if you’re shooting with a DSLR
Oh I found it! And the price dropped a lot! Here:
https://www.amazon.com/gp/product/B01KZLM3QC/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
​
PS - Does NOT come with a AC power cord. You need to buy that separate.
I had a large ring light that even at low settings just gave me headaches and got me tired fast. I had it angled as best I could but it was so large I couldn't do a lot. I tried diffusing it when it was facing me and it still happened. I moved it so it was bouncing off the wall instead of facing me.
I actually replaced it with this: https://www.amazon.com/gp/product/B01KZLM3QC/ref=ppx_yo_dt_b_asin_title_o02_s01 (you need a power adapter too) and this is in the same spot as the ring light was (behind my monitor because I have no other room) but hasn't hurt my eyes. I don't know if it's just angled in a better way but it's significantly smaller even though the light is still as bright as far as I can tell.
Viltrox L116T(https://www.amazon.com/gp/product/B01KZLM3QC/)
Thanks parametrek!
I think the only cordless work lights which make sense are the 18v power tool ones. That Milwaukee should be decent, but if you own a cordless drill from a different brand, you should look there, as well - every brand offers something similar. They're all built tough as hell, and the battery packs are easily replaced (even though they're proprietary, they're always available). All the other cordless work lights are either sleek all-in-one homeowner-grade stuff at the hardware store, which works great for a while but probably can't be repaired or rebuilt when the batteries die, or serious commercial-grade stuff like the Pelican and Streamlight, which are built for police and fire with the expectation that a city budget is buying them.
Unfortunately, I'm not aware of any work lights with a CRI specification. You could build your own using the Viltrox light panels /u/maukka loves, but otherwise you're probably getting 70 CRI no matter where you shop.
Of course, depending on your application, don't forget to consider an 18650 headlamp. It's not nearly as bright, but it's always right there.
I have a similar camera and use two of these https://www.amazon.com/VILTROX-L132T-Dimmable-Panasonic-Camcorders/dp/B01L75TMSM/ref=sr_1_4?ie=UTF8&qid=1538684608&sr=8-4&keywords=viltrox
They are clamped to the uprights on my two side displays with these https://www.amazon.com/gp/product/B077RS1N54/ref=oh_aui_detailpage_o01_s00?ie=UTF8&psc=1
They work very well. You can change the color temperature and brightness with a dial on the back. They also have the option of being portable with supplied Li batteries.
Congrats on 37k! I’ll stick with the Viltrox L132T
Bro, that was amazing. That said, get yourself a key light. People want to see that beautiful mug of yours.
Here is what I use. They work great.
Neewer Photo Studio 176 LED Ultra... https://www.amazon.co.uk/dp/B06XDFGDCX?ref=ppx_pop_mob_ap_share
Sinvitron® 11 inch Magic... https://www.amazon.co.uk/dp/B011769YUM?ref=ppx_pop_mob_ap_share
KEXIN LED Clip Lamp with 3 Color... https://www.amazon.co.uk/dp/B0788KBXVL?ref=ppx_pop_mob_ap_share
Wedding Videographer for 12 years here.... I used a monopod to shoot 98% of my weddings as the primary video, with a tripod as the secondary stand. You can get a monopod for about $15.00 from Walmart or you can go the more expensive route and get one for about 100.00 + dollars from a pro camera shop. For the actual ceremony, I always placed my tripod camera to the entrance and I would stand near the front by the Groom as the Bride came up the isle... edited together is was very professional. The monopod will give you the option to move out of the way during the ceremony. The lav mic was only used for the vows because when you go to edit you will have to go from the sound in the room to the mic... if you try and place both together you will get an echo. Find out ahead of time if there are any speeches, toasts, dances, bouquet toss ahead of time so you can be ready for them during the reception (get a schedule if you can). Don't shoot people eating food and keep the reception as natural as you can. I would keep the reception to one camera on your monopod... you will catch all of the action and keep your editing down to a minimum after the fact (important). Lighting.... I used those LED lights that run about $24.00 on amazon - (see link at the end) ... hope you have external lighting to prevent grainy video footage. Ask the photographer for still shots of groups so you can use them in your video ... using the "Ken Burns Effect" in your video editor. If your going to do a montage remember, people look more romantic and elegant when slowed down in your editor... Good luck... and oh yea... watch out for your equipment and drunks putting their drinks down near your stuff... one spill of a soft drink and its done for.
Here is an example of a small wedding for an older couple (2nd marriage) that I did a few years ago. It was shot with a single GoPro Camera on a monopod. The wedding took place in a courtyard in the French Quarter of New Orleans and features a short intro montage. - https://www.youtube.com/watch?v=OXxVpNqnbyQ
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Link to camera light - https://www.amazon.com/Neewer-Dimmable-Cameras-Battery-Included/dp/B06XDFGDCX/ref=sr_1_5?keywords=newer+led+video+light&qid=1570037334&sr=8-5
Your solution is correct, cover the uncontrollable light and use a controllable one. Soft light will look best, but you need it to be bright enough so that your camera doesn’t have to compensate digitally (making the picture all grainy and distorted). A desk lamp will not have this power by itself, so either a bunch of desk lamps bounced off a white wall or shot through a layer of diffusion, or get like two LED video lights and bounce then off a white wall or bounce/shoot them though diffusion (photography umbrellas, diffusion from 5in1 reflector, softboxes, etc.)
Photography--good photography--is *really* tricky, video more so.
Caveat--I've not used the iPhoneXR at all, and I'm more than a bit of a camera snob. I only use my cellphone for "documentation" pictures, or on the rare occasion I don't have a "real" camera with me. I carry a compact camera in my "man purse" so I always have a good camera on me.
If you're not going to be streaming the video I'd suggest a "real" camera, maybe two so you can easily get different angles.
I would also suggest getting some "cheap" lights off Amazon, like these https://www.amazon.com/Neewer-Pieces-Bi-color-Video-Light/dp/B06XW3B81V/ref=sr_1_3?keywords=Video+lights&qid=1570067275&sr=8-3 (not recommending those, something *like* that) to give the room more light. You don't (necessarily) focus these on you, but bounce them off walls etc.
Look on youtube for videos on video lighting and how to shoot videos.
i got 2 sets of lights.
That LED video lamp trick worked really well! I'm going to have to give that a shot. Which one do you have? I use this:
http://www.amazon.com/Neewer-CN-126-Camera-Digital-Camcorder/dp/B004JZI78O
Thanks
Thanks again. If I go with the DR-70D, is it a bad idea to have the audio recorded into the DSLR as opposed to having the audio recorded separately on an sd card and having to do the pairing with the images in post production? And for the lights, do you think I could regret buying this one?
Thanks for that I haven't exactly settled on the Camera I am going to use but it's possibly a Canon 80D (I'm friends with a Pro Tog and he's let me play with his) at the moment I'm practicing with my Fujifilm X100T (I know it's not an ideal film camera, but it's all I have at the moment), so once I get that I'll start playing around with different set ups.
As for lighting - I was looking at getting a few of these from Neewer to allow me to play around with light temperatures.
Are there any guides to the terminology and basic techniques you could recommend?
Yes, thank you that helps alot! I was looking abround some more and found these things
phone cage with 2 lenses
light - and maybe the charger/softbox combo
And a mic
Total price would be around $200 so I can work with that. And yes I will just have to show them the ropes a bit on how to get the best possible video.
Thanks so much for your help!
Dude, cn-160 - this will be your back light savior.
http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6
So I have a 10 and 15 extension tube, and borrowing my friends macro (100mm). Is it really that easy to nab shots from film strip like that?
Of course, dude! It may not match the style you're looking for, but check out some of the LED banks that mount to a hotshoe adapter. I mussed around with one in undergrad and they're pretty nifty, especially if you get one with a slide or wheel brightness adjuster. Some even come with plastic covers that act as warm/cool/tone gels.
Kind of like this one.
I agree with you there about feedback. Honesty is key but there is literally never a time you can't serve the compliment sandwich. (Solid criticism buns with a meaty compliment in the middle). Never a need to be rude to people.
Keep killing it on the videos!
Drop the long intro - 14 seconds before you are on screen is too long.
Learn to light as well, even if it's using something cheap like these http://www.amazon.co.uk/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6 in a two or three point set up.
I would say not bad for your first job. The first thing is the audio, do your best to never use audio that isn't a Lav mic or a shotgun/boom mic very close the subject. If you're forced to use the Zoom, buy a dirt cheap XLR mic to plug into like this one XLR Mic.
Also wouldn't hurt to invest in a dirt cheap light panel like this one Light Panel and stand as well which you can get on Amazon for less than 50 bucks. The shots looked under lit and could have benefited from a different background, a window is never a good idea and didn't really fit the subject matter. Maybe shooting them in a lab setting would have been better since it's relative to the subject. You want to create a feel or mood when you create a video and the more you can put them in a medical environment, the more legit they will seem.
Lastly, the shot of the person working in the lab never fully racked into focus, focus is critical with big clients and every shot has to have a crisp focus.
Hope I wasn't too harsh, it beats the first videos I ever created by a mile. Good Luck.
$30!
https://www.amazon.com/dp/B004TJ6JH6/ref=cm_sw_r_cp_api_oNmxxb0PD8DYB
I've been meaning to write up a guide for this...
If you Google around for cheap light kits, you'll see a lot of "clamp light" builds. I recommend skipping those. Knockoff LED panels have gotten good enough that I think you're better off buying them instead. The clamp lights, to me, are more pieces and trouble to set up, tear down, and travel with than they're worth and they look extremely amateur, which is a problem if you're doing corporate work.
Before you begin, the key to remember is that the smaller the frame, the more cheaply it can be lit. Shoot tight to make your cheap lighting go further and look better.
First, use the sun. Position your subject as if the sun is your key - around to the side a bit so you get some light wrapping. Then bring in your popup light modifier and stand and set it up to diffuse the sun. This almost always looks great and is very cheap and easy to set up.
Next, get a bucket of CN160s and some knockoff Sony NP batteries. Shoot a few of them through your diffusion ring to get a bright enough key, then bounce the rest of them off of white foamcore to get nice fill lights and to fill in the room.
$200 or so will get you pretty well set up - less depending on how many LED panels you want. It's hardly the BEST kit, but it's an excellent, effective, and compact CHEAP kit.
As far as accessories, besides maybe extra battery and some memory cards you should be really good to go. If you want some nice straps/ clips/ bags, Peak Design has some really nice stuff. As far as video, it can go as deep as you want it to go, it really depends on what you want to do, if you just want a simple documentary/ youtube video set up you could just get a simple Rode Mic and maybe an little LED panel but if you are trying to make like short films, then you'll probably need a lot more lightning/ audio equipment
I use these two things for my lighting, no experience in desk lighting though.
https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_9?ie=UTF8&qid=1510389649&sr=8-9&keywords=camera+lighting
(You're gonna need a light stand to attach it to as well)
&
https://www.ebay.com/itm/Neewer-400W-5500K-Dimmable-Ring-Fluorescent-Flash-Light-Video-Light/381214564258?_trkparms=aid%3D555019%26algo%3DPL.BANDIT%26ao%3D1%26asc%3D41375%26meid%3Ded2741e500984b038a0961cb29c188bd%26pid%3D100506%26rk%3D1%26rkt%3D1%26&_trksid=p2045573.c100506.m3226
My area is pretty cramped too and it doesn't take up too much space.
Ah, I see. So something similar to this, but designed for a garage instead of a photo studio?
I don't think anyone is making those with modern Cree LEDs. Everything that I've seen has been an array of 5mm LEDs. There might be something with COB-style LEDs however. Closest I can find is a 12v COB floodlamp. That'll be around 800-900 lumens but you'll need to slap together a battery pack and hanging hook. (Those also come in 120V AC versions, if a corded light is acceptable.)
edit: Not a trouble light, but maybe this?
I've used some of these http://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6 before and they worked pretty well
Not sure how well they hold up over time
I've also used a lot of fixtures from Home Depot that work well, buy some reflectors in a few sizes and bulbs in different color temps and wattages to get the look you're going for
I know you're going for cheap (like everybody else is) but don't just buy the cheapest thing you can find, I've made this mistake before and ended up having to go buy something better later when the cheaper alternative broke after a few uses
For another option, I'm with RADTV, definitely consider renting
Thanks for all of the tips, it's really putting everything into perspective.
We are currently using this set up
and this light LED light:
I was looking for something more on the go since, most of the videos will be taken in public places.
Here's an example of one of our videos. As you can tell the quality is terrible and the audio through a takstar mic is disgusting: https://www.youtube.com/watch?v=9vafoXMPfAU
I have these, https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_3?ie=UTF8&qid=1511638223&sr=8-3&keywords=neewer+light+panels
Going to LA Convention Center for an anime convention. Will be taking solo and group pictures inside. Here are pictures 1 2 3 from previous years using the 550D/t2i without flash. Flash was making the background too dark and the subject light up too much. I'll be replacing the kit lens with the Canon EF 85mm f1.2 USM ii lens.
I was looking at the [Neewer NW-561](https://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/r NW-561 speedlite flash. Someone recommended to get one with TTL, they recommended the Yongnuo YN-568EX II. The Neewer NW670 / VK750II E-TTL is cheaper and also has TTL. Which one should I get? Do I get a diffuser or softbox? Which way should I face the flash (walls and ceiling too far/high)?
What's a great cheap LED light for car light painting? I was looking at this one, is it good? Also, if I were to use it would I need something to make the light less harsh?
Those DIY florescent kits can get you into trouble. Sometimes they don't run at the appropriate refresh rate and they'll create a banding effect on certain colors. The inverter dillema always makes field shooting a little tricky. If you've got a couple HMIs, (Frenels, Cans, spots, or whatever you call em in your neck of the woods). It might be worth it to rent a generator since this piece doesn't appear dependent on Foley.
If you need the flat face light look amazon sells these cheap LED's that are great in pinch [Amazon Link] (http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1409497084&sr=8-1&keywords=led+camera+light)
I used one on a shot I did a while back I qued it up. It's just the bathroom shot so you can stop playing after you get an idea of what we did with the lights. You'll notice a color shift in the middle to try and change the feel of the scene (Adjustment in post) but basically the light has a pretty good effect as long as you remain within 5 feet of your target. Also works as nice fill on extreme closeups.
Good luck on the re-shoot, I look forward to seeing your results.
https://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_2?ie=UTF8&qid=1473351542&sr=8-2&keywords=neewer+led+panel
The first image is a sparkler, the second could be something as simple as this punk hair toy. One of the tools I use to light paint is a $30 LED brick that works great.
Setup a tripod, depending on your light source and the object you're lighting it will be 1-30+ seconds. If you're using a model they've got to sit very still for as long as the light is interacting with them.
Try the Neewer liner of video lights. Cheap and cheerful, a very handy bit of kit for videographers. I have the CN-160:
https://www.amazon.com/NEEWER®-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6
Its a Canon 70d w/ 18-135mm lens and 17-85mm Lens (the 17-85mm is the one that clicks when it is focusing) For a microphone he uses a Rode VMPR VideoMic Pro R. He used the NEEWER 160 LED light for the ursla series. To mount the microphone and light he used something like the Eynpire Camera Triple Mount.
Thanks. We'll be back there in a month, looking forward to it. The lighting set up is 2 LED panels mounted on tripods, one off camera left and one off camera right.
Nice shot of Delicate Arch, following you now on IG. We're on IG at @taylor_photo
The Six Sages Gaming Set up!
Lights!
Lights Stand
Battery for Lights
Battery Charger
Mic Stand This will also need a camcorder attachment. Will require more research to find correct one
Camera!
So ill focus on three things: Audio, lighting and general video stability ect.
First off Audio.
Audio makes up alot of the video and if it sucks its bad. The built in mics on phones are pretty good but the rode video mic me will add value
I dont think this is the first and most important thing and you should look at some alternatives wich are cheaper. Just buy something because if youre going to be further away from the phone the sound will often suck. Heres a good video on this topic https://www.youtube.com/watch?v=L5M3Zn8h27c
next up lighting, think about your current setup, will you be able to film at night, wdo you have enough light? If you have alot of space id recommend a softbox kit from amazon. You get 2 sopftboxes for usually around 50bucks wich will give you soft even light.If you dont have enough space/budet look for led video lights on amazon. neewer has something called like 160 or whatever.Its just a big thing with lots of leds and it gets super bright(https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1487198195&sr=8-1&keywords=neewer+led)
You might need something to hold up the light but books will also do the job.
As for general I think theres 2 things. One either a gorilla pod or tripod, think about your situation. Will a gorilla pod get high enough?Again books will do the job fine but it can be annoying. A regular tripod will be comfortable to use but might not work for you. And last is some app that lets you change settings, I think theres one called filmicpro just look up some video shoting apps. Mainly you want it to turn off auto focus exposure ect so theres no weird jumping around focus/exposure.
Good luck with your channel, I think an app that lets you turn off autofocus and exposure is very important and depending on your situation you should invest in lights or audio. Or maybe even both.
Have fun with your eating!
The 50mm prime lens is a nice ADDITION to your kit. I would not purchase a 50mm lens as your only/first lens because you are then forced into moving your camera closer/far away from your subject as you can not zoom to set up shots.
The 600D is good for what it is and you don't have many other options for under 1000$. Most 600D's come with an 18-55mm lens, I purchased a used 600D with a 18-135mm lens which I recommend over the 18-55mm. Of course, it is slightly more expensive, but glass isn't a bad investment because should you upgrade your body, you still have your lenses.
Tripod: http://www.bhphotovideo.com/c/product/243272-REG/Davis_Sanford_PROVISTA7518B_Provista_7518_Tripod_w_FM18.html
Several other redditors have recommended this tripod, and I own one as well. Stands up to about 6 feet tall, fluid pans and tilts, quick and easy to set up/break down. Best bang for the dollar.
Audio: Zoom H4N is the recorder you would want, but unfortunately, I think everything you are looking for is tough to get under 1000$. Since you are doing interviews I would recommend 1-2 wireless lavaliers.
If you are working by yourself, maybe a RODE Videomic PRO. It's a shotgun mic, but operates through 3.5mm rather than XLR, so it can mount on your cameras shoe and plug directly in replacing your camera audio. There's a kit you can get with the VMP that comes with a dead cat, boom pole, and extension cable. If you buy a Zoom H1, you can record to that and boom from wherever regardless of your camera. However, the Zoom H1 doesn't take XLR input.
The kit: http://www.ebay.com/itm/RODE-VideoMic-Pro-Microphone-Booming-Kit-1-Boom-Deadcat-and-25-Cable-/160879124199?pt=US_Pro_Audio_Microphones&hash=item2575249ee7
Zoom h1: http://www.bhphotovideo.com/c/product/699403-REG/Zoom_H1_H1_Ultra_Portable_Digital_Audio.html
Lighting: There are a lot of guide's out there for DIY light kits. I would look into that, you should be able to build a 3 point light kit for under 100$ from your local hardware store. Also, for 25$ this LED light is great, however it is not a substitute for 3 point lighting.
LED: http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1411574797&sr=8-1&keywords=neewer+160+led+cn-160
Just get the nifty fifty. Also known as the fantastic plastic. It’s a good lens for the price. Also maybe get a light source, these led video lights are all you need, just learn white balance editing.
NEEWER 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras https://www.amazon.com/dp/B004TJ6JH6/ref=cm_sw_r_cp_api_i_Xrx4CbRPNS69Z
Canon EF 50mm f/1.8 STM Lens https://www.amazon.com/dp/B00X8MRBCW/ref=cm_sw_r_cp_api_i_Apx4Cb5AGTZ3S
Get an external light. Very important. NEEWER 160 LED CN-160 Dimmable Ultra High Power Panel Digital Camera / Camcorder Video Light, LED Light for Canon, Nikon, Pentax, Panasonic,SONY, Samsung and Olympus Digital SLR Cameras https://www.amazon.com/dp/B004TJ6JH6/ref=cm_sw_r_cp_api_i_EfR3CbY5M4H77
Outside of that I run an i7 computer with video card, 3 Sony handy cams with Elgato Cam Link capture devices, and a blue snowball mic. Do not get the ice snowball, that one stinks. This stream is every cam set to 1080p 60 FPS with my computer outputting 1080/60 FPS. Hope that helps!
Will this https://www.amazon.co.uk/dp/B004TJ6JH6/ref=wl_it_dp_o_pC_nS_ttl?_encoding=UTF8&colid=3NBLT9FTO2I4T&coliid=ICZCELG15I1CS fit on this https://www.amazon.co.uk/d/ibn/Phot-R-Professional-Photography-Adjustable-4-Section-Photo-Aluminium/B00MOM1T02/ref=pd_vtph_421_lp_t_2?_encoding=UTF8&psc=1&refRID=59V42D6BPTJTQ6XXRQNY with the use of this https://www.amazon.co.uk/Kaavie-Universal-Swivel-Holder-Umbrella/dp/B006VTJQT0/ref=pd_sim_421_7?_encoding=UTF8&psc=1&refRID=7KH4QP8HFY4Q8S53TVNZ adaptor? Looking to buy all 3 in one go. Cheers!
how about just giving them a light. Like one of these?
http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1415290825&sr=8-1&keywords=led+video+light
They just turn it on, hold it up then take a pic.
oh yea i forgot about that. I recently bought a cheap 160 LED light panel. works great! link
I just picked up 2 of these http://www.amazon.com/Neewer%C2%AE-CN-160-camera-video-light/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&qid=1372786086&sr=8-1&keywords=neewer+led
I havent used them yet but they seem like a lot of bang for the buck
They have their use cases. I'm a photographer, and for LED panels like this (if you're shooting in seriously low light, particularly for video) it's insanely expensive to keep buying regular batteries. Yeah, may be more convenient, but batteries aren't cheap and the cost adds up quick if you need lots of them.
If you're looking for some cheap video lighting to help brighten up a shot I would recommend searching on Amazon for LED panels. They can range from small and cheap to bigger, brighter, and much more expensive. I would search around and try and find something that's in your price range. They can certainly be useful to help add some light in an interview setting or you can use them mounted on top of your camera if you're shooting an event in the dark like a wedding reception or a nightclub.
Not OP, but what do you think about me purchasing this ??
I need to film a scene inside a caravan, and I've been looking at this one too, but I don't think it'll fit inside. Thoughts?
Is this the light you used?
Something like this Neewer Shoulder Rig Kit $105. Something like this Neewer 160 LED Light $32. A Rode Mic $150? Zoom H1 $100. Headphones <$100? 500ish total without the cost of a DSLR and lens.
I've used something similar to this before, it's very small and can mount to the hot shoe of your DSLR so its great for run and gun video stuff. Its dimmable as well and comes with a diffusion filter which should help with your intensity concerns.
I'm going to assume you're running on a low budget, so I'd sugest, the NEEWER CN-160 LED Light, it runs on a variety of batteries and is reasonably powerful (and cheap).
> e you red head and blast it through a nice white bed sheet hanging between two stands.
> Get this sheet as close to your subject as possible without it being in frame and then bring in your light as appropriate for the correct exposure.
> In terms of light placement it looks to me they are using it above camera, and slightly to the right.
I shot the video, we used 2 small led lights http://www.amazon.com/NEEWER%C2%AE-Dimmable-Digital-Camcorder-Panasonic/dp/B004TJ6JH6/ref=sr_1_10?ie=UTF8&amp;qid=1453910246&amp;sr=8-10&amp;keywords=canon+led+lights . I will try the bed sheet idea next time thanks. Also what is a red head?
I've used flashlights before, big ol' mag lights (the kinds cop use) can be effective.
http://youtu.be/1LPr0qFTebo
The lighting set up for that was a mag-light through a shoot through umbrella just out of frame (maybe 4 feet away?) and a second light on top of the hood of a car maybe 5-10 feet camera left to the side of the talent. I don't think we even had to crank the ISO too much on that. Maybe 640. I don't have an HD copy of that file anymore.
In more recent times I've used this:
http://www.amazon.com/Neewer%C2%AE-CN-160-camera-video-light/dp/B004TJ6JH6/ref=sr_1_1?ie=UTF8&amp;qid=1377727985&amp;sr=8-1&amp;keywords=LED+Video+Light+160
Careful with this though, as the battery drains the lights get dimmer, which isn't noticeable until it's too late. Be sure to check shots and change out batteries frequently.
That gives a look like this when used on camera, around 3-5 feet away from the talent.
http://youtu.be/hCxm_rBElU8
If you had a few of these, and kept things mostly tight you can probably get away with it.
I'm an avid window light shooter when I work with food as well, but of course now that the darker season has hit that isn't really an option in the evening time.
Alternatively, I use a cheap video LED and a small softbox. It's not ideal by any means, but it's a quick and mobile option in your price range and sits nicely on a light stand. Here's an example of it in use without the softbox on it, taken in a very dark restaurant corner. An assistant is holding it for me camera left.
If you're shooting in a small space, it will get the job done at the price point you're at.
I was actually thinking about doing it this way too, I was thinking about buying this light, mounting it on a hot shoe, and yeah, the microphone is a great addition would likely be better than with the Rode shotgun. And also the diverse backgrounds would be a big plus. Do you think the light is overkill? I dont want people to be getting blinded while I talk to them. But now that I'm imagining the edit, it would be kind of boring if all the stories had the same static background.
Hi /u/Kirbybajerby, I put my [rechargeable cold shoe lights] (http://www.amazon.com/gp/product/B003155IHQ/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003155IHQ&amp;linkCode=as2&amp;tag=battleforthew-20) on a [couple of inexpensive Cowboy Studios stands] (http://www.amazon.com/gp/product/B001WB02Z4/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B001WB02Z4&amp;linkCode=as2&amp;tag=battleforthew-20) as back/hair lights.
See this pic: https://lh4.googleusercontent.com/-YBkVwvFSo38/UsvM_wublNI/AAAAAAAAIXM/bVP1GgPP0uA/w724-h543-no/P1120305.JPG
They're only [70 LEDs] (http://www.amazon.com/gp/product/B003155IHQ/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003155IHQ&amp;linkCode=as2&amp;tag=battleforthew-20), so that's all they're good for.
If you have [300s] (http://www.amazon.com/gp/product/B00AZFE5DS/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00AZFE5DS&amp;linkCode=as2&amp;tag=battleforthew-20) or even [160s] (http://www.amazon.com/gp/product/B004TJ6JH6/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B004TJ6JH6&amp;linkCode=as2&amp;tag=battleforthew-20), you should be able use them for closeup key/fill indoors, but probably not outdoors.
You'll have to put [shoe adapters] (http://www.amazon.com/gp/product/B00GH4Q4GW/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B00GH4Q4GW&amp;linkCode=as2&amp;tag=battleforthew-20) on the light stands to make it work, though.
Good luck!
Bill
Thanks for the clarification on the strobe, for some reason my mind went straight to the umbrella strobes.
I have this, but was not using it during my last shoot. It is plenty bright, but it is not controlled at all, just like a big flashlight on top of the camera. I do not think it will cause any issues.
https://www.amazon.com/gp/product/B004TJ6JH6/ref=oh_aui_detailpage_o04_s03?ie=UTF8&amp;psc=1
Should I be adjusting the white balance on my camera at all, or just in post-production? I think it is on auto mode right now, have not been messing with it trying to get the rest of my manual controls down, shutter speed, ISO and apature.
This was my first dark shooting, so that was my attempt at playing with my ISO. I still have yet to take a good look at the photographs. I fully expect the upper limit of the camera to be poor.
The focus issue has been hurting me. I have been doing mostly wildlife photography up to this point, but some people complain that my photographs are "blurry and out of focus." I still have just a basic 100-300 lens and shooting at the upper limit does produce poorer quality photographs, I like having the apature set so only the subject is focused and the background is blurry. So I feel I am on the right track, just need to improve my skills. Over the summer I will be upgrading my equipment so hopefully that brings a better quality as well.
Thank you! That's actually something I've been attempting to improve lately. Historically I was using my iPhone, because attempts to use a DSLR looked even worse (because I had no idea what I was doing). After becoming a wee bit more knowledgeable on a recent vacation in Yellowstone and the Grand Tetons, I became determined to finally improve my indoor shots. I found some surprisingly reasonable equipment on Amazon for background and lighting (lighting x2, tabletop backdrop stand, background paper, clamps to hold the paper taut), leveraged tripods I already owned and used one of my Pentax DSLRs (A K20D in this case). I still auto-leveled all the images on my computer, but hopefully they are better than in the past.
I've used this with a T3i for video and it works nicely.
Thanks bro. I used a this handle with this light
Totally! I can actually recommend the lights I have (not to sound weird I promise I just think they're good cheap lights). I have now a total of 3 and a umbrella light although you probably only need 2 and could be really creative with reflective things!
Thanks. Could you provide a link to a light you would recommend?
Something like this?
https://www.amazon.com/gp/aw/d/B004TJ6JH6/ref=mp_s_a_1_3?ie=UTF8&amp;qid=1503455990&amp;sr=8-3&amp;pi=AC_SX236_SY340_QL65&amp;keywords=led+photography+light&amp;dpPl=1&amp;dpID=51gHdZ34gzL&amp;ref=plSrch
You can get a mini-tripod with this depending on your budget: https://www.amazon.ca/gp/product/B004TJ6JH6/ref=oh_aui_detailpage_o01_s01?ie=UTF8&amp;psc=1
I've attached that to my Canon T3i used as webcam to record and adjust the lighting to how I need it.
Also I mostly record during the day, so the sunlight that comes in the living room goes well combine with the led lighting.
I've got one of these that works alright for them. And a Zoom h4n for the audio.
Thanks. I used this cheap video light from amazon..
I need a better one though.
http://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B00FJ0RGD0/ref=lp_3347871_1_6?s=photo&amp;ie=UTF8&amp;qid=1410098342&amp;sr=1-6
Okay. From that description you have two options.
Edit
Option 3: Buy an LED light if you can live without natural lighting.
https://www.amazon.com/gp/aw/d/B00FJ0RGD0/ref=pd_aw_sbs_421_3?ie=UTF8&amp;psc=1&amp;refRID=X9FXB0WD5E2A80XQT99S
Rechargeable AAs are fine in a pinch, but for anything longer than 30mins work get a couple of the full size batteries.
This brand is great for the budget conscious. I have this version and it is excellent for the price. The fan would be noisy for video in a quiet setting where you need silence, but for most video and for stills, it's great.
https://www.amazon.com/YN300-III-Adjustable-Temperature-3200K-5500K/dp/B00T3W0KDS/ref=mp_s_a_1_3?keywords=video+lights+yongnuo&amp;qid=1568077055&amp;s=gateway&amp;sr=8-3
Check out the budget lighting video from DSLR Shooter for an idea of how bright they are plus other cheap options.
Get the biggest memory card you can afford. With Prime Day starting in a few hours, I have no doubt memory cards will eventually be featured. 128GB, Class 10, UHS-1 (or 3), V60 (or 90). Larger numbers are better.
If you really want to get into video, think about an inexpensive rig.
http://dslrvideoshooter.com/video-gear/rigs/
As a beginner, look at the $30 end. I have an ebay version of this. This one gets a lot of positive reviews and is only $20.
Video takes an insane amount of light. Since you are going to be in Colorado in the summer, shouldn't be an issue. Having said that, if you are going to be shooting in low light situations, you need a light. I have this one.
Finally, sound. If sound is important to what you are shooting, think about an external recorder. Internal mics are a huge compromise compared to even an inexpensive recorder can do. For $100 the Tascam DR-5 is more than adequate.
Ok, now having said that, the only thing you REALLY need to buy is the memory card. Everything else is optional. You can hand shoot with natural light and the internal mic and get great video. Its just a lot harder. Hard is not impossible, it just takes more practice.
Google around and you will find a ton of tutorials on how to shoot video with a DSLR. A few things that stuck in my mind:
Shoot 10-1. If you want a minute of video you need to shoot 10 minutes and edit it down.
Pan slowly. Go as slow as you can. Now go slower. Its amazing how "fast" any movement is when you are recording it.
Shoot low and away. Literally the opposite of what you want to shoot a still image. You need to get the camera away from your face because your breath is loud and will cause shake.
Shoot early and late. Start shooting BEFORE the event you want to get happens and keep shooting through that event. If you dont you wont have any edit room. Its not like you are buying tape/film so shoot as much as your sensor can handle.
Hope this helps! Im in Colorado Springs next week and you reminded me to pack my rig! Thanks!
Why not a normal photo specific led array like the yongnuo?
https://www.amazon.com/YONGNUO-YN300-III-Temperature-3200K-5500K/dp/B00T3W0KDS?SubscriptionId=AKIAILSHYYTFIVPWUY6Q&amp;tag=duckduckgo-d-20&amp;linkCode=xm2&amp;camp=2025&amp;creative=165953&amp;creativeASIN=B00T3W0KDS
I mostly rely on natural light, but I occasionally use a couple smallish LEDs.
I've seen a lot of people lately recommend picking up a couple of these lights. I've been meaning to pick one up, but I haven't gotten around to it yet.
What would be a good idea to do a “minimalistic” 3 point light fixture. Lately I’ve been accumulating plenty of photography gear for my side IG account (hobby photography / food), and I’m nearly “ready” with what I have to work with, but lighting is the 2nd to last thing I’ve left to work on, aside from a proper camera upgrade (DxO One), and yes, I already own a camera (Nikon D5300 & D7200), but I’d much rather keep those things exclusive for my job.
I’ve been considering this Amazon offer from Neewer: x2 CN-160 lights, x2 light stands (lightweight, most likely I’ll upgrade when I can), x2 medium sized batteries, a compact wall charger, and x2 softboxes. I could use my current Yongnuo YN-600 Air to compete the trio and use that as a key light.
My planned budget is somewhere 100-200$, in case if that was an issue.
Pros and cons of that:
+
-:
My other option was to grab another Lume Cube Air (I currently have 2), and wrap up my trio of them. Lume Cube Air (I was close to “cheaping out” and getting a clone but I’d much rather get the original) are compact, I can use it as a fill light or get any corners/unchecked spots, and plenty of other functions I wouldn’t do with a larger light, but it’s way too narrow in terms of lighting.
In short, which option should I consider (for my minimalistic gear & side IG):
100$ Neewer bundle for 2 CN-160s/Softboxes/Light Stands/Batteries and potentially fit it in with my Yongnuo YN-600Air or a Lume Cube Air to fit in with my 2 Lume Cube Airs.
Hope to see some good insight!
If you can return those I would. Those are meant for larger studios and not really for constant light.
If you can look into led panels. They have dimmers and you can mix in yellow and blue light to get the perfect balance for your room, especially if you have any natural light coming through a window.
Look at these, I'm pretty sure it's what I use (I steal them from my husband who's a videographer) and they are amazing! (Not an affiliated link btw)
Neewer Dimmable Bi-Color LED with U Bracket Professional Video Light for Studio, YouTube Outdoor Video Photography Lighting Kit, Durable Metal Frame, 480 LED Beads, 3200-5600K, CRI 96+ https://www.amazon.com/dp/B01934RL0U/ref=cm_sw_r_cp_apa_i_OiArDbD2DT7J9
There have been a few posts recently, the clamp stands are hit and miss, mostly DIY outside of the massively over priced Elgato units.
I personally use and recommend Neewer panels, I use https://www.amazon.ca/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U/ref=sr_1_3?keywords=neewer+LED&qid=1551065970&s=electronics&sr=1-3
For the camera, i think a G7 should do the job, but if you don't even move that much and have a somewhat broader field of view, maybe a set focus will even do the job.
For audio i'd personally get a sound recorder from zoom or tascam and a cable - lav which will cost you 120$ to 150$ and get you great results.
For lightning i'd take something like https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U/ref=sr_1_3?ie=UTF8&amp;qid=1492541966&amp;sr=8-3&amp;keywords=neewer+led
with some cheap tripods, because your indoors mostly there should be no worrys, and they can be powered per battery, too.
Software... Davinci Resolve ist free if you only want to work in a 1080p workflow and even for like 20$ a month you get get the full adobe cc bundle. And yeah you don't want to spend much money there, but many things can be created with the combination of Premiere, AfterEffects and Audition.
Buy this: https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U?ref_=ast_slp_dp
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With 4 NP-F970 Batteries: https://www.amazon.com/Powerextra-Replacement-Compatible-DCR-VX2100-HVR-HD1000U/dp/B01N3TWBXI/ref=sr_1_3?crid=3AVTU7RI3GKN2&keywords=np+f970+battery&qid=1574805414&s=electronics&sprefix=np+f%2Celectronics%2C227&sr=1-3
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Some gels: (cut to size) https://www.amazon.com/Neewer-12-Inches-Transparent-Correction-Different/dp/B01CCIKB5Q/ref=sr_1_1?keywords=neewer+gels&qid=1574805440&s=electronics&sr=1-1
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and two light stands and you're in business.
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I've been using these for a long time and always do the trick.
Look up the film guys (thefilmguys.net) and see what that cinematography looks like. Only those lights and nothing else.
Any idea on how to attach this light to this bracket? Which adapter do I need?
Light
https://www.amazon.com/Neewer-Dimmable-Professional-Photography-3200-5600K/dp/B01934RL0U
Bracket (for use with umbrella)
https://www.amazon.com/Anwenk-Speedlite-Umbrella-Reflector-Holder/dp/B072JRNNTG/ref=sr_1_2?keywords=bracket+for+umbrella&amp;qid=1574025410&amp;s=electronics&amp;sr=1-2
https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y
Is this similar enough? :)
What if I were to get one or two of these and put them on a stand?
https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_3?ie=UTF8&amp;qid=1539380370&amp;sr=8-3&amp;keywords=yongnuo+yn360
your vids are getting better, bro. And your recipes are amazing :) I would've never thought of making curry paste. I gotta try it now.
I still think that you could shave a minute off of this by doing more dynamic cuts, even though i did notice you playing with speed ramping -- looking good. One big thing i was thrown off by in this one was camera shake when you were pounding the paste and when you slam your fist on the table :) Setting up a tripod may be a little more work, but it will help out. Also, watch your shadows when doing an overhead shot. I think you need more of those, but you would need an LED light to help you with those. Check this one out, it's affordable and very versatile. It can give your dishes some really desirable light. https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_1_sspa?ie=UTF8&qid=1550150996&sr=8-1-spons&keywords=yongnuo+led+light+wand&psc=1&smid=AMIHU7JS0U6DA
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also, check out my channel when you get a chance :) https://www.youtube.com/channel/UC05j4axvVhIUu0FOr3zzkLg
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I've heard good things about this item from others, and it is a fraction of the cost. If I recall correctly, you must purchase the charging cable separately. So I'd research thoroughly before pulling the trigger.
[Aputure AL-M9 Amaran LED](http://www.Aputure.com/ AL-M9 Amaran LED Mini Light on Camera Video Light, Black https://www.amazon.com/dp/B01ITRLJIW/ref=cm_sw_r_cp_apa_i_hZLVDbK6XHRTJ)
A small LED light would suffice, you could set it high above to the left of the subject facing the wall to get a bit of a back light. Depending on the space if there is some place to put it or use a light stand.
you can do this on a budget with a 2 of these guys. I have 2 and use them all the time.
If you are looking for an on camera light i can't recomend this enough. They are the best on the market https://www.amazon.co.uk/Aputure-AL-M9-Light-Filming-Photography/dp/B01ITRLJIW/ref=sr_1_2?s=electronics&ie=UTF8&qid=1525896892&sr=1-2&keywords=aputure+al-m9
Try one of these https://www.amazon.com/gp/product/B01ITRLJIW/ref=as_li_qf_sp_asin_il_tl?ie=UTF8
or
https://www.lumecube.com/
Here's my setup. Looks like this. My lights are mounted using a 1/4"-20 camera gooseneck mount with a thread pattern that some microphone boom arms also use:
If your mic boom uses a 5/8"-27 pattern, then you might need this adapter:
Viltrox L116T
Let's try for Viltrox as usual :)
https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/
https://www.amazon.com/dp/B01KZLM3QC
Thanks!
Does anyone mind if I jump on the bandwagon?
Thank you, Para!
Thanks for the giveaway!
and the viltrox l116t for me: https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
The Viltrox lights are cool.
http://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
http://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
Viltrox L116T
Manker E03H NWThank you for doing all these! Love the more frequent/lower priced giveaways. I really don't need a $100 flashlight anyways...
Thank you, as always!
[(https://www.amazon.com/VILTROX-L116T-Dimmable-Bi-Color-3300K-5600K/dp/B01KZLM3QC/)]
Back down to Viltrox 116T prices!
https://www.amazon.com/VILTROX-L116T-Dimmable-Bi-Color-3300K-5600K/dp/B01KZLM3QC/
That's good reasoning on lowering the limit. Thanks for keeping these going!
I love that you have light panels also
https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
I've seen Adam Savages video using one of these lights. My dad would love this for our workbench.
Awesome and thanks! This looks interesting
https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
Any other nice light panel would be cool too if the price changes or this goes OOS.
Thanks, Uncle Para.
Viltrox L116T
Thanks for all you do to support the community
https://www.amazon.com/VILTROX-L116T-3300K-5600K-temperature-Brightness/dp/B01KZLM3QC
Thanks
https://www.amazon.com/Viltrox-L116T/dp/B01KZLM3QC/?tag=parametrek-20
Thanks! I'm in for a Viltrox VL116T.
Edited for the 116T.
Hey, thanks for doing another giveaway! I'm in for a Viltrox L116T!
Thank you!
Since others recommended it:
https://www.amazon.com/gp/product/B01KZLM3QC/
Thank you!
https://www.amazon.com/VILTROX-L132T-Dimmable-Panasonic-Camcorders/dp/B01L75TMSM?ref_=bl_dp_s_web_7494595011
Thanks you for this, u/parametrek!
I'm actually totally into the Viltrox L132T!
Awesome, thanks!
https://www.amazon.com/Viltrox-L132T/dp/B01L75TMSM/?tag=parametrek-20 . Why not?
https://www.amazon.com/Viltrox-L132T/dp/B01L75TMSM/?tag=parametrek-20
You rock as always, I'm down for this guy. https://www.amazon.com/dp/B01L75TMSM/ref=cm_sw_r_cp_awdb_t1_nWa1Db2XW4JYY
One day I'm going to turn one of these Viltrox panels into a magnetic work light.
We actually use 3 of these
LED photo lights
They take up less space than softboxes, as well as let you adjust the color temp and brightness. We ran ours with the amazon recommended power cable and a desk scissor mount.
I’m interested in this Viltrox. Thanks for the chance!
Thanks again!
I would really love a Viltrox panel
https://www.amazon.com/VILTROX-L132T-Bi-color-Dimmable-NP-F550/dp/B01MYGDGUQ/ref=mp_s_a_1_7?keywords=viltrox&amp;qid=1557941691&amp;s=gateway&amp;sr=8-7
Unanswered (again) question from a previous megathread
Author /u/Tinderlickinggood - (Permalink)
Hi everyone. Photography noob here though I understand basic manual settings. I built a diy photobooth and will be using it at my cousin's wedding very soon. It is an open air type booth with a canon t3i in it and is self automated. The wedding will be outside from 4pm to late hours. What are the best settings for it so that I can set and forget? Assuming we have full outdoor lighting, and sun setting at 7:30, what shooting mode would be best? It will have continuous lighting seen here VILTROX L132T 0.78"/2cm Ultra... https://www.amazon.com/dp/B01MYGDGUQ?ref=ppx_pop_mob_ap_share
TIA
I just finished building my photo booth. I handmade the box enclosure and attached this on top.
VILTROX L132T 0.78"/2cm Ultra... https://www.amazon.com/dp/B01MYGDGUQ?ref=ppx_pop_mob_ap_share
Works pretty well for me. Its continous lighting with adjustable temperature and brightness. Buy the ac charger (sold separately) and connect it to a power source. You should also consider a dummy battery for your camera if your booth will be unmanned. Therefore, you'll be needing a power source near your booth which makes continuous lighting possible.
I teach video production at the local university's continuing ed program. Here are some thoughts...
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For product videography it’s best to use an LED studio light on a tripod that has adjustable temperatures do you can accurately capture the products colors.
https://www.amazon.com/Neewer-Professional-Bi-Color-Photography-3200-5600K/dp/B01NCJSK5V/ref=sr_1_11?keywords=Led+studio+lighting&amp;qid=1572443596&amp;s=electronics&amp;sr=1-11
Can you use this:
https://www.amazon.co.uk/Neewer-Dimmable-Panasonic-Samsung-Olympus/dp/B06XDFGDCX/ref=sr_1_3?ie=UTF8&amp;qid=1524709063&amp;sr=8-3&amp;keywords=neewer+battery+LED+Light
Instead of a Speedlight flash or should you always use a Speedlight flash when you are on the move at an event?
Ha I think you gave yourself some good feedback at the beginning of the video - you could already see the finished look, so the viewer doesn't need to wait until the end/watch more :) You could put the finished look in the thumbnail instead and do your outro with it.
As you're doing makeup videos I'd also recommend getting some better lighting (doesn't have to be expensive), I bought this one and it is quite good: https://www.amazon.co.uk/Neewer-Dimmable-Panasonic-Batteies-Included/dp/B06XDFGDCX/ref=sr_1_5?keywords=video+lighting+led&qid=1563132285&refinements=p_89%3ANeewer&rnid=1632651031&s=photo&sr=1-5
Neewer Photo Studio 176 LED Ultra... https://www.amazon.com/dp/B06XDFGDCX?ref=ppx_pop_mob_ap_share
whatever light you get make sure it's dimmable and has a diffuser attachment. Something like this. https://www.amazon.ca/Neewer-Dimmable-Panasonic-Samsung-Olympus/dp/B06XDFGDCX/ref=asc_df_B06XDFGDCX/?tag=googleshopc0c-20&amp;linkCode=df0&amp;hvadid=292974284305&amp;hvpos=1o1&amp;hvnetw=g&amp;hvrand=5136241249916722319&amp;hvpone=&amp;hvptwo=&amp;hvqmt=&amp;hvdev=c&amp;hvdvcmdl=&amp;hvlocint=&amp;hvlocphy=9000813&amp;hvtargid=pla-347938700150&amp;psc=1
If you’re limited in space, my solution has been to mount an LED light on one of these stands, and clamp it to the back of my desk. Gives me a little more flexibility than mounting it on top of my monitor.
I use these lights, if youre interested.
I use a single studio lamp for mine, I just don't have much room for another one. You could also try a neewer lamp which I hear are pretty good especially if you lack the room for two studio lamps.
https://www.amazon.co.uk/gp/aw/d/B06XDFGDCX/ref=mp_s_a_1_1?ie=UTF8&amp;qid=1518710416&amp;sr=8-1&amp;pi=AC_SX236_SY340_QL65&amp;keywords=neewer+light&amp;dpPl=1&amp;dpID=51%2BDoViD4wL&amp;ref=plSrch
If you want spend for branded quality that is and is rather robust (even though it will be in the office and not traveling with you for diff film sets) go with the aperature branded products
However if you want some good budget lights and can buy some bell and whistle add ons to help with your set up later, go with Neewer 660 LEDs here and their 5 in 1 reflector kit here
Personally I love Neewer as they have a solid product and if you take care of it, as you should for all of your equipment, it will last.
Are you interested in a DSLR/interchangeable lens type of camera, or a straightforward video camcorder? Based on what you're looking to film (interviews plus footage of art being created over a period of time), I think a DSLR camera could work for you. It would be capable of getting quality video footage, and if you want to take photo timelapses of the art pieces being created that would be easy to do as well.
So based on that and your $2000 budget, here's what I'd recommend.
Panasonic G85 w/kit lens ($800)
Rode Wireless DSLR Audio System ($330)
Manfrotto Video Tripod ($360)
Neewer 660 LED 2-Light Kit with stands ($160)
Lumix 25mm f1.7 lens ($180)
This should bring you comfortably under $2000. The kit lens that comes with the G85 isn't the greatest but it's a start. I'd recommend getting the Lumix 12-35mm f2.8 if you have another $800 or so to shell out...you can probably get it cheaper used though.
The 25mm f1.7 is equivalent to a 50mm focal length on a full-frame camera (the G85 has a micro four thirds sensor) and should do well in lower light situations.
With the leftover money, I say go buy a decent bag or carrying case for the camera gear and get some SD cards, lens filters, etc.
Thanks! So something like [this?](https://www.amazon.com/Neewer-Pieces-Bi-color-Video-Light/dp/B06XW3B81V/ref=sr_1_3?keywords=neewer%2Bled%2Bpanels&qid=1555434010&s=electronics&sr=1-3&th=1)
Looks like you can control their intensity and light temperature without gels, which is nice.
How do you position these? I know traditional lighting setups look something like [this](http://i.imgur.com/PXOMvoj.png) but as I am now I don't have a solid backdrop behind me for a good 15 feet or so.
The color on these won't be great, but this gives you two decently soft sources, and relatively cheap. You'll still need to hang some diffusion on it, and probably look into getting some minus green gel.
Neewer 2 Pieces Bi-color 660 LED Video Light and Stand Kit Includes:(2)3200-5600K CRI 96+ Dimmable Light with U Bracket and Barndoor and (2)75 inches Light Stand for Studio Photography, Video Shooting https://www.amazon.com/dp/B06XW3B81V/ref=cm_sw_r_sms_apa_i_h9e2DbR7NFHH7
By indoor lighting do you mean the normal lights in your house? If so that's the problem, turn them off and use a couple good lights to properly light what you're filming instead.
something like this will go a long way. Or better two of these will light up a room nicely.
Thank you Para!
Viltrox L116T
Is this going to be intense on the eyes? I already work an 8hr a day job on the computer, this might be overkill if its super bright in my eyes. The one you linked however still seems a bit big.. I just found this one though in 'sponsored products': https://www.amazon.com/dp/B07D8TTFSR/ref=sspa_dk_detail_3?psc=1&pd_rd_i=B07D8TTFSR&pd_rd_w=Lqtnz&pf_rd_p=8a8f3917-7900-4ce8-ad90-adf0d53c0985&pd_rd_wg=Euict&pf_rd_r=E1HDXDP7CWSMMZMR79T8&pd_rd_r=4dd1fd04-75ad-11e9-a9da-2171f603c15c
It seems small and compact which is good, only thing I dont like about this one is that it runs on only batteries. I stream often so this would run out pretty often and might get annoying. Are there alternatives like that, that I can clamp on my monitor for example? Maybe without batteries?
I'll bite, Viltrox L116T https://www.amazon.com/dp/B07D8TTFSR/ref=twister_B07H2DZNBL?_encoding=UTF8&amp;psc=1
Thanks as always Parametrek!
I'd love one of these:https://www.amazon.com/VILTROX-L116T-3300K-5600K-Temperature-Brightness/dp/B07D8TTFSR/
Good luck everyone!
VILTROX L116T RA CRI95 Super Slim LED Light Panel,3300K-5600K LED Video Light Panel, LCD Display Screen,Color Temperature and Brightness can be Adjusted with NP-F550 Lithium Battery https://www.amazon.com/dp/B07D8TTFSR/ref=cm_sw_r_cp_apa_i_oiGDCb15HEBXJ
That'd be awesome. Thanks!!
Maybe a photography light panel.
https://www.amazon.com/gp/product/B07D8TTFSR/ref=ox_sc_saved_title_6?smid=A39K54HFH17J9M&amp;psc=1
Could always use a Viltrox L116T. Super handy for all sorts of things.
https://www.amazon.com/gp/product/B07D8TTFSR/?tag=parametrek-20
I dunno why I need one of these... https://www.amazon.com/dp/B073QLGK3R/
Recent subscriber, would like one of these!
Awesome giveaway, thanks a ton!
Light Panel
I could put this to use.
If only the Luimintop Prince Mini was in stock.
https://www.amazon.com/VILTROX-VL-162T-Brightness-Camcorder-3300K-5600K/dp/B073QLGK3R/
Good luck everyone!
Copying Zak with the Viltrox panel. Thanks as always!
Wow... That is very detailed... So when do you plan on making videos? Are you planning on making videos after you buy all that equipment or are you going to make videos and upgrade equipment as you go along? If you plan on making videos asap then I'd suggest moving the lav mic to the "next to buy" column. Also why would you buy a lightstand all by itself? Is that to go with the Aperture AL-M9? If you want to do it on cheap check out the 3 pack of Neewer LED lights. You can knock out your key, fill and hair lights for about $65 each including the stands. You'd be all set to go with your home studio.
https://www.amazon.com/gp/product/B072Q3DYXR
These are cheap, bright, bicolor. They definitely tinge slightly green on daylight but for the price and coming with stands it’s a pretty tough to beat deal for micro budget lighting
https://www.amazon.com/Neewer-Packs-Dimmable-Bi-Color-Lighting/dp/B072Q3DYXR/ref=asc_df_B072Q3DYXR/?tag=hyprod-20&amp;linkCode=df0&amp;hvadid=198070155062&amp;hvpos=1o6&amp;hvnetw=g&amp;hvrand=15607062875888299640&amp;hvpone=&amp;hvptwo=&amp;hvqmt=&amp;hvdev=m&amp;hvdvcmdl=&amp;hvlocint=&amp;hvlocphy=9011554&amp;hvtargid=pla-444276907917&amp;psc=1
Many thanks!
https://www.amazon.com/dp/B07D8TTFSR/
I need one of these for filming leatherwork that I do
VILTROX VL-162T CRI95+ LED Video Light, Portable Camera Photo Light Panel
https://www.amazon.com/dp/B07C9ZNY17/ref=cm_sw_r_cp_api_i_XRURDbF012XDK
This one!
https://www.amazon.com/gp/product/B07C9ZNY17/ref=oh_aui_search_asin_title?ie=UTF8&amp;psc=1&amp;fbclid=IwAR0nYYwP-ScfpxPRUyyuQO8W_IhbZYAy-DoEdrhQqse7jGhHhr_3KuyvPiY
That was fast. Thanks & good luck. Fingers crossed for the Viltrox kit.
Hello! I'm in the market for new video lighting. I currently have 2 bigger CFL bulb lights that use 5x 45w bulbs each. Similar to this. I'm looking to get a smaller setup as these are BULKY! I was looking at some LED options for size and wondered what your opinions are on the amount of light I'll be able to produce between the Aputure F7 and the Neewer 480 Bi-color lights.
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I was going to pull the trigger on the set of 3x Neewer lights, but I really wasn't sure how to make sense of the pricing between these 2. A lot of AL-F7 reviews out there and they seem bright. I could pick up 2 of these for $200, without stands/batteries/etc, I know. OR I could get this set of 3x 480 LED(240 if I just use the 5500K setting), with stands for about the same! On paper, it seems the Neewer lights produce more light than the AL-F7. Even cutting that in half for using the 5500K(240LED), it seems higher than the AL-F7.
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I guess my main question for anyone who has more experience with LED lights is: Will I actually get more light from a single Neewer 480 light(550K so 240 LEDs total!) or the AL-F7? For anyone wondering, I currently have NO plans to mount the lights to my camera and will be using them on stands. Thanks for anyone who can chime in!
I do this as my job. Some things you could work on:
If it's just fan footage none of this is really important.
To add on, I found this on Amazon. Any thoughts? Would something like this provide accurate lighting?
This one is pretty good and inexpensive. https://www.amazon.com/Dimmable-Digital-Camcorder-Panasonic-Samsung/dp/B004TJ6JH6/ref=pd_rhf_gw_p_img_8?_encoding=UTF8&amp;psc=1&amp;refRID=NMP5J0XA8YH8KRYX80RR
https://www.amazon.com/YONGNUO-YN360-Adjustable-Temperature-3200K-5500K/dp/B01D2X4A8Y/ref=sr_1_1?ie=UTF8&amp;qid=1484091115&amp;sr=8-1&amp;keywords=yongnuo+ice+light
and
https://www.amazon.com/Aputure-AL-M9-Amaran-Light-Camera/dp/B01ITRLJIW/ref=sr_1_1?ie=UTF8&amp;qid=1484091130&amp;sr=8-1&amp;keywords=aputure+m9
you will never out grow these lights.